Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Blog Posts by Tag
In the past 30 days
Blog Posts by Date
Click days in this calendar to see posts by day or month
Hi. My name is Daniel Kraus. I'm a novelist and filmmaker. When I was growing up in Iowa, I made movies with my friends. Many of them were remakes of movies I liked, like MISERY or THE GODFATHER. Others were originals.
All of them were awful. Now, to lead up to the publication of my new book, THE MONSTER VARIATIONS, I'm blogging my old movies chronologically for your enjoyment. Let's feel the pain together.
Statistics for Francis Ford Iowa
Number of Readers that added this blog to their MyJacketFlap: 1
I've posted 35 movies. Logged 51 posts. Re-edited a masterpiece. Handed out awards. World premiered lostfilms. Written another novel. Finished another documentary. It's been a hell of a year.
Out of all this effort, one bona fide superstar was born: Joe. Above is a recent discussion he and I had about creating (and, almost 20 years later, reliving) the Danman Productions. You ought to watch it. It's funny. It's insightful. It ends with a montage set to the Perfect Strangers theme song. Wait, that last one caught your attention?
Francis Ford Iowa has been a ridiculous amount of fun. I'm sad to see it end. But end it must, because there is simply nothing left to post. Maybe someday I'll return to this project--after all, there remain a few unproduced scripts--but for now, it's time to move on.
Fun, Now i've got to fillin the gaps from the ones I've missed.
Can't wait to watch blood guts and film again.
Amanda said, on 4/23/2010 3:41:00 PM
Oh man, I'm sorry it's over. I really think you should go on Good Morning America or something. Give the people some feel-good feelings! Feel-good feelings of blood!
Anonymous said, on 4/24/2010 6:05:00 AM
This was great. It completes the project and is to me the point of the larger themes at play in the whole project. This is more than silly friends making silly movies on video in the late 80s/early 90s. This is about life and time and all the big things. The end was perfect.
I've posted 35 movies. Logged 51 posts. Re-edited a masterpiece. Handed out awards. World premiered lostfilms. Written another novel. Finished another documentary. It's been a hell of a year.
Out of all this effort, one bona fide superstar was born: Joe. Above is a recent discussion he and I had about creating (and, almost 20 years later, reliving) the Danman Productions. You ought to watch it. It's funny. It's insightful. It ends with a montage set to the Perfect Strangers theme song. Wait, that last one caught your attention?
Francis Ford Iowa has been a ridiculous amount of fun. I'm sad to see it end. But end it must, because there is simply nothing left to post. Maybe someday I'll return to this project--after all, there remain a few unproduced scripts--but for now, it's time to move on.
Not enough has been said of the clothing in these movies. The Cosby sweaters, the short shorts, the oversize t-shirts. Who was in charge of our costumes??
Anonymous said, on 5/3/2010 9:04:00 AM
Seriously!! Are we still talking about Joe Adam!! Screw this, I've got lawns to mow.
Anonymous said, on 5/5/2010 7:16:00 AM
Thanks so much for putting all this together. I am sure it wasn't easy. I haven't seen them all, but what I have, has been extremely entertaining. I can see the progression in your work. From the first hand full that looks like you were, messing around with the camera, with whoever may be at your house. To the later works, where you had intricate plots, characters, scripts, costumes, locations, special effects and editing. I can't imagine the logistics of even gathering all the actors together at one time. After all, these are active high school kids that aren't exactly getting paid, or receiving class credit to participate in this. But I do recognize the allure of being a part of it. It looked like a lot of fun. But I bet the real fun was when the camera was not rolling. And people were able to laugh and be themselves.
Without getting to "James Lipton" on you, I do have a few questions for the director/producer.
As most of the first films were done in, and around your house. How did you keep from getting interrupted in the middle of the scene. I mean, you are not the only one living at your house. You couldn't exactly scream out "Quiet on the set!" And did anyone ever get annoyed at you for taking over the house. That is, if they weren't chosen/forced to be in the movie. And what about the scenes around town, when someone might be pointing a gun in a dark parking lot. I could just see some old lady seeing this, and calling the police.
Did anyone besides yourself, get inspired to further any sort of acting or film making later on in college? I seem to remember Shad and Craig being in at least one school or town play while I was in town. And Matt K. used to draw amazing cartoons, as if he was a Matt Groening starter kit.
Like I said, I haven't seen them all, and have sort of used these as a guilty little pleasure at work, when I needed a good laugh. In fact, I had a buddy I work with, walk in and catch me watching "Sitter Splitter." He had me start it over and we watched it together. He said that he didn't get what was going on. But it didn't matter. Because by the end of it, we were both rolling in laughter. I can't say for sure what made them so entertaining, but whatever it is, it has a lot of it.
Well, thanks for making the last 12 months a little more fun. It was like having a little toy box at work. That I could crack open and toss the squishy ball up against the wall for a few minutes every once in awhile. -Tobin
Nothing makes me happier than the thought of you watching "Sitter Splitter" at work. My life is complete.
About your probing questions:
I don't recall spending much time asking people to shut up. In about half of the movies you can hear the TV and my mom talking in the other room. I think my family did get a little pissy at times, especially when I had decided to shoot a scene *in their room* and it was starting to get late. Fairfield as a whole didn't seem to mind what I was up to. The end of THE GODFATHERS featured about six kids all shooting guns at each other in the middle of the town square and we didn't get more than a few askance looks. That probably wouldn't be the case today. It's a different world.
I think Shad is the only one who went on to an acting career. He's still at it and is good. Matt K. makes videos and is still making art. Aside from that, everyone got out of "the biz." They probably knew that it's all downhill after Danman Productions.
If you haven't seen them yet, check out my four favorites, in this order: THE BLOB, TWILIGHT ZONE, NIGHT OF THE LIVING DEAD, and BREAKDOWN. All are top-notch bullshit.
A footnote: when sifting through all my old tapes, I came across the video Jami and I made for you. It was called "For Tobin." Originally I considered posting it, since it was from the same era, etc. After viewing it, I realized that it was basically 30 minutes of shaky footage from inside Jami's car. But it was fun to watch us peeking into the empty house where you used to live. And it was a little sad, too.
Fifteen years after being shot, the sequel to Sex, Drugs, & Film is finally complete!
A LITTLE BACKGROUND FIRST...
Filmed simultaneously with Part One, it was supposed to have been edited directly afterward. But because of the limitations of ye olde reel-to-reel editing, the first one took months. I didn't have the time, patience, or stamina to go through that again, and so into storage the tapes went. I recall Matt N. being particularly pissed about it. (All better now, Matt?)
When I raided the vaults last month, no discovery was more exciting than a group of VHS tapes labeled "INTERVIEWS." Just as shocking was the ridiculous amount of documentation on the project: the original handwritten script, the revised typed script, exhaustive transcripts of the interviews, notes on editing and b-roll, and more. I'm a little bit in awe of how seriously I took all of this. I guess I'm still taking it seriously. Maybe I always will.
* * * * *
NOW, ON WITH THE SHOW!
This sequelcenters upon The Godfathers: Part Two and how it was the downfall of Danman Productions. Whereas the first half was more about my cast's twisted web of relationships, this one is more about me. Oh, and the lethal cocktail of drugs, blackmail, sex, psychosis, chauvinism, paranoia, and vengeance that hastened my collapse.
Really, though, it's the other stuff in here that had me rolling. The security-camera video of me going ballistic. The blurred interview with "Employee X." Joe's directorial debut. Clips from my proposed Vietnam epic. A long-lost interview with my mom. There's enough here to delight me for another who
3 Comments on WORLD PREMIERE: Sex, Drugs, & Film: The Rise and Fall of Danman Productions - Part II, last added: 4/21/2010
He should have named it "Round Glasses and Sideburns." What was up with that? We all looked like we were castoff extras from Beverly Hills 90210. I kept looking for Kelly Kapowski and Screech to show up.
Seriously, nice job. Way to get that together, Tiger. Your mom would be (and I believe still is) very proud of you. Kudos.
Fifteen years after being shot, the sequel to Sex, Drugs, & Film is finally complete!
A LITTLE BACKGROUND FIRST...
Filmed simultaneously with Part One, it was supposed to have been edited directly afterward. But because of the limitations of ye olde reel-to-reel editing, the first one took months. I didn't have the time, patience, or stamina to go through that again, and so into storage the tapes went. I recall Matt N. being particularly pissed about it. (All better now, Matt?)
When I raided the vaults last month, no discovery was more exciting than a group of VHS tapes labeled "INTERVIEWS." Just as shocking was the ridiculous amount of documentation on the project: the original handwritten script, the revised typed script, exhaustive transcripts of the interviews, notes on editing and b-roll, and more. I'm a little bit in awe of how seriously I took all of this. I guess I'm still taking it seriously. Maybe I always will.
* * * * *
NOW, ON WITH THE SHOW!
This sequelcenters upon The Godfathers: Part Two and how it was the downfall of Danman Productions. Whereas the first half was more about my cast's twisted web of relationships, this one is more about me. Oh, and the lethal cocktail of drugs, blackmail, sex, psychosis, chauvinism, paranoia, and vengeance that hastened my collapse.
Really, though, it's the other stuff in here that had me rolling. The security-camera video of me going ballistic. The blurred interview with "Employee X." Joe's directorial debut. Clips from my proposed Vietnam epic. A long-lost interview with my mom. There's enough here to delight me for another who
0 Comments on WORLD PREMIERE: Sex, Drugs, & Film: The Rise and Fall of Danman Productions - Part II as of 1/1/1900
When I wrote (longingly! wistfully!) about four missing masterpieces, I was relying on the old noggin, which I guess isn't what it used to be. The recent unsealing of the vaults revealed that I was far more prolific than I remembered. Below I break down seven astounding projects that never saw the light of day.
DYING FOR DOLLARS This totally forgotten episode of "Tales from the Creep" was supposed to have been shot between 4-Dand Sitter Splitter. Why did I abandon it? Maybe it had something to do with the story's unrelenting grimness: four down-on-their-luck friends pool their money and play a game of Russian Roulette so that the winner will have enough to survive on. Cheery, eh?
As you can see above, Moe (to be played by Shad) was supposed to have his thoughts audible to the audience, a technique I didn't pull off until Breakdown: The Eugene Brinkmeister Story. And though this script got two giant X's slashed through it, I did work a similar Russian Roulette scene into The Godfathers: Part Two. Score: Dan, 1. Life, 0.
GREED My recollection of The Wager got two things wrong:
The title was actually Greed. Though the script has been lost to time, the title card (seen above) makes that fact pretty darn clear.
The style of the title card indicates that it was not, in fact, an entry into my "Tales from the Creep" canon. Rather, it was a second episode of The Twilight Zone. Diversification--it was key to my profitable business plan.
When I wrote (longingly! wistfully!) about four missing masterpieces, I was relying on the old noggin, which I guess isn't what it used to be. The recent unsealing of the vaults revealed that I was far more prolific than I remembered. Below I break down seven astounding projects that never saw the light of day.
DYING FOR DOLLARS This totally forgotten episode of "Tales from the Creep" was supposed to have been shot between 4-Dand Sitter Splitter. Why did I abandon it? Maybe it had something to do with the story's unrelenting grimness: four down-on-their-luck friends pool their money and play a game of Russian Roulette so that the winner will have enough to survive on. Cheery, eh?
As you can see above, Moe (to be played by Shad) was supposed to have his thoughts audible to the audience, a technique I didn't pull off until Breakdown: The Eugene Brinkmeister Story. And though this script got two giant X's slashed through it, I did work a similar Russian Roulette scene into The Godfathers: Part Two. Score: Dan, 1. Life, 0.
GREED My recollection of The Wager got two things wrong:
The title was actually Greed. Though the script has been lost to time, the title card (seen above) makes that fact pretty darn clear.
The style of the title card indicates that it was not, in fact, an entry into my "Tales from the Creep" canon. Rather, it was a second episode of The Twilight Zone. Diversification--it was key to my profitable business plan.
All that stuff about how The Godfathers: Part Two was the final Danman Production? Yeah, that wasn't true. Circle, which utilized the same company of actors, was technically the last movie. I could've sworn it wasn't branded with the illustrious Danman seal, but the recent vault discovery revealed that I was only half-right. See for yourself:
"Aneurysm Films" was a sad little attempt to reinvent myself post-Godfathers. Yet I couldn't bring myself to totally abandon the Danman moniker. Thus, as the closing credits read, "A Danman Production of an Aneurysm Film."
The shift was supposed to mark a new kind of maturity, I suppose, but those serious line-readings? And that semi-serious script? Total disaster. Made when I was a college freshman, Circle kicked off three years of humorless, uninspired experiments. Compared to the rollicking ambition that was Godfathers Two, the movie was a minor effort.
So minor, in fact, that I remembered it incorrectly as a "short film." Clocking in at forty-some minutes, it's actually one of my longest pictures. Drained after the months and months of shooting Godfathers Two, I vomited up a story that I could shoot in just a few days. That's all I cared about anymore. Man, I was done.
Aside from Matt N. and Joe proving themselves impervious to bad scripts, Circle's only innovation was that my co-star Tony set me up with an editing booth so that I add songs in post-production. Unfortunately, we screwed up the levels and the whole movie runs hot.
No, post college movies... or shall I say just ONE college movie. ENDLESS SCENES OF CARNAGE AND TERROR.
no other ones need to be seen. That has lots to be said about trying to hard and not just making a horror movie (hmmm, maybe a lesson I should take now :)
CraigO
Anonymous said, on 4/6/2010 5:53:00 AM
Ah, good stuff. I don't have time to watch it all now, but I cut to the last clip with me. This may have been better left lost to time. My memory of it was much fonder than the reality. -tony
All that stuff about how The Godfathers: Part Two was the final Danman Production? Yeah, that wasn't true. Circle, which utilized the same company of actors, was technically the last movie. I could've sworn it wasn't branded with the illustrious Danman seal, but the recent vault discovery revealed that I was only half-right. See for yourself:
"Aneurysm Films" was a sad little attempt to reinvent myself post-Godfathers. Yet I couldn't bring myself to totally abandon the Danman moniker. Thus, as the closing credits read, "A Danman Production of an Aneurysm Film."
The shift was supposed to mark a new kind of maturity, I suppose, but those serious line-readings? And that semi-serious script? Total disaster. Made when I was a college freshman, Circle kicked off three years of humorless, uninspired experiments. Compared to the rollicking ambition that was Godfathers Two, the movie was a minor effort.
So minor, in fact, that I remembered it incorrectly as a "short film." Clocking in at forty-some minutes, it's actually one of my longest pictures. Drained after the months and months of shooting Godfathers Two, I vomited up a story that I could shoot in just a few days. That's all I cared about anymore. Man, I was done.
Aside from Matt N. and Joe proving themselves impervious to bad scripts, Circle's only innovation was that my co-star Tony set me up with an editing booth so that I could add songs in post-production. Unfortunately, we screwed up the sound levels and the whole movie runs hot.
0 Comments on Circle as of 1/1/1900
What you are looking at is an artifact of untold value. It is the original handwritten script to Kat Killer, the very first Danman Production. All over it are the scribbles, revisions, and doodles of yours truly. From whence did this veritable Shroud of Turin come? From a cardboard box in an Iowa basement, where I conducted (one last time) the final, ultimate search for all surviving movie materials. What I found - in both quantity and quality - will shock you.
First, let's take a closer look at this seminal screenplay.
Even as a teen I had an innate sense of drama. Look at the first three words I ever wrote: "Guy walks in." Guy? What guy? Walks? Walks how? In? Into where? So many delicious mysteries to be solved! Kat Killer was just one of the many scripts, notes, tapes, and figments of esoterica that I uncovered. Like the explorer who first disturbed the fetid air of King Tut's tomb and glimpsed that first gleam of gold, here is what mine eyes did see:
The Francis Ford Iowa project has been a nostalgia trip of epic distance, but up until this point my memories had been reliant on the finished films themselves - there was no scrap of behind-the-scenes matter. Suddenly, I was faced with the ample evidence of my hurried tomfoolery, my hasty compromises, and my dependence upon a certain exclamation:
Not a single script I found didn't have someone screaming "Noooooooooo!!!!!!" at some point (if not multiple points). For example, there were several such wails of protest in Misery. Oddly enough, the script itself was titled Misery II. It was my first remake, so I must have toyed with the idea of considering my movies as sequels rather than copies. Anyway, note the "Noooo!!"
Even more incredible is the promotional material that survived. I've already shared t
4 Comments on The Vault of Horror, last added: 3/31/2010
What you are looking at is an artifact of untold value. It is the original handwritten script to Kat Killer, the very first Danman Production. All over it are the scribbles, revisions, and doodles of yours truly. From whence did this veritable Shroud of Turin come? From a cardboard box in an Iowa basement, where I conducted (one last time) the final, ultimate search for all surviving movie materials. What I found - in both quantity and quality - will shock you.
First, let's take a closer look at this seminal screenplay.
Even as a teen I had an innate sense of drama. Look at the first three words I ever wrote: "Guy walks in." Guy? What guy? Walks? Walks how? In? Into where? So many delicious mysteries to be solved! Kat Killer was just one of the many scripts, notes, tapes, and figments of esoterica that I uncovered. Like the explorer who first disturbed the fetid air of King Tut's tomb and glimpsed that first gleam of gold, here is what mine eyes did see:
The Francis Ford Iowa project has been a nostalgia trip of epic distance, but up until this point my memories had been reliant on the finished films themselves - there was no scrap of behind-the-scenes matter. Suddenly, I was faced with the ample evidence of my hurried tomfoolery, my hasty compromises, and my dependence upon a certain exclamation:
Not a single script I found didn't have someone screaming "Noooooooooo!!!!!!" at some point (if not multiple points). For example, there were several such wails of protest in Misery. Oddly enough, the script itself was titled Misery II. It was my first remake, so I must have toyed with the idea of considering my movies as sequels rather than copies. Anyway, note the "Noooo!!"
Even more incredible is the promotional material that survived. I've already shared t
Danman Productions was dead. Long live Danman Productions!
[Note: first 7 minutes has a bad echo--fight through it!]
It was three years later when I found myself in a college class called Video Art. If the title doesn't tip you off, it was the kind of class that would enrage any tuition-paying parental unit. Situated in a basement within a decrepit building about three miles off campus, the class was about as underground as education gets in a major state university.
Not many film students knew about Video Art (and the A grades they handed out like candy), so it was mostly populated with performance artists who made blurry videos involving copious nudity and/or menstrual blood and/or feces. Bored to tears one day while watching an "art film" about fisting, I had a revelation: Danman Productions! Mockumentary! Interviews with my old buddies! No fisting! Just fun!
Taking the approach that Danman Productions was "the most controversial, cutting-edge production company in the industry's history," this Behind the Music-style doc traces the studio's rise from avant-garde outsider to household name to tabloid fodder. An uncredited (and English-accented) Matt K serves as the narrator, while nearly every Danman player shows up to take sides on the enigma that was Dan: brilliant visionary or drug-addled despot? (Yes, I make an appearance, too, offering up fatuous proclamations like: "Fearwas about Vietnam.")
The ongoing thread detailing the feud between Shad and Joe is pretty funny. Also funny is Mike, supposedly driven to an obsession with monkeys by the lunacy of The Bastard Chicken Clock from Hell
Danman Productions was dead. Long live Danman Productions!
[Note: first 7 minutes has a bad echo--fight through it!]
It was three years later when I found myself in a college class called Video Art. If the title doesn't tip you off, it was the kind of class that would enrage any tuition-paying parental unit. Situated in a basement within a decrepit building about three miles off campus, the class was about as underground as education gets in a major state university.
Not many film students knew about Video Art (and the A grades they handed out like candy), so it was mostly populated with performance artists who made blurry videos involving copious nudity and/or menstrual blood and/or feces. Bored to tears one day while watching an "art film" about fisting, I had a revelation: Danman Productions! Mockumentary! Interviews with my old buddies! No fisting! Just fun!
Taking the approach that Danman Productions was "the most controversial, cutting-edge production company in the industry's history," this Behind the Music-style doc traces the studio's rise from avant-garde outsider to household name to tabloid fodder. An uncredited (and English-accented) Matt K serves as the narrator, while nearly every Danman player shows up to take sides on the enigma that was Dan: brilliant visionary or drug-addled despot? (Yes, I make an appearance, too, offering up fatuous proclamations like: "Fearwas about Vietnam.")
The ongoing thread detailing the feud between Shad and Joe is pretty funny. Also funny is Mike, supposedly driven to an obsession with monkeys by the lunacy of The Bastard Chicken Clock from Hell
When I posted about aborted projects, I forgot The Danny Awards. They were to be Danman's answer to the Oscars, complete with clips of the nominated films, shots of my actors crossing their fingers and looking tense, and, of course, bloated and tearful acceptance speeches. It was pretty much impossible to pull off without editing equipment, so the idea died.
Tonight, I bring it back to life. Ladies and gentlemen, welcome to...
THE DANNIES!!!
Who's that good-looking fella in the tux? Why, it's me, your host!
It's my privilege to finally be able to honor the very best of the very worst. The four awards I'll be presenting tonight are:
Most-Deaths Award (aka "The Corn Syrup Award")
Danman MVP (aka "The I-Was-Just-Always-There Award")
Best Worst Actor
Best Worst Film
No extended opening musical number here. These actors have waited long enough for their overdue recognition--so let's get this show started!
MOST DEATHS AWARD
It took me a long time--a very long time, you have no idea what I've gone through--to tally up every death scene in Danman Productions. When I finished scorekeeping, I discovered a shocking three-way dead heat between myself, Joe, and Jami, with eight deaths each. So who deserves the award?
Not me. I often killed myself off early so that I could spend my time running the camera (witness my hasty demise in such films as Night of the Living Dead and The Blob). And Joe? As my most persistent leading man, Joe's death-count was but a statistical residue.
With an atypical amount of enthusiasm from the director (and pints of my sticky blood substitute), Jami got strangled, stabbed, and shot (repeatedly). Plus, he complained about it a lot, someth
4 Comments on The Danny Awards!, last added: 2/19/2010
now, that they are all up I'll watch and rewatch all of them to study your craft and how you did it all so well. :)
Anonymous said, on 2/19/2010 6:20:00 AM
I would like to start by thanking my parents, without them this could not have happened. But I have to say that most of the credit goes to Dan. He believed in me, when no else would. So thank you Dan, thank you for killing me all those times and pouring all the fake blood over me. It was worth every second of the pure hell you put me through. :) -jami
Anonymous said, on 2/19/2010 6:21:00 AM
congrats all. I'd like to say for the record that I was robbed. I also think the blurb written about Joe needs to be part of his (real) obituary. -jen
When I posted about aborted projects, I forgot The Danny Awards. They were to be Danman's answer to the Oscars, complete with clips of the nominated films, shots of my actors crossing their fingers and looking tense, and, of course, bloated and tearful acceptance speeches. (See the original handwritten list of nominees here!) It was pretty much impossible to pull off without editing equipment, so the idea died.
Tonight, I bring it back to life. Ladies and gentlemen, welcome to...
THE DANNIES!!!
Who's that good-looking fella in the tux? Why, it's me, your host!
It's my privilege to finally be able to honor the very best of the very worst. The four awards I'll be presenting tonight are:
Most-Deaths Award (aka "The Corn Syrup Award")
Danman MVP (aka "The I-Was-Just-Always-There Award")
Best Worst Actor
Best Worst Film
No extended opening musical number here. These actors have waited long enough for their overdue recognition--so let's get this show started!
MOST DEATHS AWARD
It took me a long time--a very long time, you have no idea what I've gone through--to tally up every death scene in Danman Productions. When I finished scorekeeping, I discovered a shocking three-way dead heat between myself, Joe, and Jami, with eight deaths each. So who deserves the award?
Not me. I often killed myself off early so that I could spend my time running the camera (witness my hasty demise in such films as Night of the Living Dead and The Blob). And Joe? As my most persistent leading man, Joe's death-count was but a statistical residue.
At long last, here it is. The final Danman Production.
Originally, this epic sequel clocked in at 2 hours and 40 minutes. Neither you, I, nor the internet had any interest in uploading that much crap, much less watching it. So I decided to recreate the so-called “Director’s Cut” that vanished circa 1998. By simply tightening, trimming, and reordering, I have eliminated 90 minutes.
You read that right. The version here is 70 minutes long and it breaks my heart. When I set out to shoot a feature-length film at the age of 18, this was how it was supposed to look. When I screened it for my stupefied friends, this was the movie I saw. It’s been 16 years, but The Godfathers: Part Two is finally done.
Although the first 30 minutes are too concerned with which gangsters are on which team, the rest of it is somewhat of a revelation. The torture scene, the seduction scene, the Russian Roulette scene, that blood-soaked finale—I’ll just say it. The kid behind the camera was starting to get it.
But it was too late: college had arrived. Like most of my friends, I packed my bags and a day later found myself sitting alone in an unfamiliar dorm room. I could sense it in the frat-house screams coming from across the street and the laughter booming through the wall: I was no longer the big fish. I was something much, much smaller.
The Godfathers: Part Two was my attempt to hold on. If I could keep Danman Productions together, then I still had a tether on my old life. I organized the script around which friends I had access to at college and which friends I could meet back in my hometown on holidays and weekends. It was massively complicated and I threw myself into it. The more elaborate the task, the less time I had to recognize that something big was ending.
Originally, this epic sequel clocked in at 2 hours and 40 minutes. Neither you, I, nor the internet had any interest in uploading that much crap, much less watching it. So I decided to recreate the so-called “Director’s Cut” that vanished circa 1998. By simply tightening, trimming, and reordering, I have eliminated 90 minutes.
You read that right. The version here is 70 minutes long and it breaks my heart. When I set out to shoot a feature-length film at the age of 18, this was how it was supposed to look. When I screened it for my stupefied friends, this was the movie I saw. It’s been 16 years, but The Godfathers: Part Two is finally done.
Although the first 30 minutes are too concerned with which gangsters are on which team, the rest of it is somewhat of a revelation. The torture scene, the seduction scene, the Russian Roulette scene, that blood-soaked finale—I’ll just say it. The kid behind the camera was starting to get it.
But it was too late: college had arrived. Like most of my friends, I packed my bags and a day later found myself sitting alone in an unfamiliar dorm room. I could sense it in the frat-house screams coming from across the street and the laughter booming through the wall: I was no longer the big fish. I was something much, much smaller.
The Godfathers: Part Two was my attempt to hold on. If I could keep Danman Productions together, then I still had a tether on my old life. I organized the script around which friends I had access to at college and which friends I could meet back in my hometown on holidays and weekends. It was massively complicated and I threw myself into it. The more elaborate the task, the less time I had to recognize that something big was ending.
The Godfathers: Part Two was so big, it required hype. Above is the sole existing copy of the promotional artwork drawn by Matt K. As you can see, I began to gather the signatures of all the cast members during shooting but never finished. I hope to remedy that one day.
Okay. Prepare yourselves. Here it comes.
7 Comments on Coming Soon: The Godfathers Part Two, last added: 1/13/2010
The Godfathers: Part Two was so big, it required hype. Above is the sole existing copy of the promotional artwork drawn by Matt K. As you can see, I began to gather the signatures of all the cast members during shooting but never finished. I hope to remedy that one day.
You can feel the panic in these final few videos. College was probably only weeks away. Friends were departing. There was hardly anyone left to put in front of the camera. The result was improvisational garbage like this that was more about my need to keep the tape rolling than it was anything else. The sole impetus for this was that I had come into possession of a clown outfit. (What, such things never happened to you?)
I just deleted a bunch of text about how bad this movie is and I'll tell you why. Yeah, sure, this is one painful flick. My accent is something that should be hunted down and killed. I barely knew what a documentary was, much less a mockumentary. But at the end of the day, this was probably the only Danman Production that revolved around a character rather than a plot of irretrievable complexity. Good effort, me.
This was prized in Danman lore for one reason: that basketball shot. Holy crap. I was supposed to miss. Yet somehow I sunk it. Jami's still smarting from it, I guarantee you.
2 Comments on Chuckles the Clown, last added: 12/30/2009
This is actually a pretty good movie, despite your comments. Probably because it dispenses with the play/artifice of the other films that pretend to be taking place in actually locations they are not with special effects that are not there. So it feels more honest, and is more complicated character study of someone. This is is Krusty's sad brother, and he deserves to have a Springsteen song written about him.
You hit the nail on the head. It's the only one that takes place in the here and now and features actors playing people their own ages. (BREAKDOWN and TWILIGHT ZONE get close, but they both have one character who's supposed to be "old.")
You can feel the panic in these final few videos. College was probably only weeks away. Friends were departing. There was hardly anyone left to put in front of the camera. The result was improvisational garbage like this that was more about my need to keep the tape rolling than it was anything else. The sole impetus for this was that I had come into possession of a clown outfit. (What, such things never happened to you?)
I just deleted a bunch of text about how bad this movie is and I'll tell you why. Yeah, sure, this is one painful flick. My accent is something that should be hunted down and killed. I barely knew what a documentary was, much less a mockumentary. But at the end of the day, this was probably the only Danman Production that revolved around a character rather than a plot of irretrievable complexity. Good effort, me.
This was prized in Danman lore for one reason: that basketball shot. Holy crap. I was supposed to miss. Yet somehow I sunk it. Jami's still smarting from it, I guarantee you.
During the latter days of Danman Productions, I was a subscriber to Movieline. There wasn't much in the way of video stores in my town, and it fell to this mag to open up to me the world of cinema. It was where I first heard of Quentin Tarantino, for example, which then led to Harvest of Wrath. An unfortunate chain of events, I realize, but still.
So it is with some sense of wonder that I report that Movieline has named my movie Musicianone of the "7 Masterpieces of the '00s You've Likely Never Seen." Thanks for the Christmas gift, Movieline. You've made that nerdy teen dorking around with his video camera back in the 1990s very happy.
1 Comments on Merry Christmas, last added: 12/26/2009
Thanks to Craig O for shooting the interview. Inspired by Francis Ford Iowa, Craig's started posting his own teenage opuses here:
http://craigofilm.blogspot.com/search/label/CraigoClassic
NEVER END!!!!!!!
ENDLESS SCENES. :)
Fun, Now i've got to fillin the gaps from the ones I've missed.
Can't wait to watch blood guts and film again.
Oh man, I'm sorry it's over. I really think you should go on Good Morning America or something. Give the people some feel-good feelings! Feel-good feelings of blood!
This was great. It completes the project and is to me the point of the larger themes at play in the whole project. This is more than silly friends making silly movies on video in the late 80s/early 90s. This is about life and time and all the big things. The end was perfect.