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The Sid Fleischman Humor Award this year goes to the wonderful Molly Burnham, who wrote TEDDY MARS: ALMOST A WORLD RECORD BREAKER.

The award, named for the beloved writer Sid Fleischman, is given to the year's best funny book. Sid was one of the founding members of the SCBWI. Lisa Yee won the award the first time it was given, and she presented the honor to Molly, a debut novelist.

"Are you freaking out? If you're not, there's something wrong with you," Lisa said to Molly. "There are 1,000 people staring at you. THAT'S 2,000 EYEBALLS."

TEDDY MARS is about  boy obsessed with breaking world records. He'll try anything to reach his goal. "Funny, charming, and with its share of pigeon-poop jokes, this is a must-read for anyone who's ever felt out of place."

"When I found out I won this award, I immediately felt I wasn't funny any more," Molly said. (Everyone laughed immediately, proving the Molly is bonkers.)

She cried when she found out she won the Sid Fleischman award. "It's been a faraway dream that I would someday be worthy of this award. This dream ... started when I was a little kid. It means so much, and I am—to borrow a word from Road Dahl—ridonkuloulsly blissful."

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Michelle Knudsen is a New York Times best-selling author of more than 40 books for young readers, including the picture book Library Lion (illustrated by Kevin Hawkes), the middle-grade fantasy novels The Dragon of Trelian and The Princess of Trelian, and the young adult novel Evil Librarian.

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• Good old brackets.  They’re the greatest gift basketball ever gave to children’s literature.  I’m certain you’ve all been following the Battle of the Kids’ Books over at our sister blog here at SLJ.  That upcoming schedule sure looks like a doozy.  3/12 Doll Bones vs Eleanor & Park judged by Lauren Oliver?  Lauren, baby, my condolences.  3/13 Far Far Away vs Flora & Ulysses judged by Sara Mlynowski?  You can bet I’ll be there that day to watch THAT bit of logic.  But if it’s even more brackets you seek, NYPL is doing some Literary March Madness doozies of their own on Instagram.  Around March 9-12 they’ll be posting the childrens/YA brackets.  Hat tip to Morgan Holzer for coming up with the idea for #LiteraryMarchMadness in the first place.  So what’s it going to be?  Shel Silverstein vs. Dr. Seuss?  Beverly Cleary vs. Judy Blume?  The choices are entirely yours.  Good luck with all that.

• In case you missed it, SCBWI Announces 2014 Golden Kite and Sid Fleischman Award Winners and Honorees.  I’m particularly fond of the Sid Fleischman awards since they’re the only awards in America (that I’m aware of) that reward humor.  The Brits and their Dahl awards are a bit more extensive, but for now I’ll take what I can get.  Congrats to all the winners!

• This is not the first time I’ve come across a particularly interesting blog post from the site Teach From the Heart.  I don’t know that many straight up teacher blogs, but what I’ve seen coming out of this site is consistently thought provoking.  Particularly the recent piece Dear Google, You Should Have Talked to Me First which tackles the sticky, thorny subject of Accelerated Reading.  As of this writing, 253 comments and climbing, folks.

Many of you know my true and abiding love of that old Hardy Boys knock-off series The Three Investigators.  Far superior to their contemporaries in every way, The Three Investigators combined good old-fashioned boys detective action adventure heroics with the sensibility of Scooby Doo and the bizarre presence in many of their titles of Alfred Hitchcock (Jim Averbeck take note!).  Sondra Eklund pierces the veil surrounding the trio’s first adventure The Secret of Terror Castle (how can you resist a title like that?) and the results are fabulous.  I mean, the bad guy in the series was named Skinny Norris.  Tell me that’s not the best character name you’ve heard in a while.  Sounds like an escapee from Goodfellas.

• Ever wondered how to pronounce my name?  Um . . . no.  No you haven’t.  As names go mine is probably one of the easiest to figure out.  Still, that didn’t stop me from putting in an explanation about said name when TeachingBooks.net offered me the chance to appear on their site.  Hear my pronunciation n’ such here, if you’ve a desire to do so.

• Petition time!  Folks, there’s a children’s literary collection out there that needs you help.  Apparently UC Berkeley has slated their Tolman Children’s Library for closure.  Fortunately some concerned souls found out about this and decided to prevent the event  If you’ve a minute to spare, they would like to get 300 signatures at this time, but they’ve only hit the 200 mark.  So head on over to the petition for Save the Children’s and Young Adult Literature Library in Tolman Hall and see what you can’t do to give them a bit of a boost.  Children’s collections everywhere are facing similar cuts.  It’s nice to feel like you might be able to prevent at least one of these somewhere, somehow.

• I’ve been quoting the “He seemed to be a permanent bridesmaid” line Vicky Smith came up with in regards to Brian Floca’s win of a Caldecott quite a lot lately.  This was one of the many bon mots on display at the relatively recent Children’s Book Boston gathering, as reported by PW.  Great little piece for those of you wondering how the big ALA Awards get chosen.

• Me and Business Insider.  We’re like peas in a pod.  I don’t know how financial mags keep hooking me into their productions considering the sheer lack of funds in my own personal life.  First the Forbes article and now this.  Recently BI (I assume someone somewhere presumably calls it BI, right?) asked NYPL if someone like my pretty self could recommend some books that adults should revisit in their waning days.  Or, as they put it, Kids Books Adults Should Read Again As an Adult.  They took the bulk of my suggestions and even integrated some of my comments and news items along the way.  They didn’t mention everything I liked, but I was very impressed that they kept my mentions of Suzuki Beane and Who Needs Donuts.  Well played, guys!

Daily Image:

Know a children’s literary enthusiast in need of some hipster insider children’s lit clothing?  Look no further than this little offering from BustedTees:

Granted it’s clearly making a more specific reference to the movie adaptation of Mrs. Frisby and the Rats of NIMH (a movie that I need to rewatch one of these days, if only to confirm that it was as creepy as I recall) but we won’t hold that against it.

Thanks to Alison Morris for the link!

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Alan Silberberg holds the paperback version of Milo: Sticky Notes & Brain Freeze

Sid Fleischman was one of the founders of SCBWI and a master of comic invention. He died about a year and a half ago, and the award continues in memory of Sid and in honor of humorous writing.

Lin Oliver, no slouch herself when it comes to funny, introduced us to the delightful and warm-hearted Alan Silberman, who won this year's award for his book MILO: STICKY NOTES & BRAIN FREEZE, about a 12-year-old boy who loses his mother, sneezes on the girl he secretly loves, and learns to live with both.

"Like all great comedy, it has its basis in the human heart," Lin Oliver said. "From the moment we meet Milo we know we're in the presence of a hero who teaches us that humor and hope are the antidotes to grief and isolation.

He shared episodes from his writer's journey with us.

"My first book was pond scum," he said, not clarifying that POND SCUM was the title of the book and not his own personal post-publication review.
 
After that, he had a couple of false starts. He felt waves of panic until a bookseller asked him why he hadn't tried combining his cartooning and writing. Sort of like that little Wimpy Kid series.

That's when Milo was born. To get into the headspace of a 13-year-old, he had to travel back into his own memories ... to the time when he had braces and ate a forbidden Baby Ruth (with disastrous results), and to the death of his mother when he was 9 years old.

That's when he got the idea to combine humor and heartbreak so that he could tell the story of a funny kid living in a fog-filled emotional world. He wanted kids to laugh even as Milo dealt with that sadness, and to win a humor award for that means the world, he said.

For a description of his working relationship with editor Liesa Abrams, check out our recap.

He dedicated the award to his mother, Audrey Silberberg. And then we all cried.

• Visit Alan's site.
• Follow him on Twitter.

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Liesa Abrams and Alan Silberberg teamed up to discuss how authors and editors can best work together. Liesa is executive editor at Aladdin, and Alan is the Sid Fleischman Award-winning author of MILO: STICKY NOTES AND BRAIN FREEZE.

Even before the session started, we could see the deep rapport these two have. No wonder they fired their therapists.

MILO is about a quirky, weird wonderful boy coming to grips with the death of his mother, something Alan related to because he experienced that loss as a child. Initially, he thought the book was going to be funny, but as he delved deeper into his memories, the book got more serious.

"The book has changed my life in so many ways," he said. "My life changed because my agent was able to take this manuscript and hand it over to Liesa."

Liesa related to the book because it was her husband's story, as well. His own mom died of cancer, and he'd spoken about it in similar ways. The closest thing she could come to healing her husband's loss was to work on this book. She really, really wanted to work on it and felt anxiety that it might not come to pass.

"This is the book that will make me feel my entire career has meaning if I can edit this book."

He read from the editorial letter Liesa wrote him, and we all got choked up. "I hadn't just found a way to get Milo published, but I had found this connection with this personal story."

One challenge was to separate themselves from the story a bit. Alan, who illustrated MILO, experimented with characters that looked less like him. Being able to have Liesa put a little distance between himself and the material allowed him to edit it from a safer place.

"I don't mean to get all therapy on you," he said, "but I really needed to feel safe to go back into these memories."

Liesa gave an example of how they shaped the story: the Milo character wrote about headaches making him think of drafting a will. It's not a kid point of view to think that way, so he wrote that Milo felt scared instead.

Liesa never asked which scenes were autobiographical (they were all emotionally true, but some were fictionalized). She was glad to have that distance, which let her look at it as a work of fiction.

"The reader only knows what's there on the page. They're reading that book. You're not there. It's not that actions can't be contradictory--you have to understand why the character is contradicting themselves."

"It's not just about the advance and the royalties," Liesa said. "It makes a world of difference to have a relationship like this... the writing is the most personal thing you can do."

Alan and Liesa made us all cry when they talked about the healing this book had brought about. “Not every editor relationship requires tissues, you know.”

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Eeesh! I am embarrassed by the time lapsed since my last post - but to be fair, I have been hunkered down (with Zeus in my lap) working to finish the first draft of the "new book" which is due right about...NOW.


But even with the final chapters in sight, my train of thoughts has been derailed by the BEST NEWS EVER... MILO: STICKY NOTES & BRAIN FREEZE just won the 2011 SCBWI Sid Fleischman Award for Humor!


This is a really bid deal for me and I am still hyperventilating from the news (and it's been a few days since I heard). The list of past winners is beyond amazing and it befuddles my wee brain to think that I am in the company of Lisa Yee, Donna Gephart, David LaRochelle, Gennifer Choldenko, Sara Pennypacker, Allen Zadoff - but most humbling, is the man who received the first honor, the amazing Sid Fleischman. Wow!

What makes this extra sweet for me - not only was I able to combine my text with my cartoons, but MILO tells a very personal story. It's the story of loosing a parent when you are young and the ways a young adolescent goes about trying to remember his mom, even through the fog that has settled inside him. It's a heart-warming story, and yes, I've heard some tears have been shed reading it.

But I'd always set out to write this book with a sense of humor leading the way - and to have that side of me, and Milo recognized proves that I was able, in my own way, to highlight that a painful life event doesn't have to wipe away the funny parts. It truly can be a tandem dance between the sadness and the laughter because that was always my own experience...and now it's Milo's too.
Thank you so much SCBWI for honoring the funny and heart-felt part of me that is MILO.

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The Sid Fleischman Award is an award for exemplary writing in the genre of humor. The 2010 Award goes to FOOD, GIRLS AND OTHER THINGS I CAN'T HAVE author Allen Zadoff.

He said, it wasn't so funny being a 275 pound high school student like he was. When he wrote about FOOD, GIRLS he didn't write it to be funny, he wanted it to be the truth. He wanted to share the lessons, as an adult, that he learned from his adolescence. He said his character learned in two weeks what it took him 35 years to figure you.

He advises everyone to keep at it and to come to the SCBWI conference and meet people. And if you win an award, make it the Golden Kite, so he can get the Sid Fleischman again next year. He thanked his editor Elizabeth Law at Egmont (who had invited him to a past conference and introduced him people in the industry).

Look for Allen's next funny book MY LIFE, THE THEATER, AND OTHER TRAGEDIES (Egmont, May 2011).

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