How to use this Page

I am smitten with this graphic novel that hits all of the right spots for any tween who has ever felt alone.

Hélène has been dumped by her friends. Not only dumped, but they are actively making her life intolerable.  Huddled in the hallways of school, snickering when she walks by, writing on the walls of the girls' bathroom.  "Hélène weighs 216! She smells like BO?" There's nowhere to hide.

Hélène finds some solace in her reading of Jane Eyre.  She reads better when her old friends aren't on the bus.  If they are she can at least look like she's not listening even when she can't help but hear them.

Hélène doesn't want to burden her mother with what is going on. Her mother works so hard for the family, and Hélène doesn't want to add to her pile of things.  But her mother does have to take her shopping downtown when it is announced that Hélène's class will be going to the woods to nature camp for four nights.  Four night with Geneviève, Sarah, Anne-Julie and Chloé.  And bathing suits will be involved.

Not surprisingly Hélène is selected into the tent of outcasts.  Which is okay with her because at least it's quiet.  But a chance encounter with a fox and noticing the empathy in someone's eyes combine to shift Jane's world of exile.

Exquisitely drawn, this is a book to be owned.  And shared.  I borrowed it from the library, but then quickly purchased the English and French versions.  Jane's life is depicted in black and white, while the Jane Eyre portions are awash in blocks of color.  I would buy this book for the panels on pages 58-59 and 74-75 alone.  I look forward to reading the (original) French version to see what nuances might be different.  This is a quiet book, but it is not to be missed.

Add a Comment

Tweet

By Suzanne Ryan, Music Editor

We bid a sad farewell to one of our most dear authors and friends, Bruce Haynes.

An Associate Professor at the Université de Montréal and McGill University, Bruce was a pioneer and champion of historical performance practice with numerous solo and ensemble recordings to his credit. He was a founding member of the Philharmonia Baroque Orchestra, alongside his wife and musical partner, Susie Napper to whom we humbly offer our most sincere condolences.

As part of his long list of publications, Bruce authored two books with Oxford, The Eloquent Oboe: A History of the Hautboy from 1640-1760 (2001) and The End of Early Music: A Period Performer’s History of Music (2007) which received the ASCAP Deems Taylor Media Award, and he was a contributor to the New Grove Dictionary of Music.

Beloved and respected throughout the early music community, Bruce’s efforts and insights as both performer and scholar brought historical performance practice alive, and his legacy will enrich the ears and hearts of musicians and audiences for years to come. It was an honor, a privilege, and a joy to work with Bruce and to be witness to his grace, warmth, and generosity. Bruce passed from our midst on May 17^th, but his spirit will never leave our hearts.

Add a Comment