Yep, it's time once again for a little 2k8 horn-tooting!!
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Blog: 2k8: Class Notes (Login to Add to MyJacketFlap)
JacketFlap tags: Little Willow, Samantha Hansen Has Rocks in her Head, The Lucky Place, kristin o'donnell tubb, sleepless, Add a tag
Blog: 2k8: Class Notes (Login to Add to MyJacketFlap)
JacketFlap tags: video, book trailer, zu vincent, The Lucky Place, the class of 2k8, m2 productions, Add a tag
The book trailer for Zu Vincent's The Lucky Place is, in a word, FANTASTIC!
The Lucky Place is, in a word, FANTASTIC!
We heart you Zu Vincent! We heart The Lucky Place!
Blog: 2k8: Class Notes (Login to Add to MyJacketFlap)
JacketFlap tags: zu vincent, The Lucky Place, teen libris, benbella books, Add a tag
"Plotting my next move." (Zu Vincent)
2k8: So, Zu, what do you think happens to Cassie and her mom as Cassie gets older?
Zu Vincent: I know what happens; I’ve already written the companion book. The Lucky Place ends when Cassie is twelve and the next novel picks up there and takes her through age eighteen. In writing about this family, it turned out that The Lucky Place is more a story about a father and daughter, but the new story centers around a mother and daughter. Cassie’s mother, Belle, really goes off the deep in my next novel. So does her brother Jamie. The sixties hit with a vengence and all hell breaks lose. It’s a pretty wild ride.
2k8: What’s the most satisfying part of the writer’s life?
Zu Vincent: Doing what I love and having so many wonderful friends who do the same thing to share it with.
2k8: What are you writing now?
Zu Vincent: I’m completing what might be called a literary mystery about a kidnapped boy and a senile old lady who hopes to save him. Its subtext is the perils of old age—a time in our lives which oddly enough has a real parallel to adolescence, the time of life Cassie is just entering in The Lucky Place.
So, interested in reading a chapter of The Lucky Place?
Click here. Hint: You need to register first, then click on "Library."
And check out Teen Libris where Zu has an essay, "Mind the Gap", in the anthology Through the Wardrobe.
We're honored, Zu, to have been a part of your exciting launch week! We'll be following your bright, bright literary future!
Blog: 2k8: Class Notes (Login to Add to MyJacketFlap)
JacketFlap tags: writer, class of 2k8, zu vincent, The Lucky Place, Add a tag
(Zu Vincent on her short story, "The Good People")
2k8: When did you know you wanted to be a writer?
Zu Vincent: I composed my first poem when I was three, and the sheer joy of mixing words with emotions made me decide then and there I was going to write. Even though I didn’t yet know how to put words on paper.
Fueling that, I think, was a passion for language. I fell hard for books when I was really little. I remember my first book—a collection of poems and fairy tales bought from a door to door salesman—I can still smell the ink on those glossy pages and see the fascinating art and mysterious stories.
I grew up writing and when I wasn’t writing I was listening to words in my head. A story ran through me all the time. I “wrote” about everything, rearranging words, events and images until I was pleased with them, as if the whole world needed setting down in a book.
2k8: How did this desire to write become reality?
Zu Vincent: I don’t know if writing is as much a career as a vocation, which means you do it for love even in the leanest times. I started out by teaching myself. Before I could afford my first computer I practiced writing stories on my dad’s old Underwood typewriter, propped on the kitchen table. But I did take a night class early on. It was taught by a caustic, old-school journalist who demanded we publish or perish before the class was over. So I wrote a short story that actually sold. I don’t know who was more surprised, me or the teacher. But I was hooked.
2k8: How has freelancing helped you as a novelist?
Zu Vincent: By interviewing so many people I’ve met a great cast of characters. And in doing research I’ve learned a little bit about a lot of incredible places. I’ve studied art, science, history, building, you name it. I’ve done a lot of traveling. But most of all I’ve studied people, which is a writer’s dream. And in interviews people are so willing to give of their emotional selves if you’re willing to listen. It’s that connection that makes a story come alive. So the fiction writer in me delights in interviewing because it always leaves me knowing a bit more about life.
Coming tomorrow ... details on The Lucky Place and what it's like to write in vignettes!
Blog: 2k8: Class Notes (Login to Add to MyJacketFlap)
JacketFlap tags: class of 2k8, zu vincent, debut author, The Lucky Place, Add a tag
Without further ado, here's the beautiful cover:
And we want to tell you about The Lucky Place:
“Here’s what I think. I think having two daddies is like riding the elephant. You don’t know until you get up there what an elephant smells like, or how high you will be on the elephant’s back. But then you realize. And the basket tips one way and then the other, like you might fall, every time the elephant steps.”
Her drunken father lost her at the races when she was three. Her down and out mother believes in luck. Her wild brother wants to be a dancing star. And her new father’s secret could destroy them all. But when the chips are down in an ordinary life, the view from a young girl’s heart can still look extraordinary.
Now, let's meet Zu!
So, Zu, tell us how The Lucky Place began…
Isabelle Allende calls writing “an exercise in nostalgia,” a long, slow dance in an ever-widening circle of memory. I like that. I think we forge the details of this dance from love and longing, remembered place and the rub of character against character. In this way all novels are true, even if they aren’t factual. For example, the title for The Lucky Place came from a childhood memory about a white horse. When my mom would see this white horse in the field near our home, she’d lick her thumb and stamp it on her palm for luck. I remember being sure this would work, that our family would stay charmed forever.
But nobody’s family stays charmed forever. And in The Lucky Place, I created Cassie and Jamie, threw them into a messy family relationship and watched what happens when this early magical belief meets reality.
Advance praise for The Lucky Place:
“A quietly powerful and important story. Zu’s vignettes weave a novel that, from moment to moment, takes your breath—then gently hands it back to you again. Lovely.”
“The Lucky Place is a pitch-perfect little symphony.”
“A magical book—joyful and heartbreaking—singing with life. Zu leads us gently into the heart and soul of a girl we come to love. I didn’t want it to end.”
Come back and visit as we spend the week getting to know more about our classmate, Zu Vincent, and The Lucky Place!
You can also visit Zu at her website: http://www.zuvincent.com
Blog: PaperTigers (Login to Add to MyJacketFlap)
JacketFlap tags: Debjani Chatterjee, Asian Children-s Favorite Stories, Demi, Children's Books, folktales, Authors, Picture Books, folk tales, The Elves and the Shoemaker, Baba Yaga, folktale retellings, Coyote Tales, healing tales for children, Heckedy Peg, Louisiana Creole tale, Talking Eggs, Uncle Remus, Add a tag
Narrative forms have the potential to inspire, sustain and heal us, and traditional folktales have a special healing magic for children. Witch and monster stories like Baba Yaga and Heckedy Peg show how to get through the dark woods of life and suggest that there are helpful beings along the way. The Elves and the Shoemaker illustrates the practice of generosity. Talking Eggs, a traditional Louisiana Creole Cinderella tale, demonstrates the eventual triumph of good over evil. In the Uncle Remus stories, underdogs like tar baby and the rabbit outfox the scary fox himself. Native American coyote tales offer tales of connectedness with the natural world. In our stress-filled lives, these stories provide steadying information and wisdom.
For folktales from Asia, search the wealth of the PaperTigers website, or go directly to interviews with authors like Debjani Chatterjee and Demi, who have written stories based on folktales. For faves of Asian kids, here’s a review of a collection of folktale retellings. And for Hispanic folktales, check out Tales Our Arbuelitas Told.
PaperTigers welcomes your feedback about this important form of literature for the child within each of us.
Thanks, you all!