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Kate Malone is one of those over-achievers; every school has one. Not only is she a straight-A student with especially outstanding grades in math and science, she also happens to be a long distance-running track superstar. She is a minister's daughter. She is dating Mitchell "Mitch" Pangborn III, who is got accepted Early Decision into Harvard. She is the unwilling caretaker of her family, between the death of her mother and the religious duties of her father, Kate is left with most of the house chores. On top of all this, she is a master of avoiding emotions. However, her emotional avoidance skills get put to the test after a series of cataclysmic events turn her life upside-down.

The storyline is pretty good. No complaints about the seriousness of the aforementioned cataclysmic events, they are really quite life changing. The story is easy to relate to, especially for high school students. All high school seniors share a good degree of nervousness over college acceptance. Also, the characters are pretty unique, yet stereotypical. Sound contradicting? It is. Kate Malone, for example, is a classic example of the overachiever student everyone knows will go to some Ivy League school and invent some radical new piece of technology. However, she is not so simple. Sure, she is smart, but she only applies to one school, MIT. Anderson is a master of creating believable, yet unique characters with refreshing amounts of wit. She also develops her characters, and their relationships with one another, beautifully.

Another aspect of Anderson's writing I simply love is her mastery of changing points of view. Not from first person to third person, but changing the way people see the world around them. As the characters' view of one another and the surrounding world change, so also do the reader's. The reader follows the characters' journey as if he/she were a part of it.

The story is set in the same community as Speak, which is pretty exciting if you've read Speak. If you haven't read Speak, what are you waiting for? I gave it five out of five daggers! That's more than enough to convince you to read it. Anyways, there's a great moment in Catalyst where Kate Malone refers to Melinda from Speak, got to love it.

If you've read this far, congratulations. You have patience. Some call it a virtue. As a reward, you get to hear my negative criticism for Catalyst. First things first, it's not as good as Speak. Speak was more humorous, more emotional, and (from a certain angle) more believable. Catalyst wasn't far-fetched. However, the way the events snowball and cause this sort of domino effect makes the story seem less likely to ever happen to a real life person (however, I'm sure someone is going to get lucky). Also, I felt much sorrier for Melinda than for Kate.

Nevertheless, Catalyst was most certainly enjoyable.

4 potentially painful daggers, out of the potentially more painful 5.

Melinda is entering Merryweather High School with no friends, no voice, and seemingly no hope. During an end-of-the-summer party, she called the cops. Now, all her old friends won't talk to her and all the people she doesn't know hate her blindly. Since Melinda feels that her parents wouldn't understand, the safest place to be is inside her head. Melinda at first finds a sort of comfort isolated within herself, but it doesn't last. Lurking in the depths of her own mind is a demon. A memory, of the party, which she dare not remember. A thought which she dare not say. Slowly, it eats away at her, threatening to swallow her from within. Slowly suffocating, Melinda is faced with a choice. To speak, or to surrender to the spectre that haunts her thoughts.

What makes Speak such an original work of art is its dynamic mood. At the beginning of the novel, Melinda has clearly been through something major. She also has no friends. This combination has given Melinda a depressed, cynical, and sarcastic view on high school and life in general. What makes this a good thing is the fact that Melinda presents high school in a refreshingly candid, satirical way. My personal favorite example of this is her "The First Ten Lies They Tell You In High School" list. I choose not to give them all away but among them is, "No smoking is allowed on school grounds" and my personal favorite, "These will be the years you look back fondly." This book will make you laugh, unless of course you have no sense of humor at all, which would be a shame since the comedy in this book makes really good points on high school sociology.

Dynamic means characterized by constant change, activity, or progress. So clearly, the book is not just a long satirical attack on high school. There are others moods involved. The opposite mood stems from Melinda's own subconscious. There is conflict within her. She is trying, vainly, to suppress a thought, a memory, in her mind. Doing so arguably drives her insane. She experiences agonizingly acute anxiety, dangerously deep depression, and stifling self-silence. As the book progresses, the emotions Melinda feels become more potent. In the end, the book becomes very very intense so be warned. This book is not a fairy tale filled with rainbows after storms and kisses after poison-apple-based "death."

Bottom line (figuratively, not literally): Speak is powerful. Speak is intense. Speak is witty. Speak is dynamic. Speak is a good book. It is well-rounded and it relates well to teenagers. I advise reading it at least once just for the experience of it. Even if you're not a depressed person, it's good to see the world through Melinda's eyes because there are a lot of people who see the world a similar way.

I give Speak by Laurie Halse Anderson a (relatively) unheard of 5 out of 5 stars.







Acerbically yours,
Gabriel Gethin