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Viewing: Blog Posts Tagged with: call for papers, Most Recent at Top [Help]
Results 1 - 6 of 6
1. The Caribbean Digital


The Caribbean Digital
a small axe event




The transformation of the academy by the digital revolution presents challenges to customary ways of learning, teaching, conducting research, and presenting findings. It also offers great opportunities in each of these areas. New media enable oration, graphics, objects, and even embodied performance to supplement existing forms of scholarly production as well as to constitute entirely original platforms. Textual artifacts have been rendered literally and figuratively three-dimensional; opportunities for interdisciplinary collaboration have expanded exponentially; information has been made more accessible and research made more efficient on multiple levels. Scholars are called upon, with some urgency, to adapt their research and pedagogical methods to an academic climate deluged by a superabundance of information and analysis. This has created opportunities for open-ended and multiform engagements, interactive and continually updating archives and other databases, cartographic applications that enrich places with historical information, and online dialogues with peers and the public.

The need for such engagements is especially immediate among the people of the Caribbean and its diasporas. Information technology has become an increasingly significant part of the way that people frame pressing social problems and political aspirations. Aesthetic media like photography and painting—because they are relatively inexpensive and do not rely on literacy or formal training—have become popular among economically dispossessed and politically marginalized constituencies. Moreover, the Internet is analogous in important ways to the Caribbean itself as dynamic and fluid cultural space: it is generated from disparate places and by disparate peoples; it challenges fundamentally the geographical and physical barriers that disrupt or disallow connection; and it places others and elsewheres in relentless relation. Yet while we celebrate these opportunities for connectedness, we also must make certain that the digital realm undermine and confront rather than re-inscribe forms of silencing and exclusion in the Caribbean.

In this unique one-day public forum we intend to engage critically with the digital as practice and as historicized societal phenomenon, reflecting on the challenges and opportunities presented by the media technologies that evermore intensely reconfigure the social and geographic contours of the Caribbean. We invite presentations that explicitly evoke:  


  • the transatlantic, collaborative, and/or interdisciplinary possibilities and limitations of digital technologies in the Caribbean metaphorical linkages between the digital and such Caribbean philosophical, ethical, and aesthetic concepts as "submarine unity," the rhizome, Relation, the spiral, repeating islands, creolization, etc.
  • gendered dimensions of the digital in the Caribbean 
  • the connection between digital technologies and practices of the so-called Caribbean folk
  • specific engagements with digital spaces and/or theories by individual Caribbean artists and intellectuals
  • the ways in which digital technologies have impacted or shaped understandings of specific Caribbean political phenomena (e.g. sovereignty, reparations, transnationalism, migration, etc.)
  • structural means of facilitating broad engagement, communication, and accessibility in the Caribbean digital context (cultivation of multilingual spaces, attentiveness to the material/hardware limitations of various populations)


Both traditional papers and integrally multimedia papers/presentations are welcome. We also welcome virtual synchronous presentations by invited participants who cannot travel to New York City to attend the event. Selected proceedings from this forum will be published in the inaugural issue (September 2015) of sx:archipelagos – an interactive, born-digital, print-possible, peer-reviewed Small Axe Project publication.

Abstracts of 300 words and a short bio should be sent to Kaiama L. Glover and Kelly Baker Josephs ([email protected]) by 1 June 2014. Successful applicants will be notified by 1 August 2014.

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2. Call for Papers: Library Research Round Table

Here’s another thing to get you geared up for ALA’s Annual Conference in Anaheim this June. The Library Research Round Table is looking for presentation proposals related to three areas of library research. Abstracts must be submitted by December 20, 2011, and notification of acceptance will be sent in late February, 2012. Accepted proposals will be presented at the ALA Annual from June 21-26. If you have recent or in-progress research relating to users, problem solving, or innovation, consider submitting.

LRRT defines their three categories as this:

  • Research to Understand Users: Issues and Approaches – How do people go about using libraries? If your study addresses the hows and whys of patron usage, it’ll fit here.
  • Research into Practical Problem Solving in Libraries – If you have been investigating a specific challenge or problem, your research or case study will fit into this category.
  • Research: Creativity and Innovation – If your study looks at how librarians approach information and reference queries, or if it proposes innovative ways of doing research or solving problems, it will fit here.
  • Papers will be chosen based on their topic and its relevance to library science, creativity of methodology, and ability to fill a research gap or build on existing studies. You do not have to be a member of LRRT to submit a proposal, and students are welcome to submit as well.

    If you have questions or would like full information on submission guidelines, contact the chair of LRRT, John M. Budd, at [email protected]. Again, proposals are due by December 20, 2011.

    bookmark bookmark bookmark bookmark bookmark bookmark

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    3. RAS- Call For Papers

    Association of Jewish Libraries

    Research Libraries, Archives, and Special Collections Division

    Call for Papers, 2011 Annual Convention

    The Research Libraries, Archives, and Special Collections Division (RAS) of the Association of Jewish Libraries is soliciting paper proposals for AJL’s 46th Annual Convention, to be held at the Marriott Chateau Champlain in Montreal, Quebec, June 19-22, 2011. Librarians, archivists, scholars, educators, and authors will meet to share their interest in Judaica librarianship, Jewish literacy and related topics.

    We solicit paper proposals on aspects of Judaica librarianship as it is practiced in research libraries, archives, museums, and special collections and as it pertains to higher education. Examples of suitable topics include, but are not limited to:

    §  Technological developments and tools in higher education institutions: cloud computing, academic social networks, e-book platforms, mobile devices and virtual reference;

    §  Resource sharing: database access, union catalogs, reference sources, cataloging services;

    §  Cataloging in RDA (Resource Description and Access).

    §  The future of print book collections in academic institutions, seminaries and Hebrew colleges, as revealed in collection development practices and policies, or other library operations;

    §  Changes in Jewish Studies methodology as they are portrayed in libraries.

    A special focus this year will be the cultural and linguistic diversity of the Montreal Jewish community. Appropriate topics may include archives or special collections in the area, history of the Canadian Yiddish theater, programs about Jewish Canadian notables such as Mordechai Richler or Rabbi Yudel Rosenberg, as well as Canadian women writers, history of local synagogues and other community landmarks, or unique Jewish communities in Montreal (Moroccan, Iraqi, Spanish-Portuguese).

    Proposals should be emailed to [email protected], with the following: presenter’s name, address, affiliation, telephone and email address; brief biography; title of proposed presentation; paper abstract (up to 250 words); and specific technology or equipment requirements, if any.

    All submissions must be received by November 30, 2010. Proposals will be reviewed by the Program Planning Committee, which is composed of national and local AJL members. Notification will be made in January 2011.

    1 Comments on RAS- Call For Papers, last added: 10/18/2010
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    4. AJL Convention 2011 Call for Papers

    Association of Jewish Libraries

    Call for Papers 2011

    The Association of Jewish Libraries (AJL) will hold the 46th Annual Convention at the Marriott Chateau Champlain in Montreal, Quebec June 19-22, 2011. Librarians, archivists, scholars, educators, authors and others will meet to share their interest in Judaica librarianship and related topics.

    AJL is soliciting proposals for papers and presentations on aspects of Judaica librarianship as it pertains to libraries, archives, museums, schools, synagogues and related institutions. Past topics have included literature and other resources, collection management, programming, reader advisory services, special and rare collections, cataloging and classification, digital and electronic resources, technology and local Jewish history.

    A special focus this year will be the cultural and linguistic diversity of the Montreal Jewish community.

    Submissions should include the following:

    Presenter’s name, address, affiliation , telephone and email contacts.

    Brief biography.

    Title of proposed presentation.

    Summary of proposal.

    Specific technology or equipment requirements, if any.

    All submissions must be received by November 30, 2010. Please submit proposals by email to:

    [email protected]

    or by mail to:

    Marsha Lustigman,

    Bialik Library,

    6500 Kildare Rd.,

    Cote St. Luc, QC, Canada, H4W 3B8

    Proposals will be reviewed by the Program Planning Committee, which is composed of national and local AJL members. Notification will be made in January, 2011.

    Posted by Marie.

    1 Comments on AJL Convention 2011 Call for Papers, last added: 9/8/2010
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    5. A third poem; Confluencia call for papers

    Original poetry?
    Three days in a row on La Bloga?

    Blame it on Valentine's Day's proximity.
    Blame it on artists' rejection of our mundane bad economy.
    Blame it on whatever.

    But I had to go with the winds kicked up first by
    Jesse Tijerina and stirred further by Manuel Ramos

    And pardon the Spanglish if mine soars less lofty than theirs:

    Todo, buffeted by tormentas,
    vibrating, tremblando

    on our reality-

    swept praderas


    muchos, remember

    tiempos poderosos

    when they swept the sands,

    storms, now abated


    some, hope for

    sons like planet sculptors

    hijas como huracanes increíbles

    then, refreshing ageing


    you, the last leaf

    dangle from mesquite

    rooted in tierra café,

    taste of native minerales


    me, a lone branch

    hang, out

    stretch to the stars

    settling for earth


    we, a syncopating unity

    a discordant connecting,

    cling, await the eternal
    next brisa, en amor.

    por Rudy Ch. Garcia

    *************************
    0 Comments on A third poem; Confluencia call for papers as of 1/1/1900
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    6. Review: Literary El Paso; Notes 'n News

    Literary El Paso. Marcia Hatfield Daudistel, ed. Ft Worth TX: 2009.
    ISBN 978-0-87565-387-7

    Michael Sedano

    In an era of ebooks and Kindles, iPhones, Blackberries and all manner of text-delivering digital device, Literary El Paso seems a throwback to an earlier era and a substantial reminder why one enjoys reading printed books in a cozy chair. Undeniably, portability is one advantage electronic devices have over the printed page. Whip out that iPhone while waiting for the bus and read to your heart’s content. Your heart. Me, I’m sure if I haul around this volume I either will forget my reading anteojos at home, or remember the lentes but set the book down somewhere and forget it. They say the memory’s the second thing to go and I do not remember the first.

    Texas Christian University Press printed Literary El Paso’s 572 pages, plus xxiv front material, on a 7” x 10” page, giving the volume a comfortable heft and a shape that opens just right to fit a reader’s lap. The serifed font-- is it “Centaur” so highly praised in Carl Hertzog’s essay on page 9?-- is uncomfortably tiny for my eyes, but the typesetter’s justification spreads out individual letters so none touch neighbors (except in a couple of spots), and generous line spacing spreads the text across and down the page creating ample white space for maximal legibility. Once you’ve gotten hands on your own copy of Daudistel’s collection, you’ll likely agree Literary El Paso qualifies as a Morris Chair book.

    Upon scanning Literary El Paso’s table of contents and paging serendipitously through the volume, readers will discover the editor’s liberal sense of “literary” as encompassing a wide variety of writing, from poetry to journalism to footnoted historical writing to fiction to essay. Indeed, Daudistel observes in her Introduction that “all writing coming out of a region is, in fact, the literature of that region” and that's what she's included, a rich potpourri of flavors.

    Given such a cafeteria plan, readers may elect to browse the collection, not read it at a sitting. Daudistel’s made that easy by assembling her material into three themes. It’s a sensible organization that lends itself to part-by-part enjoyment. Part I, “The Emergent City / La Ciudad Surge”, opens with a cowboy fragment and features historians and journalists. Part II, calls itself “The People, La Gente”, and features a preponderance of Latina Latino writers, and fiction. Part III, “This Favored Place / Lugar Favorecido”, features poets and essays. The collection includes unpublished works from John Rechy, Ray Gonzalez and Robert Seltzer.

    Given the pedo that erupted last Tuesday in Sergio Troncoso’s essay, Is the Texas Library Association excluding Latino writers?, Seltzer’s apologia for his father, Chester Seltzer AKA “Amado Muro” constitutes a mixed bag of biography and sympathetic character assassination, but not a defense for Seltzer père’s cultural appropriation--perhaps “reverse assimilation”-- of a Mexicano identity and his subsequent lionizing as a Chicano writer. Literary El Paso is silent about the controversy—see Manuel Ramos’ 2005 column for a usef

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