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As Roseanne Roseannadanna used to say, "it's always something."

Sometimes you write a play and although it seems like it has good-bordering-on-great possibilities, it languishes in the maybe-some-day file. The play at issue, "The Lemon", focuses on the trials and tribulations of a woman attempting to get help to remove her car, a "lemon"  stalled in a busy intersection blocking traffic.

A 15-minute comedy play-ette as I like to call my short but sweet stories, it has been tinkered with over the years including modifications to strengthen the flow of dialogue. The saga involves the use of a public pay phone and therein lies the problem.

In order to make my plays relevant, frequent updates are done, however - as frequently mentioned in my blogs, it's always the 'howevers' that get you in the end - this is a situation requiring a reappraisal of its viability.

Public pay phones are becoming a rarity and according to Wikipedia, "since 2007, the number of payphones in the United States in operation has declined by 48%. In July 2009, AT&T officially stopped supporting the Public Payphone service. Over 139,000 locations were sold in 2009."

In this play-ette, the main character (Penny) is attempting to convince the user of the pay phone to allow her to arrange for her "lemon" to be towed to a garage since her cell phone is dead. Here's what I mean:

PENNY
I don't believe this! How many more things can go wrong, today?

SOUND: car horns. PENNY looks off into the distance and makes an obscene gesture with hand

(cont'd. PENNY)  'Blow it out your nose, idiots! You'll get more out of that!' I don't believe it. Get a new cell phone and forget to charge it.

(aside to female in phone booth)

PENNY (owner of car/lemon)

'Scuse me - are you gonna be much longer?

FEMALE PHONE USER (FPU)
Do you mind? I'm almost finished. Why don't you use your cell phone?

PENNY
Duhhh! Don't you think I would if I could? Humor me for thirty seconds and perhaps you'll understand my dilemma. Over there in the middle of the intersection - see that car?

FPU
You mean the orange-colored wreck? You actually own that? I'd keep it to myself if I was you.

PENNY
I bought the rusting chunk of junk a week ago and it died on me, today. There's a sucker born every minute the dealer saw a big red "S" right here on my forehead. Desperation causes one to make questionable decisions

FPU
Okay. I looked at your car. Now can I finish my conversation? The more you interrupt, the longer it'll take

(FPU turns away - PENNY taps her on the back)

PENNY
Perhaps I'm not making myself clear. I'm not a violent person by nature - not at all - but you're pushing my buttons. Wait - I made a joke...get it? Public phone booth...push the buttons... In my personal angst, I still manage to find humor. I'm a survivor alright.
Gotta take things in my own hands...

(PENNY reaches over, disconnects and grabs the phone)

FPU
How dare you! You...you...crazy woman. Get away from me!

PENNY
How dare I? How dare I, you ask? How many times did I tell you that I had to make a desperate phone call but did you listen? Nooooooo! Your phone conversation took precedent over my needs, so I took things into my own hands in the true sense of the word. If you don't mind and even if you do, my phone call needs privacy so block your ears and turn away. Better still, go away

FPU
Excuse me? After the way you interrupted my conversation. I think not

PENNY
(rummaging through handbag)
Let's see here...where's my phone directory...course there's one on my cell if it was working... The handbag is so big, everything gets lost inside. Aha! So this is where my salami sandwich went. Phew! Would you mind tossing it into the trash over there?

FPU
I think not. Why don't you go  throw it in, yourself. It's a mere few feet away

PENNY
Surrrre - uh-huh... You think I'm an idiot?

FPU
The thought did cross my mind in addition to you being insane.

PENNY
I take one step away from here and you jump in and take control over the phone, again. I think not! I'll just put it back in my handbag and toss it when you're gone

FPU
That is truly disgusting. You're gonna contaminate the phone

PENNY
So then you better not use it. Let's see here - where's the number of my dealership. I should'a filed it under 'losers'. Here it is...


And so their repartee continues, the two attempting to gain and retain control over the phone. The issue is if the play is still relevant and/or if it can be updated and relevant for today's society. Still, when it's all done and written, I do like this short play...  As mentioned at the beginning, it's always something.

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Been adding to "Seeds" although not as often as I like or should. Progress is dependent upon sudden brain storms or those rare but very welcome "eureka!" moments that give clarification to the story line.

Somehow, and after reading over what currently exists, there seems to be - at least in my mind - that the direction the play is taking, is too predictable bordering on blech. The subject, an accidental meeting of two people in a park, one of whom seems to have what could be classified an unusual gravitation to pigeons, is interesting. However - as mentioned numerous times in this blog, it's always the 'howevers' in life that get you - it's too ordinary and needed a shake-up. So...

A new character has been added. Elwood P. Dowd had his rabbit, Harvey, and now Sylvia Perkins has joined his league with her friend of a feather, Mr. Bird, a pigeon.

Following yet another run in with Hal, a  park supervisor, who wants to maintain cleanliness and limit the appearance of pigeon poo in his territory, Julie feels a moral responsibility to help Sylvia. The two return to Julie's apartment and at the mention of the word "bath" and a failed attempt to remove Sylvia's weather-worn rain coat, Mr. Bird suddenly puts in an appearance, in a manner of speaking.  Maybe it'll work and maybe it won't - hav'ta see where this will take me, if anywhere.

Yet another snippet of dialogue from "Seeds." Julie attempts to convince Sylvia to stay for supper and warm up

You are such a joker, Mr. Bird!’ Mr. Bird wants to know what you think of his joke. It’s one of his best

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Synopsis: This is another one I acquired and got signed at the KidLitCon in Wichita a couple of months ago—and I got to meet and hang with the author as a fun bonus! Interesting aside—James Kennedy is founder of the really awesome 90-Second... Read the rest of this post

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There are many ways to bring humor to your picture book.

http://literallylynnemarie.blogspot.com/2016/10/5-ways-to-bring-humor-to-your-picture.html

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The Matchmaker. Thornton Wilder. 1954. 120 pages. [Source: Library]

First sentence: I tell you for the hundredth time you will never marry my niece.

Premise/plot: The Matchmaker is a play by Thornton Wilder. Chances are if you hear the names "Horace Vandergelder," "Cornelius Hackl," "Barnaby Tucker," "Irene Molloy," and "Dolly Levi" you will likely think of the musical Hello Dolly and not The Matchmaker. But The Matchmaker obviously came first.

What should you know? It is FUNNY. It features more characters than the musical. (I really LOVED Malachi Stack and Flora Van Huysen. Malachi gets some of the best lines, in my opinion!) The ending is similar but not identical.

So for those who haven't seen the musical... Horace Vandergelder is a cranky old man who is about to make a big decision. He has decided to remarry. Just as emphatically as he's decided to marry, he's decided that his niece will NOT be marrying her fellow, Ambrose Kemper. Two of Vandergelder's clerks (he's a store owner) decide--on this momentous day--that they've had enough and deserve a day off. Not just any day off, but a day off in the CITY. One of them vows TO NOT COME HOME UNTIL HE'S KISSED A GIRL. Cornelius and Barnaby "happen" to meet Irene Molloy (Vandergelder's first choice) and her assistant, Minnie. The people seeking adventure get in over their heads. The people NOT seeking adventure get in over their heads too. By the end, one and all long for normalcy and routine.

My thoughts: If you ask me if I like the movie--well, I can get all the best scenes by watching Wall-E. But after seeing Hello Dolly live at my local theatre, well, my perspective changed a bit. Things that were slightly funny sitting at home watching the movie really become hilarious on stage. I walked out a FAN. The Matchmaker was a perfectly perfect read for me. And I loved coming across lines like, "Go and get your Sunday clothes on."

Quotes:

"It looks to me like you're pretty rash to judge which is fools and which isn't fools, Mr. Vandergelder. People that's et onions is bad judges of who's et onions and who ain't." Joe (the barber) to Mr. Vandergelder

"Ninety-nine percent of the people in the world are fools and the rest of us are in great danger of contagion." Mr. Vandergelder

"I tell you right now: a fine woman is the greatest work of God." Cornelius

"There's nothing like eavesdropping to show you that the world outside your head is different from the world inside your head." Malachi 

© 2016 Becky Laney of Becky's Book Reviews

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In recognition of the up-coming U.S. Thanksgiving holiday.

SCENE: CITY ZOO



Once again, we’re not included in Thanksgiving celebrations


Did you really expect to? I mean, why should they? Who are we? Merely the tools in which they make money. That’s all - and how do they thank us? Closing the zoo for the day so we can’t even expect extra treats from visitors. This is so typically…human
 
SOUND: GOBBLE-GOBBLE… GOBBLE-GOBBLE….

















RAT


ZEBRA






























(slithering closer)








(slithering almost directly in front of TURKEY)

Well turkey – really feel for you, in the true sense of the word. I just happen to live inside in a huge glass enclosure that has lots of hiding places.  Why don’t you come back to my place and check things out? I live alone and there’s nobody to bother or see us

That’s a very generous offer on your part –


-          Manny –

TURKEY

Manny


Anything for a friend in need.




The farmer took good care of me up until before Thanksgiving. You can see for yourself when we get back to your pit.


Oh I intend to

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Yesterday, we had a great discussion on #readYAlit Twitter chat about humor in young adult literature.  It's a nebulous genre because humor can mean something completely differently to one person than another. 

Is humor universal?  That was one question that was tackled in our chat.  Genders, experiences, and type of humor are different elements of humor that play an important part in that question.  There is guy humor and there is girl humor.  How each gender approaches it can be wildly different and how authors use it can reflect those differences.  That isn't to say either gender can't read humor that relates more to one than the other...it's just the appeal may lean toward one side more than the other.

And then there's humor that's found in serious books.  One participant wrote that humor is needed in YA literature to balance the realistic lives in fiction that can be dark and dangerous.  I have to be very careful about what I read so that I'm not focused on realistic fiction because of an incident that took places several years ago.  After booktalking, a student mentioned that it was depressing and she wasn't interested in any of them because of the mood I created with the titles I talked about.  And that student was RIGHT....so now I find as many different genres, and include humor in it. 

There are many different places online to find titles about humor that could help out any library and those wanting the "fun" side of YA lit.  If you genrefy, does it have it's own genre or it is part of each major genre (one librarian on the chat had an EXCELLENT answer to that one!)? Would you include humorous titles with those darker novels where humor peeks in every now and then (think John Green)?  Those are questions that I believe are more personal decisions, but the great thing is the exchange of ideas our chat last night held. 

And if you need a title list, never fear!  Here are a few resources you can use:

Ebsco's Novelist of Humorous YA Fiction by Tom Reynolds

YALSA's Genre Guide to Young Adult Humor

Humor in YA Fiction Flowchart

And then there is that often looked over section where you can find MANY humorous titles: Non-fiction (and dewey)!!  Here's my list of non-fiction/dewey I've read that I couldn't help but chuckle and sometimes outright laugh at:

How They Choked: Failures, flops and flaws of the awfully famous by Georgia Bragg

Visit Sunny Chernobyl: And other adventures in the world's most polluted places by Andrew Blackwell

Historical Heartthrobs: 50 timeless crushes from Cleopatra to Camus by Kelly Murphy

I’m Down: A memoir by Mishna Wolff

We Should Hang Out Some Time: Embarrassingly, a true story by Josh Sundquist

Emily the Strange graphic novels by Rob Reger

Happy Bunny Books graphic novels (?) by Jim Benton

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Still making progress with "Seeds" but there are signs of a slow down, which is par for the course. It's the point where that distressing word, "blocked" begins to seep through  the conscious writing areas of my brain  and plant doubts like, "maybe the story line isn't strong enough" or plant questions that include "do you know where you're going with this?"

Rather than plug away and continue to write as is suggested in writing manuals and advocated by writing professionals, I use this as a time for reflection. Translation: time to take a rest and think about stuff. Important stuff like an analysis of the characters names and whether they match their personalities. The issue of  "Hal" the latest character addition, is on the analysis block. Initially, Hal was "Chuck" and before that he assumed the temporary name of "Steve." Not that there's anything wrong with any of the above-mentioned names but the names had to have a certain mental image to match the dialogue.

The female characters are also under scrutiny including "Sylvia" who was one of the two players in the original short version of "Seeds" Assessing her character strength and longevity involved walks around the neighborhood repeating her name to decide if the name suited her personality. Did receive some suspicious looks from passer-bys but that's goes with the play writing territory. Somehow, "Julie", was never in question and seemed right - so far.

At present I'm thinking as to whether should there be a head pigeon leading the park pigeons into a rebellion and if so, whether she/he should have a name. Further thoughts require a deep study into a strong pigeon name. Perhaps "Mac" or "Xena"..."Sunny" and whether the pigeons should have the ability to communicate to their humans in English or stick strictly to their well-known, "brrpps."

It's always a good thing to have one's writing priorities in the right place.

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By Cynthia Leitich Smith
for Cynsations

Jonah Lisa Dyer and Stephen Dyer are the first-time authors of The Season (Viking, 2016). From the promotional copy:

She can score a goal, do sixty box jumps in a row, bench press a hundred and fifty pounds…but can she learn to curtsy?

Megan McKnight is a soccer star with Olympic dreams, a history major, an expert at the three Rs of Texas (readin’, ridin’, and ropin’), but she’s not a girly girl. 

So when her Southern belle mother secretly enters her as a debutante for the 2016 deb season in their hometown of Dallas, she’s furious—and has no idea what she’s in for. 

When Megan’s attitude gets her on probation with the mother hen of the debs, she’s got a month to prove she can ballroom dance, display impeccable manners, and curtsey like a proper Texas lady or she’ll get the boot and disgrace her family. 

The perk of being a debutante, of course, is going to parties, and it’s at one of these lavish affairs where Megan gets swept off her feet by the debonair and down-to-earth Hank Waterhouse. 

If only she didn’t have to contend with a backstabbing blonde and her handsome but surly billionaire boyfriend, Megan thinks, being a deb might not be so bad after all. But that’s before she humiliates herself in front of a room full of ten-year-olds, becomes embroiled in a media-frenzy scandal, and gets punched in the face by another girl.

The season has officially begun…but the drama is just getting started.

How did you discover and get to know your protagonist? How about your secondary characters? Your antagonist?

The Season is a modern retelling of Pride and Prejudice by Jane Austen set in Texas in 2016 so our main character, Megan McKnight, is based on Elizabeth Bennet.

 We really examined that classic, well-loved character and asked ourselves: What traits make her who she is? What makes her the woman Mr. Darcy falls in love with? The woman we all fall in love with?

We literally made a list of important traits: Brash, forms strong opinions, speaks her mind, loves to read, more physically active than other women, witty, fiercely loyal, loves the outdoors, isn't as interested in men as other young women her age, her singularity. Things like that. Then we tried to imagine what a modern young woman, who embodied all those traits, would be like.

We decided she'd be a history major and an athlete and we chose soccer as her sport. She'd be the kind of girl dedicated to practicing and playing even if it meant she was a little intimidating to guys and didn't have much time for dating. She'd be more interested in fueling her body for athletics than in fitting into a size two. She'd throw her hair in a ponytail, put on some Chapstick and pull on track shorts rather than care about makeup and fashion. She'd be funny and snarky, but so much so that it would get her into trouble sometimes. She'd be more loyal to her sister and her teammates than to any guy.

And also, like Elizabeth Bennet, she'd have no idea how to be coy. While other girls (like her sister) might hide their feelings, she just wouldn't be capable of keeping her opinions to herself.

As you can see, we had a really strong blueprint to build our main character from, which is a wonderful. But the kinds of questions we were focused on are no different when you're creating a character from scratch.

I think the most helpful thing with any character is to know where you want them to end up. What lesson must they learn by the end? If the lesson, as in the case of Elizabeth Bennet and our Megan McKnight, is to not form knee-jerk opinions about things, then you better start that character as far away from that point as realistically possible. You have to allow every character, not just your protagonist, room to grow, and change.

A book is not a journey for the reader if it's not a journey for the characters.

And so, the same method applies to all our secondary characters as well. We found modern ways for them to embody the traditional Austen characters' traits. Our Mrs. Bennet is a social climber trying to set he daughters up for success, our Jane Bennet is the embodiment of the perfect young woman, albeit a contemporary one, and our Mr. Darcy is proud and aloof.

Real people always play a role in characterizations, too. Sometimes we think of certain real people that we know or even famous people to help us envision a certain character. I've always found it easier to describe a setting if I've seen it, and the same holds true for people.

 Of course, you always add and take away from reality when you're creating fiction, but you often end up with characters who are an amalgamation of people who really exist.

As a comedic writer, how do you decide what's funny? What advice do you have for those interested in either writing comedies or books with a substantial amount of humor in them?

Writing comedy is so hard. Humor is in the eye of the beholder and because of this, and perhaps more all other types of writing, it cannot be done in a vacuum.

Like most things having to do with writing, it starts with observation. You know what you think is funny to you and your friends. Start there. Make notes. Have little booklets full of funny conversations you'd had and witty things you've said. Research isn't just dry reading about some place you've never been or some historical period. Research is about watching human behavior, listening to speech patterns, and being tuned in to what makes people laugh.

Stephen and I have the benefit of having each other. But we had already been together for seven years when we accidentally discovered that we were good writing partners.

I was an actress and was starting to do stand-up comedy in New York City. I was writing my stand-up material and would try things out on him at home in the evenings. He was my sounding board and was almost always able to build on what I had, and make it better.

We started working on all my material together, cracking each other up in the process. It's a really good example of how having a someone to be your sounding board is so important with comedy.

Maybe that's why sitcoms and "Saturday Night Live" fill hire six-to-fifteen writers who work together or why so many of the old screwball comedies were penned by a two-person writing team.

But even if you don't use a partner to write comedy, you got to find that person or people to give you a gut-check.

To answer the most important question: Is this funny to anyone besides me?

So whether it's your best friend, or an online writing group, or just one other writer who understands your genre, find those Beta Readers.

And if they are good, be good to them. If you can't offer a quid pro quo of also reading their work, then small gifts are a really nice way of saying thank you and keeping them in your corner.

The other important factor in writing comedy is just to do it, and do it often. Your funny bone isn't a bone at all, its a muscle!

Okay, it's really a nerve but that doesn't fit into my metaphor so just go with me. The point is, if you want it to be strong, you have to exercise it! The funnier you are, the funnier you will be. I have never been funnier than when I was doing stand-up because I was doing it every day. My mind was just set to that channel!

If you are writing a comedic piece, you need to immerse yourself in comedy. Hang out with your funny friends! Watch funny shows and movies. Go to a comedy club.

Basically, put yourself in a funny world so you have something to play/write off of.

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There are several time-honored ways to create a funny picture book.

https://www.theguardian.com/childrens-books-site/gallery/2016/jun/29/comedy-in-picture-books-how-its-done-in-pictures

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Shh! We Have a Plan by Chris Haughton

| Storytime Standouts

Shh! We Have a Plan by Chris Haughton
Picture book published by Candlewick Press

When four friends, armed with three nets, set out to capture a beautiful, red-plumed bird, all goes well until the smallest friend alerts the the ruby bird that something is afoot. Giggles and laughter will accompany a read-aloud session of Shh! We Have a Plan. This is a book that will appeal to children – especially “youngest” children – as well as adults. The repetitive text will have youngsters ‘reading along’ quickly and repeated building of suspense will encourage children to make predictions about whats will happen next and the final outcome.

Bright, bold, dramatic illustrations are a highlight of this captivating, humorous picture book. A key to the storytelling, observant readers will note the eyes and the posture of the smallest friend in the cover art – he is definitely up to something!

Shh! We Have a Plan is the sort of story that parents and teachers will quite happily read again and again. It is great fun!

Chris Haughton won the 2015 Ezra Jack Keats Book Award

for new illustrator with this picture book. The Ezra Jack Keats Book Award for Illustration was established in 2001 to recognize and encourage emerging talent in the field of children’s book illustration.

Shh! We Have a Plan at Amazon.com

Shh! We Have a Plan at Amazon.ca

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A big box of shiny new books landed on my doorstep. Memoirs of a Parrot is the fourth "memoir" book, written by the very talented Devin Scillian and published by Sleeping Bear Press.

"Yay, new books!"

When I read that a parrot would be the main character, I had to choose an African Grey parrot. I have fond childhood memories of my grandpa and his African Grey, named Chico. I chose a Hyacinth Macaw as the other parrot in the story. Mostly because of the color. I live in Ohio and Devin Scillian lives in Michigan, so it just made sense to use Ohio State (scarlet and grey) and Michigan colors (maze and blue). Plus, my wife's family is from the state up north (we're a "blended" family).

A drawing that I did in High School of my grandpa and his parrot, Chico.

Also, the main character (human) in the story plays a ukulele. I said, "hmmm, I need to get a ukulele (as reference) and begin my career as a ukulele rock star". Then I met Emily Arrow, a true ukulele rock star, so I bought one. Now I need to start practicing my ukulele licks.

"Hey, I think that I need a ukulele."

Anyway, you must take a look at Memoirs of a Parrot. It's got parrots, ukulele players and a very funny story.

End papers from Memoirs of a Parrot.

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As many fans may know, Hot Topic has been a Harry Potter partner for eons. Okay, maybe not eons, but they have been a place for fans to purchase official Harry Potter merchandise since Harry Potter became a “hot topic” many years ago.

Recently, Hot Topic has started a new brand and initiative called BoxLunch. With only a handful of stores around California and Texas (though, more are coming soon!), Hot Topic’s new brand caters to a slightly different audience than their normal Hot Topic stores. BoxLunch sells similar pop culture merchandise as their Hot Topic parent, but through a partnership with Feeding America, with every $10 a customer spends, BoxLunch helps provide a meal to a person in need.

If there isn’t a store near you, visit the BoxLunch website and “get some–give some.” BoxLunch sells men and women’s apparel, accessories, home decorations, Funko Pop! figures, and more.

To support HotTopic with their new initiative, Leaky is taking part in a BoxLunch give away! Hot Topic and BoxLunch has generously donated a Marauder’s Map trow pillow, Deathly Hallows mini bag, and a $50 gift card! To be put in the running to win one of these fantastic Harry Potter prizes, be the first to answer the following questions correctly. Honesty Policy: try to answer all the questions without cheating–like googling the answers all the questions. Email your answers to [email protected].

 

1. Who causes the most mischief at Hogwarts School of Witch Craft and Wizardry?

2. Not completely without loyalty, to which two students did [Answer to Question 1] show respect for during Dolores Umbridge’s attempt to control Hogwarts? (“Give her hell from us…”)

3. What is a Skiving Snackbox? What four types of candies are included?

4. What trick did the Weasley Twins play on their Auntie Muriel that got them written out of her will?

5. What product does the following slogan belong to? “Ruin a gentleman’s day by making his hat fly away!”

6. What is the “Dungbom Rule” that Ron wrote? In which of Harry’s textbooks did he write it?

7. What candy did the Weasley Twins drop for Dudley to eat, and what was the affect?

8. What trick did Harry, Ron, and Hermione play on Crab and Goyle in their quest for Polyjuice Potion ingredients?

9. What spell did Draco use to capture Harry when the Inquisitorial Squad captured members of Dumbledore’s Army?

10. What did Peeves chase Dolores Umbridge with as she fled Hogwarts?

 

In the meantime! Miss tasting that yummy Butterbeer at the Harry Potter parks? Or can’t go to the parks because they are too far away? Check out BoxLunches new, and available for a limited time only, Butterbeer kit!

More information on purchasing a Butterbeer kit can be found here, on the BoxLunch website.

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There is another Harry Potter publishing and merchandising partner coming to brick and mortar stores across the country!

BoxLunch is here to “get some” and “give some”. With only a handful of stores around California and Texas (though, more are coming soon!), the new store caters to a slightly different audience than other Harry Potter merchandise retailers. BoxLunch sells similar pop culture merchandise as seen in other stores, but also, through a partnership with Feeding America, with every $10 a customer spends, BoxLunch helps provide a meal to a person in need.

If there isn’t a store near you, visit the BoxLunch website and “get some–give some.” BoxLunch sells men and women’s apparel, accessories, home decorations, Funko Pop! figures, and more.

To support BoxLunch and their new initiative, Leaky is taking part in a BoxLunch give away! BoxLunch has generously donated a Marauder’s Map trow pillow, Deathly Hallows mini bag, and a $50 gift card! To be put in the running to win one of these fantastic Harry Potter prizes, be the first to answer the following questions correctly. Honesty Policy: try to answer all the questions without cheating–like googling the answers all the questions. Also, please retweet or repost BoxLunch’s post about their new Butterbeer kit (see below)! Email your answers and links to your retweets/reposts to [email protected].

 

1. Who causes the most mischief at Hogwarts School of Witch Craft and Wizardry?

2. Not completely without loyalty, to which two students did [Answer to Question 1] show respect for during Dolores Umbridge’s attempt to control Hogwarts? (“Give her hell from us…”)

3. What is a Skiving Snackbox? What four types of candies are included?

4. What trick did the Weasley Twins play on their Auntie Muriel that got them written out of her will?

5. What product does the following slogan belong to? “Ruin a gentleman’s day by making his hat fly away!”

6. What is the “Dungbom Rule” that Ron wrote? In which of Harry’s textbooks did he write it?

7. What candy did the Weasley Twins drop for Dudley to eat, and what was the affect?

8. What trick did Harry, Ron, and Hermione play on Crab and Goyle in their quest for Polyjuice Potion ingredients?

9. What spell did Draco use to capture Harry when the Inquisitorial Squad captured members of Dumbledore’s Army?

10. What did Peeves chase Dolores Umbridge with as she fled Hogwarts?

 

In the meantime! Miss tasting that yummy Butterbeer at the Harry Potter parks? Or can’t go to the parks because they are too far away? Check out BoxLunches new, and available for a limited time only, Butterbeer kit!

More information on purchasing a Butterbeer kit can be found here, on the BoxLunch website.

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Jacky Ha-Ha Written by James Patterson and Chris Grabenstein Illustrated by Kerascoёt* Jimmy Patterson Books    3/21/2016 978-0-316-26249-1 380 pages    Ages 8—12 “Hey, bet I can make you laugh! “With a name like Jacky Ha-Ha, that’s what I was born to do! You could say I am an expert on wisecracks, pranks, gags, and …

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There Was An Old Dragon Who Swallowed a Knight. Penny Parker Klostermann. Illustrated by Ben Mantle. 2015. Random House. 40 pages. [Source: Library]

First sentence: There was an old dragon who swallowed a knight. I don't know why he swallowed the knight. It's not polite! There was an old dragon who swallowed a steed that galloped around at a terrible speed. Oh, how the dragon wished it would stop, that clippity, clippity, clippity clop. He swallowed the steed right after the knight. I don't know why he swallowed the knight. It's not polite!

Premise/plot: A rendition of "There Was An Old Lady Who Swallowed A Fly" starring a fire-breathing dragon...

My thoughts: For the record, I just have to say that I loathe "There Was An Old Lady Who Swallowed A Fly." It is not a story or song that I particularly enjoy, and definitely not one that I like to see copied, adapted, parodied endlessly by other writers. But you might notice the five stars I gave it. Why? If I don't "like" the original, and if I usually don't like other renditions?! Because this one is fun, lively, and delightful. Half the book focuses on the 'old dragon' swallowing stuff--a knight, a steed, a squire, a cook, etc--and half the book focuses on the 'old dragon' burping all that stuff back up. Or does he?!

The text works--for me--because the rhythm and rhyme of it work. It is crucial for me to have it; it is that certain something that makes a book decidedly good. A picture book without a proper working of rhythm and rhyme, a natural flow--though not overly forced or it becomes embarrassingly unnatural and awkward--is just sad. A good picture book text should flow naturally enough that any one should be able to read it aloud easily and comfortably. Some books require a good amount of practice and experimentation and energetic effort to get the "reading aloud" just right.

The illustrations also work well for me. I love them. The illustrations were quite detailed and expressive. I loved the last spread.

Overall, I'd say this one was quite satisfying.

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10

© 2016 Becky Laney of Becky's Book Reviews

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How To Dress A Dragon. Thelma Lynne Godin. Illustrated by Eric Barclay. 2016. Scholastic. 40 pages. [Source: Review copy]

First sentence: If you have to dress a dragon, you must be prepared to catch him as he flies by. You may have to tickle-tackle him to the floor and give him belly kisses.

Premise/plot: A boy demonstrates for readers HOW to dress a dragon. It isn't an easy task certainly!!!! The book is quite informative. Dragons LOVE underwear, but, hate shirts and pants. (Good thing they like capes, shorts, and hats!)

My thoughts: I love, love, love this one. So silly. So funny. So quirky. (Its endpapers are underwear!) It just had me at hello from the very start. I think I "knew" how good this one would be based on the cover alone.

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10


© 2016 Becky Laney of Becky's Book Reviews

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Skinnybones. Barbara Park. 1982/2016. 111 pages. [Source: Review copy]

Did I enjoy reading Barbara Park's Skinnybones, a middle grade novel originally published in 1982? Yes and no. First, as is obvious, I am not the target audience for this one. I am not in elementary school. I am not a boy. My sense of humor isn't that of a sixth grade boy. Also, I have absolutely no interest in baseball, or, in reading books about baseball. I didn't exactly want to like Alex Frankovitch, the hero nicknamed Skinnybones. But. At times I found myself liking him despite his obnoxious, attention-seeking ways.

Here are a few things you should know about Alex:

1) He has played little league for a good many years, but, he is horrible, absolutely horrible at baseball. I'm not sure *why* he keeps playing baseball when he's so bad at it. Perhaps he *likes* playing baseball, or, maybe he likes being part of a team. Perhaps his parents make him stay in baseball. Maybe he's afraid that by not playing baseball the other boys will think him strange, different, etc.

2) He loves, loves, loves attention. If he can focus the attention in on himself and make others laugh, then, he'll do it--no matter the situation. He can be very inappropriate, very loud, very annoying. The kids sometime laugh, usually laugh, his teachers and parents--hardly ever.

3) He hates one of his classmates and is in fierce competition with him. This is the focus of 90% of this book. The other kid, of course, is BRILLIANT at baseball.

I am glad there are books like Skinnybones being published--or republished. I am happy to recommend books like this to their target audience!
© 2016 Becky Laney of Becky's Book Reviews

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Picture book extraordinaire Tara Lazar and the frightfully creative S. Britt interview each other about Normal Norman (Sterling Children's Books, 2016), a laugh-out-loud book that explores the meaning of normal through the study of an exceptionally strange orangutan.

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McBroom's Wonderful One-Acre Farm: Three Tall Tales. Sid Fleischman. Illustrated by Quentin Blake. 1985/1997. 64 pages. [Source: Bought]

This early chapter book features three "tall tales" by Sid Fleischman. The three tall tales are "McBroom Tells the Truth," "McBroom and the Big Wind," and "McBroom's Ear." Here's how the first story begins: "There has been so much tomfool nonsense told about McBroom's wonderful one-acre farm that I had better set matters straight. I'm McBroom. Josh McBroom. I'll explain about the watermelons in a minute." I don't know about you, but this one had me at hello. I got the impression that the book would be funny and charming and quirky and unique. I wasn't wrong either!

The first story explains how the McBroom family came to own a "one-acre farm." He bought, or thought he was buying EIGHTY acres. But he was tricked into buying an 80-acre deep bog. But the joke isn't on him, for as luck would have it, a "dry spell" reveals that the topsoil is so rich, it should be kept in a bank. All three stories focus on how wonderful-and-magical this farm is.

I really loved all three stories. This one is a great book to share with young readers.


© 2016 Becky Laney of Becky's Book Reviews

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The Little Mouse Santi is an inspiring tale that teaches us that, with a little courage, we can all be whoever we want to be. It’s definitely the cat’s meow!

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