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Viewing: Blog Posts Tagged with: dan stiles, Most Recent at Top [Help]
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1. Illustrator & Gig Poster Designer Dan Stiles

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While my color mood project is officially over, I haven’t stopped keeping an eye for effective uses of color and geometry in illustration and design. Because I happen to be a musician, I’ve also started creating gig posters for my band’s shows. The gig poster is an interesting format–you have to draw attention quickly and effectively, which typically means that it needs a striking illustration or eye-catching typography.

Dan Stiles is a cornerstone of the gig poster world, and has continued to surpass its limits with his incredible command of color and use of interacting shapes. He’s a Portland-based designer and illustrator with an award-winning track record, and has worked with clients such as Death Cab For Cutie, Feist, Nike, Birch Fabrics, MTV, and Wired Magazine.

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Dan, originally from Ann Arbor, Michigan, got his footing in Portland during his college years. He gravitated towards design by falling into the role of rock-poster-maker at the University of Oregon. Interestingly enough, he got his start as a pen-and-ink artist rather than a digital pixel-pusher (which he expounds on in his interview with WeMake). As a punk DIY-er, he originally was avoidant of graphic design. It’s a relief to know that there were others who resisted digital illustration at first aside from me!

From there, he fell in love with the design process as well as the silkscreen process, which is often a principal element in many gig posters. His minimalist aesthetic and focus on the integrity of shape only lends itself to his chosen medium. As a gig poster designer, he often has complete creative control over the concept and execution of his designs.

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Since those early days, Dan has branched out to advertising, branding/identity, surface design, packaging, and even creates his own books and merchandise. He’s worked with Birch Fabrics on their Marine Too and Mod Squad lines (the former of which was borne out of his design for an A.C. Newman poster). Dan cites his success as being dependent on his abundance of completed work.

“I look at it like the sorcerer’s apprentice. I’m Mickey Mouse, and every project I complete is another broomstick out in the world doing work for me. The more quality work I release, the wider my reach.” -Dan, from his interview with Birch Fabrics.

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Grain Edit

Art Rep NYC

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2. Dan Stiles Interview

grain edit / dan stiles

For the latest Grain Edit interview, we head to the beautiful Pacific Northwest city of Portland, Oregon. While Portland is known for it’s drizzly rain, recent influx of people, and amazing food cart scene, it is also the home of many talented designers. We here at Grain Edit had the chance to visit PDX and catch up with one of it’s very accomplished residents, Dan Stiles.

Dan is a long time designer and contributor to the comtemporary gig poster scene. His work is always very fresh, energetic, engaging and fun. Dan is very successful at creating dramatic work while using minimal colors and patterns. In this interview we chat with Dan about his history as a designer, his thoughts on running a solo studio, working in Portland, and much more.

Enjoy!

grain edit / dan stiles

Are you from Portland originally? (If not, why did you decide to move there?)

I’m originally from Ann Arbor, Michigan. It’s a pretty cool little university town, but there was no way I was going to go to college in the same town where I grew up. I wanted to make a break with everything I knew. I used college as an excuse to move to the Northwest mostly to be part of the exploding music scene and to go snowboarding. After school I moved to Portland, then to San Francisco for 7 years, then back to Portland.

grain edit / dan stiles

grain edit / dan stiles

grain edit / dan stiles

As a designer, what do you like most about living in Portland?

Portland has become a haven for people who want to do their thing. Maybe open a motorcycle shop, or design clothes, or make cheese or whatever. Most of them come from other cities where the cost of living is so outrageous that they had to work some job they hated in order to keep the lights on. Portland has most of the amenities of a big city, just on a smaller scale, plus we have mountains in our backyard. It’s also pretty accessible, not only with regards to getting around, but also with regards to getting into whatever world interests you. You can get into the bike scene, the poster scene, the food scene, the film scene etc. without having to jump over a million walls. People are very supportive and there’s less of an old guard trying to keep you out of everything. As a result there are a lot of people here doing amazing stuff, the flip side of which is that nobody has any money. I pull about 90% of my work from out of state.

grain edit / dan stiles

grain edit / dan stiles

You run a small studio. What do you enjoy about being on your own, as opposed to the design firm environment? Do you feel you’re missing out on anything from not being in a design studio?

I miss the scene you get at a studio. Lots of hip people turning you onto bands and clubs and whatever shoes are cool at the moment. Its nice to be part of a group, to go to happy hour together, to make out with the temp

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