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On 27 August 1955, the first edition of the Guinness Book of Records–now Guinness World Records, was published. Through listing world records of both human achievements and of the natural world, what started as a reference book became an international franchise, gaining popular interest around the globe. In celebration of this anniversary of weird and wonderful world records, we’ve selected a few favourites from talented individuals featured in our online products.
In anticipation of the imminent General Election on 7 May 2015, we pulled together information from Who’s Who to take a closer look at the major players bidding for our votes. We’ve mapped nine party leaders and deputy leaders to their constituencies.
On this day in 1984, musical aficionados from the worlds of pop and rock came together to record the iconic ‘Do They Know It’s Christmas?’ single for Band Aid. The single has gone down in history as an example of the power of music to help right the wrongs in the world. The song leapt to the number one spot over the Christmas of 1984, selling over a million copies in under a week and totalling sales of three million by the end of that year. The Band Aid super-group featured the cream of eighties pop, including David Bowie, Phil Collins, George Michael, Sting, Cliff Richard and Paul McCartney.
The sales target for the single was £70,000, all of which was to be donated to the African famine relief fund. With support from Radio 1 DJs and a Top of the Pops Christmas Special, sales sky-rocketed and Geldof, feeling the strength of public opinion behind him, went toe-to-toe with the conservative government in an attempt to have tax on the single waived. Margaret Thatcher initially refused the plea, but as public outcry grew, Thatcher caved-in to public demands and the tax on sales worth nearly £9 million was donated back to charity.
Bob Geldof and a host of artists old and new have re-recorded the single to help raise funds to stem the Ebola crisis. Our infographic marks the 30th anniversary of the original recording and illustrates the movers and shakers that made this monumental milestone in pop history possible.
To view free articles examining the cause, the people, and the music, you can open the graphic as a PDF.
Headline image credit: Live Aid at JFK Stadium, Philadelphia, 1985. CC BY-SA 3.0 via Wikimedia Commons.
If you share my jealousy of Peter Capaldi and his new guise as the Doctor, then read on to discover how you could become the next Time Lord with a fondness for Earth. However, be warned: you can’t just pick up Matt Smith’s bow-tie from the floor, don Tom Baker’s scarf, and expect to save planet Earth every Saturday at peak viewing time. You’re going to need training. This is where Oxford’s online products can help you. Think of us as your very own Companion guiding you through the dimensions of time, only with a bit more sass. So jump aboard (yes it’s bigger on the inside), press that button over there, pull that lever thingy, and let’s journey through the five things you need to know to become the Doctor.
(1) Regeneration
Being called two-faced may not initially appeal to you. How about twelve-faced? No wait, don’t leave, come back! Part of the appeal of the Doctor is his ability to regenerate and assume many faces. Perhaps the most striking example of regeneration we have on our planet is the Hydra fish which is able to completely re-grow a severed head. Even more striking is its ability to grow more than one head if a small incision is made on its body. I don’t think it’s likely the BBC will commission a Doctor with two heads though so best to not go down that route. Another example of an animal capable of regeneration is Porifera, the sponges commonly seen on rocks under water. These sponge-type creatures are able to regenerate an entire limb which is certainly impressive but are not quite as attractive as The David Tenants or Matt Smiths of this world.
Sea sponges, by Dimitris Siskopoulos. CC-BY-SA-2.0 via Flickr.
(2) Fighting aliens
Although alien invasion narratives only crossed over to mainstream fiction after World War II, the Doctor has been fighting off alien invasions since the Dalek War and the subsequent destruction of Gallifrey. Alien invasion narratives are tied together by one salient issue: conquer or be conquered. Whether you are battling Weeping Angels or Cybermen, you must first make sure what you are battling is indeed an alien. Yes, that lady you meet every day at the bus-stop with the strange smell may appear to be from another dimension but it’s always better to be sure before you whip out your sonic screwdriver.
(3) Visiting unknown galaxies
The Hubble Ultra Deep Field telescope captures a patch of sky that represents one thirteen-millionth of the area of the whole sky we see from Earth, and this tiny patch of the Universe contains over 10,000 galaxies. One thirteen-millionth of the sky is the equivalent to holding a grain of sand at arm’s length whilst looking up at the sky. When we look at a galaxy ten billion light years away, we are actually only seeing it by the light that left it ten billion years ago. Therefore, telescopes are akin to time machines.
The sheer vastness and mystery of the universe has baffled us for centuries. Doctor Who acts as a gatekeeper to the unknown, helping us imagine fantastical creatures such as the Daleks, all from the comfort of our living rooms.
The majority of time-travel narratives avoid the use of a physical time-machine. However, the Tardis, a blue police telephone box, journeys through time dimensions and is as important to the plot of Doctor Who as upgrades are to Cybermen. Although it looks like a plain old police telephone box, it has been known to withstand meteorite bombardment, shield itself from laser gun fire and traverse the time vortex all in one episode. The Tardis’s most striking characteristic, that it is “much bigger on the inside”, is explained by the Fourth Doctor, Tom Baker, by using the analogy of the tesseract.
(5) Looking good
It’s all very well saving the Universe every week but what use is that without a signature look? Tom Baker had the scarf, Peter Davison had the pin-stripes, John Hurt even had the brooding frown, so what will your dress-sense say about you? Perhaps you could be the Doctor with a cravat or the time-traveller with a toupee? Whatever your choice, I’m sure you’ll pull it off, you handsome devil you.
Don’t forget a good sense of humour to compliment your dashing visage. When Doctor Who was created by Donald Wilson and C.E. Webber in November 1963, the target audience of the show was eight-to-thirteen-year-olds watching as part of a family group on Saturday afternoons. In 2014, it has a worldwide general audience of all ages, claiming over 77 million viewers in the UK, Australia, and the United States. This is largely due to the Doctor’s quick quips and mix of adult and childish humour.
You’ve done it! You’ve conquered the cybermen, exterminated the daleks, and saved Earth (we’re eternally grateful of course). Why not take the Tardis for another spin and adventure through more of Oxford’s online products?
Image credit: Doctor Who poster, by Doctor Who Spoilers. CC-BY-SA-2.0 via Flickr.
From Haig to Kitchener, and Vera Lynn to Wilfred Owen, how well you know the figures of the First World War? Who’s Who highlights the individuals who had an impact on the events of the Great War. Looking through Who’s Who, we are able to gain a snapshot of the talents and achievements of these individuals, and how they went on to influence history.
Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who and Who Was Who 2014 includes autobiographical information on over 134,000 influential people from all walks of life. You can browse by people, education, and even recreation. Check out the latest feature article, which offers article content on those who shaped history between the years 1897 and 1940. For free lives of the day, follow Who’s Who on Twitter @ukwhoswho
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Image credit: Field Marshal Douglas Haig. Image available via Wikimedia Commons.
In his acceptance speech at the 1981 Oscars (best original screenplay, Chariots of Fire), Colin Welland offered the now famous prediction that ‘The British are coming!’ There have since been some notable British Oscar successes: Jessica Tandy for Driving Miss Daisy (1989); director Anthony Minghella for The English Patient (1996); Helen Mirren (in The Queen, 2006); and — maintaining the royal theme — awards for best director, actor, and film for The King’s Speech in 2011.
But looking at all British Oscar winners — since the first Academy Awards in 1929 — presents a different story. Less the ‘British are coming!’, more the ‘British have been!’ A full list of Oscar winners with entries in the Oxford Dictionary of National Biography (currently 79 individuals) lists 70 recipients between 1929 (Charlie Chaplin, The Circus) and 1980 (Alec Guinness, honorary award), and just 9 winners since Colin Welland’s rousing prediction. The Oxford DNB’s selection criteria — that all people included are deceased in or before 2009 — means this imbalance isn’t really a revelation, nor should it come as a surprise. Quite simply, and happily, most post-1981 British winners remain in good, creative health.
But the ODNB’s Oscar list is nonetheless an interesting reminder of outstanding talent, and outstanding films, from the history of British cinema. Here, of course, you’ll find the great names: Vivien Leigh (twice best actress for Gone with the Wind, 1940, and A Street Car Named Desire, 1952), Laurence Olivier (special award for Henry V, 1947 and best actor, Hamlet, 1949), or the lovely Audrey Hepburn (best actress, Roman Holiday, 1954). Also notable is that some of the most successful figures in British cinema have worked behind the camera, including the directors Carol Reed and David Lean who were both double winners.
The Oxford DNB’s list also reminds us of the perhaps forgotten successes: Jack Clayton whose The Bespoke Overcoat won ‘best short (two-reel) film’ in 1957 or Elizabeth Haffenden, winner, in 1960, of the best costume (colour) Oscar for the often scantily-clad Ben-Hur. Then there are the surprises: did you know that George Bernard Shaw won a statuette in 1939 for his adapted screenplay of Pygmalion, or that the dramatist John Osborne collected the same award for Tom Jones in 1964?
Finally, there are the ones who almost got away. It seems extraordinary that Stanley Kubrick (he lived in Britain, so he’s in the ODNB) won only once — and this for ‘best special effects’ in 2001: A Space Odyssey. Or that Cary Grant (born in Bristol) had to make do with an ‘honorary award’ in 1970. Perhaps most surprising is that the giant of twentieth-century film, both in the UK and US, only reached the stage once, to receive the Irving G. Thalberg memorial award in 1968. He, of course, is Alfred Hitchcock whose life is recreated in an eponymous film out this month — and possibly on next year’s Oscar shortlist.
The Oxford Dictionary of National Biography is the national record of men and women who have shaped British history and culture, worldwide, from the Romans to the 21st century. In addition to 58,500 life stories, the ODNB offers a free, twice monthly biography podcastwith over 175 life stories now available. You can also sign up for Life of the Day, a topical biography delivered to your inbox, or follow @odnb on Twitter for people in the news. The Oxford DNB is freely available via public libraries across the UK. Libraries offer ‘remote access’ allowing members to log-on to the complete dictionary, for free, from home (or any other computer) twenty-four hours a day.
Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who 2013 includes autobiographical information on over 33,000 influential people from all walks of life. The 165th edition includes a foreword by Arianna Huffington on ways technology is rapidly transforming the media.
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Subscribe to only television and film articles on the OUPblog via email or RSS. Image credit: CHICAGO – JANUARY 23: Oscar statuettes are displayed during an unveiling of the 50 Oscar statuettes to be awarded at the 76th Academy Awards ceremony January 23, 2004 at the Museum of Science and Industry in Chicago, Illinois. The statuettes are made in Chicago by R.S. Owens and Company. (Photo by Tim Boyle) EdStock via iStockphoto.
It’s that time of the year again where the greeting cards, roses and chocolates fly off the shelves. What is it about Valentine’s Day that inspires us (and many of the great literary authors) to partake in all kinds of romantic gestures?
Answers to all these questions can be found using Oxford Reference, the Oxford DNB, Who’s Who, and the American National Biography Online. Both Oxford Reference and the Oxford DNB are freely available via public libraries across the UK. Libraries offer ‘remote access’ allowing members to log-on to the resources, for free, from home (or any other computer) twenty-four hours a day.
Do you know for how long Boris Johnson held his first job, or which music video The IT Crowd’s Richard Ayoade has produced? Who’s Who has become a phrase incorporated into our everyday language. With the iconic red-covered book or its online counterpart, you can get the lowdown of Who’s Who in politics, Who’s Who at the Oscars, even the Who’s Who of the cooking world. Written by the entrants themselves, the biographies not only walk you through their career and education but also, in some cases, reveal some interesting and unusual recreations! Take our quiz to see if you really know Who’s Who.
Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who 2013 includes autobiographical information on over 33,000 influential people from all walks of life. The 165th edition includes a foreword by Arianna Huffington on ways technology is rapidly transforming the media.
Who’s Who (and its sister publication, Who Was Who) has traditionally included entries for the cream of British society, and in this festive season, the Who’s Who team have come up with a theoretical dinner party where key people from all areas of life, alive and dead, could come together to solve the world’s problems.
Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who 2013 includes autobiographical information on over 33,000 influential people from all walks of life. The 165th edition includes a foreword by Arianna Huffington on ways technology is rapidly transforming the media.
With our announcement of Place of the Year 2012 and NASA’s announcement at the American Geophysical Union on December 3rd, and a week full of posts about Mars, what beter way to wrap things up than by pulling together information from across Oxford’s resources to provide some background on the Red Planet.
Of Gods and Men
While the planet been subject to study since humans first gazed into the sky (as one of the few planets visible to the naked eye), the English name for the planet comes from the Roman god of war, Mars. Latin marks many astronomical names, such as mare, which refers to the dark areas of the Moon or Mars. Sol (Latin for Sun) refers to a solar day on Mars (roughly 24 hours and 39 minutes). However, be careful not to mix up martialists, those born under its astrological influence, with martians, aliens from the planet. (Not that it always had that meaning.) Mars has two moons: Phobos and Deimos (those Latin names again!). The Romans, as usual, stole their planet-naming scheme from the Greeks. Ares, the Greek god of war, provides a pre-fix for a number of Mars-related words: areocentric, areˈographer, areo-graphic, are-ography, are’ology. It’s important to remember that these names reveal how people related, and continue to relate to the sky.
The Martian People
What has fueled our fascination with Mars all these years? Everyone from scientists to poets has kept it in our thoughts over the centuries.
Almost all ancient world cultures closely observed its pattern through the sky, although this was often a confluence of gods, astrology, and astronomy. Aristotle and Ptolemy were among the ancient theorists. The Renaissance saw new discoveries from Brahe, Kepler, and Cassini among others, made possible by the telescope and advanced mathematics, as we moved from a geocentric to a heliocentric view of the universe (although Mars’s eccentric orbit caused considerable annoyance).
In the 19th century, Giovanni Schiaparelli was the first to create a detailed map of Mars. Percival Lowell (1855-1916), who saw himself as a successor to Schiaparelli, searched for signs of intelligent life on Mars and made numerous invaluable observations, even if many of his speculations have now been dismissed. Moreover, his legacy, the Lowell Observatory, continues to watch the stars. Astronomer Richard Proctor (1837-88) researched the rotation period of Mars and rightly dismissed the canals as an optical effect.
Scientific breakthroughs naturally inspired artists throughout the ages. In the Renaissance, writers struggled to make sense of a new vision of the universe; in the 19th century, science fiction emerged and it has grown and adapted to every medium in the 20th. H.G. Wells (1866–1946) and Edgar Rice Burroughs (1875-1950) built on scientific discoveries with novels such as The War of the Worlds and The Princess of Mars. In 1938, Orson Welles’s (1915-1985) famous dramatization of The War of the Worlds led many Americans to believe that Martians had invaded New Jersey. The story was adapted to film in 1953 and again in 2005. One of the masterpieces of Soviet cinema, Aelita, is based on an Aleksey Tolstoy science fiction novel. In television, Mars has provided the backdrop or villians for numerous programs, such as the Ice Warriors, one of the great monsters of Doctor Who. UFOs still capture the imagination.
The planet has also provided ideas to musicians as diverse as Gustav Holst and David Bowie, and populated the night skies of artists. And we cannot forget those with the surname of Mars, most of all confectioners Frank C. Mars and Edward Forrest Mars (1904-1999). Mars, Inc. and the famous Mars Bar are often associated with the planet although the origin of their names is distinctly earthly.
A History of Martian Space Exploration
The National Aeronautics and Space Administration (NASA), Russian Federal Space Agency (ROSCOSMOS), and the European Space Agency (ESA) have all been involved in the exploration of Mars, from probes to rovers. In 1962 the Soviet space program began lanching Mars probes, the last of which was Mars 96 (in 1996). In 1975, NASA sent two Viking probes to Mars. In 1996, NASA begins a series of missions called Mars Surveyor and has sent numerous probes, rovers, and more to the Red Planet in the past 20 years, including the Mars Pathfinder (and the rover Sojourner), the Mars Odyssey, the Mars Global Surveyor, and two rovers, Spirit and Opportunity.
But space exploration is not without its setbacks. The Soviet Union failed in its Phobos missions in 1988, and NASA lost communication with the probe New Millennium Deep Space-2 in 1999. The European Space Agency’s Mars Express probe continues to provide valuable information although the Beagle 2 lander was lost.
There has been much speculation about the geography and geology of Mars, with new theories arising as our technology improves.
Mars is a terrestrial planet with numerous montes (mountain ranges), valles (valleys) , rima (long narrow furrows), and cave systems. Its most famous geographical features are the Olympus Mons (giant volcano) and Valles Marineris (system of canyons).
In the 19th and 20th centuries, people speculated about Martian canals, faint markings of the surface that once led people to believe the planet had flowing, liquid water. (The word canal actually comes from a mis-translation Giovanni Schiaparelli’s work; canali (Italian) actually means channels.) Wrinkle ridges further added to the mystery.
Without a thick atmosphere to burn up descending asteroids, Mars is pockmarked with impact craters. The Mars Curiosity Rover landed in the Gale Crater, just south of Mars’s equator. Previous rovers have attempted to measure Marsquakes, the Martian equivalent of earthquakes, as the Red Planet may have its own system of tectonic plates.
The Long Arm of Outer Space Law
In space, no one can hear you scream, but that doesn’t stop the lawsuit.
What would we call our red planet lawmen? Marshals of course — although martial and marshal aren’t actually related. And be sure to check back tomorrow to hear from our space lawyer!
Recommended resources from A Dictionary of Space Exploration
Oxford University Press’ annual Place of the Year, celebrating geographically interesting and inspiring places, coincides with its publication of Atlas of the World – the only atlas published annually — now in its 19th Edition. The Nineteenth Edition includes new census information, dozens of city maps, gorgeous satellite images of Earth, and a geographical glossary, once again offering exceptional value at a reasonable price. Read previous blog posts in our Place of the Year series.
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It is trite to say that one’s pet subject is interdisciplinary. These days what subject isn’t? The prostate? But myth really is interdisciplinary. For there is no study of myth as myth, the way, by contrast, there is said to be the study of literature as literature or of religion as religion. Myth is studied by other disciplines, above all by sociology, anthropology, psychology, politics, philosophy, literature, and religious studies. Each discipline applies itself to myth. For example, sociologists see myth as something belonging to a group.
Within each discipline are theories. A discipline can harbor only a few theories or scores of them. What makes theories theories is that they are generalizations. They presume to know the answers to one or more of the three main questions about myth: the origin, the function, or the subject matter.
The question of origin asks why, if not also how, myth arises. The answer is a need, which can be of any kind and on the part of an individual, such as the need to eat or to explain, or on the part of the group, such as the need to stay together. The need exists before myth, which arises to fulfill the need. Myth may be the initial or even the sole means of fulfilling the need. Or there may be other means, which compete with myth and may best it. For example, myth may be said to explain the physical world and to do so exceedingly well — until science arises and does it better. So claims the theorist E. B. Tylor, the pioneering English anthropologist.
Function is the flip side of origin. The need that causes myth to arise is the need that keeps it going. Myth functions as long as both the need continues to exist and myth continues to fulfill it at least as well as any competitor. The need for myth is always a need so basic that it itself never ceases. The need to eat, to explain the world, to express the unconscious, to give meaningfulness to life – these needs are panhuman. But the need for myth to fulfill these needs may not last forever. The need to eat can be fulfilled through hunting or farming without the involvement of myth. The need to express the unconscious can be fulfilled through therapy, which for both Sigmund Freud and his rival C. G. Jung is superior to myth. The need to find or to forge meaningfulness in life can be fulfilled without religion and therefore without myth for secular existentialists such as Albert Camus.
For some theorists, myth has always existed and will always continue to exist. For others, myth has not always existed and will not always continue to exist. For Mircea Eliade, a celebrated Romanian-born scholar of religion, religion has always existed and will always continue to exist. Because Eliade ties myth to religion, myth is safe. For not only Tylor but also J. G. Frazer, author of The Golden Bough, myth is doomed exactly because myth is tied to religion. For them science has replaced religion and as a consequence has replaced myth. “Modern myth” is a contradiction in terms.
The third main question about myth is that of subject matter. What is myth really about? There are two main answers: myth is about what it is literally about, or myth symbolizes something else. Taken literally, myth is usually about gods or heroes or physical events like rain. Tylor, Eliade, and the anthropologist Bronislaw Malinowski all read myth literally. Myth taken literally may also mean myth taken historically, especially in myths about heroes.
The subject matter of myth taken symbolically is open-ended. A myth about the Greek god Zeus can be said to symbolize one’s father (so Freud), one’s father archetype (so Jung), or the sky (so nature mythologists). The religious existentialists Rudolf Bultmann and Hans Jonas would contend that the myth of the biblical flood is to be read not as a explanation of a supposedly global event from long ago but as a description of what it is like for anyone anywhere to live in a world in which, it is believed, God exists and treats humans fairly.
To call the flood story a myth is not to spurn it. I am happy to consider any theory of myth, but not the crude dismissal of a story or a belief as a “mere myth.” True or false, myth is never “mere.” For to call even a conspicuously false story or belief a mere myth is to miss the power that that story or belief holds for those who accept it. The difficulty in persuading anyone to give up an obviously false myth attests to its allure.
Robert A. Segal is Sixth Century Chair in Religious Studies at the University of Aberdeen. He is the author of Myth: A Very Short Introduction and of Theorizing about Myth. He is presently at work editing the Oxford Handbook of Myth Theory. He directs the Centre for the Study of Myth at Aberdeen.
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Who Was Who online, part of Who’s Who online, has granted free access for a limited time to the entries for the philosophers and scholars mentioned in the above article.
Image credit: Thetis and Zeus by Anton Losenko, 1769. Copy of artwork used for the purposes of illustration in a critical commentary on the work. Source: Wikimedia Commons.
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From Haig to Kitchener, and Vera Lynn to Wilfred Owen, how well you know the figures of the First World War? 
