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By: Carolyn Napolitano,
on 10/13/2016
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Mark Twain is reputed to have quipped, “Reports of my death have been greatly exaggerated.” Such hyperbole aptly applies to predictions that digital reading will soon triumph over print.
In late 2012, Ben Horowitz (co-founder of Andreessen Horowitz Venture Capital) declared, “Babies born today will probably never read anything in print.” Now four years on, the plausibility of his forecast has already faded.
The post Will print die?: When the inevitable isn’t appeared first on OUPblog.
Kobo Aura H2O is the first premium eReader to have a waterproof* and dustproof design that allows you to take it worry-free from the beach, to the bath, to your bed. Plus, with up to 2 months of battery life, you have the freedom to keep reading, wherever you go. So if you drop it […]
By: Julia Hornaday,
on 10/20/2014
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We can’t keep it a secret any longer!
As of today, We Give Books has a new home at First Book. The online platform, which features nearly 300 digitally-optimized children’s books, enables anyone with access to the Internet to put books in
the hands of kids in need, simply by reading online.
This generous gift to First Book comes from The Pearson Foundation along with $1.3M in cash to support We Give Books and help First Book deliver new online programs and services to our growing network of 140,000 classrooms and community organizations serving children in need.
You can get involved too!
Children, parents, caretakers and educators can visit www.wegivebooks.org and select books to read together. Reading on the site also triggers donations of new books to programs and classrooms serving children in need. Launched just four years ago, We Give Books has helped deliver more than 3.25 million books to children around the world.
We could not be more thankful to the Pearson Foundation or more thrilled for We Give Books to join the First Book family, helping us provide even more critical reading opportunities to young people across the United States and around the world.
Learn more about We Give Books joining First Book here. Then check out We Give Books and start reading today.
The post Welcoming We Give Books to the First Book Family appeared first on First Book Blog.
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Tonia Allen Gould,
on 9/12/2013
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Jacob, age 6, with his Samuel T. Moore of Corte Magore App on the iPad
Bi-line article written for Today’s Parent USA by Tonia Allen Gould
This fast-paced media environment we are experiencing today is continuously changing and has everyone confused. Parents too, are having a hard time catching-up on evolving trends. Like everyone else, they are trying to figure it all out, while their children seem to adapt and grasp onto technology without even a glimmer of thought. Look around you—in airport terminals, at outdoor cafes, and at the nearest Starbucks, it’s not uncommon to see a child, sometimes as young as two years old, sitting quietly and comfortably, glaring through the glossy screen of an iPad. One thing is for certain; these children are engaged and consumed by the technology they are accessing from the palm of their hands.
Today, there are an abundance of apps that can be accessed through general purpose tablets like the iPad. With only a touch of a finger, and a few moments of time, you can browse through books, games and educational apps for children from the iTunes App Store, for example, on your device. With so many options in front of you, it’s important to understand the landscape of where book media is today and where it is going, especially in the education and entertainment arenas. Picture books, for instance, on technology devices have turned into interactive, engaging “experiences,” complete with digital animation, narration and music. While we all hope that conventional books in the library will never really be replaced, it’s true that in just a few short years, book apps and eBooks have already changed the publishing world and redefined how books come to market. In fact, some book apps are starting to look something more like a Disney/Pixar movie than an actual picture book, and the book market will only get better from here.
Also, it’s important to understand that there are significant costs that go into the production of a single book app and this is why the good ones can’t be purchased for the price of a song. Still at $1.99-$7.99 or higher, the cost of a book app may be a much better value when compared to printed and bound books stocked at brick and mortar retailers like Barnes and Noble, where you can expect to pay at least twice the price of a book app or eBook. It’s these very same electronic books that can be found at other retailers, like Amazon, that are partially responsible for those big retailer’s declining sales.
It’s true that just a few short years ago; kids were snuggling up next to their parents to have a book read to them when their parents could take the time to sit down with them. Today’s kids are getting their books on demand and being read to by professional narrators, when mom’s lap isn’t available, and they are doing this right from the comfort of their own electronic devices. For parents, the reality is you don’t need to draw a line in the sand, and purchase your child’s books one way or the other. What’s most important is that your child is reading. Books of any kind are a good way for kids to start thinking and speaking early, but I for one, am looking forward to the positive influence technology can bring to those young minds.
Tonia Allen Gould is the producer and author of Samuel T. Moore of Corte Magore, an electronically published book app, available in the App Store on iTunes, and is also available by audio on CD Baby and through other media outlets. Published by Skies America, Gould creatively directed and hand-picked the celebrity talent to make this eBook/app an engaging experience for children ages four to eight-years-old. The app was illustrated by Marc Ceccarelli, a SpongeBob SquarePants storyboard director. It was narrated by two-time Marconi Award nominee, and radio personality, Mr. Steve McCoy. The original musical score was produced by country artist, Robby Armstrong.
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Samuel T. Moore of Corte Magore, an animated and narrated children’s picture book releases on 7/1/13!
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Author, Tonia Allen Gould, announces the release date of her animated and narrated children’s picture book, coming on 7/1/13 on iTunes.
By: Anastasia Goodstein,
on 1/23/2012
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The number of Americans who have a tablet or e-reader (jumped significantly between December 2011 and January 2012, thanks to robust holiday sales, according to Pew Research. In fact, among Millennial adults, tablet ownership — at 24%... Read the rest of this post
That is the question.
To be honest, I’m old-fashioned when it comes to the reading experience. What’s not to love? I adore the anticipation of walking into a bookstore. The weight of a book as it rests in my hands. The excitement of opening a book for the first time. The feel of paper against my fingertips. The satisfaction of placing the bookmark at the end of a completed chapter. Ah, the best of times.
However, even I, the diehard reader, must concede that the eReader is not without its advantages. First, eBooks are not nearly as expensive as traditional paper books. Second, the use of eReaders dramatically reduces the reliance on the forestry industry. Third, it’s much easier to carry an eReader than a book coming in at 550 pages. Fourth, you’re just a click away from your own library. Now, that’s worth a second thought.
I bring to your attention the NOOK Color by Barnes & Noble. I single out this device in particular because of its most recent ad campaign entitled “Read Forever.” B&N is taking a different approach from its competitors by paying tribute to all readers. They are not condemning the readers of paper books but, instead, encouraging reading in all its forms. Their approach works because they did what no one else could, they got my attention.
I’m not saying that I’ve been converted but I am considering the possibility. What’s your answer?
By: Anastasia Goodstein,
on 11/4/2010
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Today's Ypulse Interview is with Nina Lassam, marketing director for WattPad, "The World's Most Popular eBook Community." With over 600,000 original works available on the site — from poetry to romance to YA fiction — WattPad encourages... Read the rest of this post
Samsung enters the e-reader battle royal... although it's not yet available commercially the "Papyrus" has the standard e-ink screen but with the added bonus that allows the user to write on the ebook (underline, add notes, etc) with a stylus. This new feature addresses one of the main complaints ebooks, but if you take a look at the video that Galley Cat posted with their review the Papyrus the device's refresh rate still falls short of the mark (at least for me).
When it does become available though rumours are it will be "only" $300 (cheaper than Sony Reader and Kindle).
[Now Reading: Bluebeard by Kurt Vonnegut]
Released today is Barnes and Noble's entry into the e-reader wars. Dubbed "The Nook" it combines a color navigation panel (for browsing color book covers) with a 6" e-ink screen, mp3, and support for a number of non-proprietary formats including ePub and PDF.
Like the Kindle ,The Nook is wireless with the added feature that it seems you can share books with friends over a variety of other devices (iPhones, Blackberry's, etc) if you download some free software. The Nook however does not have the Kindles text to speech, has a shorter battery life, and is a bit heavier. The one piece of information I have not yet found is if the divice is supported outside of the US, drop a comment if you find out.
Several major news sources have been reviewing The Nook and are suggesting that it might give the Kindle a run for its money. We shall see what happens this Christmas I suppose.
If you want to see it at work Gizmodo, posted a neat video. I will be posting some more Nook specs on our E-books page tomorrow.
[Now Reading: Following the Equator by Mark Twain]
By: Anastasia Goodstein,
on 9/25/2009
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eReader Wars (Seeking Alpha speculates on whether Apple's upcoming iTablet will change the game by roping younger readers. Plus Samsung makes a play for the youth mobile market with the new Colby line, as does Microsoft with chubby 'Pink'... Read the rest of this post
The New York Times is reporting that Sony will be selling ebooks for their reader in the open ePub format only. This means that they will also be scrapping "proprietary anticopying software in favor of technology from the software maker
Adobe that restricts how often e-books can be shared or copied."
This means that books purchased after the change will be able to be read on a variety of other ereaders, opening up options for consumers.
“There is going to be a proliferation of different reading devices, with
different features and capabilities and prices for a different set of consumer
requirements,” said Steve Haber, president of Sony’s digital reading unit. “If
people are going to this e-book shopping mall, they are going to want to shop at
all the stores, and not just be required to shop at one store.”
Sony opening up to a common standard creates a very different playing field in the ebooks market. As Charlie mentioned last week Sony just came out with a cheaper version of its ereader, and the Times suggests that a reader with wireless capability is also on its way. It seems the ebook wars are far from over.
(Thanks to GallyCat for the tip)
Last Friday I told you about Boarder's launching a new ereader in the UK and today we have yet another reader coming to the fold, The Ditto (or Digital Interface Total Text Organizer).
From the Publishers Weekly report it sounds that The Ditto is much like the Cool-ER reader which debuted at BookExpo this year: costs about the same, has similar features (6" screen, reads txt, pdf and mp3, upgradable memory, etc).
One thing the Ditto does have going for it though is that it supports the epub file format.
As I said on Friday, if some of of this sounds like Greek to you, check out our ebooks FAQ page.
In what seems to be a daily event these days news of yet another eReader is on the horizon. Chapters Indigo are apparently in talks with manufacturers and are working out who will make their own version of the product.
CTVs Tech Life Blog explains...
...according to the company's founder and CEO Heather Reisman who appeared on Canada AM this morning for
her annual summer reads selection... she divulged the company's plans, willing only to confirm that it won't be
the Sony Reader, already
available and supported by Sony's own online E-Book store, nor Amazons Kindle which has yet to find a launch in Canada.
Instead the retailer will launch their own service, one that will follow on the
heels of their successful ShortCovers service, launched earlier this year.
ShortCovers is a mobile app, currently available as a free download for the
iPhone 3G, iPod Touch through Apple's Apps Store, the latest generation of
BlackBerry devices through RIM's App World, and for Android-powered devices
including the HTC Dream and HTC Magic which launched today, through the Android
Market.
By: Anastasia Goodstein,
on 5/5/2009
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Today we bring you the latest installment of "Checking the Pulse," our occasional feature with the folks at Pangea, an online advertising company that operates a network of quiz sites, including youth-oriented Quibblo.com. The surveys are... Read the rest of this post

Apparently Polymer Vision’s “Readius” is ready for launch but stalled because of financial difficulties. The device has a five-inch monochrome display which can be rolled up into a package about the size of a cellphone.

Intriguing. It also has built-in 3.5-G wireless data connectivity and a microSD card slot to accommodate additional memory. But can it compete with the Kindle and Sony E-Reader?
Here’s more info, if you’re interested.
Thank goodness I was given a Kindle for Christmas two years ago. I say that because the three-day O’Reilly Tools of Change for Publishing Conference (TOC2009) in NYC this week was all about digital publishing and I could smugly raise my hand when... Read the rest of this post
By: Rebecca,
on 6/9/2008
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By Evan Schnittman
[A Full Disclosure Note From Evan] Let’s be clear from the start: Neither Amazon nor Sony have told me anything. I get nada, zilch, bupkis when I ask even the most circumspect questions about their respective device sales. If it has to do with Kindle or Reader, I get the standard “go away” line. I have not manipulated sales data, be it OUP’s or any other publisher. I have not analyzed Amazon or Sony ebook sales statistics or rankings. I have not found any secret documents. I have not broken into the vault, I have not cracked the code, I have not had prophetic dreams - well, not about any e-ink devices anyway…
What I do have is a subscription to DIGITIMES that has led me to some pretty outlandish and, I think, substantiated conclusions about Kindle and Sony Reader sales figures. Before you dismiss me as loopy check out the evidence…
When the Kindle first launched there was plenty of predictions about how it and its predecessor the Sony Reader would sell. Over time the chatter died down, halted partly by the Kindle going out of stock. At the end of April, the chatter returned and hit full volume after last week’s Book Expo America in Los Angeles. The catalyst was Jeff Bezos’ speech, which let out some tantalizing, yet cryptic information on ebook sales volume at the Kindle store. The chatter, as reported in the NY Times, has publishers and others speculating that Amazon has sold somewhere between 10,000 - 50,000 Kindles.
I think all the speculations are completely wrong. By my calculations, combined sales of the Amazon Kindle and the Sony Reader will be 1,000,000 units in 2008. This estimate is based on solid data.
The Evidence
Amazon and Sony both use the 6-inch electrophoretic display (EPD), also known as an e-ink screen. Both companies buy their EPD’s from Prime View International (PVI) of Taiwan. DIGITIMES, a daily news service covering the Taiwanese IT market, reported on April 18th, in a story entitled PVI EDP shipments to grow sharply in 2008, that PVI expects EPD module shipments to reach 120,000 units PER MONTH in the second half of 2008. It further explains that the unit price of the screens are $60-$70 per unit and that the current volume has been 60-80,000 units PER MONTH.
Also intriguing is the article’s claim that 60% of the EPD’s go to Amazon and 40% go to Sony. This is an important factor as it implies that there is a market beyond Kindle – a very, very strong market. Taking the figures at face value, Sony was selling (or at least manufacturing) an average of 28,000 readers per month (I took 70,000 units as the average sold per month and then 40% of that). Using this monthly rate, the annual sales of the Sony Reader are at nearly 350,000 units. Using the same formula, Amazon is ordering an average of 42,000 units per month, which will add up to over 500,000 units sold this year.
With production ramping up to 120,000 units a month these numbers will look much better - to the tune of a combined 1.4 million units over 12 months! Even with the Kindle out of stock for a big chunk of the first and second quarter, combined sales of these two e-ink devices in 2008 will most likely top 1 million. If a million devices are out on the street looking to feed, and we know they primarily eat one kind of food, ebooks, then what must this mean for the ebook sales?
Jeff Bezos said last week that ebook sales in the Kindle store had hit 6% of book unit sales. What this means is that of the 125,000 titles available in the Kindle store, the sales of ebooks represented 6% of the sales of those same 125,000 titles in print formats. Another interesting thing that Bezos said was that Kindle buyers purchase at a rate of 2.5 times more than print book buyers… food for thought when thinking through your ebook strategy.
One can draw some ebook sales conclusions from this information. For example, the number 2 seller at the Kindle store is The Last Lecture by Randy Pausch. According to Bookscan, in 4 weeks this book has sold 784,158 units. For the sake of argument, lets ascribe 75,000 units (10% of total sales, a reasonable guess) to Amazon. If Kindle sales were 6%, then Amazon would have already sold 4,500 ebooks. That’s 4,500 people with Kindle’s buying a single title in 4 weeks!
While its clearly amazing that in one month an ebook can sell 4,500 units it is not the best way to calculate the ebook sales impact of Kindle and Reader. A better way to approach this is through good old-fashioned guess-timation. Taking stock of my own experience and the experiences of others I know, I found that ebook buying on either the Sony Reader or the Amazon Kindle ranges from 5 ebooks to over 100 ebooks. Assuming that anyone who buys an e-ink ebook reader is doing so to read ebooks, lets assume that 10 ebooks a year is a reasonable purchase estimate. Using this logic, we should see 10 million ebooks purchased for these two devices in 2008.
The IDPF estimates that in 2007 ebook sales income was $31,800,000 with the caveat that the actual retail income could be as much as double due to retailer discounts, so lets assume that the sales actually totaled $60,000,000. If we use an average retail price of $12 per ebook sold, and if consumers will buy 10 ebooks a year, then they will spend $120 on average, per device. That would lead us to $120,000,000 in ebook sales for the Kindle and the Reader in 2008, double all ebook sales in 2007. (For those of you who cannot swallow the idea of 10 books purchased per device – cut it in half. The result is $60,000,000 in ebook sales – as much as last year!)
Success in technology, like everything else, leads to more success. It’s not uncommon to see five-fold growth the year following a successful technology product launch. Think iPod, think Wii, think Blackberry. Whole micro-economies emerge around products that range from accelerated content creation, and all sorts of aftermarket products and services. Versions 2.0 and beyond create better and better devices. The better the devices, the more accessories, the more content there is, and soon a whole world of business opportunity is rolling downhill picking up speed.
With this in mind, I can easily imagine the success of Kindle and Reader dramatically expanding next year and growing by a factor of five. If that happens, then the formula above leads to a completely new ebook economy. Five million devices would mean ebook sales of $1,200,000,000, which, by my estimation, is 1.3% of the current global book market of $90,000,000,000.
This reminds me of a comment I heard from a music industry executive at a conference a couple of years ago. “One day there was the iPod and iTunes. The next day 20% of our business was digital. The day after that more than 50% of our revenues came from digital music. Yeah, we believe in digital music now.”
I personally don’t see publishing becoming a 50% digital business as books and cd’s are completely different animals. But I sure can see that the 3% - 4% I once predicted isn’t such a crazy notion any more. And yes, I believe in ebooks.
Evan Schnittman is OUP’s Vice President of Business Development and Rights for the Academic and USA Divisions. His career in publishing spans nearly 20 years and includes positions as varied as Executive Vice President at The Princeton Review and Professor at New York University’s Center for Publishing. He lives in New Jersey with his wife and two children.
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You can now mock the poor fools who slept through 8th grade punctuation day by contributing to the “Blog” of “Unnecessary” Quotation Marks.
Quotation marks for emphasis? Fie!
While you are out, visit the Passive Aggressive Notes blog and enjoy the work of some self-appointed Social Contract enforcers.
Just a suggestion.
Also? Can you “please” do the dishes?
Thanks.
-Librarian Avenger
Sounds fabulous. I’d really like to attend, but it’s pricey and I’ve been caught in the downsizing frenzy.
Welcome back! And I’m looking forward to finding out more about the convention.
Yes, welcome back! It’s been too long. Lovely to read your characteristically upfront and unspun account - I often hear about the more sciencey end of these conferences so your perspective is particularly fresh (and funny)! More, soon, please.
eBooks or paper books, none of them will last forever.
Forgive me Lynne, but here in the cloister I’m not allowed to have a blog of my own. So, I’m using your subject matter (eBooks & the death of the paper book) and your informed blog to escape the silence and rant a little.
Most of today’s paper books are printed on rather inexpensive biodegradable paper using petroleum or soy inks. The bindings are soft and the glue is weak. They’re not made to last even part of a millennium let alone for the millennia. Remember the great libraries of Persia? They disappeared
E-books are no better. If only published electronically what device will they be read on a thousand years from now? What if there is a catastrophic event, natural or man made, and electronic knowledge is wiped from the earth? No hardware, no software, no nothing. Where will the survivors (and there always are some) go to learn.
My professional predecessors (monastic scribes), working alone in their screened carrels within the scriptorium, spent their entire lifetimes copying all of the major works of Western European and Islamic knowledge and (censored) scientific data available to them.
Because of its longer projected lifespan animal skins such as parchment and vellum replaced the less stable (and cheaper) papyrus as the writing medium of choice. Permanent ink was a careful mixture of Oak Gall, copperas and gum Arabic. This combination has lasted amazingly well for over 800 years. And, if your lingua franca includes Medieval Latin there are still tens-of-thousands of pages out there to be read if you can find them. (Think hidden in caves.)
You may want to become (like me) a proponent for putting all important works (sorry, “The Cure for Jet Lag” doesn’t qualify) on more stable substrates than paper, parchment, vellum or digits.
The first man made objects to leave the solar system, the two Pioneer spacecrafts contained a 6” x 9”plaque of gold-anodized aluminum, telling our friends out there who we were. This gold plated approach is far too expensive for this monumental project.
As the informed businessman said to Benjamin Braddock (Dustin Hoffman) in the 1967 film “The Graduate”, “I just want to say one word to you, just one word- PLASTICS. “
I’m sure that the right plastic (they tell us it will be here forever) properly embossed, would provide the perfect (cheap) material for recording all of our important works. And, all of the world’s accumulated knowledge could probably be accomplished for less than the cost of the war in Iraq. Put it all in a cave and deeply carve directions to the site on various stone outcroppings throughout the world. Then sit back a couple of thousand years and wait.
Books are nice, the Kindle is cute and computers are great, but we need to store our knowledge on something permanent.
Lynne,
Great meeting you in person. My read of the grown-ups at the show (ie, people making a living publishing books) was that all the honor system and business-by-donation speakers left them cold. But I also had an epiphany on filling out the post-conference questionaire and seeing the questions on inspiration. It never crossed my mind that people might take three days out of their lives and go to a publishing conference in hopes of being inspired, but that does sem to be a large part of what O’Reilly is hoping to do with TOC. Maybe it works for employees who are locked up in cubicles all day, not my background so I can’t say.
Morris
The seminar sounded great, and like you said, it’s a good place to network.
Digital books and digital magazines like mine are the wave of the future. The economy has not even bottomed out yet, and cost need to be reduced on every level just for survival’s sake. For example, if I had to do a print version of our 50+ page magazine, I could never afford to do it.
Book publishers are thinking the same thing.
Nothing lasts forever…even burned DVD’s and CD’s have a shelf life. Hey *snort-giggle* even I’m not going to last forever. Thirty years ago the mediums in use were high tech compared to what we had fifty years ago.
Who knows…in fifteen years maybe we’ll be imprinting stuff inside crystals like StarTrek
As a publisher do you stick with just publishing seminars or do you go to book conferences like ThrillerFest at the Grand Hyatt in July?
Yes, tell us more, because you tell the truth so well.
In the 60s, the rebels were shouting for free speech. The Web geniuses like Cory D. are writing code, and most of their products are dedicated to “aggregation” — sucking in and republishing. “Content” is what costs money to produce. The idea is to start a business that sucks in everybody else’s “content.” Luckily, the Web content people, like the NYTimes, for instance, are starting, timidly, to talk in low tones about charging readers to read what they write and publish. As a hopeful Web publisher myself, I’m thinking about it myself. What have I got to lose. The aggregators “promoting” my content by republishing it. What a shame that would be.
Hi Lynne,
I’m thrilled you enjoyed the conference, and even more thrilled you’ve shared your experience with others on your blog. The amount of conversation that spilled out of the conference halls and onto twitter and the wider Web is what inspires us!
The crux of Cory’s keynote from where I was sitting was that publishers should demand the option to sell their works without DRM. For example, we at O’Reilly have years of sales data on dozens of titles demonstrating that neither selling without DRM nor even explicitly posting book content for free negatively affects our print sales (and more often actually improves them). That said, I recognize that’s a choice (as it should be) for each publisher to make on their own — provided the device maker or sales channel gives them that choice.
If you’d like to learn more about what’s behind our perspective on the issue, see Tim O’Reilly’s seminal Piracy is Progressive Taxation.
Thanks again for the feedback, we really do pay attention to it. See you next year!
Great meeting you at TOC!
The ideas around “free content” are far from finalized, and I agree with the huge number of speakers that DRM isn’t the answer to prevent theft– it may actually encourage it. What depresses me is that this theft is considered morally okay because it’s digital– can you imagine (as a colleague once said)– strolling into the local bookstore and taking a book off the shelf and walking out? Of course not– it’s just that the container for the content is “invisible” as digital that this gets excused and generally accepted.
But we cannot rage against the internet storm on this one. I think the answer lies not in DRM, but in pricing the content to match the convenience– very much the iTunes model where buying the content is more convenient than the effort to download free. Sure, the student with more time than money may still make that effort, but they always did– we called it copying tapes or borrowing from friends.
Another comment that got me thinking was Tim O’Reilly’s, the idea of the book as a souvenir. There are a lot of possibilities in that word. I need to think more about how this would work in the academic publishing world.
Cheers!
Oh, dear. Rage against Cory Doctorow all you want, but he’s right: DRM is a problem, not a solution.
First, it *doesn’t* protect you. Any DRM scheme is likely to be cracked about a day after it is released, and your precious material will appear in various illicit areas, ready for the taking. At least, you *hope* so. And why should you do that? Because it means someone cared enough about your stuff to *bother*.
Second, it provides an annoyance for your readers. The more effective the DRM is, the more annoying it will be. Pretty soon, you annoy the reader enough that they don’t buy.
Let’s get serious about the problem. Exactly how much money have you lost to piracy? I’ll bet right now you don’t *know*, and you *can’t* know, because there is no way to tell. If you think you are losing a lot of money to piracy, I’m sorry, but it may be wishful thinking. The vast majority of authors would *like* to be so popular that people will make a point of pirating their books.
Theft will always be with us. The retail trade calls it “shrinkage”, as does what it can to minimize it, but it’s an annoyance, not a disaster.
Instead of draconian measures to prevent theft, you are better advised to concentrate in increasing your *sales*. Provide real value for the money, price appropriately, and make it *as easy as possible* for the reader to give you money. The majority of the market will pay for value. Your challenge is to *provide* value, let the reader know that you exist and have stuff they will want to buy, and provide a simple means for them to do so.
Remember, you are competing for the reader’s discretionary *time*. The time they spend reading a book is time they could be spending doing any number of other things for fun. Your challenge is making reading your books preferable to watching TV, seeing a film, playing a game, or any of the other things people do for recreation.
I fear that the majority of authors who complain about piracy of their works as the reason for low income really need to consider the alternative: maybe they just haven’t written books that enough people want to read.
Note from the Wicked Witch of Publishing(TM): Thanks for stopping by Dennis, and for taking the time to leave a comment. Personally, I have not lost a dime through stolen digital files. Why? Because I don’t intend to expose the entire book online. I did just put up a digital file of the jacket, front matter (testimonials & acknowledgments), and table of contents. We’ll see if that helps increase sales of the print version. I’m not sure 1% of the market is motivation enough for me to throw the entire book up. I do have a PDF ready to sell if and when I get ready. [Dennis is a Linux Adminstrator at The Feed Room.]