I carved all of these with a craft knife, a kitchen knife and my fingernails.
Pictures and video of my previous pumpkin sculptures from 2007-2009 are in this blog post.
For Alice’s son:
For Dr. Sketchy’s, Brighton:
I carved all of these with a craft knife, a kitchen knife and my fingernails.
Pictures and video of my previous pumpkin sculptures from 2007-2009 are in this blog post.
For Alice’s son:
For Dr. Sketchy’s, Brighton:
Artist David Allen was tasked with creating an unusual tattoo for a client. She had survived breast cancer, and her mastectomy and subsequent reconstructive surgery had left her with a 7″ scar and the loss of the nipple. Their solution was this beautiful image of magnolias.
See more of David Allen’s work at DeviantArt.
Billowing shapes like ink dropped in water, with perfect linear detail reminiscent of James Jean: see more at Laura Laine’s website.
Go and read BibliOdyssey, where you’ll find a huge amount of inspiration in historical art and design. It was both hard and easy to choose examples, given that there’s such an abundance of great things; in the end, I was pretty much selecting at random!
You have to watch this, and you have to watch it in fullscreen mode. It’s breathtaking: an historical art not just preserved, but very much alive and being forced to its limits by David A. Smith.
A Flickr user, ralphrepo, has uploaded a large compilation of photographs taken in China. They date from the 1800s through to the 1940s. The events surrounding the ‘Boxer’ Rebellion provide some good background to the struggle depicted in the pictures.
As I type this there are 75 pictures uploaded so far. I strongly suggest that you look through the set one by one, rather than as a slideshow; you will miss important context from the notes included with each image if you do not.
Shaun Tan’s illustrated books have made him famous all around the world, from his Australian birthplace to the UK. He and his dedicated team have adapted Tan’s children’s book “The Lost Thing” as an animated film, which has been winning numerous awards in 2010. It will be available to buy on DVD from November 10th.
Mr. Tan’s mastery of light and texture has translated perfectly into the moving image, as you can see in the trailer on The Lost Thing website.
Via the invaluable How To Be A Retronaut:
I’ve said it before and I’ll say it again; if you subscribe to other blogs and don’t subscribe to The Retronaut, you should stare at yourself very critically in a highly reflective surface.
My t-shirts went on sale at Amon Tobin’s website today.
I was given a blank slate with the design of this shirt, but there were natural restrictions. The design would have to reflect Amon’s music in some way, and to make a good screenprint I would need to be aware of the limitations of the medium with regard to thickness of lines.
Previous designers have created a wide range of artwork for Amon, but there are certain themes which have been used repeatedly. Amon’s got quite a range to his sound: he’s most well known for his darker, more menacing work but his music is often very light and melodic. It’s not surprising that so many artists have used robotic themes for his artwork given that many of Amon’s tracks make you think of sinuous machinery, but another side to his sound is reminiscent of something ancient. I wanted to depict both of these aspects in my design. Also, although Amon was actually born in Brazil and identifies as Brazilian, he sounds like a well-spoken Englishman due to growing up in Britain.
I pooled all of these ideas, and decided to base my work on the Windsor Coat Of Arms. I considered creating my design digitally with Paths in Photoshop, but I realised that part of what makes the original work is that it’s not highly accurate so I decided to use pencil and pen instead. I was also concerned that too much accuracy might make certain details jump out as mirrored pairs – perfect layouts can create a kind of invisible grid. Luckily I’ve got a lightbox (well I say it’s a lightbox, although it does look a lot like a hospital x-ray viewer, and I suppose it does have the word “HOSPITAL” moulded into the plug… but really, the similarities end there). This meant I could simply tape paper over a printout of the Windsor coat of arms and get to work. My version trades various heraldic details for computer audio components, and I made his robots’ heads so that they can be seen to have the long shape of a horse/unicorn, but also contain an area with the shape of a bird’s beak (thus changing the lion into a griffon).
I also made the digital painting above for the desktop wallpaper versions:
4:3 aspect ratio
1280 x 960
1400 x 1050
1600 x 1200
1920 x 1440
16:10 aspect ratio (widescreen)
1280 x 800
2 Comments on My latest work: desktop wallpaper and t-shirts for Amon Tobin, last added: 9/9/2010
El Mac: a painter with a distinctive contour-shading style
From the archives of The Pictorial Arts: some dramatic concept art created up in 1931 as part of the pitch to RKO. Interestingly, the images are collaborative works; as the entry at Pictorial Arts points out, Kong was drawn by Willis O’Brien, the landscape was the work of Byron Crabbe and in the squadron scene the skies were added by Mario Larringa. Click to see the large versions.
The blog is a collection of Thom Buchanan’s influences and interests. He has lovingly built up a sizeable collection of illustration, much of it of great historical interest – go and take a look!
Ramey Holsman hit the ground running tonight with a superb debut at Latest Music Bar, Brighton. As you may have seen in this post, Dr. Sketchy is a franchise which combines a burlesque atmosphere with life drawing. For tonight’s “Back To School” event, the room was decked out with a lectern, a school desk and large scale cartoons of schoolgirls from the pen of Ms. Holsman (a.k.a. Cookie Chan).
Ramey couldn’t have wished for a better compère than Chris Cresswell, playing the role of a haughty St. Trinian’s schoolmistress. I don’t know how he kept up that shrill voice all night, but the man’s a professional and maintained character throughout. Full marks to the models too: everyone had their part to play in bringing their good humour around to everybody in the audience. Holly Ray was the star model of tonight’s show, so most of the drawing was focused on her. She also performed a great medley of school-related pop hits from Pink Floyd through Britney to The Killers, with an accompanying schoolboy on guitar and backing vocals.
Mr. Cresswell got us all laughing with a bit of audience participation, before throwing us a few curveballs in the form of warm-up drawing tasks: “draw the nose of the person next to you”, “draw a tortoise with your non-drawing hand” and so on. We were then given the main sessions which were of varying lengths (generally one, five or ten minute poses, with the occasional twenty minute pose too).
I wish I’d got more sketches I’d be willing to show you of the other models, but my rusty speed-drawing abilities will need some more warming up yet! Jen is especially perfect for a show like this; she looks like a living Gil Elvgren pin-up but I’ll need more practise before I can really do justice to her, or the fantastically cheeky Naughty Girl.
The next show is for Hallowe’en, and will be held on October 24th – I’ll be carving pumpkins for the event! Buy your tickets now to get a discount via the Dr. Sketchy Brighton site, and stay up to date with news by joining the Facebook page.
Find a branch near your home on the Dr. Sketchy’s Branch List.
I’ve been trying to pick a good time to feature AurĂ©lie Neyret (a.k.a Clo/Clochette) again after the first time I posted her work. There’s such a flurry of it on her blog that it’s been hard to pick a good moment, but now is as good a time as any.
There is so much that other illustrators can learn from Ms. Neyret. The immediate thing that strikes you is her very sophisticated but pure use of colour. Clearly she must be paying a lot of attention to the details of clothes and hair too, as her work is always very solid in these aspects. The real charm is in the grand gestures and the subtle micro-expressions of her characters; there’s a breath and a brain inside each of these people, and you feel like you know their personalities at a glance.
I am very much looking forward to Cerise, the graphic novel which she has been working on. I expect the time it’s taken is a good sign that it will be an especially rich piece of work. I’m glad to hear that she will also be contributing to the second edition of The Anthology Project.
There are lots of silly spontaneous scribbles and sketches too:
Her tutorial video is still available: $30 at Massive Black.
Dr. Sketchy’s began in Brooklyn 5 years ago, thanks to the inventive mind of illustrator Molly Crabapple. Today, there are over 100 branches around the world (NB – at the time of writing, the site’s Branch Search doesn’t come up with all the venues that exist, so the link to the Branch List in the last sentence is more reliable).
It’s a combination of life drawing and burlesque. Levels of nudity will depend on the laws and customs of the locality of your branch. As the FAQ explains this is a fun event, so a lot of care is taken to maintain a happy atmosphere. I’ll be at the next event in Brighton, UK on Sept 5th at Latest Music Bar, Manchester Street. Tickets are £8 adv./£10 on the door, which means it’s not only better than traditional life drawing but cheaper too! I can keep in touch with future events in Brighton via the Dr. Sketchy Brighton Facebook group, and if you search Facebook for Dr. Sketchy you’ll probably find a page for your local organisation.
Small Town Noir is a blog about criminal offenders in New Castle, Pennsylvania in the period 1930-1959. The pictures come from a discarded box of police mugshots, which have been combined with the archives of the local newspaper to create a little history about each person featured.
Illustrators and concept artists can get caught up in creating the same kinds of faces over and over again, especially so if the artists have studied theoretical proportion too closely. It’s easy to forget that these guidelines are there to help you to create an average face. While it’s true that the basics of facial proportion are correct for the majority of people’s skulls, the muscles, fat and skin can make a significant difference to each individual’s appearance. This blog could be a very useful resource for anybody who is trying to create believable fictional people, and being able to read a little about each person’s life might assist with character creation too.
The majority of Laurie Lipton‘s artwork is carefully created with many fine lines of charcoal and graphite. You can see zoomed-in detail shots on the website, which reveal the intricacy of the technique and also narrative elements which aren’t obvious from a distance. A closer look will also reveal a lot of blunt dark humour (such as the connection between the tea mug printed with Guernica and the images of war on the television screen in the first image).
Very clever use of middle grey versus middle red to create disintegrating halftone effects in this piece by Machine56.
A nice collection of posts about Dave McKean this week at Monsieur Bandit:
Interview 1, in which Mr. McKean talks about returning to drawing after a hiatus, and recent projects including a new film and…
a book with Heston Blumenthal.
Finally, a second interview.
Take a look around the rest of the Monsieur Bandit blog too.
Maddeningly tiny wood and graphite sculpture.
First, Dalton made a pencil nib alphabet:
…and then went on to create even more ambitious pieces.
See the whole gallery at The Telegraph
Watch and learn over the shoulders of great artists at Sketch Theatre
Mary Jane Ansell creates arrestingly beautiful paintings in Brighton, England. If you like what you see here, you’ll enjoy the huge collection of her work on her website. Her next solo show will be at the Fairfax Gallery, Chelsea from the 30th of September.
Click for Ms. Ansell’s Twitter.
Just when you think you’ve seen every possible way a graffiti artist could write their name on a wall…
Seen at My Modern Met.
Yet again, My Love For You Is Like A Stampede Of Horses has drawn my attention to something beautiful. Today, the blog is featuring work in progress from Lindsey Carr‘s studio, and I strongly recommend that you subscribe to the My Love For You RSS feed.
You can buy Lindsey Carr’s prints at Society6.
Studio Ghibli, the makers of esteemed animated features such as “My Neighbour Totoro” and “Spirited Away”, are set to release their first video games in collaboration with Level 5. “Ni no Kuni: The Another World” debuts on DS for Christmas with the most elaborate PS3 version arriving next year.
The trademark Ghibli art style seems to be translated perfectly in the PS3 version. While it is too early to say if players will be able to steal a truck full of heroin or shoot a prostitute in the face, the game appears to employ a turn-based mechanic similar to the Final Fantasy series.
Wow, that was…hmm, hard to tell, definitely great. It even makes me wonder if it’s not fake – I mean the combination of those two is surprising:)