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Viewing: Blog Posts Tagged with: drawn by Andrea Joseph, Most Recent at Top [Help]
Results 1 - 25 of 43
1. the clay pot against the iron pot

A little while back I was asked why my book was more expensive in my shop as opposed to on Amazon. It is a good question. It is a fair question. I tried to answer it in an illustration. How else?
It is an issue that faces all of us that run a small business. There's no way of competing with the big guys, no way at all, there is no point in trying. But we do have an advantage over them and that is the service we give.
I am not making big bucks off my book, hell, I forgot to even mention, in this illustration, that I have to buy my book off my publisher in the first place - as well as the currency conversion and bank charges that that entails too. That's before the, above, process even begins. No, I'm just scraping by. Always just scraping by.
But when you do buy from a small business or independent seller/artist you are also supporting them in creating their work. Thank you for that. I really don't mind where people buy my book from. It is an honour that they do buy it at all.  
I'm glad I was asked this question. It's an important one and it gave me the chance to try and answer it. Quite coincidentally, I was chatting with my publisher, whilst I was in the middle of this drawing, about the price issue when he said "in French we say 'le pot de terre contre le pot de fer'. It's a kind of  David and Goliath" and that's how this drawing got the title.

0 Comments on the clay pot against the iron pot as of 3/11/2015 4:10:00 PM
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2. canned

Thank you for all the lovely, supportive messages throughout my month of sobriety during October. I raised over £300 for the charity, Macmillan Cancer Support. All in all, I've been feeling rather chuffed with myself, for not only getting through the month but for really enjoying it. I've been feeling better than ever.

Then last weekend I somehow managed to drive over my new, uninsured, iPhone. I know, you really don't need to tell me; I am an absolute twonk. So, now I need to raise to money for myself. Over £300 just to pay off the trashed phone and then enough to get a new one (although this time it's probably not going to be a brand new iPhone).

Anyway, that is the reason that I'm selling off a load of original drawings. There'll be more going into my Etsy shop over the next few weeks and I've reduced the prices of the originals already in the shop. Today this one went up for sale. I do like this one, actually. I may have changed the pens I've used over the years, and the paper, and the way I draw, but I can't imagine a time when blues and browns are will not my favourite colour combination.

You can get your paws on this original drawing HERE.

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3. ink on a pin, underneath the skin

A couple more of my posters for our Dr Sketchy Sheffield events. I just love doing this poster artwork. I've been wondering why I enjoy it so much. It's obvious really, that mix of illustration and text really floats my boat. Maybe I should hire myself out as a poster artist. Have an event that you need a poster for? I'm your lady.
You can read a post about one of my poster artist heroes, the legendary Toulouse Lautrec, and see more of my own creations HERE.

0 Comments on ink on a pin, underneath the skin as of 3/7/2014 9:34:00 PM
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4. put your lights on

I'm back. Circus life was not for me. No, I have too much baggage (well, boxes) to lug around.
Not much to say about this drawing, really, except that throughout it this song was in my mind;

Hey now, all you sinners
Put your lights on,
put your lights on

'Cause there's a monster,
living under my bed,
whispering in my ear
And there's an angel,
with a hand on my head
She say I got nothing to fear

There's a darkness,
living deep in my soul
it still got a purpose to serve               
So let your lights shine,
deep into my home
God don't let me lose my nerve,
don't let me lose my nerve

From Supernatural by Santana.
'Put Your Lights On' lyrics by Everlast.

7 Comments on put your lights on, last added: 4/8/2013
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5. where wine, dance and music is the name of the game

Guys, I've decided; I'm running away with the circus. I don't know how long I'll be gone (probably about a week) but I have to do it. I've tried everything else and none of it has worked out. So, it's the only thing left to do. See you when I get back. Unless I decide that circus life is for me.

0 Comments on where wine, dance and music is the name of the game as of 3/6/2013 9:18:00 AM
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6. and it gleamed in the distance and it shone like the sun

A new one here. When I started this it was going to be one of my trademark pen drawings. Just a bunch of pens on a page. I don't know at what point it became London Bridge. That's even if it is London bridge and not, in fact, Tower Bridge.

Can you read the text on this one? Cos, I seriously have NO idea what I'm doing when it comes to resizing these days. It's pot luck.

Anyway, this one drawing is not just new to my blog, but it's new to my shop too. I've put a few originals up for sale over the last few days. Have a gander HERE.

8 Comments on and it gleamed in the distance and it shone like the sun, last added: 3/4/2013
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7. side by side in idle talk

It seems wrong talking about Christmas at this time of year. Quite frankly, I don't want to even think about it until next December, (December the 24th to be precise), but due to all my recent technology issues I never got to post the drawings from our Sketchcrawl Christmas lunch/get-together. We met on a Saturday afternoon at the Harland Cafe in Sheffield. What a great little place. And, so cheap. I can't remember the last time I had a meal, dessert and a couple of drinks for less than a tenner. Plus, I had an extra portion of chips - which were amazing. But, this is what's known as going off on a tangent (it's the sort of thing I remember, though; good chips). Here are just a few sketches I made. I came home with absolutely tonnes of drawings. Some days are like that, though, right? Some days you're just unstoppable.  
 Anyway, I'd like to introduce you to a couple of our group;.
Harry has been drawing with Sketchcrawl North for longer than me. Despite being one of our youngest members he is a veteran. I think he'd been scribbling away since about the age of ten (ish). His work is great now, so I can only imagine what it'll be like in a few years time if he continues at this rate.
Now, I can't pretend I know this baby. He, or she, was sat on a table close by. On these sketchcrawl outings I try to take a few tools that I wouldn't normally use, to change things up a bit. I made this baby sketch with one of my lovely old calligraphy pens. I really must use them more. I pinched a blue pencil, from one of the group, to create his, or her, rosy cheeks.
And, finally, another of our regulars Jane, in her lovely jumper. It's so nice I drew it twice. Here and in the top drawing.

Thanks for all the recent response about resizing vs watermarking images, etc. As you might be able to tell, from this post, I still don't have a bloody clue what I'm doing.

Happy Christmas!

3 Comments on side by side in idle talk, last added: 2/25/2013
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8. i got a deal for you right here

A couple of new additions to my Etsy shop here. Above, an original drawing I made a couple of years back. It is actually my kitchen table which also doubles up as my work space. Read more about it HERE.

Below, another original, a brand new little drawing of this poorly saggy old owl. Go on, give him a home. He can be found HERE.

2 Comments on i got a deal for you right here, last added: 2/22/2013
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9. what am i doing here? what am i doing here?

I made this drawing on the plane home from France a couple of months back. This girl, who I was sitting next to, slept for most of the journey and so I got to draw her a few times. I added a bit of colour when I got home. I can't decide whether I like it or really dislike it, but hey ho - that's the way it goes.

A huge thanks for the big response to my last post about protecting one's artwork online. It seems that watermarking is probably the best option but I'm still undecided. I'm not a fan, in all honesty. I always want to give the viewers of my work the best way to, er, view my work. I guess, I now have to weigh up the options of watermarking, resizing images or just continuing to post as I always have.

Plus, I have to work out how to use Photoshop, which, I can tell you, is NOT coming easy. So, bear with me, and excuse my images being too big, too small, unreadable, etc. And, excuse me for being an ignoramus.

10 Comments on what am i doing here? what am i doing here?, last added: 2/24/2013
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10. way past the stars

Yesterday, for the first time, in a long time, I finally sat down and drew (is that a word?). I mean really really drew (why does it not sound or look like a word?). Or, I lost myself in a drawing, that's what I'm trying to say. I let the drawing direct my pen and just went for it. I went nuts all over the page. I love it when that happens and it's been too long since it did. I wanted to draw how it feels to be hyper creative. To the point where sleep escapes you.

So, here's a bit of a milestone for me (I seem to have been hitting these milestones left, right and centre recently);  this is my 700th blog post! SEVEN chuffing HUNDRED?!! How did that happen? I'm flabbergasted (now, there's a word I love and do not get the opportunity to use often enough).

I'd like to ask for a little advice, folks. Since inheriting this new laptop, and all it's programmes, I am trying to learn Photoshop. For a long time (for about 700 posts) I've been concerned that the size of the images I've been posting are MASSIVE. They've been stolen and printed on all sorts of products. I have, for the first time, here, posted an image that (I hope) is not printable and pinchable (now that can't be a word). Does that spoil your viewing experience? Is this the only way to protect my work? What do you think about it? Any thoughts would be appreciated. Thanks.

And, thanks for all the visits and comments over the last seven hundred posts. Did I mention that this is my seven hundredth post?

30 Comments on way past the stars, last added: 2/28/2013
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11. we're in for more rain

Well, another couple of weeks have passed and I am still finding it difficult to pick up a pen and draw. I made this little one some time back, in my mini Moleskine sketchbook, at Yorkshire Sculpture Park. Tomorrow my sketch crawl group return to the park, for lots of sketching goodness, but I'll be working the day job so I won't even have a sketchcrawl to kick start some drawing. It's okay though. As frustrating as these periods are, I know it will pass. It will, it will, it WILL pass.

Huge thanks for all your kind and supportive messages in response to my last couple of posts. I'll have some drawings to share soon.

3 Comments on we're in for more rain, last added: 10/16/2012
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12. but something real to me

 A while back I did this project for Buxton Festival's production of James and the Giant Peach. I produced a number of drawings that were used as backdrops to the performance. It was a great experience all round, especially seeing the final production and my drawings so BIG.

For some time now I've sat drawing. And drawing. For around about seven years in fact. Since I picked up my pens, back then, I've never stopped. I've always felt that, because I haven't been drawing for a huge amount of time (relatively speaking), I need to squeeze as much of it into my day, into my life, as possible. This has meant that other areas in my life have suffered and been neglected whilst I just draw draw draw.

I've been thinking about this a lot lately. Drawing has become everything to me. It's taken over my life. I feel it might be time to think about redressing the balance. But just thinking about it has thrown me into a bit of a funk. Wondering how I do that - because I still love drawing so much. If anyone has all the answers please let me know. 'Cos, I'm struggling.
Photographs courtesy of Buxton Festival.

19 Comments on but something real to me, last added: 9/29/2012
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13. and it's you and it's me

A couple of drawings from the last two Dr Sketchy Sheffield events here. Above is the lovely Ieva modelling at the Greystone's pub, Sheffield. My fellow sketchy mates and I discussed this pose on our drive home that night, and all agreed it was definitely the most difficult of the evening. I was, however, pleasantly surprised when I got back and looked at this drawing. I'm just not so sure now I see it on screen.
So onto Tom, who I believe, was out first male model. This was at the Dr.Sketchy/Tramlines festival. When he first got into this position I wasn't confident about being able to make him look, um, human even. But, the best thing, I find, is to stop listening to those voices in your head and not even attempt to make a 'good' drawing. It's at that point you can relax and just play with your pens.
And, just in case you don't believe I drew this (not that there's any reason you shouldn't!) here I am in action. My drawings were also used to advertise this event, as you can see below and here.

2 Comments on and it's you and it's me, last added: 9/19/2012
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14. still a wild seed

I first made this post over five years ago. I felt that I was just finding myself as an artist (apologies for that HORRIBLE cliche) in these early Moleskine sketchbook pages.

10th April 2007
"In my quest to draw everything in my house I stopped by the spice rack. I'm quite happy with this. It reminds me of the illustrations you'd find in recipe books from the 70's. Books that were usually called something like 'The Whole Food Kitchen'. The kind of book that gave you interesting ideas for things to do with lentils and chick peas. The type of book where you can still smell the patchouli wafting through the pages. I dream of illustrating one of those books. One day. One day...."

Well, I'm not done with the cliches. You know, if you work hard and really really dig what you do, it seems, you can make your dreams come true. Right, I'm not allowed to say anything more. For now.

11 Comments on still a wild seed, last added: 9/8/2012
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15. songs are like tattoos

I think this was my favourite sketch from last Friday night's Dr. Sketchy. The scaling is all wrong; the hands, for one, are way too small but I don't really care. I'm a little bit obsessed with tattoos at the moment. I'm loving drawing people too. So what could be better than drawings on people? Not much.

3 Comments on songs are like tattoos, last added: 7/28/2012
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16. does anyone know?

Where does the time go, eh? I've such a huge backlog of stuff to post; drawings from one of Lynne Chapman's workshops; the International Sketchcrawl day illustrations; an exciting new collaboration; a step by step update; details about an exhibition in France I've been invited to participate in (SO very excited); a couple of secret projects that I am definitely NOT allowed to mention (can I keep my mouth shut?!);  and all manner of other bits and bobs.

For now here's a couple of sketches from a Dr Sketchy I attended the other evening. These are always such fun events. I hope that shines through. They are just a great excuse to play with your pens.

Back to regular posting tomorrow.

2 Comments on does anyone know?, last added: 7/23/2012
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17. time passes

For one reason or another I have found myself spending quite some time in various cafes and tea rooms over the last couple of weeks. It, of course, is no hardship. I am not complaining. In fact, it's passion of mine. I love food. Good quality food, that is. I just don't usually get enough of an opportunity to eat out being a poor artist.
I like to think I have high standards when it comes to these types of eateries. For me a good cafe, or tea room, must have good homemade fare, locally sourced ingredients (wherever possible), good coffee and a laid back vibe. These drawings are from a couple of the local cafes I've been hanging out in recently. As you can see, for one reason or another, some experiences have been better than others.

9 Comments on time passes, last added: 7/19/2012
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18. motorcycle emptiness

This is a pretty rotten drawing. I wasn't feeling it from the moment I started it. I just saw this bike, at the Crich 1950s day, and thought it looked interesting. I wanted to do something interesting with it. But I didn't. Then when I got home and started cross hatching the hell out of it I was still not feeling it. So, I just got it finished and wrote some nonsense on the page. You can tell by my hand writing I wasn't even feeling that.

However, despite the fact that I've just slated it, there is one moment in this drawing that I like. You see when I've made a drawing that makes me cringe I feel that as long as I create a little magical moment within it - whether that be a line or a texture or a detail - I can forgive it. So, yes, there is one moment that makes me smile. Can you spot it?

16 Comments on motorcycle emptiness, last added: 7/13/2012
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19. you gotta roll with it

 These are the final couple of drawings from the rock n roll day last weekend. Actually, there's also a motorbike but that might take some time to finish. I must say that I'm pretty pleased that in just one day I produced so much stuff.

 I'l let you into a secret about the car below; it most definitely wasn't that shape. I started off at the front of the car, which was going okay. Not great but okay. Then I realised that there was absolutely no bloody way I was going to fit the whole thing onto the page. It was, after all, a big long Zodiac! So, I had a decision to make and, yes, I did. I squashed the whole thing into the space I had. Ah well, as long as we keep it to ourselves nobody else ever needs to know.

 Throughout this drawing I was thinking of my friend France Belleville and her 'ladies'.

5 Comments on you gotta roll with it, last added: 7/2/2012
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20. above the clouds

And now for something completely different. Different from all the sketch crawl stuff that I've been posting of late anyway. Here's a couple more from the James and Giant Peach project. These drawings will become the backdrops to the play. I find it quite difficult to not get sucked into all the details. After all, that's what I love to do.

The scene below is what goes on inside the peach on an average evening. As I was finishing it I was reminded of one of my favourite Spike Milligan poems which goes like this;

'Today I saw a little worm wriggling on his belly,
perhaps he'd like to come inside and see what's on the telly.'

I bloody love that.

8 Comments on above the clouds, last added: 6/11/2012
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21. and if the flowers are in bloom

 I'm playing catch up at the moment. Not on the drawing front (I have NOT stopped drawing recently) but on all the other things that go along with that. Like blogging. These are a couple more drawings from last weekends sketch crawl in Buxton. And very shortly I'll post the drawings from this weekends sketch crawl in Chesterfield. Our group seems to have a very busy schedule because there's more planned for next weekend. Phew. Exhausting, but great too.

I did this little one in the Buxton Museum and Art Gallery where I held my exhibition last year. This is of the mantelpiece in the Victorian room. At least I think it's the Victorian room. But don't listen to me I seem to think everything old is Victorian. I have no idea why.

2 Comments on and if the flowers are in bloom, last added: 5/29/2012
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22. fruit tree, fruit tree,

Here's another of the backdrops I am illustrating for the Buxton Festival's production of James and the Giant Peach. I'm prettyy happy with this one and though I might still add a little background I also liked it against the white.

Lots more on it's way this week.

3 Comments on fruit tree, fruit tree,, last added: 5/24/2012
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23. close my eyes and drift away

Here's another little spread from last Sunday's sketchcrawl in Sheffield. The weather was a bit on the wild side so we ended up drawing in a couple of pubs. A perfect way to spend a wet and windy Sunday afternoon.

I can't quite decide whether to add some colour to this. The Delerium Tremens sign was purple with a pink elephant which could work. But you never know.

This drawing was made in the little mini Moleskine sketchbook. This book had sat unused, on my shelves, for at least a couple of years. I never thought I'd like using it. I thought it was too small. But it's really grown on me. And whilst I always take the larger sketchbook with me, on my travels, I love having the option of this little one too. It's just really cute.

If you are interested you can take a peak at the drawings I've made in this book so far HERE.

3 Comments on close my eyes and drift away, last added: 5/7/2012
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24. i drag my feet like everyone

Why do I find a broken bench so moving? Yes, because I'm a bit odd. And, yes, I'm a hyper-sensitive fool. But, apart from that, why is it so moving?

And, one more thing; whatever happened to Gomez? They were amazing.

10 Comments on i drag my feet like everyone, last added: 5/7/2012
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25. all our yesterdays

 Do you ever have those drawings which, you feel, spoil your sketchbook? I do. I always view my sketchbook as a whole, as opposed to a series of individual drawings, and so when one of the drawings goes wrong it really depresses me (I know, I know, I should get out more). This is what happened with the drawing above. I did say, in a previous post, that there was no way I was going to show it on my blog, but what the hell. Plus, I've heard that sharing the work that didn't work out helps you grow as an artist (not that THIS artist needs to grow anymore; I no longer fit into any of my jeans).

Anyway, I made this drawing at the Imperial War Museum on one of our recent sketchcrawls. Now despite somebody telling me that 'it was the best drawing of a flame thrower that they'd ever seen' (I think (I know, rather) that that somebody was taking the Michael) I just couldn't stand it being in my book.

 So, armed with a Prit stick, a page I tore out of my Moleskine diary, a rather blurry photo of the wall of suitcases (yes, a wall of old suitcases. How amazing is that?), memories and buckets full of inspiration from the museum I set to work. I'm really pleased with the outcome. But, you know, why stop there? While I had the Prit stick to hand I thought I'd go the whole hog and make a secret foldy flap thingy that hides yet more suitcases. In colour. And why not?

I can now live with my sketchbook again, and am safe in the knowledge that nobody will ever know about the awful drawing hidden behind a wall of suitcases.

Oh.

13 Comments on all our yesterdays, last added: 5/5/2012
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