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1. Book Expo America!

BEA IS NEXT WEEK! Here are my answers to possible questions about it, or you can skip to the bottom of this post for my schedule while I'm there:

Book Expo America is a conference, primarily for professional industry types (publishing people! Booksellers! Etc.), but also for all variety of people from readers to authors to book bloggers to other press people, and so on. It is in New York City, at the Javitz Center. This year it takes place from May 29th to June 1st. You need a badge to get in, and you have to pay for a badge, and if you want to attend, you can find out more here: http://www.bookexpoamerica.com/Register-Now/

Yes, I will be attending this year! And I am excited.

No, I will not be signing Allegiant there, because it comes out on October 22nd, and there will be no Allegiant ARCs (Advance Reader Copies-- early, uncorrected copies of books printed for promotional purposes).

When I say there will be no Allegiant ARCs, I mean there really won't be any Allegiant ARCs, not even under the tables for super special people, not even in my apartment, not even later this year, nowhere. NEVAH.

However, I will be signing really cool Allegiant posters for you to add to your swag collection. When my name is present on the signing schedule, that's what it means-- poster signing!

Yes, I will be giving a keynote at the BEA Children's Breakfast on May 31st at 8:00AM with Octavia Spencer, Mary Pope Osborne, and Rick Riordan. Tickets to this event may actually be sold out-- not sure-- but you can find out more information here: http://www.bookexpoamerica.com/Show-Info/Authors-and-Books/#page=page-1

Yes, I am nervous, thank you for asking.

No, just so you know, my keynote speech will not provide any more details about Allegiant that haven't already been released elsewhere. It is actually not so much about my books and more about writing, reading, and my experience with both.

TL;DR here's my BEA schedule

Thursday, May 30th
8:30AM-- there will be an Allegiant-themed stunt at the Crystal Palace entrance. If you're there, you could get a little cool somethingorother. I can't say anything more.
9:00AM-- this is when you can get a ticket to the poster signing, at booth #2039. (They are only handing out 200 tickets, FYI.)
1:00-2:00PM-- I'm signing ze posters at #2039

Friday, May 31st
8:00-9:30AM-- I'll be speaking at the Children's Breakfast in the Special Events Hall. This event is ticketed. It will be fun, though.

That's it! I won't be doing any other events in NYC because it's going to be sort of a tight schedule for me, but hopefully I will be back in the area soon.

See you there, BEAers!

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2. Another Divergent Photo: First Jumper!

EW.com has another Divergent photo-- this one of Tris about to take her big jump into the unknown.

See it and some of director Neil Burger's thoughts here!

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3. ALLEGIANT Cover!

So, how are you today?

I myself am doing quite well.

Why, you ask?

Well, this:


LOOK at it. Isn't it gorgeous?

Joel Tippie at HarperCollins is the creative force behind this cover, and he is so talented and always works so hard to get everything just right. (Also a shout out to Amy Ryan and Barb Fitzsimmons, also at Harper-- you guys are awesome!) I have been so fortunate to get three covers that I love. I couldn't be happier with this one and I can't wait to see all three books lined up on my shelf!

A short note about that symbol: no, it is not a faction symbol. It is, however, a symbol that appears in the book. I can't really share more than that-- you'll have to read it for yourself! (I can't wait for that either!)

Also, yes that is O'Hare at the bottom. No, I can't say more. AHH! Too many secrets.

If you missed my Today show interview with Ryan Seacrest in which we reveal the cover for the first time, you can watch it here: http://www.today.com/video/today/51828575

I am a lucky girl, to have so many amazing opportunities and great people supporting me. So much to be grateful for today.

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4. First Look at the Divergent Movie!

It's a photo from the knife-throwing scene, featuring our Tris!

See it and her comments about the cast and the scene here.

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5. Set Visit (and Uriah Thoughts)!

Full disclosure: as our car approached the set, I turned to my husband and said, "I feel like I'm going to throw up." I mean, I spend most of my time in front of a screen. Set visits to the movie adaptation of the words I scrawled over winter break three years ago were never something I was anticipating. On the way there, I felt totally unprepared for what was coming, and that meant a little bit of nausea.

Spoiler alert: I didn't throw up. Instead, I calmed down, which is better.

Here's the deal: I want your first experience with this stuff, in all its detail, to be as amazing as mine was, so I'm not going to try to capture it all for you here. I'm just going to tell you, generally, what I did and how I reacted to everything. Okay? Okay.

When I first got there, they were setting up to shoot the knife-throwing scene. (What a great day to go, right?) I spent a few seconds marveling at everything, then went back to "video village" (which is where director/producer/etc. types watch the filming on screens in real time, with headphones). 

There, I abruptly got all misty-eyed, because THEY MADE ME A CHAIR. You know, one of those director's chairs, with my name on it. It's weird what kinds of things hit you the hardest in these situations. For me it's usually the little things.

Shortly after that I met the Garrett, Master of Stunts and Fights (that's not his official title, but it's what I now call him in my mind), who told me about developing a particular fighting style for the movie and taught me the Dauntless stance. I even punched a punching bag. And nearly hurt my hand, because I am a marshmallow. (Garrett is not.)

I also got to see the Pit, a train car, and an Abnegation house, about which I can only say: !!! One of the best parts of the day was that I got to meet all the craftsmen who are working on the sets after seeing their impeccable work. I was so impressed with how much effort and thought went into everything I saw, so it was really fantastic to meet the people who were making it happen.

Then the fashion geek (is that a thing? I suspect it is not) inside me freaked out, because COSTUMES. I've been curious to see what they would do with costumes, because creating outfits that are entirely one or two colors is not an easy task, sorry guys. But...damn. Did they do it. I may or may not be planning an elaborate heist in which I sneak into the area after dark and steal some clothes. (Note: that is a joke. *hides heist plans in a drawer*)

After that we returned to the knife-throwing set and I watched the scene...over and over again, because, you know, that's how shooting movies works! Strangely this did not get boring for me (even though I've written that scene from two different POVs and I've probably read it over 100 times), which is a credit to everyone involved with it. I can't say much without spoiling things, but I will say that the scene is very true to the book.

I know you're probably mostly interested in the cast, because that's who you'll actually see on the screen. Let me first say that everyone was so nice, despite the fact that, for the first half of the day, I was too stunned to form coherent sentences. The people I talked to: Shailene Woodley (Tris), Theo James (Four), Jai Courtney (Eric), Christian Madsen (Al), Miles Teller (Peter), Ben Lamb (Edward), Ben Lloyd Hughes (Will), Zoe Kravitz (Christina), Amy Newbold (Molly). Basically, the whole Dauntless gang.

And they were all awesome. What can I tell you? They were all SO GOOD in that scene. Every time! Which is probably why I was able to watch it so many times! Without getting tired of it! Exclamation points!

I feel like the gushing is becoming extreme, so I'm going to cut myself off. Basically, I came away with one thought at the end of the day, which is that this adaptation is incredibly thoughtful, from things like fabric and building materials and light fixtures to directing and casting and acting and script.

I want to say I can't wait until it's in theaters, but I can-- I want to take in as much of this process as I can, because it's amazing and I'm so fortunate to be able to watch it happen.

Now, to address something else-- the issue of Uriah. Some of you may have heard, and some may not, that Uriah won't be cast until the second movie, if we are fortunate enough to make another one. It is understandably disappointing when a favorite character doesn't make it on screen. However, what I do think is encouraging is that the people working on the movie are taking the role of Uriah so seriously and taking so much care to get him right.

And even though the particulars will be a little bit different, we still get the zipline scene, guys! Which I, for one, am really excited to see.

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6. And the title of book 3 is...

here!

FINALLY THIS DAY HAS COME.

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7. Time, Work, and (What Else?) Macklemore


The greats weren't great because at birth they could paint 
The greats were great 'cause they painted a lot.

The simplest answer to "what advice do you have for young writers/writers generally?" is "just write more." No matter how many times we hear it, we still seek out other answers, wanting them to inspire some kind of breakthrough. Even after three books I still dig through the Internet or writing books searching for some other answer, but the hard one is the simplest one is the longest term one is the best one-- return to the keys or the notepad or whatever you use to write and do it, and then do it again.

It's like a marriage-- some days it's magic and it just works. Some days it feels hard. And some days it feels like trying to drill a hole through metal with a sewing needle. But as with marriage, what helps you through those impossible days is the commitment of time. When I married him, I promised him time, all the time I was able to give him, and he promised me the same. I promised to devote myself to learning the depth of him instead of experiencing the breadth of other people. And to the craft of writing, I also promise time and devotion and learning. A lifetime of practice, as much as I can give it.

Sometimes I feel like I'm just wearing away at my days, pushing toward this goal or that event or that deadline, and I forget to enjoy what I'm doing while I'm doing it. And I do enjoy what I'm doing, every word in every line, every line on every page. The work of writing is what I love, tangling my thoughts together and then struggling to untangle them. I even love the constant failure and the constant reminder that working through failure is possible and necessary and even lovely. It's so much like life, love, friendship in that way.

Put those hours in and look what you can get
Nothing that you can hold, but everything that it is.

With this last book I got the gift of time, a full year and a half to make it happen. And about halfway through the process, I realized that time was making it possible for me to love what I was doing while I was doing it, instead of just running toward a deadline as fast as I could. The time let the book steep in me, so to speak, building strength, and even now that I have been through several rounds of revisions I'm ready, even excited, to read through it again. (It helps that this time it's copyedits, my favorite things.)

I'm not here to discuss the book itself, or build it up, or dramatize it-- it will be a creative failure in some ways and a creative success in others and that's just the way books work. But what I'm talking about, here, is the one area in which this work will never be a failure: the process. In the process, I was open to criticism but I still knew what was important to me; I worked at a steady pace and I stopped when I needed some time to think; I let myself rest and I made myself work; and I loved it, and I did it every day.

I heard "Ten Thousand Hours" yesterday and those lines up above--put those hours in and look what you can get/nothing that you can hold but everything that it is-- really struck me. Working without resentment toward that work, and the time it takes, is important for all writers to learn. When you finish a story, all that work doesn't add up to something that you can grasp, that you can see-- even if you get a finished book at the end, it's not equal to the hours. But what you will get is the work itself, the joy and the peace and the struggle of it. For me, this last book was a quiet winter, a series of cold walks to and from the local coffee shop, a giant stack of paper next to my Christmas tree, a secret I kept even from my family and friends, a few teary-eyed nights on the couch as I read through the end again and again, and a realization that I have changed and so have the things I am interested in writing about, even though I wrote about the same characters.

I don't really have a point here. I was just thinking today, look what I got from that time and that work-- days that I loved living, words that I loved writing, work that I loved doing. It's not bad. Not bad at all.

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8. Casting News: Natalie!


Ashley Judd has been cast as Tris's mother, Natalie Prior!

What is there to say, really, but: !!!

And !!!

And my fellow Chicagoan, Amy Newbold, was also cast as Molly, Tris's fellow initiate and nemesis (which you may already know, but what you may not know yet is that she is awesome!).

The Divergent movie team has assembled such a talented cast, and taken such care with everything. WHAT A GOOD WEEK.

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9. Casting News: Marcus and Max, Plus Production Officially Begins!

In case you haven't seen this already, two cast members were announced/confirmed today:

Ray Stevenson will be playing Marcus, and Mekhi Phifer will be playing Max!

I'm pretty excited! I think Ray and Mekhi are spot on, great matches for the Marcus and Max in my head.

Also, yes, shooting did in fact BEGIN TODAY.

It still seems so unreal to me that any of this is happening. Every time I experience something that makes it feel more real, I go through this period of shock like I'm the kid in that David After Dentist video:



Amazing.

That is all.

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10. Book Recommendation: MILA 2.0 by Debra Driza

Description (from Goodreads):

Mila 2.0 is the first book in an electrifying sci-fi thriller series about a teenage girl who discovers that she is an experiment in artificial intelligence.

Mila was never meant to learn the truth about her identity. She was a girl living with her mother in a small Minnesota town. She was supposed to forget her past—that she was built in a secret computer science lab and programmed to do things real people would never do.

Now she has no choice but to run—from the dangerous operatives who want her terminated because she knows too much and from a mysterious group that wants to capture her alive and unlock her advanced technology. However, what Mila’s becoming is beyond anyone’s imagination, including her own, and it just might save her life.


---

First of all, Debra Driza is a good friend of mine-- our friendship was cemented several years ago when she serenaded me with Wham! against my will at a SCBWI conference. (Actually, our friendship was really cemented before then, but I just wanted to write Wham!) I know her to be a talented writer and I couldn't wait to read this book.

I was completely engrossed in this from start to finish. It's a well-paced book with some extremely well-done action sequences that kept me flipping the pages so fast I actually had to double back and reread certain paragraphs because I realized that in my quest to discover what came next, I wasn't actually processing certain details. This is as much a factor of the clear, concise writing as it is of the plot and the pacing. I enjoyed every minute of this read. 

That said, I wouldn't have enjoyed every minute of it if I hadn't been able to connect with Mila, who is so wonderfully human. My favorite part of the book was watching her discover what she really was, putting together all the pieces of what she had been told and coming to terms with the truth. It was handled with such care-- so was the mother-daughter relationship, I thought, which has a really good arc, shifting as our understanding of who Mila is shifts. 

If you enjoy A. really great action and B. sci-fi and C. convincing teenage girls in fiction, this is a great read for you. (And it's out now!) In case you're on the fence, here is Debra's Harlem Shake video. Because I mean, come on. This woman is dancing like a crazy person to entice you. GIVE IN.




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11. Casting News: Will, Edward, and Al!

Sometimes I forget to transfer posts from Tumblr, so this is a little late, but:

Ben Lloyd Hughes has been cast as Will...

Ben Lamb has been cast as Edward, and...

Christian Madsen has been cast as Al!

(The announcement is here.)

These are exciting times, people. 

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12. Casting News: Jeanine!

Okay, so you may have seen/heard rumors of this already, so it's not exactly new news, but it is Officially Official, which means that I can tell you my thoughts.

KATE WINSLET has been cast as Jeanine Matthews!

What can I say? When I found out, I was floored. I grew up watching Kate Winslet in movies, whether it was Titanic or Eternal Sunshine of the Spotless Mind or The Reader, and she is an incredible actress, and I am sure that she will be extraordinary as Jeanine. I'm excited to see the complexity and depth she'll bring to the role.

That was me containing my fangirling.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

(That was me not containing my fangirling.)

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13. Casting News: FOUR.

In case you haven't seen the news already: Theo James has been cast as Four!

The Divergent facebook page posted my statement, and I'll put it here for you, too (so if it's very official-sounding, that's because...it is official!):

Recently I saw Theo James' screen test with Shailene Woodley, and I was sure within seconds: this was ‘Four,’ no question. Theo is able to capture ‘Four’s’ authority and strength, as well as his depth and sensitivity. He is a perfect match for Shailene’s incredibly strong presence as Tris. I’m thrilled!

And what a wonderful Friday it has been.

Okay, time to get back to work.

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14. Casting News: Tori, Christina, and Caleb!

Yes! I am beyond excited to be able to share this news with you at last!

Maggie Q has been cast as Tori...

Zoe Kravitz has been cast as Christina...

and Ansel Elgort has been cast as Caleb!

They are all extremely talented (not to mention spectacular matches for the characters in my head) and I'm so happy that they're going to be a part of the Divergent movie.

CANNOT. WAIT.

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15. March Event in Shelton, WA!

I'm going to be on a writing retreat in Washington in March, and while I'm there I'll be at an event in Shelton, WA with some wonderful women from YA Highway, the group blog I'm a part of: Kristin Halbrook, Kirsten Hubbard, Kody Keplinger, and Phoebe North! We will be talking books and writing and life, answering questions, and then signing. If you live in the area, we would love to meet you!

The deets:

For easy transcription purposes:

Who: Me, Kristin Halbrook (Nobody But Us), Kirsten Hubbard (Wanderlove and Like Mandarin), Kody Keplinger (The DUFF, A Midsummer's Nightmare, Shut Out), and Phoebe North (Starglass, out in July)
What: A discussion and signing (for those who have books out)
Where: Timberland Library, 710 W Adler, Shelton WA
When: March 12, 4-5:30pm
Why: Because it's going to be fun and awesome. Also: books are good! Yes!

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16. Excerpt from "Hearken," from the Shards and Ashes anthology!

Today is the release day of Shards and Ashes, an anthology of dystopian/post-apocalyptic stories that I was fortunate enough to participate in. It was edited by the fabulous Melissa Marr and Kelley Armstrong, and the contributing authors are amazing. It's like a YA author explosion of awesome.

To celebrate the fact that the anthology is finally here, I'm putting up this excerpt from my short story, which is called "Hearken." My story is about a girl, Darya, who gets a brain implant to hear the music of the dying in the midst of an apocalypse. In this scene, she's riding a bus with her father.

---

"You know, when I was young, people didn't like Hearkeners much," her father said.

Darya watched the man across from her. His eyes remained steady on the floor. She could hear his breaths through the slats in the mask--not loud, but louder than unfiltered breaths.

"Why not?" she asked.

"Because they were seen as an unnecessary expenditure," he said, "Not worth the cost, I mean. But the people over at the Bureau for the Promotion of Arts were very insistent that music would help a troubled world. And then when people started dying..." He shrugged. "Everyone started to understand why Hearkeners were so important."

"Why are they so important?"

"Because what they hear...it's like hearing something beyond us. Something bigger than us." He smiled down at her. "It reminds us that there's so much more going on in this world than we can see with our eyes and touch with our hands."

Darya didn't quite understand what her father meant, but she knew there was something beautiful in it all the same.

Then she heard something--quickening breaths from the man across from them. She saw a bead of sweat roll down the side of his forehead. He looked so harmless--he was short, with salt-and-pepper hair and a white, collared shirt. His slacks were pressed, creased. He was not a killer. But the peculiar blend of fear and determination in his eyes was enough to make Darya's breaths stop completely.

As the man in the mask moved to get off the bus, he took a canister from his bag and dropped it on the ground. It was an object she had only seen in pictures--dull metal, about six inches long, as thick as her wrist, with an opening at one end to let out the gas.

Someone screamed.

("Hearken," from Shards and Ashes, 19 February 2013)

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17. Book 3 News

For awhile there it was way too early to reveal anything about book 3, sometimes because certain bits of information weren't even decided yet. But now it's getting to be that time* when information about book 3 starts trickling out, piece by piece. And I'm really happy about that, because holding all this stuff inside? Is kind of making me feel like a balloon. I want you guys to know ALL THE THINGS.

For now, though, just ONE OF THE THINGS:

The Divergent facebook page has put up some book 3 news today!

Check it out here. (Or here, if you have trouble finding it.)

*yes that was a hint

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18. Beginner's Mind and Revision

[Before I get into it: this has been widely reported already, but just in case you haven't seen it, there's a Divergent extras casting call for Illinois residents over 16 tomorrow in Chicago. More information here (after the bold heading "casting call").]



A few years ago I went through a series of huge changes in my life. They were good changes, for the most part, but they left me strangely...blank. I was no longer sure what sort of person I was, or what I wanted, or what I enjoyed. It was nerve-wracking, but it was also an opportunity.

Not long after this, I started dating my current husband. When we were getting to know each other, he would ask me questions like, "Do you like this?" or "Do you like that?", about food or clothes or movies, etc., and my answer was always: "No. Well, maybe. Let's try it and see if I like it."

As I said, it was an opportunity-- an opportunity to get to know the world again, like I was an alien who had just landed on earth and needed to be introduced to everything for the first time. I discovered that I liked high heels and short hair and fashion and sausage pizza and Flannery O'Connor, and that I didn't really like watching television, or Mark Twain, or "that's what she said" jokes, or arguing for sport. I discovered a lot more important things than that, too, about the baggage I carried and the person I wanted to be and the way I wanted to look at other people. I'm different, now, because of those explosive, terrifying, jarring months.

Over a year later, during a therapy session, I learned about a concept in mindfulness-based cognitive therapy called "Beginner's Mind." Very simply put, beginner's mind is the practice of approaching things--even things with which we are very familiar-- without preconceived notions about them, with the openness and eagerness of a child. I had a beginner's mind in those months I was just describing. Periodically I have to remind myself to try to get it back.

When I read Emerson's essay "Self-Reliance" in high school, this quote stood out to me and has stayed with me ever since: "A foolish consistency is the hobgoblin of little minds." I may be misinterpreting it, of course, but to me it means, you don't have to like the things you've always liked just because you've always liked them. You don't have to think the things you've always thought just because you've always thought them. Let yourself change, because it's better to be accused of inconsistency than to be closed to most experiences or ideas.

As with most of my life lessons, this is also a writing lesson. As I revise the third book, it seems more important than ever. When I received my editor's feedback about Book 3's manuscript-- and this happens to me every time I receive feedback-- part of me recoiled from it, frustrated and afraid of seeing my book in a new and different way.

Good feedback forces writers to re-envision certain parts of our work. To the stubborn, defensive writer, this new vision is hostile; it threatens us and our writing, and we try to come up with excuses or defenses for what exists in our work so that we don't have to change it. To the writer with a beginner's mind, though, this new vision is an opportunity to experience our work in a new, different way-- like a Choose Your Own Adventure book, offering a different path that may actually be more enjoyable than the first.

Example: when I first wrote Divergent, the scenes that showcase the positive aspects of Dauntless life (ziplining off the Hancock building! Capture the Flag!) were not there. My editor pointed out that without some evidence for the good parts of the Dauntless, it doesn't make sense for someone as determined and brave as Tris to stay there instead of just defecting to the factionless when it's clear that the Dauntless way of life is deeply flawed. She also pointed out that the manuscript as it was was sort of a grim slog through a truly horrible initiation experience-- without high points, the reader would never actually feel the contrast of the low points, would not mourn with Tris when bad things happened to her.

My initial reaction to this was that my editor had not understood my vision, not just of the Dauntless, but of Tris's story and what it meant. Still, I decided to give it a try, so I wrote the Ferris wheel scene, and I wrote the ziplining scene, and my vision of Dauntless life and Tris's story expanded rapidly. To this day, those scenes are two of my favorites in the book, because they took away the simplistic view I had had of the story and the world and replaced it with a more interesting, more nuanced one.

I dragged my feet finding my way back to a beginner's mind then; it wasn't so difficult the next time. The next time, I discovered that even though revising is difficult, it can also be fun-- fun, to see the story in a different way or to try out new things, to show different aspects of characters or places, to explore the world you've created as if you're a beginner.

And really, I'm not an expert at anything, particularly at my age-- not writing, not food, not relationships, not even my own brain. So why do I try to have an Expert's Mind instead of a Beginner's one?

The take away from this, I guess, is that when someone critiques your story, or asks you if you like something you haven't tried in awhile, or tries to get you to see something from a new point of view, it's okay (and maybe even good) to say, no. Well, maybe. Let's try it and see.

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19. New Year Update

It's been awhile since I posted, mostly because holidays + stomach flu + more holidays + revisions = me not on the Internet very much. It seems like a good time to update you on some things that will be happening in the near future (or all of 2013, really). It's going to be an exciting year, Divergent-style!

So, here we go. The things that will happen this year:

1. Book 3 comes out in the fall! I don't have an official date to share with you, but I will let you know when I get one. This also means that you will find out the title and see the cover this year (obviously), but I'm not sure exactly when, because I have to get the go-ahead from my publisher and they have Plans for all these things.

2. Filming for the Divergent movie will be happening in the spring-- in Chicago! I am beyond happy that this worked out. I love Chicago. I've lived here for most of my life, and the city was obviously a huge inspiration for the books. I can't really express how cool it is that the city represented in the movie will be the actual city that I love. They're also reporting that this could create something like 1,000 local jobs and put some money into the Chicago economy, which makes me extra happy.

Also exciting, on a more personal level? Being in the local news! Check it out: here at the Chicago Tribune and here at NBC Chicago.

3. I have a short story coming out in the anthology Shards and Ashes, edited by Melissa Marr and Kelley Armstrong, which will be available February 19th. My story is not set in Divergentland, but I had a great experience writing it, and if you want to know more about what it's about, check out the Books page on this blog.

Exciting,  no? That's all I've got for now. I hope you're all having a great start to your 2013.

-V

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20. Goodreads Choice Awards Giveaway Winners!

I ended up getting to the giveaway earlier than I thought, so I'm going to put this post up now instead of tomorrow. Thank you to everyone who entered! There were over 1,000 entries, which is amazing, particularly in just three days total, and so many lovely congratulatory messages among them. I wish I could give you all books, seriously.

I just e-mailed the winners, and there were six of them instead of five because I generated an extra random number by mistake and then said, to hell with it, I'll just give away six. (Also, Six of "Four and Six," you know.) So if you are not a compulsive e-mail checker like I am, go check the e-mail you used to send in your entry to see if you were one of them.

To everyone else, I give this consolation prize, which is a picture of a kitten that recently melted my brain with cute (thank you, cuteoverload.com, for many such brain melting incidents):

(original from here)
Thank you again for voting, Initiates of Goodreads! And, more importantly, for reading the books.

-V

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21. Goodreads Choice Awards Giveaway!


I was SO excited to hear the Goodreads Choice Awards news earlier this week (but had to contain my excitement until I turned in my draft, which I did at 2AM this morning, YESSSS.) For those of you who don't know what I'm referring to: Insurgent won for best YA Sci-Fi/Fantasy, which is amazing, given that it was up against some of my favorite books from 2012! And I won for Best Goodreads Author, which is...well, also amazing, but mostly very touching. I'm so glad that I've been able to connect with you guys even over this strange interface of the Internet, and that you've been able to connect with me. (You can check out the other wonderful winners here.)



To celebrate my amazing readers (since it's your votes that made this awesomeness happen), I was desperate to give you SOMETHING from book 3, even if it's just a sentence, but since it's so early in the process still, I'm not able to do that. (Siiiiiiigh.) However, what I can do is give away some SIGNED BOOKS.

I'm going to be giving away five signed copies of the Insurgent Collector's Edition (I'll write you a little note, too), which is beautiful and shiny and also includes cool things like a poster and faction tattoos and Free Four. If you're interested in getting one of those, here are the giveaway rules, a necessary evil:

*Enter by Monday, December 10th at 12PM US central time.
*Entries should be sent to [email protected]. Please put your name/alias in the email title and check back on Tuesday, December 11th to see if you won. (I'll also e-mail you.)
*Unfortunately, this giveaway is not international. (I hope to have an international giveaway sometime in the future, but I'm not able to right now.)
*One entry per person, please!
*Special Internet bonus points if you were someone who voted!
*If you end up winning but you already have the Collector's Edition, let me know and we can work something out.

I think that's it!

Thank you so much for reading and voting. You guys are awesome.

-V

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22. Revision Day Three: Mulling

My somewhat-less-rough draft! I'm so irrationally proud of its size that I had to post two pictures. Shh.
When last I left you, I was compiling my giant revision list of doom and preparing to run headlong into my draft, changing thing after thing after thing until there was nothing left. What really ended up happening is that I changed all the big things-- I wrote the new scenes I needed and edited the ones that needed heavy editing, and then what I was left with was a checklist that looked something like this:

1. Edit voice throughout.
2. Make sure group conversations aren't confusing throughout.
3. Etc. etc. etc. throughout.

Basically, I was left with a list of global edits that need to be applied to the entire draft, not just certain sections. So, rather than go through the draft once for all those global edits and then again for my basic line edits, I decided to do it all at the same time. And so: the mulling!

(Mulling: verb, meaning "to consider carefully.")

Without exception, every rough draft can benefit from a slow read-through, which is what I mean when I say "mulling." I want to emphasize the word slow because I tend to read my own drafts very quickly and in very short time frames, which means that I only read faster as I go because I just want to get it done. If you are like me, you could benefit from some mulling too, I think.

Some tips for the slow read-through:

1. Force yourself to read slowly. Set a goal like "I am only going to read one chapter an hour, and I'm only going to work for X amount of hours a day." Some of my chapters are only four or five pages long, so my limit will probably be something like three chapters an hour.

2. If you start to find yourself rushing, or annoyed with the whole process, STOP for the day. Rushing defeats the purpose of the slow read-through. You want to be careful, thoughtful, and thorough. If you can't do that on a certain day, put the draft aside and do something else. Read a book! Work on something else! Give your brain a break and come back to it the next day.

3. Keep a notebook nearby. Every time I do a read-through, certain parts of the draft remind me of later parts that need editing. At that point I am tempted to flip forward and edit those later parts first, which makes me lose my read-through momentum. Instead, I make myself write those reminders down and edit only when I reach that part of the story in my read-through, and that helps.

4. Print it out. You can send your manuscript to your local printer, pay to print at your school library (if they charge for that), or absorb the cost and print at home-- but whatever way you do it, printing the draft out can be a good way to make yourself read slowly if you tend to rush through words when they're on a screen, like I do. Also, it's fun to hold a fat stack of paper in your hand and say to people "I WROTE THIS!" (Not that I do that. *cough*)

5. Read tricky parts out loud. It will help. (I actually recommend reading the whole thing out loud, but sometimes that's just not practical.) You will notice awkward phrasing or inconsistencies better, and it's a lot easier to edit for voice if you're saying the words.

6. Decide on a good "input" plan. The point of printing the draft out, for me, is so that I can take notes directly on it-- but that means eventually, I'll have to input the changes in the actual word document. This can be tedious and annoying. My plan for this Mulling is to leave time each day to make the changes, rather than trying to do it all at once. But maybe you want to make a long day of making the changes-- that's great! Just make sure you know what works best for you.

Now I am going to stock up on chai tea and rice crackers and red pens and knock this baby out next to my Christmas tree.




Happy Mulling, everyone!

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23. Getting Festive

We're going to get a real Christmas tree sometime this week, but I couldn't get rid of the itch to start decorating, so we got the lights today. These are the globe lights that will cover our Christmas tree:



I've always had a thing about lights-- when I was little I was allowed to decorate my bedroom for the holidays, so I always put up white lights on my walls or wrapped them around my furniture. Now that I'm an adult I get to do it to my living room instead! (AND I CAN EAT ALL THE CANDY I WANT AND STAY UP LATE READING BOOKS IN BED. So there.)


Last but not least: we've had this skeleton hanging up on our door since Halloween. His name is Phillip. (He has no lower jaw. It's very sad.) I thought it would be amusing to give him a Santa hat rather than take him down completely. There's also a small ornament hanging from his wrist:


As I said to the husband earlier, "Even during the holiday season we should be reminded of our own mortality." (Morbid jokes. I make them.)

Our neighbors are going to think we're so weird. And they're going to be right.

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24. Some Changes of the Internet Nature

Let me say this up front: I love interacting with readers online. I love hearing your feedback and your stories, and answering your questions, and being open and honest with you. However, as things change (and they have been changing, rapidly), I am forced to come to terms with what I can and can't handle.

You guys know I have anxiety problems, right? I've mentioned them before, though I haven't shared that much detail about them. For the past year I've gone to therapy in the hope of better coping with the stresses of my job-- namely, my ability to receive constant feedback from others without letting it affect my love of writing. (I am one of those writers who requires total isolation in order to be truly creative, otherwise I find that the voices of other people-- even if they're positive voices!-- crowd out my own voice.) Therapy concluded several weeks ago, and since then I have noticed that I have much better control of my anxiety, I've been happier, I've been enjoying my writing. But only while I've also been on Internet hiatus.

Soon after I returned from my Internet hiatus (a couple weeks ago, when I finished the draft), it all started again, just as bad as it was before: the difficulty sleeping, the constant nervousness, and worst of all, the fear of writing. That's what really gets me-- the feeling that one of the activities I love most in this world, and the activity that helps me to process my own experience of the world, is now a source of dread? That feeling has got to go.

Therapy helped me with my anxiety, yes, but it also helped me to realize that I'm not superhuman. I have to operate within my own limitations. And that's why I've come to the difficult decision that I'm going to be disabling comments on my blog, and keeping my Tumblr ask box closed for the forseeable future-- not because I don't like to hear from you guys! (Because I so do.) But because I need to take care of myself, and by doing that, take care of the people around me and the work that I do. For some authors, this isn't necessary--they can leave everything open without many negative repercussions. I admire those authors very much for that! But they are not me, and I finally feel like I'm okay with that.

I hope someday this will change. Until then, you are still welcome to e-mail me (I try to read all my e-mails, even if I am unable to respond--e-mail address is on the FAQ page of this blog). And I will still be blogging-- telling you what's happening in the world of Divergent, handing out unsolicited advice to fellow writers, and being as open with you as possible-- I'll just be a little less available than I have been in the past. I do, however, look forward to hearing your feedback and your questions and all of that at events or conferences or wherever we happen to meet face to face.

-V

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25. Revision Day Two: The Giant List of Doom

In the interest of providing insight into my revising process (which is always the same), and possibly ideas for others trying to revise, I am blogging about revising as I go. This is a continuation of yesterday's Revision Day One: The Read-Through.

So I did my read-through, I noted all the problems I noticed as I went, and I made my giant list of solutions to the problems that came up as I read or that I identified later. At this point, I probably should be feeling overwhelmed, but since I've had a can of orange soda and half a bag of Baked Lays, I'm feeling okay, actually, if slightly ill, and ready to move on to the next step.

What do I do with my giant list of doom, you ask? First, I group my solutions into two categories: global issues and local issues.

Allow me to explain:

Global issues are problems for which solutions need to be applied to the entire draft, or to large sections of the draft, like "the dynamic between these two characters needs to be different in this way" or "the main character needs to think about this issue periodically throughout the story until this point."

Local issues are problems for which solutions apply to specific scenes or specific groups of scenes, like "I need to add this plot development right after page 154."

Local issues become global issues when you, say, add a scene and then have to edit the rest of the draft to reflect that scene, or when you delete a scene and have to remove all subsequent mentions of that scene.

After I've divided my list into those categories (and this will usually involve writing more global issues down, because usually when you change a local issue you create a global issue, if you know what I mean). I open my handy dandy Scrivener, but you can also use a notebook or another Word document, if you choose to use this method. (By the way, what you see in my screenshots is an early version of Insurgent, with all details removed. This is not my first rodeo.)

I divide the manuscript into "movements" or sections to make things easier, and for each section, I write a list of the global issues that I need to address in each section. Maybe I won't need to address them in every scene, but I do need to be aware of them for each section. (The reason I divide into sections in the first place is that a particular global issue may only apply to the beginning or the end of the manuscript, or something like that, so they won't be the same the whole way through.)



Then for each scene or chapter, I put a list of local edits on the right side, in the box labeled "document notes." (In Word or OpenOffice this can easily be replicated by putting a "comment" next to each chapter heading. That's how I did it before I got Scrivener.)

the arrow is pointing at the document notes box. You can type in there!


Then I usually go back to my list again and think about what the most difficult section of the draft is going to be, or what the most difficult issue I have to address is going to be, and I tackle that first. The reason I do that is that the fear or apprehension related to the most difficult stuff will usually haunt me through the rest of the draft, and it's much better for me to just get it over with. Rip off the band-aid!

I don't worry about editing out of order, either, though I will usually proceed through one section at a time so as not to get confused. Then, when I finish each scene in a section, I label it with a color to make myself feel good about it, and I delete the local issues I typed in the document notes box. (It's like checking off a box!) (Note: with Word you can just...delete the comment before each chapter you finish!)



When I finish with a section, I delete the extra document listing all the global issues for that section.

I try to set goals like "this week I will finish with section 1, which means I have to do one scene every day and two scenes on one day." This ensures that I stay focused and motivated.

I should note that I didn't always do it this way-- it depends on how many "global issues" you have. When I have written drafts that have very few global issues (like Divergent-- most of my edits for Divergent involved adding new scenes), I have just written a long list of scenes to write or fix, arranged them in order of decreasing difficulty, and went through the draft item by item. That is simpler and will work for some drafts-- it just depends on how you work best, and on what your manuscript requires.

And that's it for the Big Edits, folks. Next time I post about this I'll be talking about smaller scale edits, like on the sentence level, and with grammar and punctuation, and special read-throughs you might want to do (reading for specific problems, etc.).

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