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Viewing: Blog Posts Tagged with: baroque, Most Recent at Top [Help]
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1. Hoist your flagons!

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Heave on your futtock-shrouds and don’t leave your swashes unbuckled! ‘Tis International Talk Like a Pirate Day!

Don’t forget: If you are anywhere near Latrobe, Pennsylvania, shape a course for The Art Center (819 Ligonier Street) where I’ll talk about illustrating pirates this evening from 6:30 – 8:30. If you miss it, I’ll be at The Art Center again tomorrow morning 10:00 – 11:00ish (we need to clear the decks before noon—when some poor lubber’s wedding takes place).

MoviePirates

As promised, here are the answers to yesterday’s M is for Movie Pirates Quiz:

First row: Johnny Depp as Captain Jack Sparrow in Pirates of the Carribean (2006). Second row: (left to right) Douglas Fairbanks in The Black Pirate (1926); Robert Newton as Long John Silver in Treasure Island (1950); Sherman the parrot; Errol Flynn as Captain Blood (1935). Third row: Charles Laughton as Captain Kidd (1945); (Charlton Heston as Long John Silver in Treasure Island (1990); Dustin Hoffman as Hook (1991); Walter Matthau as Captain Red in Pirates (1986). Fourth row: Maureen O’Hara as Prudence ‘Spitfire’ Stevens in Against All Flags (1952); Laird Cregar as Sir Henry Morgan in The Black Swan (1942); Kevin Kline as the Pirate King in The Pirates of Penzance (1983); Graham Chapman as Yellowbeard (1983).


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2. R is for Revenge

Queen Anne’s Revenge, that is. Queen Anne’s Revenge is the name of Blackbeard Teach’s flagship—though I have to admit I don’t know why he chose that name. Queen Anne ruled Great Britain & Ireland while Blackbeard was alive, so maybe he considered himself to be a privateer on behalf of the Crown? Was he not happy with the War of the Spanish Succession? I’d like it if, in the comments, someone could offer a better reason behind Teach’s name for his ship. Writers Alexander Pope, Jonathan Swift & pirate aficionado Daniel Defoe flourished under Queen Anne, so maybe her reign really was culture’s balmiest day—but why did she need to be avenged?

Anyway, he only captained Queen Anne’s Revenge for 3 years before she sunk off North Carolina. And so I had the wonderful opportunity to paint a sunken pirate ship for Eve Bunting’s new book, P is for Pirate. It was also a chance to pay tribute to fantastic illustrator Lloyd K. Townsend. When I say ‘pay tribute to’, of course I mean ‘steal shamelessly from’. I’ve admired Townsend since I was a wee lad, seeing his paintings in National Geographic. One in particular, from 1979, shows the sunken Spanish treasure ship Tolosa. This was my—cough—inspiration for R is for Revenge. Hey, at least I turned the ship around to face the other way!

Herewith, work in progress:

Townsend's painting from National Geographic December 1979 thumbnail sketch rough tight sketch color sketch painting in progress… IMGP1693 IMGP1694 IMGP1695 IMGP1696 IMGP1697 IMGP1698 IMGP1699 IMGP1700 IMGP1701 IMGP1702 IMGP1703 IMGP1704 IMGP1705 IMGP1706 finished painting

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3. New paintings and Bear winner!


Somehow I've managed to whip up two new small paintings for Grasmere.
This snowy lamb ...




And this Baroque-era raven.
There's shiny coppery bits on the rave's background which is hard to make out.
It felt good to paint again!

And now....drum roll please...

The winner of the cute bears is


Congrats my friend! I know your grandkids will give them lots of love♥
How funny that you entered just in the nick of time :)

15 Comments on New paintings and Bear winner!, last added: 12/7/2011
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4. In Memoriam: Bruce Haynes

By Suzanne Ryan, Music Editor


We bid a sad farewell to one of our most dear authors and friends, Bruce Haynes.

An Associate Professor at the Université de Montréal and McGill University, Bruce was a pioneer and champion of historical performance practice with numerous solo and ensemble recordings to his credit. He was a founding member of the Philharmonia Baroque Orchestra, alongside his wife and musical partner, Susie Napper to whom we humbly offer our most sincere condolences.

As part of his long list of publications, Bruce authored two books with Oxford, The Eloquent Oboe: A History of the Hautboy from 1640-1760 (2001) and The End of Early Music: A Period Performer’s History of Music (2007) which received the ASCAP Deems Taylor Media Award, and he was a contributor to the New Grove Dictionary of Music.

Beloved and respected throughout the early music community, Bruce’s efforts and insights as both performer and scholar brought historical performance practice alive, and his legacy will enrich the ears and hearts of musicians and audiences for years to come. It was an honor, a privilege, and a joy to work with Bruce and to be witness to his grace, warmth, and generosity. Bruce passed from our midst on May 17th, but his spirit will never leave our hearts.

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