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There have been a lot of articles and blog posts floating around lately about what to read if you’re into Downton Abbey. One in particular, which talked about Elizabeth von Arnim apropos of one character giving a copy of Elizabeth and Her German Garden to another, made Evangeline at Edwardian Promenade say, “hey, what about Elinor Glyn?” Which, obviously, is the correct response to everything. And then I read it, and thought, “yeah, Elizabeth and her German Garden was popular when it came out in 1898, but would people really be trying to get each other to read a fifteen rear-old(ish) novel by a German author during World War I?” And then we decided that we could probably come up with an excellent list of Edwardian and World War I-era fiction that tied in the Downton Abbey. And so we did.

It’s a pretty casual list, mostly composed of things we came up with off the tops of out heads, a bit of research on Evangeline’s part and a bit of flipping through advertisements on mine, so we’re making no claims to be exhaustive. If you have suggestions for additions to the list, leave a comment.

I followed Lavender and Old Lace with Old Rose and Silver, and my review of the latter is now up at Edwardian Promenade.

Several weeks ago, I followed up my reread of Vicky Van with my first ever reading of The Clue, Carolyn Wells’ first mystery novel. It’s possible that it’s also her best mystery novel, although I also kind of think it’s her worst ever use of Fleming Stone.

Unrelatedly, I’m so fond of recieving recommendations from readers that I’ve put up a page specifically for that purpose. You can find it here or in the sidebar.

I keep forgetting to post thi, but my March guest post at Edwardian Promenade is up. It’s on Mrs. Wiggs of the Cabbage Patch, about which I was kind of ambivalent.

February’s Edwardian Promenade guest post is on Mary Roberts Rinehart’s first mystery novel, The Man in Lower Ten. This is partly because I reread it when I was on that train murder kick earlier this month, and partly because I was just reading a (nonfiction) book in which Rinehart was continually being compared to Mary Higgins Clark, which seemed somewhat unfair.

My new post at Edwardian Promenade is up! It’s about one of my favorite Elinor Glyn books, The Visits of Elizabeth, and two sequels, one by Glyn and one…not.

I found myself thinking, halfway through Elizabeth Visits America, about the way books take place in their own separate worlds. I mean, I often think about how an author’s style sort of creates an alternate universe, so the works of Elinor Glyn take place in a world where women are naturally a bit conniving and men are very simple and countries age like people, but here I was thinking more about how I read a lot of books set in the same time period, but somehow I always relate them in terms of style, not history. Anyway, there’s a bit in Elizabeth Visits America where Elizabeth is in New York, and she talks about young people who aren’t out in society yet, and how the boys and girls are as familiar with each other as siblings, and how their dances are almost like children’s parties, and I suddenly realized that — remember, this is 1909 — hey, that’s Patty Fairfield that Elizabeth is meeting, basically. So, I don’t know, I thought I’d share that.

Anyway, the post is here.

My October guest post is up at Edwardian Promenade: The Lightning Conductor, by everyone’s favorite husband-and-wife novel-writing team, A.M. and C.N. Williamson.

My guest post at Edwardian Promenade this month is on Edna Ferber’s first novel, Dawn O’Hara, the Girl Who Laughed.

A commenter on my post at Edwardian Promenade asked for recommendations of Edwardian Era novels with strong female characters. I thought I’d repost my reply here, along with a request for recommendations from you guys. There are undoubtedly not enough strong female characters in early 20th century popular fiction, but with our combined knowledge, I’m sure we can put together a longer list than this.

I have a few recommendations, none of which are exactly in the right period. I hope they help anyway.
The first book featuring Emma McChesney was published in, I think, 1915. Mrs. McChesney is probably the strongest character I’ve come across in early 20th century fiction, period.

A Woman Named Smith, from 1919, is one of my favorite books, mostly because the heroine, Sophy, discovers over the course of the book that she’s a lot stronger and more capable than she thought.

Lady Peggy O’Malley is from 1915-ish, and her book is in part a WWI one. Her family is horrible, but she rises above them, and retains her spunk and pluckiness almost until the last page.

Lois Cayley is a self-proclaimed adventuress from…sometime between 1895 and 1900. She becomes a maid, a bicycle advertisement, a typist, and a reporter, and although the book bogs down towards the end, the earlier parts make up for it.