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Author Richard Rathbone first went to South Africa as the Students’ Visiting Lecturer Fund nominee at Cape Town University in 1976 and returned as Visiting Lecturer to the University of the Witwatersrand in 1979 and then as visiting professor to the universities of Cape Town and Witwatersrand in 1998. He has authored, co-authored and edited ten books on African history including African History: A Very Short Introduction. In the following piece Rathbone reveals where South Africa’s true beauty lies and why it is deserves to be “Place of the Year.” You can check out more “Place of the Year” contributions here.

South Africa has been my place of the year on a regular basis since we first got to know each other in 1976. It wasn’t quite love at first sight; rainy winter days in Cape Town spent in chilly rooms with inadequate heating aren’t exactly romantic. But like many who think they are in love, I noticed South Africa’s looks first and learnt to enjoy its company afterwards. If you start, as I did, at the Cape, you first catch your breath by that jagged seascape dominated by Table Mountain and the last land before the South Pole. And at Cape Point I saw my first baboons, and my first sea eagles soaring over the meeting of the Indian and Atlantic Oceans, the meeting of hot and cold, ying and yang. But I saw all of it first during apartheid and all that beauty was deformed by very visible cruelties of the system which was older than apartheid. The beaches are scattered with the relics of ship-wrecks and the tragedies of lost lives. Piles of seashells are all that is left to memorialise the old hunter-gatherers, the strandloopers, whose beaches these once were, years before whites started building mile on mile of ugly but expensive beachfront apartments. And the most spectacular view of Table Mountain, that from Blauberg Strand, the Blue Mountain Beach, is spoilt by the grim history of Robben Island inescapably there at the edge of the famous view, a leper colony before it was escape- proof prison. In turn the majestic sweep of Hout Bay was deformed by the fish-canning factory whose sad labourers’ drawn faces betrayed harsh working conditions and poor nutrition.

Further along the coast and then inland are the beautiful winelands, glorious valleys over-shadowed by intimidating mountains. Here again beauty is bittersweet for this world once depended upon slavery and until very recently upon the labour of the descendants of those slaves whose pay was partly taken in alcohol which damaged their and their children’s health. The country’s national flower, the protea, catches the contradictions being both shamelessly pretty while being incredibly hard, irresistible and repellent. I had fallen in love with a tart, a very pretty tart, but a tart with stony heart.

But I learnt fast that the real beauty was and is still to be found less in its scenery and more in its people. In the apartheid years I was thrilled. Inspired by, and even jealous of, the commitment and courage of so many people, black and white, Afrikaaner and African. The cruelty of it all was so obvious; housing in which decent people would refuse to house a dog, the in-your-face insult of “whites only” signage and the ultimate negation of humanity, the idea that people of colour were somehow non-whites, somehow less than human in the eyes of the country’s rulers. The sheer awfulness of that all provoked something more wonderful than cowed, sullen victim-hood. Instead defiance and resistance were suffused with a warm and inclusive humanity. Although it was a state which killed, tortured and incarcerated innumerable people, it and its supporters were made absurd as well as cruel and weakened by the sting of satire, of cartoons, of performances both formal and informal. What often appeared to be obsequious behaviour was frequently audacious and thinly concealed piss-taking at the expense of thoughtless whites. It was and is a sceptical society, a society which refused dictation. And that underlying refusal to internalise the brutal and unintelligent messages of apartheid but instead to imagine and then work for a world without it has informed all that is good about today’s South Africa. So much of that is bound up in the remarkable personality of Nelson Mandela.

Of course South Africa isn’t perfect; all countries that survive revolutions, and the end of apartheid was a revolution, are bound to be imperfect because revolutions are violent affairs which generate all sorts of collateral damage, psychological as well as material. But the real reason why South Africa must be my place of the year is that despite all the many temptations to break with the idea of “a rainbow nation”, the vast majority of South Africa’s continue to subscribe to warmth and humanity, and to reconciliation.

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Okay...I promised an update on my best friend's trip to South Africa,
so without further adieu...here's Diana sticking her toe in the Indian Ocean! (pretty impressive, huh?)


Molweni!

Well, I feel just like a celebrity. You know: Where in the world's Matt Lauer and Diana Black!

Mary's so right. The trip to South Africa was life-altering. For example, I didn't have a sinus infection when I left, but I do now...

No, wait. Maybe there is something a bit more profound to glean from the experience.

Like how courageous and resourceful people can be after hearing a life-altering diagnosis or forcibly removed from their homes, their neighborhoods and required to live in "houses" pieced together with metal scraps and discarded window frames.

How people can rise above wrongful imprisonment and continue to struggle against injustices to humankind.

How strong women are, and how much we are alike regardless of cultural differences.

And how everyone loves to laugh. I believe it was Victor Borge who said, "The shortest distance between two people is a smile."

The opportunity to make this trip and share it with Mary's blogger buddies sure makes me smile.

Okay, I think this is where I'm supposed to say how wonderful she is (right, Mary?), and how without her, I would be nothing. That she has made me everything I am, the woman among women I model myself after as should every other woman in the universe. (Did I forget anything? Oh, yeah...) And she's beautiful and a wonderful writer and my bestest bud. (Those last comments? Right from my heart.)

So thanks, Mary, and all of you who expressed an interest in my little jaunt. May each of you succeed with your own individual "trip of a lifetime." Be it that trek to the mailbox with your first manuscript or to a foreign corner of your imagination and/or the earth.

Hamba kakuhle (Xhosa for "go well"),
Diana

Want more pictures? Here's the link to Diana's amazing blog. You'll see amazing pictures of scenery, Diana's "sista sojourners," lions, native birds, and you'll even (almost) see a picture of a giraffe!

South African Sojourn

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2008 CWIM Publisher Updates...

In my January CWIM newsletter (which may or may not have mailed by the time you read this) I included a list of publishers who have given me updates to their info for CWIM. As promised in the newsletter (click here to subscibe) here are their complete, up-to-date listings.


BLOOMING TREE PRESS (page 142)
P.O. Box 140934, Austin TX 78714. Estab. 2000. (512)921-8846. Fax: (512)873-7710. E-mail: [email protected]. Web site: www.bloomingtreepress.com. Publisher: Miriam Hees; Madeline Smoot, senior editor, children's division; Kay Pluta, associate editor, children's division; Anna Herrington, associate editor, children's division; Debbie Smart, editorial assistant, children's division; Bradford Hees, senior editor, graphic novels/comics. Art Acquisitions: Regan Johnson, art director. "Blooming Tree Press is dedicated to producing high quality book for the young and the young at heart. It is our hope that you will find your dreams between that pages of our books."
Fiction Picture books: adventure, animal, contemporary, fantasy, folktales, history, humor, multicultural, religion, science fiction, special needs, sports. Young readers: adventure, animal, contemporary, fantasy, folktales, history, humor, multicultural, religion, science fiction, special needs, sports, suspense. Middle readers: adventure, animal, anthology, contemporary, fantasy, folktales, history, humor, multicultural, poetry, religion, science fiction, suspense. Young adults/teens: adventure, animal, anthology, contemporary, fantasy, folktales, history, humor, religion, science fiction, suspense. Average word length: picture books--500-1,000; young readers--800-9,000; middle readers--25,000-40,000; young adult/teens: 40,000-70,000. Recently published Jessica McBean, Tap Dance Queen, by Carole Gerger, illustrated by Patrice Barton (chapter book about teasing); One-Eyed Jack, by Paula Miller, illustrated by Chris Forrest (mid-grade about a boy and his dog in 1880s Montana); Summer Shorts, by multiple authors and illustrators (mid-grade stories about summer); Kichi in Jungle Jeopardy, by Lila Guzman, illustrations by Regan Johnson (middle grade about a talking dog in the Mayan temples.
Nonfiction Picture Books: biography, cooking, geography, history, self help, social issues, special needs, sports. Young Readers: animal, biography, careers, cooking, geography, history, music/dance, religion, science, self help, social issues, special needs, sports. Middle Readers: biography, cooking, geography, history, how-to, music/dance, religion, science, self help, social issues, sports. Young Adults/Teens: biography, careers, cooking, geography, history, hobbies, music/dance, religion, science, self help, social issues, sports.
How to Contact/Writers Fiction/nonfiction: "Accepting agented, conference attendee and personally requested submissions. For unsolicited submissions check Web site for dates of unsolicited submission times throughout the year. Do not send unsolicited submissions unless it is during a specified submission time period."
Illustration Works with 6-20 illustrators/year. Send illustration samples to Regan Johnson, publisher. Samples not returned; sample filed for future projects.
Terms Pays authors royalty of 10% depending on the project. Pays illustrators by the project. Authors see galleys for review; illustrators see dummies. Send e-mail with mailing address for catalog. Writer's guidelines on Web site.
Tips "During submission times follow the guidelines listed on our Web site. Send a crisp and clean one-page query letter stating your project, why it is right for the market, and a little about yourself. Write what you know, not what's 'in.' Remember, every great writer/illustrator started somewhere. Keep submitting . . . don't ever give up."


HOLIDAY HOUSE INC. (page 168)
425 Madison Ave., New York NY 10017. (212)688-0085. Fax: (212)421-6134. Web site: www.holidayhouse.com. Estab. 1935. Book publisher. Vice President/Editor-in-Chief: Mary Cash. Acquisitions: Acquisitions Editor. Art Director: Claire Counihan. Publishes 35 picture books/year; 3 young readers/year; 15 middle readers/year; 8 young adult titles/year. 20% of books by first-time authors; 10% from agented writers. Mission Statement: "To publish high-quality books for children."
Fiction All levels: adventure, contemporary, fantasy, folktales, ghost, historical, humor, literary, multicultural, school, suspense/mystery, sports. Recently published Jazz, by Walter Dean Myers, illustrated by Christopher Myers; Keeper of Soles, by Teresa Bateman, illustrated by Yayo; Freedom Walkers, by Russell Freedman.
Nonfiction All levels, but more picture books and fewer middle-grade nonfiction titles: animal, biography, concept, contemporary, geography, historical, math, multicultural, music/dance, nature/environment, religion, science, social issues.
How to Contact/Writers Send queries only to editor. Responds to queries in 3 months; mss in 4 months. "If we find your book idea suits our present needs, we will notify you by mail." Once a ms has been requested, the writers should send in the exclusive submission, with a SASE, otherwise the ms will not be returned.
Illustration Works with 35 illustrators/year. Reviews ms illustration packages from artists. Send ms with dummy. Do not submit original artwork or slides. Color photocopies or printed samples are preferred. Responds only if interested. Samples filed.
Terms Pays authors and illustrators an advance against royalties. Originals returned at job's completion. Book catalog, ms/artist's guidelines available for a SASE.
Tips "We need books with strong stories, writing and art. We do not publish board books or novelties. No easy readers."


ARTHUR A. LEVINE BOOKS (page 180)
Imprint of Scholastic, Inc., 557 Broadway, New York NY 10012. (212)343-4436. Fax: (212)343-4890. Web site: www.arthuralevinebooks.com. Acquisitions: Arthur A. Levine, editorial director; Cheryl Klein, senior editor. Publishes approximately 8 picture books/year; 8 full-length works for middle grade and young adult readers/year. Approximately 25% of books by first-time authors.
Fiction Recently published The Arrival, by Shaun Tan (graphic novel); The Nutcracker Doll, by Mary Newell DePalma (picture book); The Book of Time, by Guillaume Prévost, trans. by William Rodarmor (novel); The Spell Book of Listen Taylor, by Jaclyn Moriarty (novel); and Wilderness, by Roddy Doyle (novel).
Nonfiction Recently published The Secret World of Hildegard, by Jonah Winter and Jeanette Winter (picture book); Dizzy, by Jonah Winter and Sean Qualls (picture book); and The Adventures of Marco Polo, by Russell Freedman and Bagram Ibatoulline (picture book).
How to Contact/Writers Fiction/nonfiction: Accepts queries only. Responds to queries in 1 month; mss in 5 months. Publishes a book 1½ years after acceptance.
Illustration Works with 8 illustrators/year. Will review ms/illustration packages from artists. Query first. Illustrations only: Send postcard sample with tearsheets. Samples not returned.


MARGARET K. McELDERRY BOOKS (page 183)
Imprint of Simon & Schuster Children's Publishing Division, 1230 Avenue of the Americas, New York NY 10020. (212)698-7000. Web site: www.simonsayskids.com. Publisher: Vice President, Associate Publisher Emma D. Dryden. Acquisitions: Karen Wojtyla, executive editor; Lisa Cheng, associate editor; Sarah Payne, editorial assistant. Art Acquisitions: Ann Bobco, executive art director. Imprint of Simon & Schuster Children's Publishing Division. Publishes 12 picture books/year; 5-8 middle readers/year; 8-10 young adult titles/year. 10% of books by first-time authors; 50% of books from agented writers. "Margaret K. McElderry Books publishes original hardcover trade books for children from pre-school age through young adult. This list includes picture books, middle grade and teen fiction, poetry, and fantasy. The style and subject matter of the books we publish is almost unlimited. We do not publish textbooks, coloring and activity books, greeting cards, magazines, pamphlets, or religious publications."
Fiction All levels. "Always interested in publishing humorous picture books, original beginning reader stories, and strong poetry." Average word length: picture books--500; young readers--2,000; middle readers--10,000-20,000; young adults--45,000-50,000. Recently published Bear Feels Sick, by Karma Wilson, illustrated by Jane Chapman (picture book); Birdsongs, by Betsy Franco, illustrated by Steve Jenkins (picture book); Hey Batta Batta Swing!, by Sally Cook and Jim Charlton, illustrated by Ross MacDonald (picture book); Questors, by Joan Lennon (middle grade); City of Bones, by Cassandra Clare (debut teen); America at War, by Lee Bennett Hopkins, illustrated by Stephen Alcorn (poetry).
How to Contact/Writers Send query letters with SASE for picture books; send synopsis and first 3 chapters or first 30 pages with SASE for novels. Responds to queries in 1-2 month; mss in 3-4 months. Publishes a book 24-36 months after acceptance. Will consider simultaneous queries from previously unpublished authors and those submitted to other publishers, "though we request that the author let us know it is a simultaneous query." Please do not call to query or follow up.
Illustration Works with 20-30 illustrators/year. Query with samples, resume, tearsheets. Contact: Ann Bobco, executive art director, Design Dept., 4th Floor. Samples filed. Responds only if interested.
Terms Pays authors royalty based on retail price. Pays illustrator royalty of by the project. Pays photographers by the project. Original artwork returned at job's completion. Manuscript guidelines for #10 SASE with one first-class stamp.
Tips "We're looking for strong, original fiction, especially mysteries and middle grade humor. We are always interested in picture books for the youngest age reader. Study our titles."


ROARING BROOK PRESS (page 204)
175 Fifth Ave., New York NY 10010. (212)375-7149. Manuscript/Art Acquisitions: Simon Boughton, publisher. Editorial Director, Neal Porter Books: Neal Porter. Executive Editor: Nancy Mercado. Senior Editor: Dierdre Langeland. Publishes approximately 70 titles/year. 1% of books by first-time authors. This publisher's goal is "to publish distinctive high-quality children's literature for all ages. To be a great place for authors to be published. To provide personal attention and a focused and thoughtful publishing effort for every book and every author on the list."

• Roaring Brook Press is an imprint of MacMillan, a group of companies that includes Henry Holt and Farrar, Straus & Giroux. Roaring Brook is not accepting unsolicited manuscripts.

Fiction/Nonfiction Picture books, young readers, middle readers, young adults: adventure, animal, contemporary, fantasy, history, humor, multicultural, nature/environment, poetry, religion, science fiction, sports, suspense/mystery. Recently published Dog and Bear, by Laura Vaccaro Seeger; Candyfloss, by Jacqueline Wilson.
How to Contact/Writers Primarily interested in agented material. Not accepting unsolicited mss or queries. Will consider simultaneous agented submissions.
Illustration Primarily interested in agented material. Works with 25 illustrators/year. Illustrations only: Query with samples. Do not send original art; copies only through the mail. Samples returned with SASE.
Photography Works on assignment only.
Terms Pays authors royalty based on retail price. Pays illustrators royalty or flat fee depending on project. Sends galleys to authors; dummies to illustrators, if requested.
Tips "You should find a reputable agent and have him/her submit your work."


SIMON & SCHUSTER BOOKS FOR YOUNG READERS (page 208)
1230 Avenue of the Americas, New York NY 10020. (212)698-7000. Fax: (212)698-2796. Web site: www.simonsayskids.com. Manuscript Acquisitions: Justin Chanda, associate publisher; David Gale, vice president, editorial director; Kevin Lewis, executive editor; Paula Wiseman, vice president, editorial director, Paula Wiseman Books. Art Acquisitions: Dan Potash, vice president, creative director. Publishes 95 books/year. "We publish high-quality fiction and nonfiction for a variety of age groups and a variety of markets. Above all we strive to publish books that will offer kids a fresh perspective on their world."

• Simon & Schuster Books for Young Readers does not accept unsolicited manuscripts. Queries are accepted via mail.

Fiction Picture books: animal, minimal text/very young readers. Middle readers, young adult: fantasy, adventure, suspense/mystery. All levels: contemporary, history, humor. Recently published Orange Pear Apple Bear, written and illustrated by Emily Gravett (picture book, agest 1-4); Huge, by Sasha Paley (young adult fiction, agest 13 and up).
Nonfiction Picture books: concept. All levels: narrative, current events, biography, history. "We're looking for picture book or middle grade nonfiction that have a retail potential. No photo essays." Recently published Insiders Series (picture book nonfiction, all ages).
How to Contact/Writers Accepting query letters only; please note the appropriate editor. Responds to queries/mss in 3-4 months. Publishes a book 2 years after acceptance. Will not consider simultaneous submissions.
Illustration Works with 70 illustrators/year. Do not submit original artwork. Editorial reviews ms/illustration packages from artists. Submit query letter to Submissions Editor. Illustrations only: Query with samples; samples filed. Provide promo sheet, tearsheets. Responds only if interested.
Terms Pays authors royalty (varies) based on retail price. Pays illustrators or photographers by the project or royalty (varies) based on retail price. Original artwork returned at job's completion. Manuscript/artist's guidelines available via Web site or free on request. Call (212)698-2707.
Tips "We're looking for picture books centered on a strong, fully-developed protagonist who grows or changes during the course of the story; YA novels that are challenging and psychologically complex; also imaginative and humorous middle-grade fiction. And we want nonfiction that is as engaging as fiction. Our imprint's slogan is 'Reading You'll Remember.' We aim to publish books that are fresh, accessible and family-oriented; we want them to have an impact on the reader."


WILLIAMSON BOOKS (page 217)
An imprint of Ideals Publications, 535 Metroplex Drive, Suite 250, Nashville TN 37211. Web site: www.idealsbooks.com. Manuscript and Art Acquisitions: Williamson Books Submission. Publishes 6-10 titles/year. 50% of books by first-time authors; 10% of books from agented authors. Publishes "very successful nonfiction series (Kids Can!® Series) on subjects such as history, science, arts/crafts, geography, diversity, multiculturalism. Successfully launched Little Hands® series for ages 2-6, Kaleidoscope Kids® series (age 7 and up) and Quick Starts for Kids! ® series (ages 8 and up). "Our goal is to help every child fulfill his/her potential and experience personal growth."
Nonfiction Hands-on active learning books, animals, African-American, arts/crafts, Asian, biography, diversity, careers, geography, health, history, hobbies, how-to, math, multicultural, music/dance, nature/environment, Native American, science, writing and journaling. Does not want to see textbooks, picture books, fiction. "Looking for all things African American, Asian American, Hispanic, Latino, and Native American including crafts and traditions, as well as their history, biographies, and personal retrospectives of growing up in U.S. for grades pre-K-8th. We are looking for books in which learning and doing are inseparable." Recently published Making Amazing Art, by Sandi Henry, illustrated by Sarah Cole (ages 7-13); Kids Care, by Rebecca Olien, illustrated by Michael Kline (ages 7-12); Super Science Concoctions, by Jill Frankel Hauser, illustrated by Michael Kline (ages 6-12).
How to Contact/Writers Query with annotated TOC/synopsis and 1 sample chapter. Responds to queries/mss in 4 months. Publishes book "about 1 year" after acceptance. Writers may send a SASE for guidelines or e-mail.
Illustration Works with at least 6 illustrators and 6 designers/year. "We're interested in expanding our illustrator and design freelancers." Uses primarily b&w artwork and 2-color and 4-color. Responds only if interested. Samples returned with SASE; samples filed.
Photography Buys photos from freelancers; uses archival art and photos.
Terms Pays authors advance against future royalties based on wholesale price or purchases outright. Pays illustrators by the project. Pays photographers per photo. Sends galleys to authors.
Tips "Please do not send any fiction or picture books of any kind--those should go to Ideals Children's Books. Look at our books to see what we do. We're interested in interactive learning books with a creative approach packed with interesting information, written for young readers ages 3-7 and 8-14. In nonfiction children's publishing, we are looking for authors with a depth of knowledge shared with children through a warm, embracing style. Our publishing philosophy is based on the idea that all children can succeed and have positive learning experiences. Children's lasting learning experiences involve their participation."

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Officially I won't be back up and running with regular blog posts until Monday. I should have decompressed and acclimatized enough by then to talk about books again. But one can't take a trip abroad and not come back and make a few comments. First, IcelandAir: Worst. Airline. Ever. No matter how many times their "convenient" mid-way layovers in Reykjavik come up as the cheapest way

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The Snow Baby: The Arctic Childhood of Admiral Robert E. Peary's Daring Daughter by Katherine Kirkpatrick. Holiday House. $16.95.

There are topics in this world that lend themselves to children’s non-fiction. Some of these topics are the usual cast of characters. The Titanic. Roanoke. The Molasses Flood of 1919. Other topics are a little less well-known but when you hear of them your jaw drops and you sputter something along the lines of, "How did no one think to write this book until now?" I would say that Katherine Kirkpatrick’s, “The Snow Baby” falls squarely into the latter category. Quick and fun, factual and fast-paced, the story of Admiral Peary’s daughter and her years in the frozen north makes for ideal non-fiction reading for kids.

She was born in the far north of Greenland in 1893 in a part of the world where the sun wasn’t to appear again for months. The daughter of the American Arctic explorer Lieutenant Robert E. Peary and his wife Josephine, Marie Ahnighito Peary spent her early years bouncing about the frozen north. Her father was determined to become the first man to reach the North Pole, and once in a while his family joined him part of the way on his expeditions. Marie’s life consisted of Inuit friends, snow as far as the eye can see, and small adventures on the ice. Author Katherine Kirkpatrick traces Marie’s numerous journeys between America and the Arctic, while also charting her father’s dream and the lives of everyone she touched.

Kirkpatrick cleverly limits the length of the story to a mere 50 pages or so. In doing so it’s as interesting to take note of what she does mention as what she doesn’t. For example, Matthew Henson was Peary’s personal aide in the Arctic. He was also an African-American and a true hero in his own right. And Kirkpatrick does eventually sort of mention to this fact by and by, but her focus is squarely on Marie. Mr. Henson’s skin color comes out in degrees more than anything else. She also is exceedingly careful with her facts. At no point does Kirkpatrick ever force her own opinion onto the reader. With an impartiality verging on the distanced, we learn of the two Inuit children Peary fathered when his wife was not around. We hear about how he took three meteorites the Inuits used for making knives and spear points with a quiet, “Peary saw no reason why he shouldn’t take the meteorites from Greenland. According to him, the Inuit no longer needed the iron meteorites because they could now trade for metal knife blades.” Be that as it may, as we read towards the end of the book the Inuit were “left without the trade goods they’d grown accustomed to,” after Peary’s departed in 1909. Kirkpatrick is sly. She is certainly allowing the child reader the chance to reach their own conclusions on these subjects without seemingly putting forth her own. Just the same, when she recounts how Peary hired Matthew Henson for his lectures, Kirkpatrick points out that Matt was hired, “to wear (and perspire in) thick furs.” True enough. You can give facts that damn a man without having actually write, “What an awful guy!,” on the page. This distance is necessary when discussing the Inuit too. We hear about how Marie’s friend Billy Bah was married at fourteen. Later we see a cheery twelve-year-old with her own baby. Some authors would condemn this practice. Others might try to explain it. Kirkpatrick, however, lays the facts before you and then takes a step back. However you choose to digest this information is up to you and you alone.

One of the first things that really struck me about this book was the number of photographs found here. I count at least sixty-three photographs in this book. Of these, a stunning twenty-eight are of Marie herself. Additionally, each page contains at least one photo, usually with more than one breaking up the text. Considering the time period with which we are dealing (late 19th/early 20th century) the fact that there even were this many photographs taken is impressive in and of itself. And that so many of them were taken of a single girl is just children’s book gold. Kirkpatrick does a remarkable job of showing you images of many of the characters mentioned in the book too. The sole exception, I guess, would have to be Marie’s childhood companion Koodlooktoo who only appears as a very small infant at the beginning of the book. And you can hardly blame the author for not being able to produce his face out of thin air.

And did I mention how exciting it was? One minute Marie’s sliding down a hill and the next thing you know she’s about to skim right over a cliff into the frozen waters below unless Koodlooktoo is able to save her. Ships are constantly getting iced in and trapped. People have to eat dogs. The book’s wild and the fact that it’s so well researched and cited just aids to the pleasure of reading it. Kirkpatrick is careful to include a Bibliography of First and Secondary Sources, a list of Source Notes, an Index, and a long listing of Picture Credits for anyone curious as to where she found all these great shots. Proper credit is given in the text itself to Ms. Peary’s own book, “The Snowbaby’s Own Story,” though I would hazard a guess that this book is the more honest of the two. Something tells me that Marie probably wouldn’t have mentioned her illegitimate half-brothers and sisters when discussing her much beloved (and absent) father.

If I were placed in charge of marketing this book, you know the first thing I would have mentioned in the bookflap/press releases/what-have-you would be the fact that its subject (deep breath), Marie Ahnighito Peary Stafford Kuhne, was a children’s author in her own right. You may have stumbled on her Little Tooktoo stories at some point in your travels. In any case, with its short length and young subject, “The Snow Baby” might pair very well with other non-fiction titles like, “The Cat With the Yellow Star” by Susan Goldman Rubin. And for those people wishing to do a unit on polar exploration, you might want to consider also taking a look at, “Onward: A Photobiography of African-American Polar Explorer Matthew Henson,” by Delores Johnson. All in all, consider this a really spectacular non-fiction choice for any given year. A non-fiction read that comes across as a true pleasure.

Notes on the Cover: Well, it looks cool. And an adorable tiny child wrapped in furs is hard to beat. Just the same, there’s a picture of Marie, one of the very first in the book, where she’s seven and wearing warm Inuit clothing. One foot is placed in front of the other, and she looks (not to put too fine a point on it) like a badass. I did seriously appreciate that the images of snowflakes that appear on the cover are from W.A. Bentley. Remember the Caldecott Award winning picture book “Snowflake Bentley” by Jacqueline Briggs Martin? That guy’s photographs are nicely reproduced here as blue on white rather than white on black. It’s very nicely done. And, to be honest, adorable babies wrapped in fur are going to sell a lot more books to parents, teachers, and librarians than badass seven-year-olds who look like they could take down a walrus if you asked them to.

Note: Do not be led astray by the incorrect publication date given by Amazon.com. According to WorldCat and the book’s very publication page, this title came out in 2007 rather than November of 2006. You are safe in including it in your 2007 best book lists (hint hint) as it officially came out in January.

Author’s Note from Her Website:

"While I was working on The Snow Baby, I greatly enjoyed touring the Peary family’s home on Eagle Island. To view some of my photographs from that trip, click on Eagle Island Scrapbook. To plan your own visit to the house, see Peary’s Eagle Island. And to learn more about Robert E. Peary, please visit the Peary-MacMillan Arctic Museum.

Researchers interested in the published writings and personal papers of Marie Stafford Peary Kuhne and Josephine Diebitsch Peary, may view them by appointment at the Maine Women Writers Collection."

Previously Reviewed By: MadChatter.

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by Ann Whitford Paul
illustrated by Ethan Long
Holiday House 2007

Conejo, Iguana and Tortuga stop by the market on the way to their friend Culebra's party to purchase birthday gifts for him. Iguana thinks Culebra would like a globo but Conejo convinces him that a sombrero would make a better gift. Similarly when Tortuga considers a fine tazon Conejo insists on a camise. And when Iguana and Tortuga point out that their friend would like a nice libro Conejo instead thinks pantalones make more sense.

Conejo, being a trickster rabbit, knows that his friend Culebra is a snake and his excuses for each of the gifts -- "He can wear the pants once he grows his legs" -- allows him to appropriate the useless gifts for himself once they are opened at the party. Dressed in Culebra's hat, shirt and pants he is expelled for being a rude friend while Culebra, Iguana and Tortuga continue to enjoy the fiesta.

Shame-faced Conejo returns with proper gifts, the book, bowl and balloon originally considered at the market. Snake is happy and while the four friends settle in for some fine birthday torta they discuss whose birthday comes next. Mine! Shouts Conejo excitedly, and everyone knows exactly what to get him: a touristy outfit of a sombrero, camise and pantalones.

Telling the story with Spanish words peppered and reinforced throughout with pictures allows for an easy immersion lesson in bilingualism. It feels a bit awkward up front as the characters settle in at the market but quickly the words become familiar as the story gains it's momentum and pacing. The bright-colored cartoon illustrations are warm, humorous, and give very solid contextual clues about how the characters feel and what they are talking about.

There's a fine line between a book like this which feels like a tale told from the Mexican desert and the deliberate teaching books of Dora the Explorer. Whenever I see anything Dora I get this hinkey feeling climbing up my back, as if the books were intended to help gringo children better communicate with the children of their nannies and housekeepers. There's something that rings just a tad false about all that PBS bilingualism, even while I know that it's really intended for the Spanish speaking children in the audience. The wording and the lessons feel so deliberate in a way that the other educational programming doesn't and it sits poorly with me.

Not so much in Fiesta Fiasco, where the limited and simple vocabulary (with a pronunciation guide for parents on the copyright page) are aimed at playfully at introducing new language to readers for whom all words are new language. Like I said, it's a fine line, but one I think is well handled here in a non-pedagogical way.

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