Last week may have been New York Fashion Week, but the 2014 track season was Maggie Vessey’s Fashion statement.
No need to say more.
Vessey took the opportunity of being a ‘free agent’ to prove she’s got the creative talents to match her performance prowess on the track.
“I do want to draw attention to the sport and maybe give people who aren’t necessarily interested in track and field a reason to be interested,” Vessey told Runner’s World. “But it is a very authentic expression of who I am, and I now have this opportunity to be able to put that out there, be bold, and take a risk.”
To all those eating her fashionably savvy dust, heed the words: look good, feel good. 
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Related:
Excellent read on Maggie Vessey in New York Magazine
Oiselle was representing runners at New York Fashion Week, I caught up with Founder and CEO, Sally Bergesen
My story on Kate Grace, professional runner for Oiselle.
Runner Fashion is All the Rage: Legs to Crush a Runway
My own (expanding) line of running apparel: Ezzere
Running is hard. “Thank you, Captain Obvious!” It’s hard for everyone and competing is even harder. So, I have absolutely no respect for cheaters. There, I said it, I stand by that.
Now that Lance Armstrong wants to go around running and cycling clean, I dare say there are plenty of awesome runnerchicks out there ready to chick him!
No need to focus on any more negatives, keep getting ‘er done, runners. Running is hard. It is hard as heck, but it rewards the hard-workers too.
1) Finish this sentence: Running is…
2) What is one way you motivate yourself to get out there when your brain is thinking, “Ugh, running is hard and not all that appealing at the moment.”
Remember that this little thing called runner guilt will wreck havoc on me until I do, indeed, get my run in.
G.I. JOE , THE 'REAL' ONE DISCUSSES THE MOVIE WITH HIS NAME IN IT
BY Eleanor Tylbor
After a stressful period of being relegated to a toy factory along with his love, BARBIE and her ex, KEN, the real G.I. JOE is quite upset that a movie has been made using his name as a draw. In a hastily called press conference, G.I. JOE with BARBIE by his side in his words, "wanted to clear the air."
"This is really bisrusting," G.I. Joe blustered waving his trusty machine gun in the air to emphasize his emotional angst. "They've gone and used my name and they didn't even ask me if they could!"
"Disgusting, Joe" the designer-dressed Barbie commented, smoothing her body-fitting dress and smiling for the photographers.
"Wha...?"
"You said, 'bisrusting'. There's no such word as bisrusting," Barbie emphasized, fixing her blond, vinyl hair and cleaning her teeth with her finger. "It's disGUSTING."
"Yeah! You're right on, babe! It is disbust...disrust...whatever she said! This G.I. Joe movie thingie isn't even a real person, like me. It's a military unit! Nobody bothered to ask me, a gen-u-ine soldier if I wanted to be in it. I would'a liked to, 'ya know!"
"Um...GI - remember you lost a foot when we busted out of the warehouse," Barbie interrupted the rant. "
"So? I could have sat at a table or something and held down the fort! Nobody would'a noticed." G.I. explained. "On top of it all, some dudes who call themselves Duke and Ripcord got jobs! But not me, G.I. Joe, the original soldier. It ain't fair!"
"I'll tell you what's not fair," Barbie intervened, "to have to walk on tippy-toes all your life, like me."
"Yeah - you're right as usual, babe. That's much worse than having your leg shot off. Hey - wanna go see the movie with my name in it? I got free tickets."
Placing a crutch under one arm and leaning on Barbie with the other, the pair left the room.
"Do you have to lean on me so much?" Barbie commented. "You're crushing my hair."
http://www.gijoemovie.com/
At what point do you notify agents that have partials/fulls out of a publisher's interest in your book? Should you just wait until they make an offer? I have two publishers, one small and one large, that have requested fulls of my manuscript, and both seemed very interested from the phone calls/emails. I also have about eight or nine agents that have fulls/partials of the book. If either publisher makes an offer, I hate to put them on hold while simultaneously scrambling to tell the other publisher and trying to secure representation, but it seems to be the way it is. Is it too early to notify agents? I'm a long-range planner in case you couldn't tell.
Many of you regularly enter contests and get recognition from agents and editors, which is really exciting. My thought is that this can go both ways. Notifying agents that you have interest from publishers who are currently reviewing the full manuscripts can certainly heighten an agent’s interest. After all, an editor has expressed that this is a viable project, so therefore I should take a closer look. With that in mind I would definitely let all, or at least your favorite agents, know what’s going on. It can’t hurt.
On the other hand, sometimes what will happen is that an agent will think, Hmmmm, the author already has it out with publishers, so maybe I’ll sit on it and see what happens. It takes some of the risk out of it for me, and presumably if an offer comes along she’ll get in touch with me to let me know that she has an offer and I can make my bid then. My take is that this agent probably isn’t enthusiastic enough anyway.
As for putting publishers on hold, don’t worry about it in the least. I’ve done numerous posts on this very subject, the most recent being how to handle an unagented offer from a publisher. When that happens, editors expect that you are going to use the opportunity to find yourself an agent and that the agent will use the opportunity to get the best deal possible. While it doesn’t always make them happy, it is part of the business.
My final suggestion: Go ahead and notify the agents of the interest you’re receiving. You don’t need to send out a new email every week, but a short email letting them all know that Julie at Franklin Publishing read the material in a contest and has requested the full manuscript can definitely speed things up and, let’s face it, it can’t really hurt. The worst that happens is you don’t find an agent.
Jessica
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Very timely post! In addition to this post, I would read Kristin Nelson's blog on point (end of last week I believe). There was a very big debate on this topic and her opinion seemed to be that alerting agents to other agents having the full is bragging and may cause some agents to chuck your sub altogether.
As for me, I didn't tell any agent anything about what was going on with other agents until I had an offer of representation on the table. Then I emailed or called the rest to let them know. In my mind, an agent having a full didn't mean too much in the grand scheme of things (I'd had plenty of fulls rejected).
My only concern is that an author then gets represented by an agent that wants the deal, and not truly vested in them as an author. We discussed that in your other post about agents (which was a fantastic post, btw). I suppose in the end, it's all in where the author is in her career!
I've been advised not to alert potential agents that my book has been sent to publishers until an agent has made an offer. Look at it this way--what if you tell an agent that publishers have your manuscript and this agent doesn't take you on as a client because your book has been "shopped" already? If you've sent your book to a publisher and then heard nothing, doesn't that close yet another door for an agent considering offering to represent you?
Good post. I'm not sure what I would do. Would telling the agent I have requests lure an agent who just wants an easy score over one who really loved me? I'd probably just wait it out. (My daddy always said, "Keep your ears open and your mouth shut!") Unless there was an agent I'd met a few times and really felt she would like my story. But it would have to be one I felt some kind of connection with.
Great post. As far as agents and not wanting to come across as showing off - I would think when you include the sentence "multiple submissions" that an agent would know she/he are not the only one and while that doesn't mean you have offers for partials or full, in your first query/contact that should be fine.
In my case I received an offer by an editor to see the full manuscript. This is the only editor I have contacted/query and I do not yet have an agent.
While it is being reviewed I have received requests for partials from agents I have researched and queried. And each time I give full disclosure on said editor and that it is the only one I've contacted directly however I don't state any other agents requests.
Most of the time it seems after intial query if an agent is interested they often will directly ask you if this manuscript has been shopped to editors (who don't require an agent)and if asked I give an honest answer, but I have yet to see where an agent has asked about other agents.
Did any of that make sense? :o)
I'm curious about authors who final in a contest and have their entry reviewed by an editor. How does this affect the potential "shopping" factor for the potential agent?
If Agent W loves it, but finds out that Editors X,Y and Z already read the partial as an entry in a contest, will that make a difference?
--Chiron O'Keefe
It's funny how often we hear about authors who have a publisher's offer on the table, and then assume getting the agent at this point will be a piece of cake. Oh, contrare.
I really, really respect an agent who takes on a project mainly because he or she loves it and sees the author's potential for a successful career. That's the agent I want to work with.
"Oh, contrare."
This is a joke, right?