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By:
andrea joseph,
on 8/29/2014
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So, it's nearly time to say goodbye to August, and summer, and Hello September. I like September. It feels like a month when changes can and will happen and I always welcome that. Plus, autumn is most definitely my favourite season. Even the word 'autumn' is lovely.
September, before it has begun, has a theme to it. I am paying three visits to our capital - which feels exciting and sounds expensive. At the end of the month I am going to see, and I can't quite believe I'm saying this, Kate Bush in concert. I know, how crazy is that? I hope she hasn't had a big strop by then and called the rest of the dates off. You wouldn't put it past her. And, I love her for that.
Mid month I am finally going to see my
bookbench. It's been a long time coming, but at last, just days before it retires from the city, I'll get to see it, in situ, on the streets of London. Well, actually, in a churchyard in Greenwich. The photo, below, was taken by, and of, a couple of friends who recently visited.
Then there's next weekend and a rather fabulous opportunity that presented itself to me. You know, sometimes, a little gem of a 'job' pops up in your inbox? Sometimes, you don't even take it seriously because it sounds too good to be true? Yeah, that.
Next weekend, on Saturday 5th of September, I will be drawing for, and representing, MOLESKINE and URBAN SKETCHERS in COVENT GARDEN. It's true! Please come along. We're there all day for a big old sketchathon. Come! Draw! Plus, rumour has it, that there may just be free Moleskines. Oh yes. You'll need to get there early to catch one of those lovely worms.
Oh, oh, and I forgot to mention the rest of the Covent Garden sketching team. I'll only be sketching with, ahem, Urban Sketching correspondents
Adebanji Alade, James Hobbs,
Olha Pryymak. Eeeeek! I already feel like a fraud.
Full details of the event can be found
HERE. Even though our Learning Sessions are sold out still come along. We'll all be hanging out, sketching, all day. Hope to see you there.
By:
andrea joseph,
on 7/4/2012
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Over the years I've heard many people say that they find starting a new sketchbook the hardest part. They become frozen with the fear of messing it up. Especially, it seems, when it comes to Moleskine sketchbooks. Why is it that they are so intimidating? Is it because of the history of Moleskine? The prestige? Or is it just 'cos they are not cheap that makes you want to take extra care? Funnily enough, I never have that problem. I LOVE to start a new sketchbook. I (almost) cannot wait until I get home. I'm scribbling my name in it in the car (almost). No, I have the opposite problem.
This is the last but drawing of
my travel themed Moleskine. There's just one more little page to fill. It's a travel sketchbook with a bit of a twist as I've created all the drawings at home with the souvenirs and memorabilia that I have brought back from my trips. Actually, not just my trips. This book also contains souvenirs from my friends travels too. That's the good thing about being a memorabilia artist; people always seem to bring me bits and bobs back from their trips. For example, a friend brought this back from the Leonardo da Vinci exhibition at the National Gallery, London, earlier this year.
I started this Moleskine on the 29th of April 2009. I cannot even begin to think of how many hours work, and love, have gone into it. I think that it is my favourite sketchbook so far. In fact, it most definitely is. I am very proud of it. And now there is just one more page to go. Will I ever finish it?
You can see the whole of the sketchbook (minus that last blank page)
HERE.
By:
andrea joseph,
on 2/24/2012
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This drawing had been sat, unfinished, in my travel Moleskine sketchbook for about 3 years. I'd committed to it by drawing in the tin and the outline of those little Seaworld sweets, but I had no idea where to go with it. Whenever I was working in the sketchbook I'd see it and it would depress me.
The unfinished drawing follows the page, below, in which I am having a little rant about how upsetting I find seeing animals performing for humans. Of course, I'm not talking about our pets here. I regularly get my cat to juggle knives, and in a way I feel that's how she earns her keep. No, I'm being selective with my disgust.
Anyway, the other day I was flicking through this sketchbook when it suddenly came to me. Rather than being concerned about my state of mind my first instinct was to draw it, and that's how I came up with a circus of performing (drawn) animals that are actually souvenirs from my travels. It all made perfect sense.
Actually, I do think that this is a way of dealing with those pages that sit unfinished, the ones that you feel are spoiling your sketchbook; just throw as much at it as possible. Give it all you've got.
Just one more page to go in this sketchbook! One more page and my first carnet de voyage, volume 1 (because there will be another) will be finished. How will I pluck up the courage to start that final page? What will i put on it? Hmmm, the possibilities are endless, if a circus of performing souvenirs are anything to go by.
I have two mini travel sketchbooks on offer HERE. Pop them into your the pocket of your Moleskine sketchbook for when you need a little bit of inspiration. Cheers, my dears!
By:
andrea joseph,
on 3/25/2011
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I was going to say that this is the finished version of the drawing I posted part of a little while back. But now looking at it on the screen I think it could do with more shading; a little sepia to give it an antique feel. That's how I had seen it in my head before I began. Also, I always intended adding a handle because it is supposed to be a drawer full of souvenirs. Or, the handle could have made it look like a suitcase. And, I love that ambiguity.
I'm often asked how long my drawings take. Well, at a guess, this one took a mere fifty hours. To appreciate the obsessive attention to detail click on the drawing and stick your conk in. Please do; FIFTY chuffing hours.
Oh dear, it seems that some of you have having trouble enlarging this image. I'll try to fix it, until then you can see the bigger version HERE.
By:
andrea joseph,
on 2/16/2011
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So I started this drawing about two or three weeks ago but unfortunately it's going to have to be put on the back burner for the next few days as a new, more pressing deadline has emerged from nowhere.
This is one of the most ambitious drawings that I've undertaken yet. It's on A3 paper which is double the size I normally use. Plus it's full colour. Thus far it has taken approximately 20 hours.
Anyway, I thought I'd take this opportunity to show you how I make these big mad drawings as it is a question I'm asked often. In the past I've been asked if I set up the compositions or whether I draw from a photo. The answer to both of those questions is no. I almost always draw from life.
What I do do is start with a couple objects (in this case the tram ticket, the Mary and baby Jesus and the seahorse) and then add the rest around them. I place the other objects on the paper, mapping it out piece by piece. It's almost as though the composition works itself out. I love drawings like this. I love the way they reveal themselves to me, the way they unfold in front of my eyes.
It wasn't until the day I was leaving Clermont Ferrand that I realised that I hadn't bought any souvenirs of the trip. We'd been so busy at the exhibition that I'd forgotten - which is ironic as I was there to exhibit my travel sketchbook that was themed 'souvenirs of my travels'. So on our final day we had an hour before we had to be the airport to find some souvenirs.
Luckily my stadar (a kind of radar, or gaydar, that detects stationery outlets in the vicinity), which had been going off for the whole trip, pointed me in the direction of a great big stationers close to our hotel. Now, for me, stationery plus souvenirs ticks so many boxes I couldn't have been happier.
So, here are my souvenirs of Clermont Ferrand; a half blue and half red pencil, two stencil maps of France and a ruler. Mission accomplished.
I'm not so happy with the blue and red drawing, above. No doubt I'll mess around with that some more in the future.
Of course, there are also all of the sugar packets, napkins, tram tickets, receipts, bills and business cards I also collected during the trip, but hey that's another drawing. Or six.
These drawing are a part of my aforementioned souvenir themed sketchbook. You can see the rest of the series HERE.
By:
andrea joseph,
on 11/24/2010
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Another new one from the travel sketchbook. Or, at least, it will be new to you if you weren't rifling through my Moleskine over the weekend.
This one is one half of a pair of drawings. You can see the other half, and the rest of the travel sketchbook set, HERE.
By:
andrea joseph,
on 11/8/2010
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If I'm honest this isn't actually my little box. I've also taken to drawing other people's souvenirs in my quest to fill my travel themed Moleskine. This box of crap, I mean beautiful collection of memorabilia, accompanied my friend Tim home from his world travels. I am a big fan of tat and have wanted to draw this for the longest time.
Actually I've probably wanted to use this blog/drawing title for even longer than I've wanted to draw his little box, so to speak.
By:
andrea joseph,
on 11/1/2010
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Before I signed with my agent I visited her at her home and we went through all of my drawings, so that she could get an idea of where my work was at and where it might go. When she saw the many drawings of collections, that I create, she said "These drawings look like endpapers. Beautiful endpapers, but endpapers all the same". I have to agree. They do.
You see, I absolutely love endpapers. I've bought many a second hand book on the strength of the endpapers alone. They are often my favourite part of a book. Just Google image 'endpapers' and, if you are anything like me, you'll be drooling for hours.
It got me thinking that my most perfect job in the whole world would be an endpapers illustrator. Seriously, I couldn't think of anything better. So, if you hear of any endpaper-drawer jobs going please let me know. In the meantime here's a couple more from my travel Moleskine.
Con María Jesús Álvarez y María Rosa Mó, en la feria del libro.
Y aquí los actores:
Dos agujas "madeinhome" y una muestra de tejido en punto tunecino... creo que se dice así, en inglés es Tunisian o Afghan stitch...
Para quien le interese aquí un link excelente a este tipo de tejido con excelentes tutoriales en video: http://www.nexstitch.com/v_Tutorials.html
Nuevos rincones, altares reciclados
Now, I'm not necessarily talking something death-defying, like jumping out of an airplane or single-handedly chasing down a mugger. But we all have moments in our lives when we can choose to take the risk... or stay safe at home. When I look back, I think I've taken those risks all my life. (Though at the time they didn't seem all that risky.) You be the judge...
My First Scary Thing
When I was five years old my family lived in Montreal, Canada. I rode the bus to school every day--my mom walked me to the bus stop every morning and met me there every afternoon. One day, I got on the bus, she said, "I'll see you after school." Somehow, I thought that meant my dentist appointment was that day and she would be picking me up at school. When school got out, I told the bus driver my mom was picking me up and, after much cajoling, he left without me. My mom, of course, never showed up. (My appointment was the next day.) After waiting a while I decided (at five years old, mind you) that I needed to walk home. Several miles away. Across the busiest intersection in Montreal. Finally, as it started to rain, I asked a young woman at a bus stop how far it was to my street. When she realized how far from home I was, she took me home with her and called my parents. Needless to say, I do not recommend taking this kind of risk--if for no other reason than it makes your parents a little overprotective for then next twenty-five years.
Other Scary Things
- When I was 17, I graduated high school in Springfield, Missouri (about as Midwest-ville as you can get) and started college in New York City. I met amazing people for other cultures and countries and realized just how broad the spectrum of the world really is.
- Halfway through my sophomore year at said college, I decided to give up my Ivy League education and transfer to the University of Colorado. This turned out to be one of the best decisions I ever made. I grew more emotionally and socially as a person in Colorado than at any other time in my life.
- For my graduate program (at the same aforementioned NYC university) we had to do a summer internship. The one I landed was being site manager for an historic dude ranch in Rocky Mountain National Park. My housing was an on-site cabin that had been built in the 50s. It had electricity and hot water, but no phone and my cell service was spotty at best. There was one other couple in another cabin, but other than that the nearest people were at the visitor's center ten miles away. It was just me, 1" of June snowfall, a Hanta-virus toting mouse population, and a valley full of elk and moose. You learn a lot about yourself in that kind of solitude.
- During that graduate program, my thesis adviser said something that changed my life forever. "Tera," he said, "you are a very effective writer." I'm sure he meant in the academic writing world kind of way, but those words gave me the courage to believe that writing really could be my (forgive the dramatics) destiny. From that tiny seed of courage, I set about learning as much as I could about the writing profession and industry and, eventually, sent my stuff out. I think letting others read something as personal and emotional as your writing is a huge risk--but oh so worth it.
The Next Scary ThingAt the end of the summer I'm moving back to my beloved Colorado. That's it, that's the extent of my plan. I have no day job lined up, no close friends or family in the area, I haven't even decided where exactly I'm going to settle down. But I know that Colorado is my home--a place of inspirational beauty--and that writing is my path. So, I'm jumping in there, with every desperate intention of making writing my full time life. It may be a little bumpy along the way... but I bet it's worth it in the end.
So, question of the day is: What scary things have you done? And did the rewards outweigh the fear?
Hugs,
TLC
Growing Up Godly, Summer 2008
Dutton Children's Books
what I'm reading ... Two For the Dough by Janet Evanovich (yes, still!)
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I also love starting new sketchbooks, but somewhere after the middle I get some doubts and regrets that I waste to many pages for quick scribblings and I pile things on each other to get rid of bad feelings. :-) Your drawings great and serious.
I'm one of those who can never start a sketchbook, even with a full stack of them waiting for me. I think we see such gorgeous ones like yours, and get really afraid with our result. Reality can be cruel.
I've been catching up on what you've been doing, and as always, it's just wonderful, entertaining, and informative! nancy
No wonder it's your favorite Andrea. It is absolutely stunning. And...I would LOVE to know how many hours were embedded in it. Perhaps a record next go round?
I always turn over the first page and start a sketchbook there but frequently have blank pages at the end too when I need more pages for a sketching trip - what a waste of pages.
beautiful! i really like your style of drawings. i love starting new sketchbooks.... so much so that I have a hard time finishing the new projects i begin!
Cheers, guys.
I'm glad others understand about the whole sketchbook thing. I probably have about ten on the go. My problem is the time. I never seem to have enough. Now, if somebody would just pay me to complete sketchbooks....
Thanks, lovelies.