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Never Forgotten
By Patricia C. McKissack
Illustrated by Leon and Diane Dillon
Schwartz & Wade
$18.99
ISBN: 978-0-375-84384-6
Ages 4 and up
On shelves October 11, 2011

The more I read children’s literature the more I come to realize that my favorite books for kids are the ones that can take disparate facts, elements, and stories and then weave them together into a perfect whole. That someone like Brian Selznick can link automatons and the films of Georges Melies in The Invention of Hugo Cabret or Kate Milford can spin a story from the history of bicycles and the Jake Leg Scandal in The Boneshaker thrills me. Usually such authors reserve their talents for chapter books. There they’ve room to expound at length. And Patricia McKissack is no stranger to such works of fiction. Indeed some of her chapter books are the best in a given library collection (I’ve a personal love of her Porch Lies). But for Never Forgotten Ms. McKissack took tales of Mende blacksmiths and Caribbean legends of hurricanes and combined them into a picture book. Not just any picture book, mind you, but one that seeks to answer a question that I’ve never heard adequately answered in any books for kids: When Africans were kidnapped by the slave trade and sent across the sea, how did the people left behind react? The answer comes in this original folktale. Accompanied by the drop dead gorgeous art of Leo & Diane Dillon, the book serves to remind and heal all at once. The fact that it’s beautiful to both eye and ear doesn’t hurt matters much either.

When the great Mende blacksmith Dinga found himself with a baby boy after his wife died he bucked tradition and insisted on raising the boy himself. For Musafa, his son, Dinga called upon the Mother Elements of Earth, Fire, Water and Wind and had them bless the child. Musafa grew in time but spent his blacksmithing on creating small creatures from metal. Then, one day, Dinga discovers that Musafa has been kidnapped by slave traders in the area. Incensed, each of the four elements attempts to help Dinga get Musafa back, but in vain. Finally, Wind manages to travel across the sea. There she finds Musafa has found a way to make use of his talent with metal, creating gates in a forge like no one else’s. And Dinga, back at home, is comforted by her tale that his son is alive and, for all intents and purposes, well.

McKissack’s desire to give voice to the millions of parents and families that mourned the kidnapping of their children ends her book on a bittersweet note. After reading about Musafa’s disappearance and eventual life, the book finishes with this: “Remember the wisdom of Mother Dongi: / ‘Kings may come and go, / But the fam

The Unforgotten Coat
By Frank Cottrell Boyce
Photographs by Carl Hunter and Clare Heney
Candlewick Press
$15.99
ISBN: 978-0-7636-5729-1
Ages 9-12
On shelves September 13th.

Contemporary Mongolia doesn’t have all that many English language children’s novels to its name. And if you asked me to name everything I knew about Mongolia today, I’d probably find myself referring to key scenes in that recent documentary Babies more than anything else. I don’t think I would have selected author Frank Cottrell Boyce to shed any light on the country or its inhabitants. Heck, I’ll take it one step further. With books like Millions and Cosmic under his belt I wouldn’t have even thought he’d want to write a book about immigration, cultural identity, fitting in, and having your assumptions wrecked. Shows what I know because write such a book he has and the result is a svelte little novel that may be his best. The Unforgotten Coat is the kind of book you get when an author gets an original idea and works it into something memorable. This is one story kids will read and then find difficult to forget.

Julie first sees the boys on the playground during break. When the class returns inside the boys follow and suddenly there they are. Chingis and Nergui, two brothers from Mongolia. Almost immediately Chingis identifies Julie as their “Good Guide” who will show them around and tell them everything they need to know. Julie embraces her role with gusto, but as she helps the boys out she wants to know more and more about them. Where do they live? Why do they insist that Nergui is being tracked by a demon that will make him “vanish”. What’s their real story? The trouble is, the moment Julie realizes what’s going on it is far too late.

The book is great. No question. But it’s the Afterword that deserves just as much attention. In it the reader learns where Boyce got the inspiration for this story. Turns out, during the very first school visit Mr. Boyce ever did, he sat with a group of kids that included a Mongolian girl by the name of Misheel. Then one day the Immigration Authorities took her away in the night and Boyce was left with the image of Misheel’s abandoned coat. He wanted to make a documentary with the kids of going to Mongolia to return the coat but that fell through. So it was he wrote this story instead with new characters and, at its core, an abandoned coat. Again.

The best works of protest are those that don’t harangue you but softly win you over to their point of view. Boyce is not a fan of some of the actions taken by the U.K.’s immigration authorities, that’s for sure. In his Afterword he even goes so far as to say, “I do know that a country that authorizes its functionaries to snatch children from their beds in the middle of the night can’t really be called civilized.” And he could have made the characters of Chingis and Nergui adorable moppets who win your heart with a smile and a wink. He doesn’t. Chingis is demanding and Nergui isn’t far off. You do grow attached to them, but not because they’re cute or anything. If you like them it’s because you got to know them a little better, just

The No. 1 Car Spotter
By Atinuke
Illustrated by Warwick Johnson Cadwell
Kane/Miller (a division of EDC Publishing)
$5.99
ISBN: 978-1-61067-051-7
Ages 7-11
On shelves September 1st.

When I discovered the amazing, remarkable, one-of-a-kind, never before seen Anna Hibiscus books by Atinuke last year I thought I’d died and gone to heaven. It just didn’t seem possible. A contemporary early chapter book set on the continent of Africa? To understand how rare this was visit your local library sometime. Ask for fiction about Africa that takes place today for early readers. Specify that you’d rather not take out a work of older fiction that’s deadly serious, but rather something light and fun. And while you’re at it, why don’t you ask for the moon as well since you’re just as likely to get that as what I’ve just described unless it’s Anna Hibiscus (in America anyway). Now Anna is joined by yet another Atinuke character. No. 1 lives in a rural village with his family and friends and his stories, like those of Anna Hibiscus, linger in your brain long after you’ve read them.

Meet No. 1. He’s what you might call a car spotter. If there’s a car driving past his village, you can be sure he’ll not only spot it but identify it and long before anyone else. Life in No. 1’s village isn’t easy, of course. If a cart breaks down then everyone’s got to figure out how to get the produce to the market (it’s No. 1 who comes up with a brilliant solution). If a woman wants to get lipstick at the market she sometimes will have to send a boy (No. 1 ends up doing the right thing entirely by accident then too). If people need chores done they have to rely on the kids (a problem when No. 1 wants to only help the auntie who makes the best food). And if someone gets seriously sick… well, sometimes it’s not always No. 1 who comes up with the solutions to problems. But he’s always around to help out.

I adore Atinuke’s ear for language. This book just begs to be read aloud as you go through it. Pitch perfect bedtime reading fare, that’s what you have here. You get such magnificent lines out of it too. For example, there’s the section where No. 1 aids a single particular mama in the hopes of getting some of her delicious akara. At one point the author just writes, “As I was an able-bodied boy in the vicinity of a shouting mama I started to run around as well.” Something about the construction of that sentence just pleases me to no end. Later No. 1 explains to Coca-Cola that he can’t risk helping him out anymore because he might end up with a name like 7Up. Coca-Cola, visibly upset, points out that his own nickname is from a soft drink. I love No. 1’s method of comforting his friend. “That… is because Coca-Cola is the number one soft drink. Some people prefer Fanta. It is true. And some people prefer Sprite. Some people don’t touch Coca-Cola. But Coca-Cola is still number one.” As pep talks go, I’ve never heard on

A Little Bitty Man and Other Poems for the Very Young
By Halfdan Rasmussen
Translated by Marilyn Nelson and Pamela Espeland
Illustrated by Kevin Hawkes
Candlewick Press
$15.99
ISBN: 978-0763623791
Ages 3-8
On shelves now.

Denmark! Mention the country and children’s literature in one breath and what would most Americans think of? Well, if they were well-versed in the form they might think of Hans Christian Andersen. Our national interest in children’s authors from other countries is sparse, but once in a while someone pierces the collective unconscious. Unfortunately for us, Danish children’s literature begins and ends with the esteemed Andersen. For all we know, that country’s interest in kids’ fare began and ended with his reign. So it was with great interest that I became acquainted with one Halfdan Rasmussen. Former resistance fighter against the German occupation, human rights advocate, and children’s poet, the man wore many a hat in his day. Having already been introduced to U.S. kids in the previous publication The Ladder, Rasmussen returns to our public eye with a collection of younger fare. Sweet and jaunty by turns, A Little Bitty Man exhibits all the best aspects of classic children’s poetry. You may have never known this Rasmussen fellow before but after reading this you’ll be happy to make his acquaintance.

Thirteen poems of relative brevity are collected together. Ranging from the realistic to the fantastical, Rasmussen dares to spark young imaginations with this collection. In it you’ll encounter an elf with a singular method of retaining warmth in a chilly proboscis, a dolly with latrophobia, incontinent rainclouds, clever goats, literary fowl, and many more. Accompanied by the delicate, charming illustrations of Kevin Hawkes, this is one poetic introduction you’ll be happy to have made.

I can’t think of the last time a funny poem for kids made me laugh out loud. So imagine my surprise when I found myself reading the poem “You Can Pat My Pet” and ran across these two stanzas: “You can pat my dog for a dime / and my horse for an egg and a half. / You can pat my favorite aunt / if you give me your granddad’s moustache.” It proceeds to get sillier after that but I just love the exchange of aunt patting for facial hair. Rasmussen does not choose to be a funny poet for kids or a meaningful one. He’s both at once. For the most part, when Rasmussen is trying to be insightful, he succeeds. “What Comes Next” is lovely. “What Things Are For” feels like a natural companion to the picture book A Hole Is to Dig by Ruth Krauss. The sole fly in the ointment is “Those Fierce Grown-Up Soldiers” which is the kind of poem we’ve seen done a hundred times before, and never particula

The Cheshire Cheese Cat: A Dickens of a Tale
By Carmen Agra Deedy and Randall Wright
Illustrated by Barry Moser
Peachtree Press
$16.95
ISBN: 978-1-56145-595-9
Ages 7-12
On shelves October 1, 2011

Animal stories. Done well and you get something like Charlotte’s Web or The Incredible Journey. Done poorly and you cannot name for me a more annoying genre. Some days it seems to me that every great children’s author eventually tries their hand at the style to varying degrees of success. Burned one time too many I’ve taken to just avoiding books with animals in them altogether unless there’s something that seems to be extraordinary about them. So when The Cheshire Cheese Cat came into my possession, I was inclined to put it aside. Then a friend and an editor both assured me it was lovely. And then there was the fact that Carman Agra Deedy, author of such great picture books as 14 Cows for America had co-authored it. Finally, it’s not every day that the great Barry Moser illustrates a new work of middle grade fiction. Add in the fact that there’s a Charles Dickens connection and I cracked. I read it. And reader, it was worth the reading. Not that it convinced me to rethink my animals-in-books opinions, but at least I may be a hair more open minded in the future . . . maybe.

The Cheshire Cheese Inn is a place of secrets. It seems that anyone who works or lives there has one. For Skilley the alleycat, his is a shame that has caused him to strike up a deal with the local mouse population that haunt the inn’s famous cheese production room. For Pip, his mouse friend, it has to do with the mysterious creature that lives amongst the mice, insisting on its own freedom. For the cook it’s a secret about the cheese, and for the barmaid the same. Only the famous writer Charles Dickens, a man that patronizes the inn, seems secret free. And yet, he too harbors a difficulty and a shame. It’ll take Skilley’s deal with Pip to set the spark that causes all these secrets to come to light, and it may possibly save the very monarchy of England as well!

As with any book starring the furry, it all comes down to personality. If you don’t believe in the characters then you haven’t anything to connect to. Here, the critters are infinitely interesting. Pip’s oversized vocabulary makes for a nice side element in the tale. If Skilley comes off as a kind of hired muscle, Pip is the brains behind the operation. From his first utterance of words like “sepulcher” and “perpetual internment” you can see that he is a cut above the general mouse population. Interestingly, once Pip start throwing out one hundred dollar words, the book follows suit. I caught words and phrases like “stygian darkness” bandied about without comment. It doesn’t grate, though, and such words and phrases are understandable within context. By the way, I just referred to Skilley as a kind of thug, but in fact there are depths to him. I was particularly fond of a moment when Pip mentions that his family died in a cleaver-related ac

The Cazuela That the Farm Maiden Stirred
By Samantha R. Vamos
Illustrated by Rafael Lopez
Charlesbridge
$17.95
ISBN: 978-1-58089-242-1
Ages 4-8
On shelves now

I am lucky to work in a children’s room with a significantly sized bilingual section. The books you’ll find there cover a wide range of languages. Chinese, Arabic, Urdu, you name it. Of them the largest section by far is the Spanish language section. Of course, what we don’t really include in this section are books that integrate Spanish words into English text, though the stories are predominantly in English. There really isn’t a name for this kind of book, which is a real pity since they serve a definite use. Now you can go about integrating Spanish and English any old way you prefer, but Samantha Vamos has you beat. According to the back bookflap “Samantha R. Vamos was cooking one day when the idea for this book popped into her head.” The idea goes beyond a mere food related plot and ends up being one of the most creative ways of working Spanish elements into a work of English I’ve seen in years. Top off the fact that the art is enough to give your jaw a downward plunge, and I’d say you were dealing with one of the cleverer picture books of the year.

Are you familiar with the cumulative tale format? Well Ms. Vamos takes the idea and twists it a little. A variety of different farm animals aid a farmer and a farm maiden as they work together to make some rice pudding. A donkey picks limes, a duck buys sugar, a hen grates, and by the end everyone has done their part. Of course, in the midst of some dancing the pudding almost gets out of hand, but our heroes are able to save it in time. The end of the book includes a Glossary of Spanish Words and a recipe for the pudding.

I’ll say right here that the way in which Vamos has seamlessly integrated Spanish words into her text is extraordinary. Until now the standard method of doing this was just to throw the words into random sentences and cross your fingers. Best case scenario, you end up with something like Gary Soto’s Chato’s Kitchen. Worst case scenario and the words become jarring and needless. The trick Vamos uses here is to take the cumulative format and make it work for her. Normally a cumulative story doesn’t shake up the words. It’s the old House That Jack Built idea. This did this, that did that, it did it, etc. But Vamos has a different idea going on here. She starts out with an English word on the first reading, then switches that word to its Spanish equivalent when it’s repeated. So the first sentence in the book reads “This is the pot that the farm maiden stirred”. Fair enough. Turn the page and suddenly you read, “This the butter that went into the Cazuela that the farm maiden stirred.” You see what she’s

Trapped: How the World Rescued 33 Miners from 2,000 Feet Below the Chilean Desert
By Marc Aronson
Atheneum Books for Young Readers (an imprint of Simon & Schuster)
$16.99
ISBN: 978-1416913979
Ages 10 and up
On shelves August 30, 2011

The notion that history is always happening isn’t necessarily obvious to a kid. I remember have several moments of revelation when I was younger, realizing time and time again that the folks we studied in school were real. That they walked around like I did. History has a tendency to play out like a movie when you’re young. You might be moved but you wouldn’t necessarily be able to wrap your head around the notion that there but for the grace of God go I. To hammer this notion home it might be advisable to find moments in recent history that have been recorded for all of posterity. Like, say, the Chilean miner incident of 2010. A lot of kids (as of this review) would remember when that was in the news. Yet they might not think of that as a historical incident yet. Enter Trapped by Marc Aronson. Here we have a book that sheds some light on the story that hypnotized the world. With its natural tension and everyday heroes, Trapped is that rarest of nonfiction beasts: A contemporary work of historical fact that has you gripping the edge of your seat.

The collapse of a San Jose mine on August 5, 2010 wasn’t anything the world hadn’t seen before. Mines collapse all the time. It’s a dangerous occupation. The difference here, of course, was the fact that the 33 men trapped 2,300 feet underground were still alive. Suddenly the world was riveted by their story. Would the rescuers be able to find them? And even if they did, how would they get them out? Backmatter to this true tale includes brief biographies of each of the thirty-three miners, a Timeline, a Glossary of Names and Terms, a word on “The World of the Miner” by a miner, a note to students, Notes and Sources, a Bibliography, a list of interviewed subjects, Useful Websites, and an Index.

A good work of nonfiction for kids makes you want to keep reading, even when you know the outcome. When I pick up a book like Amelia Lost by Candace Fleming, I love that I feel like there may be a chance that they’ll find Ms. Earhardt this time. Similarly, when I read Trapped I have to feel like there’s a chance that they won’t rescue the miners this time. Indeed there were several moments when it really seemed as though the miners wouldn’t be found. Aronson parcels out this tension, knowing better than to fill the narrative with foreshadowing or some kind of false narrative technique. And like Fleming’s book he makes sure to tell two different stories at once. We are both with the miners and with the rescuers as the tale unfolds.

Mr. Aronson is a fan of context. It isn’t enough to know that this story takes place 2,000 feet below the Chilean Desert. He must show you how that desert was formed. And it isn’t enough to simply know that these men were farmers of items like copper. He’s inclined to give you the very hist

Hound Dog True
By Linda Urban
Harcourt Children’s Books (an imprint of Houghton Mifflin Harcourt)
$15.99
ISBN: 978-0-547-55869-1
Ages 9-12
On shelves September 20th

There’s identifying with a work of children’s fiction and then there’s wondering if the author of the work has somehow discovered time travel and was able to observe your younger self. Such were my feelings upon picking up and reading Hound Dog True, the lastest from A Crooked Kind of Perfect’s Linda Urban. I don’t want to cast aspersions on Ms. Urban, and if she wants to use her highly developed time travel technology to spy upon my elementary years that is her business. Of course I appreciate that she changed the names in this book to protect the innocent (which is to say, me). It occurs to me now that there may be a chance that Ms. Urban wrote this book with another child in mind. Indeed, after having finished the title I can see sheer hoards of kids who were exactly like me when they were young picking up this book and finding in its heroine Mattie a kindred spirit. It won’t be hard for them to do. She’s the underdog’s underdog.

She has it all worked out, you see. The plan is perfect. It can’t possibly fail. After traveling from place to place with her mother for years, Mattie and mom have finally moved in with mom’s brother. Uncle Potluck is exactly the kind of uncle you’d want to have around too. He tells great stories, and talks to the moon, and best of all he lets Mattie tag along as he fixes up the local elementary school for the coming year. In fear of the kids in her new class, Mattie has determined that if she’s a good enough assistant to Uncle Potluck in the summer then she’ll be able to assist him over her lunch and recess period every school day and avoid her compatriots. She’s sure she’ll be able to convince him, but when she meets the niece of her new next door neighbor, Mattie starts discovering that maybe other kids aren’t entirely frightening.

There are books for kids out there where the protagonist is supposed to be shy. They almost never ring true. Sure, the kid will act hesitant to do one thing or another, but eventually they’ll have these moments where they go out of their way to be brave and they lose me. I was a shy kid. I understand the crippling fear a person can feel when they encounter a potentially hostile fellow student. And Linda Urban gets all of that. She gets how you can worry about being babyish one moment and then fall into old habits the next. She gets how a person could view lunch and recess as “the lawless times” when the safety of adults lessens and kids are allowed to pick on one another openly. It doesn’t take much to instill in a child a fear of their fellow man. Hound Dog True understands.

One remarkable aspect of the book is the fact that Urban manages to create a passive protagonist that doesn’t drive you up the wall. Generally when a writer conjures up a character that is afraid of basic human interactions the reader’s response is a uncontrollable urge to shake the hero for all they’re worth. You don’t feel that way with Mattie, though. This is remarkable when you realize that it’s when Mattie attempts to be proactive that she gets herself in the biggest messes. Her plan to become a janitorial assist

The Book That Zack Wrote
By Ethan Long
Blue Apple Books
$11.99
ISBN: 978-1-60905-060-3
Ages 4-8
On shelves now.

I have a theory. Bear with me here. My theory is that whenever there is a literary phenomenon in the teen or middle grade chapter book world, you see little echoes of it in the picture books as well. So, for example, after the rise of Twilight I enjoyed seeing kids checking out multiple copies of books like Dear Vampa. After Harry Potter the picture book The Wizard by Jack Prelutsky made the New York Times bestseller list. And I can only dream that in the wake of The Hunger Games we’ll see an influx of interest in post-apocalyptic easy reader fare (Are You My Mother has always had an odd end-of-the-world feel to it, don’t you think?). Young kids see their older siblings into a kind of book and they immediately want to be a part of that. The publishers acquiesce and there you go. Trends for kids of all ages. One book that I haven’t mentioned in the midst of all this is Diary of a Wimpy Kid. We’ve seen a slew of Wimpy Kid imitators cluttering up our middle grade shelves over the last few years, but surprisingly few picture books of the same ilk. With that in mind, I was delighted to see The Book That Zack Wrote by Ethan Long. Written in a notebook fashion, this cumulative tale takes an old and, frankly, tired concept and turns it entirely onto its head. Plus it includes a penguin craving goldfish. That right there is worth you cold hard cash.

You’re familiar with The House that Jack Built? Well, this is similar. When it begins we see that “This is the pig that oinked in the book that Zack wrote.” Fair enough. Next page and “This is the fox that scared the pig that oinked in the book that Zack wrote.” The book, for that matter, is a lined notebook where a crayon drawn fox has now launched itself at the aforementioned pig. Next page and “This is the frog that kissed the fox, that scared the pig, that oinked in the book that Zack wrote.” You get the picture. Keep turning the pages and more ridiculous animals join into the fray. It all comes to a head when, without warning, we read, “And this is the GIANT PURPLE MONSTER” who proceeds to eat everyone. The monster&rsqu

Around the World
By Matt Phelan
Candlewick Press
$24.99
ISBN: 978-0-7636-3619-7
Ages 9 and up
On shelves October 11, 2011

Book phenomenons are something, aren’t they? Get the right writer and they can use words alone to inspire people to do the craziest things. Whether it’s Wizard Rock or standing on docks to find out if a favorite character has died, as long as there has been literature there have been people taking books to heart in surprising ways. Around the World in 80 Days may be one of the more extreme examples of this. Had Phileas Fogg not set out to traverse the globe in a matter of scant days, he could not have sparked the imaginations of three intrepid late 19th century individuals. Now you could write a decent nonfiction triple biography of the three for kids and no one would raise so much as an eyebrow (unless it was bad, of course). What’s unexpected is taking these true stories and turning them into a single graphic novel. Inspired by their stories, and even more by their internal struggles, Matt Phelan finds a way to bring to life three striking individuals and their circumnavigation dreams.

In the second half of the 19th century a fictional character set out with a challenge. His name was Phileas Fogg, the book was Around the World in 80 Days and the challenge was inherent in the title. So popular was the novel that it inspired others to travel in Fogg’s footsteps, so to speak. Three in particular come to mind. First, a miner by the name of Thomas Stevens. Thinking that there must be more to life than spending it underground, Stevens was inspired when he saw his very first bicycle. After purchasing one and biking across the country Stevens got it into his head to go bigger. Why not bike around the world? Next up, the intrepid female reporter Nellie Bly who vowed to beat Fogg’s 80-day mark and became a national sensation in the process. Finally there was Captain Joshua Slocum, a man haunted by his own past who sailed around the world over a time span of over three years. Three people. Three reasons for their trips. Three entrancing stories.

Matt Phelan’s previous dalliance with graphic novels was The Storm in the Barn, a winner of the Scott O’Dell Award for Historical Fiction. That novel was a curious combination of history and fantasy, rendered in almost uniformly brown panels. With Around the World Phelan switches focus and concentrates entirely on real world events. He seems more comfortable working with real people and their lives than he did dabbling in the fantastical. Not that this book doesn’t have it’s own share of mirages, hallucinations, and monkeys, but through it all are storylines based in fact. For this reason, Phelan makes

Marty McGuire
By Kate Messner
Illustrated by Brian Floca
Scholastic
$16.99
ISBN: 978-0-545-14244-1
Ages 5-9
On shelves now

It’s high time “tomboys” rescued their term from its negative connotations. One very rarely runs across parents who use the word with pride. It happens, sure, but more often than not it’s paired with a complaint. Same goes for tomboys in children’s books. They exist but they tend to appear in works of historical fiction more often than not. The contemporary tomboy is, oddly enough, relatively rare these days. Maybe that’s one of the reasons I loved Kate Messner’s Marty McGuire as much as I did. Not only do you have a genuine one-of-a-kind 21st century tomboy on your hands, she’s rejecting the princess culture too! Finding great early chapter books can be an enormous chore. Now Marty makes my job as a children’s librarian that much easier.

Second grade was fine. Marty had no beef with second grade. But for all that her second grade teacher made third grade sound like a bed of roses, Marty is having a rough time of it. Her best friend Annie has been stolen by princess-loving girly girl Veronica Grace and now she won’t go frog hunting or do any of the other fun things she used to with Marty. So when the school play is announced (The Frog Prince) guess who’s shocked and appalled when she ends up with the role of the princess? That’s right. Marty has to be seriously convinced that this is a good plan and even then she’s reluctant. Fortunately, actors always have little tricks to make their roles their own. And Marty has a trick up her sleeve that’s a doozy.

The rise of the princess culture is a relatively recent phenomenon. I’m referring to the abject shameless marketing to little girls of anything and everything princessy. It didn’t really exist when I was a kid, only hitting its stride in the last decade or so. The result in the literary world has been a veritable cornucopia of pink and sparkly princess books for girls of every age. If a girl isn’t into princesses and their omnipresent pinkness they may sometimes find the literary pickings (at least in some bookstores) few. Marty McGuire’s brave rejection of all of that comes as a breath of fresh air. Here we’ve got a girl on the cover reaching for a frog in jeans and sneakers. Pink sneakers, sure, but you go with what you’ve got. The tiara falling to the side seems like more of an afterthought than anything else. I mean clearly this is a different kind of book.

Which makes the story all the more difficult to pull off. In a way, you’re rooting for Marty and her anti-princess stance. The idea of her forced princessing is tricky territory. But Messner somehow manages to walk a fine line, never making this a book about “embracing your inner princess” or similar dreck. Instead, this is very clearly a story about trying something new and making it your own, even if it pulls you out of your comfort zone. That’s actually a very useful, if rare, lesson tha

The Incredible Life of Balto
By Meghan McCarthy
Alfred A. Knopf (an imprint of Random House)
$16.99
ISBN: 978-0-375-84460-7
Ages 4 and up
On shelves August 9th

I’m not a dog person. Like ‘em fine. Don’t see much particular need to interact with them on a regular basis. Sometimes, though, I’ll feel like my life as a children’s librarian would have been easier if I had been a canine fanatic. A large swath of children’s literature each year is dedicated to man’s best friend. This year alone I’ve seen dogs traveling vast distances to be reunited with their loved ones (A Dog’s Way Home), convince kids that they are transformed accountants (The Ogre of Oglefort), and even appear as gallons of orange juice (When Life Gives You O.J.). Nonfiction doggies proliferate as well but I can usually steer clear of them. Unless Meghan McCarthy is involved, of course. Then I’m going to have to see what all the fuss is about. In this particular case, Ms. McCarthy has taken what at first appears to be a well-known story then finds the lesser known tales lurking inside of it. The result is a biography that’s bound to please dog lovers and dog neutrals (like myself) alike.

The year: 1925. The place: Nome, Alaska. The problem: An epidemic of diphtheria was imminent and yet a horrible blizzard was preventing all incoming planes from delivering the much needed serum. The solution: Balto. Sled dogs, you see, were dispatched with the serum on board and Balto was at the head of one of these teams. When Balto’s group missed the next team at the next checkpoint, they were lead onward by Balto until they got to Nome themselves. That’s the story lots of people know. What is less well known is what happened next. Balto was celebrated throughout the States, appearing in movies, on dog food cans, and even earning a statue in Central Park. Sadly, he and his team went on the vaudeville circuit and ended up underfed and neglected. Yet surprisingly the good people of Cleveland banded together to purchase the brave dog and his sled mates. As a result he spent the remainder of his days running around the Brookside Zoo where he, “could relax and enjoy the rest of his life.”

The queen of the amusing nonfiction picture book for young readers, McCarthy’s titles are always remarkable because they cover ground no one else does. Whether it’s the invention of bubble gum or a false report of an alien invasion, McCarthy’s titles are always wholly new. That’s why I was so surprised by her choice to tackle Balto next. As real

Peter Nimble and His Fantastic Eyes
By Jonathan Auxier
Amulet Books (an imprint of Abrams)
$16.95
ISBN: 978-1-4197-0025-5
Ages 9-12
On shelves August 1st.

What is the most telling difference between those works of children’s literature written long ago and those written today? Pose this question to a room full of children’s librarians and I suspect that the answers would be myriad. Books today are less racist. They’re willing to push more boundaries. They’re smarter, hipper, less didactic, and so on and such. Pose the question to a room full of kids now. What do they answer? Would they even know where to begin? I wonder since the memorable children’s books of the past, the ones that we hold in our hearts and pass along from generation to generation have a quality that most children’s books today don’t bother to cultivate: timelessness. Of course there are as many bad books for kids that try to reach that golden goal as there are good ones. It is incredibly difficult to write a book for the youth of today that is interesting to them and yet manages to feel “timeless” without covering itself in must and dust. That Peter Nimble and His Fantastic Eyes succeeds in this endeavor is a testament not only to its author but to a publishing world that’s willing to put out something that doesn’t slot into the usual five categories of books for youth.

Babies found floating in baskets usually turn out quite well. They get adopted by pharaohs’ daughters and the like, right? Well, that may be the case for some babies, but Peter Nimble isn’t exactly the lucky sort. Found floating in the sea, his eyes pecked out (presumably by the raven perched there), Peter is abandoned to the wilds of the world. On his own he manages to use his talents to become the world’s greatest thief. This talent is swiftly exploited by the nasty Mr. Seamus who makes Peter steal for him. All seems bleak until the day Peter stops to listen to a crazy haberdasher who has come to town. Next thing he knows, Peter has pilfered a box containing three pairs of magical eyes and in accepting them he allows himself to take part in a marvelous, epic adventure.

A difficulty with writing a story from the perspective of a blind protagonist is that you’re limited to that person’s senses. Or rather, you would be if the book was first person. Auxier sets his tale in the third, leaving the reader to decide whether or not the book should be this deftly described. We’re still with Peter every step of the way, after all. So is it fair that the text should show such a visual world when that is not Peter’s experience? I don’t find it much of a problem myself, though I can see how some folks would deem it strange. Yet the third person narration is the key here. It’s not even particularly intrusive.

The book is also dotted with small pen-and-ink illustrations throughout the text (created by the author himself, no less) that serve to show a bit of what is described to Peter. It is interesting to see what Auxier chooses to show and not to show. For example, the kitten/horse/knight that is his companion Sir Tode is never fully seen in any of the pictures in this book except for the odd rear view. So it is that Auxier uses his art to give readers just a hint of the story. He leaves most of the characters and situations up to child imaginations, though.

He also has his influences. Jonathan Auxier doesn’t love 0 Comments on Review of the Day: Peter Nimble and His Fantastic Eyes by Jonathan Auxier as of 1/1/1900