Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month
<<June 2024>>
SuMoTuWeThFrSa
      01
02030405060708
09101112131415
16171819202122
23242526272829
30      
new posts in all blogs
Viewing: Blog Posts Tagged with: Wuthering Heights, Most Recent at Top [Help]
Results 1 - 14 of 14
1. How much do you know about Wuthering Heights? [quiz]

Centuries after its 1847 publication, Wuthering Heights, Emily Brontë's breathtaking literary classic, remains a seminal text to scholars, students, and readers around the world. Though best known for its depiction of romance between Heathcliff and Catherine Earnshaw, it is also largely multidimensional, grappling with themes such as religious hypocrisy, the precariousness of social class, and the collision of nature and culture. But how much do you know about this famous work of English literature?

The post How much do you know about Wuthering Heights? [quiz] appeared first on OUPblog.

0 Comments on How much do you know about Wuthering Heights? [quiz] as of 3/16/2015 7:00:00 AM
Add a Comment
2. Emily Brontë, narrative, and nature

Catherine’s removal from the plot (other than as a haunting presence in the background, much less potent hereafter than the waif-like child ghost whose wrist Lockwood rubs back and forth across the broken window glass till the blood runs freely (p. 21)) has seemed to some readers to weaken the second half of the novel. One modern critic has suggested, indeed, that the whole of the second-generation narrative was an afterthought.

The post Emily Brontë, narrative, and nature appeared first on OUPblog.

0 Comments on Emily Brontë, narrative, and nature as of 2/28/2015 9:31:00 AM
Add a Comment
3. “You said I killed you — haunt me, then!” An extract from Wuthering Heights

Are you part of the Oxford World's Classics Readfing Group? The following is an extract from the current selection, Wuthering Heights, by Emily Brontë, taken from volume II, chapter II, pages 147-148 in the Oxford World's Classics edition.

The post “You said I killed you — haunt me, then!” An extract from Wuthering Heights appeared first on OUPblog.

0 Comments on “You said I killed you — haunt me, then!” An extract from Wuthering Heights as of 2/18/2015 7:05:00 AM
Add a Comment
4. Discussion questions for Emily Brontë’s Wuthering Heights

Last week we announced the launch of the Oxford World’s Classics Reading Group, and the first book, Wuthering Heights by Emily Brontë. Helen Small, editor of the Oxford World’s Classics edition of the book, has put together some helpful discussion questions that will help you gain a deeper understanding of the text as you read it and when you finish it.

1. Even the early critics who were revolted or dismayed by the violence of Wuthering Heights admitted the ‘power’ of the novel. What seems to you to be the best explanation of that power?

2. How ‘moral’ a story is Wuthering Heights? More specifically, is moral justice a concern in the shaping of the story and its characters?

3. Catherine Earnshaw comes across as many things: passionate, rebellious, full of laughter and of scorn for others, driven by social ambition but careless of social expectations, self-seeking but ultimately self-destructive (willing herself to die). Is it a problem for our reading of her that we never hear her voice unmediated? How far did you feel inclined to trust what you are told of her by others?

4. One critic has speculated that the ‘second generation’ story was an afterthought, written to fill the gap created in a three volume set (Wuthering Heights, Charlotte’s The Professor, Anne’s Agnes Grey) after Charlotte withdrew. How cogently does the Catherine/Linton/Hareton narrative seem to you to fit with the first half of the novel?

5. Does Heathcliff’s story hold the novel together? Does it make sense to read it as, in its own fashion, a Bildungsroman (telling the story of the building of a character over time, through education and experience)?

6. Wuthering Heights is in many respects lawless, but it is also a novel in which the law (and what people do with it) is crucial to the plot. What do you make of its interest in, especially, property law? How does it compare with other Victorian novels you may have read (Dickens? Trollope?) which have an interest in how the law seeks to regulate ownership of land, houses, even people (wives and children)?

7. This is a famously difficult book to place within any wider story about the development of the English novel. Does it seem to you a ‘bookish’ work or primarily an oral tale?

8. How important is supernaturalism to the novel’s effects? And how closely tied to religion is the supernaturalism explored here?

Heading image: Top Withens by John Robinson. CC BY 2.0 via Wikimedia Commons.

The post Discussion questions for Emily Brontë’s Wuthering Heights appeared first on OUPblog.

0 Comments on Discussion questions for Emily Brontë’s Wuthering Heights as of 2/11/2015 7:35:00 AM
Add a Comment
5. Announcing the Oxford World’s Classics Reading Group

We’re excited to announce the launch of the Oxford World’s Classics Reading Group, an online group for everyone who is interested in reading and discussing the classics. The Oxford World’s Classics social media channels will provide a forum for conversation around the chosen book, and every three months we will choose a new work of classic literature for the group to read. The editor of the Oxford World’s Classics edition of the book will provide literary context, discussion questions, and lead an online question-and-answer session around the book.

9780199541898

We’re starting our first season of the Oxford World’s Classics Reading Group with Wuthering Heights, Emily Brontë’s classic love story that incorporates themes such as social class, death and the afterlife, and the supernatural. The setting, a remote farmhouse on the moors of Northern England, is bleak, harsh, wild, and unpredictable, reflecting many of the novel’s characters. Helen Small, Professor of English Literature at the University of Oxford and editor of the Oxford World’s Classics edition of Wuthering Heights, will be leading the Reading Group this season.

If you have a classic that you’ve always wanted to read, let us know and we’ll consider it for next season. In this video, Oxford University Press staff from offices all over the world talk about classic books they’ve always wanted to read but haven’t yet:

You can follow along, and join in the conversation by following us on Twitter and Facebook, and by using the hashtag #OWCreads.

Heading image: Old books. CC0 via Pixabay.

The post Announcing the Oxford World’s Classics Reading Group appeared first on OUPblog.

0 Comments on Announcing the Oxford World’s Classics Reading Group as of 1/1/1900
Add a Comment
6. How Nietzsche Turned me into a Reader

Hey! Nietzsche!I’m not really interested in giving people a quick introduction; I tend to mix my personal life, humour, sarcasm and knowledge into my book reviews and blog posts. However I do want to kick off talking about the book that turned me into a reader.  It wasn’t until 2009 that I discovered the joys of books and reading and something inside me clicked and I wanted to consume every book I saw. This life changing event was all because of one book, an Australian non-fiction title called Hey! Nietzsche! Leave Them Kids Alone! by Craig Schuftan.

At the time I listened to a lot of music and would have cited AFI, My Chemical Romance, Weezer, and so on as some of my favourite bands. In face I was right into the music that was been played on Triple J. Craig Schuftan was a radio producer at Triple J at the time and there was a short show he made for the station called The Culture Club. In this show he would talk about the connection rock and roll has to art and literary worlds. Friedrich Nietzsche was claiming, “I am no man, I am dynamite” well before AC/DC’s song TNT.

That was a real revelation for me and I picked up Hey! Nietzsche! Leave Them Kids Alone! (subtitled; The Romantic Movement, Rock and Roll, and the End of Civilisation as We Know It) and began reading it. However it didn’t stop there; this book connected the so called ‘emo’ movement with The Romantic Movement, I never thought these bands would have anything in common with the greats like Lord Byron, Percy Bysshe Shelley or John Keats but I had to find out.

Hey! Nietzsche! Leave Them Kids Alone! by  Craig Schuftan ended up taking half a year to complete; not because I was a slow reader but I wanted to know more,and  I read poetry by Lord Byron, Percy Bysshe Shelley and John Keats, and researched online. I picked up books like Frankenstein (an obsession of mine), Dracula and Wuthering Heights just because they were mentioned. This was a weird turn in my life but my growing thirst for knowledge became an obsession with reading. I have now set a life goal to read everything on the 1001 Books you must read before you die list.

It is weird to think one book can have such a huge impact on my life but I credit Craig Schuftan (and my wife) for such a positive improvement in my life. I will eventually read Craig Schuftan’s books The Culture Club: Modern Art, Rock and Roll and other stuff your parents warned you about and Entertain Us!: The Rise and Fall of Alternative Rock in the Nineties but I’ve put them off because I suspect the same amount of research will be involved.

Has a book had such a positive impact in your life? I would love to know in the comments. Also are there any other books that explore the connections between art and literature with pop-culture?

Add a Comment
7. The great Oxford World’s Classics debate

By Kirsty Doole


Last week the Oxford World’s Classics team were at Blackwell’s Bookshop in Oxford to witness the first Oxford World’s Classics debate. Over three days we invited seven academics who had each edited and written introductions and notes for books in the series to give a short, free talk in the shop. This then culminated in an evening event in Blackwell’s famous Norrington Room where we held a balloon debated, chaired by writer and academic Alexandra Harris.

For those unfamiliar with balloon debates, this is the premise: the seven books, represented by their editors, are in a hot air balloon, and the balloon is going down fast. In a bid to climb back up, we’re going to have to throw some books out of the balloon… but which ones? Each editor spoke for five minutes in passionate defence of their titles before the audience voted. The bottom three books were then “thrown overboard”. The remaining four speakers had another three minutes each to further convince the audience, before the final vote was taken.

The seven books in our metaphorical balloon were:

Cranford by Elizabeth Gaskell (represented by Dinah Birch)
Wuthering Heights by Emily Brontë (represented by Helen Small)
Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson (represented by Roger Luckhurst)
A Memoir of Jane Austen by James Edward Austen-Leigh (represented by Kathryn Sutherland)
The Poetic Edda (represented by Carolyne Larrington)
Pride and Prejudice by Jane Austen (represented by Fiona Stafford)
The Nicomachean Ethics by Aristotle (represented by Lesley Brown)

So who was saved? Find out in our slideshow of pictures from the event below:



Kirsty Doole is Publicity Manager for Oxford World’s Classics.

For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. You can follow Oxford World’s Classics on Twitter, Facebook, or here on the OUPblog. Subscribe to only Oxford World’s Classics articles on the OUPblog via email or RSS.

Subscribe to the OUPblog via email or RSS.
Subscribe to only literature articles on the OUPblog via email or RSS.
Image credits: All photos by Kirsty Doole

The post The great Oxford World’s Classics debate appeared first on OUPblog.

0 Comments on The great Oxford World’s Classics debate as of 2/27/2014 8:53:00 PM
Add a Comment
8. Wuthering Heights


Today's vintage book is not a children's book, (It could certainly be read by a teenager though) but the classic story of Wuthering Heights. I'm showing this book because of the phenomenal wood engravings by the uber talented Fritz Eichenberg.








2 Comments on Wuthering Heights, last added: 11/7/2011
Display Comments Add a Comment
9. It's me, I'm...

I've slept walked through most of this week, or rather through the parts where I should have been writing and to keep myself awake today (because I'm fed up of snoozing) I've been singing along to You Tube and my newly painted walls and ceiling haven't cracked yet. Although I might have. Anyhow, that led me to this video....







...and to remembering that although Wuthering Heights wasn't the first book I fell in love with (Enid Blyton's Faraway Tree was probably my first) it was the first book where I fell in love with sentences and words and characters and the first where I bookmarked passages over and over because they were so beautiful... Okay, maybe not the first character I fell in love with because I was rather partial to MoonFace.

"...heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out, into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy. That will do to explain my secret, as well as the other. I've no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff, now; so he shall never know how I love him; and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire."

"If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it."

It also thrilled my teen-heart that the heroine (is Catherine Earnshaw a heroine?) was a Cathy. Perhaps I would have fallen in love with Mr Rochester instead if I was a Jane.

6 Comments on It's me, I'm..., last added: 9/19/2011
Display Comments Add a Comment
10. Book Review Friday -- The Brontës Went to Woolworths: A Novel

It's Book Review Friday again, and this is one of my favorite books that I reviewed for Sacramento Book Review.

I've always loved reading about the Brontës.  I read biographies about them when I was a teenager, and even tried to write an itty-bitty novel in tiny handwriting, like they did.  (I was a Brontë wannabe.)  I loved various movies made of Jane Eyre.  Of course, I now realize what a creepy buy Rochester really was!  (Would you want your daughter to marry a man who kept his mad wife hidden in the attic, and said she started the very fire she died in?)   But Jane Eyre and Wuthering Heights were favorite reads of mine.  Both were tightly written, suspensful books that kept me turning pages.  Those sisters knew how to keep a plot moving.

Likewise, I'm always charmed by how English writers can tell a tale.  So I was delighted to read a novel that had Brontës in the title, written by an English writer with a sly sense of humor.  The Brontës Went to Woolworths, a revived classic by Rachel Ferguson, does not disappoint.

One of the joys of writing reviews for Sacramento Book Review , by the way, is that they send me FANTASTIC BOOKS!  Go check out their site:  They have tons of fine reviews of great books by really good reviewers.


Here we go with today's shared review:



The Brontes Went to Woolworths: A Novel

By Rachel Ferguson
Bloomsbury Press, $14.00, 188 pages
The Carne family – a widow and three daughters – live in 1930s London.  Dierdre, a journalist in her twenties, is writing a novel.  Katrine, also in her twenties, studies Drama.  Shiel

12 Comments on Book Review Friday -- The Brontës Went to Woolworths: A Novel, last added: 6/21/2011
Display Comments Add a Comment
11. Thanks to Peter Bowker!



Inspired by the 2009 Masterpiece WUTHERING HEIGHTS (and if you haven't seen this, I can't recommend it strongly enough!), I re-read the book.


To me this time around, Cathy and Heathcliff sounded more like two intense siblings having a really bad fight than any adult lovers *I'VE* ever encountered.


[Cathy talking to her husband, in the book] "....Heathcliff would as soon
lift a finger at you as the king would march his army against a colony of
mice. Cheer up! you sha'n't be hurt! Your type is not a lamb, it's a
sucking leveret.'

'I wish you joy of the milk-blooded coward, Cathy!' said her friend [Healthcliff]. 'I
compliment you on your taste. And that is the slavering, shivering thing
you preferred to me! I would not strike him with my fist, but I'd kick
him with my foot, and experience considerable satisfaction. Is he
weeping, or is he going to faint for fear?'

The fellow approached and gave the chair on which Linton rested a push.
He'd better have kept his distance.....


(Doesn't that sound like siblings fighting? YOUNG siblings?) But when I first read the book, that was how grown-ups in love talked and behaved, for all I knew.

Maybe one reason (aside from Tom Hardy -- not just good-looking, but really SMART and a great actor!) this version is so satisfying is that although the book is great, it's flawed. The characters are real, they're intense, they've become deservedly immortal -- but there are gaps in their story. These are brilliantly filled in by writer Peter Bowker in this TV version (one of the scenes he added was practically the best -- and so well-written that I was really surprised that it wasn't in the book), and equally brilliantly acted by everyone in the cast.



It probably takes people with more experience of adult romantic relationships than Emily Bronte had to tell Cathy and Heathcliff's story as adults would experience it. This version did that -- AND kept Emily Bronte's language word for word in many places.

It even makes the story of Hareton


and young Catherine interesting. When I was young and read the book, I always thought it should have ended when Cathy died; but seeing this and then reading the book again, as an adult, made me realize that no, we need to see what happens to Heathcliff --and how things turn out for the next generation, too. Only then ca

2 Comments on Thanks to Peter Bowker!, last added: 4/13/2011
Display Comments Add a Comment
12. House of Dead Maids

The House of Dead MaidsThe House of Dead Maids Clare B. Dunkle

The dead hold no terrors for me. I have watched by the beds of those who have passed on, comforted by their sorrowless repose. But this little maid was a ghastly thing, all the more horrible because she stood before me. It wasn't the palid hue of her grimy face that shocked me, or her little gray hands and feet. It was the holes where her eyes should have been, great round sockets of shadow.

The dead girl opened her lips as if she meant to speak. Her mouth was another black pit like the black pits of her eyes. She was nothing but a hollowed-out skin plumped up with shadow. I had the horrible idea that if I were to scratch her, she would split open, and the darkness within her would come pouring out.
p. 24

This is a prequel to Wuthering Heights-- the story of where Heathcliff was before.

But, you really don't need to know anything about Wuthering Heights to love this book. I don't even like Wuthering Heights, but I love this book.

The story does little to explain why Heathcliff is the way he is-- he is already that way before this tale begins. But, we have a manor that is not passed down through generations. Seldom House requires a family that is related by death instead of birth. Tabitha is brought from the orphanage to be the maid for the new master. Once there, she is haunted by the ghosts of the maids that have gone before, cold figures with no eyes that slip into her bed at night.

After meeting the new young master, more ghosts appear and haunt them. Tabitha knows something is very not right with the house and the village, but doesn't know how to fix it or what to do.

It's spooky and tense and terrifying in all the right ways. The entire story is filled with an atmosphere for foreboding and doom, and its length (146 pages) give it a sparseness that heightens the mystery and mood.

If it were a movie, it'd be the kind where you throw your hands over your eyes because you can't bear to watch, but you're still peeking through your fingers, because you can't look away.

Totally awesome.

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

0 Comments on House of Dead Maids as of 1/1/1900
Add a Comment
13. Don't Read After Dark... The House of Dead Maids

I’ve known Heathcliff for a long time.

I met him in the pages of Emily Brontë’s classic novel, Wuthering Heights, when I was only nine years old. That’s a hard novel for nine-year-olds to read, but my mother was an English professor, and hard novels were the only kind she owned. During the summer, I would start out playing with my dog, Brit (the inspiration for the German shepherd robot in my book, The Sky Inside).  Then I would walk around our neighborhood, looking for other bored kids to play with. But sooner or later, I’d run out of things to do, and I’d sit down with one of my mother’s hard novels.

That’s how I met Heathcliff.

If you’ve never read Wuthering Heights, it’s a strange, creepy story. Near the beginning, on a snowy night, a ghost named Cathy comes knocking at the window of Heathcliff’s house, begging to be let in. It turns out that twenty years ago, Cathy and Heathcliff were childhood sweethearts, but when she decided to marry someone else, he ran away from home. Cathy died a few years later, blaming Heathcliff for breaking her heart.

(Heathcliff disagreed. He blamed her for breaking his heart.)

Now Heathcliff’s a grown man—a grim, silent man—with a mansion and a farm and the two children of his most hated enemies living in the house with him. But underground, Cathy misses him, and he misses her. Even in death, they don’t want to be parted.

This is a picture of Heathcliff and of Cathy in her grave from the book I read when I was nine.

Wuthering Heights scared me half to death. But it didn’t just scare me. It fascinated me! I wanted to find out more about these two sweethearts and their pledge to remain true to each other after death.

Emily Brontë, the author of Wuthering Heights, doesn’t give many clues about that.  She doesn’t tell readers where Heathcliff is from, how he got his money, or what promises he and Cathy have made to each other. She doesn’t even give a hint about whether she thinks Heathcliff is the hero or the villain. We readers have to decide that for ourselves. And readers have been arguing about it for over a hundred and fifty years—ever since the book came out.

So I decided to write my own story about Heathcliff, to explain where he’s from and what he wants out of life and why he intends to stay on earth after he dies.

In my book, Heathcliff is a little boy. He hasn’t met Cathy yet. What he does meet in my book are ghosts. Here are some of them:

Because my story is creepy too! It gave me nightmares when I wrote it, and readers have already been telling one another on the Internet not to read it at night.

I think that’s a good thing! It means my book matches Wuthering Heights. When I was nine years old, I didn’t dare to finish that book after dark.

(Top illustration by Fritz Eic

Add a Comment
14. Racism and Hair_CLIP 41

In This Show: A multimedia text set by Andrea Spann Jim Crow Laws The Civil Rights Movement Two Hundred Years of Black Paper Dolls: The Collection of Arabella Grayson at the Anacostia Community Museum I am not my hair by India Arie I Love My Hair by Natasha Anastasia Tarpley Thanks To: Andrea Spann for [...]

0 Comments on Racism and Hair_CLIP 41 as of 1/1/1900
Add a Comment