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Viewing: Blog Posts Tagged with: Raincoast Books, Most Recent at Top [Help]
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1. Reading Green

What am I reading now? The Book Thief by Markus Zusak
 
Last year, on Sunday, May 23, 2010, the Rainforest Action Network examined the paper policies of American-based children’s publishers with the report Turning the Page on Rainforest Destruction. The RAN found that:

Five out of the top ten American children’s book publishers have public environmental and paper procurement policies that pledge to reduce the companies’ impact on the climate, protect endangered forests, increase the use of recycled and FSC certified fiber and maximize resource efficiency. However, despite these important policy commitments, wood fiber from Indonesia is ending up in children’s books.

This got me thinking: How do Canadian-based children’s publishers measure up? So, using a completely unscientific approach, off I went. I had a singular goal: How many publishing companies have an environmental/paper policy on their respective sites. Three out of the top nine Canadian children’s publishers that I researched have such policies. HarperCollins Publishers Canada created HarperGreenRaincoast Books has a clear environmental record and Scholastic Canada established their green initiatives.

Like RAN and the companies identified above, Eco-Libris believes that “[c]hoosing recycled and FSC certified paper helps protect the world’s forests, species and climate.” For the second year in a row, Eco-Libris illustrated their stance on this issue by launching the Green Books Campaign. Sponsored by Indigo Books & Music, on Wednesday, November 10, 2010, at precisely 1:00 PM Eastern Time, 200 bloggers took a united stand to support books printed on environmental paper by simultaneously publishing reviews.

Reading green is not only about reading those books that discuss green issues but also reading those books that are published using green methods. The movement calling for sustainable practices is underway. Changes need to be made and there’s no reason why we cannot start with children’s publishing.


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2. Books at Bedtime: Stories of Mouse Woman

While recently following a comment thread on a friend’s blog, I found mentioned an aboriginal title: Mouse Woman and the Mischief Makers.  Curious about who this Mouse Woman was, I went to the library.  Mouse Woman and the Mischief Makers by the late Christie Harris (with drawings by Douglas Tait) is a collection of stories about a tiny but rather inspiring narnauk, or spirit being, of the Haida Gwaii people.  The collection, first published in 1977 by Christie Harris, was out of print for many years, but has recently been re-issued by Raincoast Books.

Mouse Woman is a diminutive, grandmotherly figure whose business it is to see that there is order in the world.  She is particularly helpful to young people.  Elusive and self-effacing as the creature she is named after, she is nontheless a powerful being whose ‘wily interventions’ help restore order in the world she lives in.  When things are out of balance, as in a couple over-hunting porcupines or a grieving husband talking to a dead wife, Mouse Woman intervenes to correct the situation and restore harmony.  All that Mouse Woman asks for in return is something her ‘ravelly fingers’ can work like mountain goat wool.

Mouse Woman is a feminine archetype.  She is unusual and atypical; you couldn’t quite call her a fairy godmother, for instance.  Ever elusive, however, she has not achieved the kind of fame other figures such as the totemic Raven or Bear have received.  That is probably just as well for her, but I’m happy to have discovered her through the efforts of Christie Harris who brought this curious little figure out into the light through her extensive research into the lore of the Haida Gwaii people.  Mouse Woman and the Mischief Makers is definitely a worthwhile read.

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