By: Alice,
on 6/23/2015
Gunther Schuller (1925-2015) was one of the most influential figures in the musical world of the past century, with a career that crossed and created numerous genres, fields, and institutions. Oxford offers heartfelt condolences to his family, and gratitude for the profound impact his work continues to have on music performance, study, and scholarship.
The post In memoriam: Gunther Schuller appeared first on OUPblog.
By: Lauren,
on 5/25/2011
We bid a sad farewell to one of our most dear authors and friends, Bruce Haynes.
An Associate Professor at the Université de Montréal and McGill University, Bruce was a pioneer and champion of historical performance practice with numerous solo and ensemble recordings to his credit. He was a founding member of the Philharmonia Baroque Orchestra, alongside his wife and musical partner, Susie Napper to whom we humbly offer our most sincere condolences.
As part of his long list of publications, Bruce authored two books with Oxford, The Eloquent Oboe: A History of the Hautboy from 1640-1760 (2001) and The End of Early Music: A Period Performer’s History of Music (2007) which received the ASCAP Deems Taylor Media Award, and he was a contributor to the New Grove Dictionary of Music.
Beloved and respected throughout the early music community, Bruce’s efforts and insights as both performer and scholar brought historical performance practice alive, and his legacy will enrich the ears and hearts of musicians and audiences for years to come. It was an honor, a privilege, and a joy to work with Bruce and to be witness to his grace, warmth, and generosity. Bruce passed from our midst on May 17th, but his spirit will never leave our hearts.
By: Rebecca,
on 4/19/2010
Oxford University Press joins a large community of friends, colleagues, performers, and students in mourning the passing of Shirlee Emmons Baldwin, one of the most beloved and strongest voices in the education, nurturing, and career development of singers. Having been trained as a classical singer myself, it was with great pride that I “inherited” Shirlee’s three titles when I began work at the Press—Power Performance for Singers (1998), Prescriptions for Choral Excellence (with Constance Chase; 2006), and Researching the Song (with Wilbur Watkins Lewis; also 2006). Through these books and others, and in the hearts of all those she touched, Shirlee’s voice will continue to resound and enlighten.
I am pleased to be able to share these beautiful words from Maribeth Payne, former OUP music editor who worked most closely with Shirlee and who had a long-lasting friendship with her:
As an author, Shirlee was great to work with–attentive, timely, responsive, hard-working, fun. Her work was the foundation of the professional voice list at OUP. But she was also a lovely, warm, generous person and a friend. Her voice was so resonant, I always had to shut my door when she came to the office–but the sound still got through. Her laugh was infectious and a joy to hear. She was also enormously helpful to young singers, several of whom I sent her way for lessons long after she had stopped teaching at Barnard and Princeton. One young man is now pursuing a budding opera career in Germany. Her studio was always completely full, but she took these students anyway, simply because I asked her to do so. I will really miss her.
