In honor of Passover we have invited Irvin Unger, founder and CEO of antiquarian booksellers Historicana and publisher of the new edition of the Szyk Haggadah (which you will learn all about below), to tell us why this Haggadah is different from all the others.
Spring means renewal and, for Jews, around the world, it means Passover—the story of freedom. Specifically it recounts the Jews’ escape from the tyranny of the Pharaohs, but Passover speaks symbolically to the ongoing human need to control one’s own life. Jews use a book called the Haggadah to recount this story at a Passover dinner gathering—or Seder. There have been more than 3,000 Haggadahs created over the last millennium, reflecting the wide variety of countries and cultures that are home to the Jewish Diaspora.
As a former pulpit Rabbi who became a rare book dealer, I became aware of the art of Arthur Szyk (1894 -1951) nearly 20 years ago. Since then, I have been fascinated with this talented artist who devoted his life and his art to fighting injustice—first for the Jews of Europe and then for peoples all over the world. I first came to know Arthur Szyk’s work through his Haggadah. The original 48 water color and gouache images were done in his unique style of medieval illumination with deep colors and great detail and intensity.
Szyk was a Polish-Jewish artist, trained in Paris, who devoted a decade to creating his own Passover Haggadah during the time that Hitler rose to power. It wasn’t possible to have the books printed in Germany, but Szyk was able to secure a London-based printer and a noted Jewish-English scholar, Cecil Roth, to write a commentary on the book. Szyk settled in London in 1937, where he supervised the printing of the Haggadah.
Once the printing was complete, the Szyk’s family immigrated to Canada and then to New York, where Szyk became the most well known anti-Fascist political cartoonist in America, and perhaps the world. Having lived through the Holocaust, freedom was not merely an academic theory for Szyk—freedom was real, and he devoted his life’s work to supporting it. He said of his immense skills, “Art is not my aim, it is my means.”
I have spent the past two years securing the finest book artisans and materials available in the world to create and publish a new edition of The Szyk Haggadah. For the first time since its original printing in 1940, a new edition has been created using digital photography of the original artwork and digital printing to ensure that there are no intermediaries between the art and the printed page. This new technology has produced results that are stunning—colors are deep and true, edges are crisp and images leap off the page.
To do justice to the digital printing, I secured a world-renowned book binder to hand bind and edge the bindings with gilt, used Nigerian goat skins for the bindings, and had the gift box custom made and covered in Japanese rayon cloth. I am also working with a director to create a full length of documentary of the making of the Haggadah.
During this time, I have also worked with Jewish scholars to create a companion volume to The Haggadah containing essays that shed new light and nuance on the art and life of Arthur Szyk. It has been an honor and a labor of love to create this limited edition of The Szyk Haggadah, which will be delivered to the first subscribers in time for this year’s Passover celebration.
Please visit here for more information on Arthur Szyk and the talented group of book and print artisans who are creating this new version of a 1940 masterpiece.
Thanks so much, Aline! I love sparklers! Happy 2008!