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By: Diana Hurwitz,
on 12/24/2014
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One of the most useful tools to utilize during the revision phase of your first draft is the Find and Replace tool. The instructions here are for Word for Windows, but a similar function should be available for other word processing programs.
Within Word, you turn it on by simply clicking on [Control] and [F] at the same time (the letter F not the function key).
When revising, it is a good idea to save the draft as a new version each time in case you make a major mistake and need to go back to the previous version. You do this by selecting [Save As] and entering the Your Title Rev 1 (2,3,4,5,6,7, etc). When you have completely finished all editing and revising, save it as Your Title Final File.
1. If you do a quick rough draft you may have lots of blanks with placeholders **fill in here** or other placeholders (XXX) (#) for names, places, dates, locations, etc. Searching for ** or your placeholder cues will quickly take you from one placeholder to the next.
2. Develop a list of repetitive words. It may change and/or grow with every book you write.
3. Develop a list of adjectives. We all have personal favorites. You can use the starter list in Story Building Blocks III and add to it as you go.
4. Develop a list of adverbs or search for *.ly. This might take a while.
5. Develop a list of body language words and emotion words. Fill in your placeholders or make certain that your characters aren't yawning, grimacing, frowning, or sighing on every other page.
6. Search for passive language by looking for the word was. I guarantee this will take a long time. Make certain to enter a space before the word was followed by another space: [ was ], otherwise every word containing the letters was together (wash, swash, twas) will be highlighted.
7. Use [Find] and [Replace] to change the name of a place or character. Use [Find Next] rather than [Replace All]. Why? Here's an example.
Let's say you want to replace the word format with method. The program searches for all the places the combination of letters appears. It may change words you never intended: information becomes inmethodion.
If your character's name is May and you decide to change her name to Sally, you end up with, “I sally not want to,” instead of “I may not want to.” The word maybe becomes sallybe. You see the problem.
8. Don't mass delete.
A quick way of deleting a word is to use [Find], but never [Delete All] or you could end up with gibberish. Let's say you want to remove all the "could have"s. Go to each one individually. You may have to reword the sentence so it still makes sense.
9. If you make a mistake, [Control] [Z] or [Undo] is your best friend. It can, however, take you back further than intended. Which leads us to ...
10. Save frequently with [Control] [S].
Saving after every change slows you down too much, so I don't advise it. You should save the file frequently enough, perhaps at the end of each page, to mitigate heartache if your computer goes haywire, turns off in the middle, or you unintentionally select [Undo] and an entire paragraph disappears. Weird things happen.
By: Diana Hurwitz,
on 11/14/2014
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There is an art to narrative summary. Ideally the information should be related through the point of view character's lens, not an info dump, like this:
The city was founded in 1779 by tea and sugar plantation owners who commissioned elaborate mansions on top of the hill with a view of the inlet that was large enough to dock their ships. Small villages soon cropped up along the periphery to house the tradesmen needed to service their needs. Over the centuries, the spaces between were filled until it became a crowded, mish-mash of squalor and grandeur.
This passage provides the information, but dully and through the prism of the writer, not the character.
Info dumps are often found in prologues, epilogues, summaries of what happened in previous books, long dialogue passages, as you know dialogue, long explanations of how things work, and extensive backstory.
Here are a few examples of how to use narrative summary effectively.
1. Narrative summary helps you skip ahead.
Sometimes you have to provide important background, condense time, and relate events that don't deserve a lot of page time through narrative summary.
The call came at five o'clock on a Saturday. Dick never forgot the pitch of the sun through the pines or the way his boots sank in the mud as he arrived at a scene to view his first corpse. After fifteen years, he'd seen so many bodies, in myriad locations,and every season.He no longer got the shakes, or the sicks, or the rapid pulse, but the scent of pine, dirt, and dying heat still filled his nostrils when he received a summons. Funny how some things stuck. He snapped on gloves and booties before ducking under the yellow tape blocking a snow-drenched alleyway in the heart of downtown Chicago. "What've we got?"
Narrative skips over the boring bits. Shift it into real-time when possible, particularly if you find paragraphs of it. Use specific details and strong word choices.
1) Narrative summary can offer new information or recap necessary information.
It should support, extend, or refute the information given through dialogue and action. It can add context in a timely fashion and set up expectation. It uses a few words that work hard and lead into or trail action and dialogue. If narrative runs on for paragraphs or pages, you have some editing to do.
The carpet fibers were a dead end: could have come from any low-rent apartment anywhere in town. The call-ins were a bunch of attention-seeking loonies. No legitimate suspects. No obvious motive. No one seemed to know anything about Jane. That was the problem these days: everyone had bloody telephones and computers and social media but never talked to their neighbors. Jane worked from home and played games with virtual friends. She ordered everything online or shopped at big box stores where everyone was strange and a stranger. There were no angles to grab hold of. Who would kill a girl who never seemed to leave her flat? But girls didn't just drag themselves into the woods, cover themselves with debris, and choke themselves with their own pantyhose.
2. Narrative transitions between scenes.
Dick skipped the shower and shave and was at the crime scene by nine thirty. He stood next to the corpse lying on the ground who obviously hadn’t shaved in days either and the bath in the river hadn’t done him any favors.
3. Narrative wrinkles time.
Four days sped by in a series of dead leads and dull conversations. Dick tackled the stacks of paperwork he had successfully ignored for a month, drank gallons of coffee, and smoked endless packs of cigarettes. His anxiety grew like a bonfire as he waited for the DNA results.
Revision Tips
? Read through your manuscript. Highlight areas that contain narrative. Decide whether you should turn narrative into action and dialogue. If not, is it serving a distinct purpose? Does it support, extend, add to, or refute a proposition? Does it condense time or provide important background?
? Does it involve tertiary characters or actions that are of lesser importance?
? Does it involve clichés?
? Have you told the reader what someone thinks or feels instead of showing it?
For more revision tips on revision and narrative summary check out.
By: Diana Hurwitz,
on 10/17/2014
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Interjections are exclamations or parenthetical words that add color to your dialogue or internal dialogue. They are set off from the rest of the sentence with a comma or set of commas. They can be followed by an exclamation point. However, if the sentence is doing its job, you shouldn't need it.
Interjections express a gamut of emotions: surprise, doubt, fear, anger, hate, happiness, joy, glee, disgust, or sarcasm. They insult, incite, and ignite.
Here are a few examples (minus profanity, which is another topic).
My YA series Mythikas Island was set in pre-written-history Greece. Not being able to reach for any of the usual curse words, insults, etc. felt like wearing a straight jacket. I ended up typing *insert insult/curse here* and developing a list of options later.
Here are a few tips when revising:
1. As you go through your rough draft, it is okay to insert placeholders and fill them in later. You may want to put some thought into the types of insults and interjections you characters will use.
2. It is important that the interjections fit the time and place in a historical novel. Look up the first time your word or phrase was used. Nitpickers love to point out errors.
3. When you write fantasy or science fiction, developing unique interjections helps your story world come alive.
4. Avoid overuse. Strings of expletives or exclamation points are annoying. As you read through your rough draft, highlight the interjections. If you have too many packed together, space them out.
5. You can make them character specific. People living in the same place and time with little exposure to the outside world tend to use the same vocabulary. However, each character can have their favorites or quirks.
6. If you have a diverse cast, each can have their own set of interjections, perhaps in different langauges. Avoid stereotypes.
7. Avoid clichés . You can twist existing interjections in new ways.
8. Interjections change as time passes. There is no way to avoid dating your book with them.
9. You can't cut them all. Your story would be lackluster without a few strategically placed verbal punches.
10. They can be used for comic relief. Sometimes after a tense moment, you need a little levity.
If you invent unique injterjections, they may become part of our language or at least the language of your fans. They may even be added to the dictionary. You could be the author of a new catchphrase.
For more information on revision, pick up a copy of:
http://www.amazon.com/Story-Building-Blocks-III-Revision/dp/1475011369
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By: Diana Hurwitz,
on 7/18/2014
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Purple prose consists of passages so cloying, over the top, or dramatic that they create speed bumps for the reader. It employs an abundance of adjectives and dense descriptive detail.
Purple prose should be weeded out when found, unless that is your preferred writing style. In which case, you may deter some readers and agents.
The worst offenders are romantic scenes, because writers try to avoid clinical terms for the acts of love and body parts. A lot of slang words are too crude and don't fit the mood of the piece.
Purple prose can be a product of weak description writing. Some writers stuff so many descriptions in a paragraph the reader forgets the topic.
1) Avoid using annoying phrases:
- bated breath (not baited!)
- cupid lips,
- framed by
- heart-shaped face
- limped pools
- manly chin
- revealed
- set off by
- steely eyes
- heaving or swelling bosom,
- tumescent member
- twirling lock of hair
- wriggling eyebrows
2) Avoid melodramatic descriptions:
Her ample bosom heaved as he slowly untied her frilled, satin night dress. His caress made her tremble like a delicate blossom in the breeze as he nibbled on the petals of her ears.
3) Avoid descriptions that go on ... and on ... and on.
She stood there, like a pale lilly, swaying in the wind, her corn silk hair floating around her heart-shaped face like golden cloud, obscuring her sky-blue eyes. The flyaway strands parted as her rosebud lips pursed and blew them aside. Her gauzy white gown clung to her voluptuous curves. She was the absolute embodiment of a seductive angel.
An effective cumulative sentence (base clause plus two or three descriptive phrases) is a master craft. Stuffing as many fluffy descriptions as you can think of into a sentence is not masterful.
? Have you used melodrama intentionally, such as in dialogue or poking fun of a situation?
? Can you tone it down?
? Have you committed purple prose abuse?
? Does the language fit the background and personality of the character uttering it?
For all of the revision tips on purple prose and other revision layers, pick up a copy of:
I started thinking about the next unit of study, Literary Essays, that I’m going to teach in March (even though my students are only half-way through their fiction unit of study). Therefore, I spent some time creating my students’ collection folders yesterday. Here’s a peek at what they look like:
[...]
Children's Picturebook Collecting offers the following statement:
Based upon our experience, there are fewer key collectible picturebooks on the online market than a year ago, continuing a trend we have seen over the past couple of years. Try a search on any of the metasearch book finding websites, such as ABEBooks, Addall, Bookfinder, or the ABAA, for first edition Caldecott Medal books, or Beginner Books, or I Can Read Books, or Seuss books. Sort the results from high price to low price (the thought being the high priced books would most likely be first editions), and see how many books turn up. The results will show that many first edition books are not currently being offered for sale.
Entirely possible. They go one to explain why this might be. Well worth a glance by your eyes, if you like.
In This Show:
Pokemon, Popular Culture and Discourse Analysis
Coming Up in Next Week’s Show:
Podcamp New York!
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By: Vivian,
on 1/30/2007
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On Today’s Show:
Reflections on listener feedback
Mark Blevis includes CLIP in his top 10 Most Underrated Podcasts List!
CLIP is nominated for the Podcast Peer Awards in the Education category.
Thanks To:
Mark Blevis and Andrea Ross of Just One More Book, Charles Cadenhead of Mostly News and Desperate Husbands, Dave and Heather Delaney of Two Boobs and [...]
By: Vivian,
on 1/16/2007
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On Today’s Show:
Unpacking the Happy Meal in a Kindergarten Classroom
CLIP is nominated for the Podcast Peer Awards in the Education category.
McDonald’s is Podcasting…Hmmmm
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Just One More Book Just One More Book
Mostly News Mostly News
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By: Vivian,
on 12/4/2006
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On Today’s Show:
Tonight’s show is the final installation of a three part series, which was recorded on the beautiful island of Hawaii, at the International Reading Association’s Regional Conference which was held there a few weeks ago.
What is a Text Set?
A Social Action Text Set Expanded
Podcasting and Educational Settings
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By: Vivian,
on 11/27/2006
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On Today’s Show:
Tonight’s show is part two of a three part series, which was recorded on the beautiful island of Hawaii, at the International Reading Association’s Regional Conference which was held there two weeks ago.
Negotiating Spaces for Critical Literacy
Social Action in a JK Classroom
Upcoming Shows
NOTE: Some of the audio had to be re-recorded on [...]
By: Vivian,
on 11/22/2006
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In this week’s show:
This week’s show is dedicated to my Hawaiian colleagues:
Mahalo to my Hawaiian colleagues and friends especially Liana Honda, JoAnn Wong-Kam, Anna Sumida, Alice Kimura, Joyce Ahuna-Ka’ai’ai, Meleanna Meyer, Kathy Wurdem, Avis Masuda, and Malia Chong. This show is dedicated to you! I left Hawaii in awe of your passion, and commitment [...]
By: Vivian,
on 11/16/2006
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The view from our lanai.
In this week’s show:
Aloha from Hawaii!
Thank you to Liana Honda (President Aloha State Council for Literacy)
Dedication to Denny Taylor and my Literacy colleagues at Hofstra University
CLIP is Charles Cadenhead’s Podcast Pickle pick of the day for Tues., Nov. 14!
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Mostly News, Desperate Husbands, Podcast Pickle, Just One More Book.
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Little Rock Getaway [...]
By: Vivian,
on 9/4/2006
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Handy Manny: Latino Role Model or Stereotype?
In this show: Happy Birthday to Andrea and Lucy, Tools for thinking about Disney’s “Handy Manny”
Special Thanks to : Kevan Miller for the station ID.
Music: Happy Birthday by Craymo
Podcasts Mentioned: Just One More Book
Websites Mentioned: Latin_Know, Vivir Latino
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By: Vivian,
on 8/21/2006
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Re-thinking “The Way Things Are”
In this show: Critical Insights on “You, Me, and Dupree”, Cheerleader by Deirdre Flint
Music: Cheerleader by Deirdre Flint from the Podsafe Music Network
Special Thanks to : Sarah Vander Zanden, Bloomington, IN, for the Station ID
Podcasts Mentioned: Podcasts for Educators ,Catfish Show, Just One More Book, Andycast
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By: Vivian,
on 8/14/2006
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Unpacking Stereotypes Continued…
In this show: Clip is on the Educational podcasting for teaching and learning Directory of the UK , Problematizing the Wild Indian Stereotype, Jesse James : Diga and the Earth is Crying
Music: Earth is Crying by Jesse James and Diga
Special Thanks to : Kelly Winney, from Windsor, ON, for the Station [...]
By: Vivian,
on 7/24/2006
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A Multimedia Text Set
Recorded and produced on the road in Mississauga, ON, Canada.
Reminder: CLIP is now at www.clippodcast.com
In this show: A critical literacy blog from the UK, “A is for Aunty”
Posted on 7/10/2006
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Welcome to CLIP!
In this show; introducing the podcast and 3-5 year olds take social action.
Music : Little by Little by Justin Gordon and Quit My Day Job by Geoff Smith
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Hi Professor Vasquez-
Thanks for explaining Pokemon to me, after all the publicity and excitement, I still did not know what Pokemon really was.
The catch phrase, “Gotta catch ‘em all!” is actually quite brilliant in the way of marketing for the company. The discussion with the children in which you refer to changing the verb is a bit scary to me. It is powerful how they immediately want to catch all the cards, but even more alarming is, “Gotta eat ‘em all!” Yikes! Exactly the wrong message to send to kids who watch a lot of cartoons.
Catch phrases are very powerful tools that stick with us for a long time, songs do as well. I can still remember, “EA sports, it’s in the game,” from an old Nintendo game I would play with my brother, or the My Little Pony song. These would stick in my brain at the toy store, clothing store and grocery store, and could have changed the way I was a consumer. Pokemon has done a great job creating little consumers ready to buy a hot product.
Color and gender play such an important role here in young students, and these constructed roles stick for years to come. I still have male friends that refuse to wear pink and purple, insistent upon them being girl colors. Babies are still sent home in pink and blue blankets from the hospital. Color is such an archetype of gender, and it is important to point this out.
Lara
“Gotta catch ‘em all!” I was recently in another teacher’s classroom at my school and noticed how she had cut out various magazine ads and had them plastered on her wall. Each ad was marked up highlighting the company logo, slogan, celebrity spokesperson, etc… I mentally went through some of the subliminal phrases that have stuck in my head from tv commericals such as “I’m lovin’ it”, “Just do it”, “Zoom zoom zoom”, “Hello Moto”, etc… The power of marketing and the use of subliminal catch phrases truly is amazing. It’s something that we are all constantly being bombarded with all around us. Your podcast really made me think about if my students are aware of this form and the power of this text. The power of marketing them to like a certain brand of clothes, want to eat certain kinds of foods, or like certain songs. This really is a such an important awareness.
This really brought back memories of the many trades and frustration I had growing up collecting football, basketball, and baseball cards as a kid. I still have boxes of cards sitting in my closet and I cherish the memories and lessons I learned trying to determine how much I valued certain cards.
-Will
Vivian,
The redesign experiment was brilliant! Thanks for sharing this great story.
I have the bad habit of quickly brushing aside any focus on heavily marketed, group-think products and ideas when my daughters bring them up (which isn’t often — maybe because of my forceful and predictable response!). I love the idea of keeping a positive, open attitude yourself while using the situation to invite the youngsters to discover a way to think differently about the products and the marketing behind them.
Oh ya. Colours sounds amazing. Where can I catch one??
I’m thrilled to have CLIP back (and to successfully download 36&37!).
Andrea
I found the discussion of gender with the Pokemon characters to be very interesting. To begin with, it is almost disturbing how the creators made the characters non-gender, as an attempt to make them more versatile to consumers. However, in listening to the children, they continued to define different Pokemon characters as either male or female. It was a slight reassurance that the children used primarily physical characteristics such as colors of Pokemons to determine whether they were boy or girl.
I particularly enjoyed the portion of the podcast that discussed the redesign of Pokemon clothing. Specifically through the creation of one girl’s character “Colors” she was able to see outside of the original Pokemons to create a female oriented all powerful character. This enabled her to envision something beyond the commercial product. She was able to move away from the stereotypes the children created of gender from the original product to design her own. This demonstrated how the redesign portion of deconstruction is crucial for students to see themselves and their ideas among those that are being deconstructed. I very much enjoyed this podcast!
This Pokemon experience has sent me to a blast in the plast. I am a father of a son who is now fourteen years old. It seems like I have gone through this Pokemon experience with him.
When the movies came in the summer or the holidays, I was right there cheering on these so called special animals with unique powers. When the cards hit the stores, who was buying them for him? And the cards just happen to be in the right spot, at the check out line in the stores. Not at my eye level, but at a childs eye level, how perfect for them to ask, daddy can I get some Pokemon cards? He eventually grew out of the pokemon phase. But just think of those years from about four to ten. The marketing that the company puts in to attacking the buying power of children. This is a billion dollar market, and parents will be parent. Why? so, there child can talk the same lingo as the other children. No one wants to be left out. It’s sad to see that marketing professionals still sterotype certain colors for boys and girls. I am so glad to see that this young girl broke the paradigm of the marketers, to create something original. Hopefully, as educators we will be able to open more childrens thoughts of thinking out the box. Like I stated early in this comment, this has taken me back and examined my role as a father. I very much enjoyed this podcast.
Why is it that collectibles are so addicting to us at any age? When I was a kid it was garbage patch kids. What is it in human nature that drives us to have more and more items of a collection? Collecting is even a hobby, for adults and children. Stamp collecting, cards, coins, different animal sculptures, figurines, you name it, we’ll collect it. Even if we don’t really want it. Is it the hope that some day it will be incredibly valuable? It just follows that the golden crown for any toy or line of toys is for it to become a collectible. That way people will continue to buy for no other reason than they have some already and they want to have the complete set. This is something that goes on throughout our lives. At any given age their are items to collect. I think it’s important for children to examine this weird phenomenon and understand how they are being marketed to. It’s is interesting how in this conversation and re-design activity, you broached the subject with the students and in a way pulled back the curtain on the Pokemon Collectible marketing scheme. Will the children still want them? Probably, but at least they will be aware of the strategies sellers use to increase the volume of their sales through the creation of fads and trends.
Erin
Hi Vivian,
I listened to Pokemon and thanks for explaining what it was. First, I remember when Pokemon first came out. I did not like the cartoon, I thought that the characters looked to scary. I felt that the days of friendly looking cartoons had come and gone. The issue with gender still hold true. I remember being in high school that the guys wore consistently grey, black and jean-colored clothes. I was shocked when I went to school in Philly and saw guys wearing colors, like Pink, light green, and peach. I had pre-conceptions, but they soon changed. However, in class when we are reading materials, and I pass out the markers, it is the boys that often ask for the pink highlighters!
I remember when Pokemon first came out and it was so a big hit with the kids. I actually thought the Pokemon characters looked very scary and creepy. However, my younger cousin was very much into Pokemon from about the age of five to eleven. It was imperative for him to collect those Pokemon cards and have many of the other action figures. His parents invested a great deal of money into the Pokemon action figures as well as the collectible trading cards. It seemed whenever we went to the store there were always more collectible cards. No matter how many cards my cousin had, he would seperate what he believed to be the male characters from the female charcters. So I find it interesting that even though the characters do not have “genders”, children give them genders based on what they have learned in society about male and females. So even though the characters purposely do not have genders, children can still imply what they believe is true. Makes you wonder why do animators create some characters this way? Why not just give the characters a gender?
Ah, Pokemon, the most popular topic of conversation in my class. Well at least until they’ve watched the new “That’s So Raven” episode. I listened to your podcast and while I agree about the stereotypes that are reinforced, I have to say that my class is pretty good at ignoring gender and just appreciating these characters for their powers. While I don’t agree with the amount of time, devotion and money that my students spend on Pokemon, I’ve found that by learning more about it myself has helped my tap into their background knowledge; Pokemon has helped me improve my student’s comprehension. Most of the time, I ask questions and my students answer them allowing me to teach the comprehension skill I’m trying to teach, i.e. cause and effect, comparing and contrasting, etc. After they understand the concepts, it’s easier to get them to apply them regularly and consistently to real world situations. I do have a problem with the commercialization of Pokemon characters but I have to be honest and admit that at least it’s one trend that has had some lasting power. At least now I don’t have to spend so much time trying to find some new fad to follow so that I can better relate to my students and that helps me plan my lessons more effectively.
Anjuli
Pokeman!!! Gees, I almost forgot about them. Thanks for the history of Pokeman. I actually remember when Pokeman came out and the big hit they became- from my experience they represented a “status symbol” amongst kids, or so it seemed. The more Pokeman cards you owned, the cooler you were. I find the gender issue interesting as I never noticed that their gender did not exist because the children automatically labeled each character. I am however, still somewhat perplexed as to why this gender issue raises such a big deal. Why is it not okay for a specific character to be a boy and another a girl- as long as we remove the stereotypes by expanding the roles each gender plays. This is the world in which we live in- boys and girls. I find in my classroom that students are becoming more comfortable with the sensitivity to gender. I must say that I enjoyed the re-design segment. Great job. Thanks for sharing, I enjoyed the podcast.
I appreciate your introducing me to the Pokemon world. I am somewhat out of touch with today’s entertainment characters.
I find the non gender characters somewhat unique,since it creates versatility to the consumers and thus leaving it up to them to define ( boy or girl).
I consider this method to be a phenomenal marketing strategy, which would eliminate major decision making when making a purchase.
Since marketing of this product is directed towards the youth, I am positive that this market must be extremely lucrative.
Parents should take the time to explain to their children the art of marketing, since this has a major impact on their pockets.
Color and gender are they as important to children as they are to adults? and where did the theory come from that certain colors belong to boys and others to girls.
I believe that as products of society, we set the standards of what is masculine and what is feminine.
Collectibles are addicting to us at any age? As a kid, I collected baseball cards and did a lot of trading transactions, as I assume the same is being done here, but with $$ being involved..
I have not had the opportunity to experiment with Pokemon, but look forward to having some discussion on this with my students.
One thing that I love about this Pokemon story is how well it exhibits the ways that everyday texts can be used in a classroom. It is great to see how something that interested the students transformed into a meaningful learning experience. Initially, I was impressed with the financial knowledge of the student who was analyzing his new Pokemon cards. I think this shows how an everyday text could be used in teaching academic concepts, likely teaching them in a way that could be more meaningful to students.
Additionally, it was great hearing how the Pokemon were redesigned by students, allowing them to begin to realize how they constructed their view of the Pokemon… there are so many opportunities for critical literacy in what we find around us in the classroom every day. Thanks for sharing this great example of that!
Pokemon make me think about our perceptions of color and how our society often uses it to demarcate the feminine from the masculine. As we all know, historically, blue was typically a boy’s color while pink was identified as a girl’s color. It was just a few decades ago that there was an interesting switch in the colors both genders wear. Now, it is amazing at the comfort with which boys and men year pink and lavendar.
In addition, it was also interesting to see how marketing plays such a significant role in making kids play a key role in American consumerism, especailly with the catch phrade “gotta catch them all.”
This is such a great way to use what children are already interested in to promote growth and learning. Instead of fighting against the realities of childhood in the 21st Century, we should be working within the existing context. “If you can’t beat ‘em, join ‘em” is a good way to think about it. No matter how much we try to censor what our children are exposed to, we will never completely succeed. It would be better to try and make the best of the situation and turn it into something positive. I like the idea of deconstructing or redesigning the shows and products that children are interested in. If we are able to show children that the world around us is socially constructed and that they can effect this construction, then they are more likely to be independent thinkers and help our society move forward.
Leslie Jones
Washington DC
I think the number of very powerful and thoughtful responses to this episode attests to the draw we have towards everyday texts such as Pokemon and our understanding or wondering about how such texts intersect with our children’s lives in a variety of ways.
I’d love to hear about what sorts of everyday texts you have taken up in your setting with students or your own children and how you’ve worked and played with those texts.
Thanks Everyone
vivian
The title of this particular Pokemon podcast caught my attention, as i am very aware of its popularity and thought that I could relate to it easily. For starters, I was very impressed by the re-creation project, where the kids designed thier own Pokemon character. What a great idea to spark a critical conversation!
The issue of gender was intersting, as the fourth graders I work with are very much under the impression that males and females are very different in thier ablties. I would be interested in what they would create if I had done the same project with my students. I have students who believe that boys are tougher (the boys, of course) and some who think that girls are smarter (of course, the girls)…and that THAT means more power. And the boys come to realize that they would rather have the “smarter” quality…although they would never admit it outright.
That project gives me ideas about future writing and discussion prompts. I have one student who sticks out in my mind, and I can’t help but think about him as I write this comment. He makes such a big deal about boys and pink and how they shouldn’t wear it or even use a pink marker. If I was to do this project, he would be very critical of any boy or girl creating a charcter who didn’t scream male attributes. It is unfortunate, yet it may be an opportunity to help him to understand how inappropriate it is to make some of the cheauvanistic comments that he makes. He doesn’t seem to want to believe me, so maybe he would listen to his peers if they tried to ’set him straight’ in a controlled conversation.
I may have veered from the main topic of the podcast, but I am speaking from my initial reaction, which is to brainstorm some ideas how I can deal with my own classroom’s issues with gender.