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By Teri Terry

Part 2 in Making Things Up: a blog series about the creative process.

So...you like writing. You think you’ve got a knack for it, and you have some things to say. Or maybe you’ve written loads already, and the time has come to write something new, but you’re stuck. How do you get started?

How do you begin putting words on paper? Blank paper. Accusing paper. Gorgeous, pristine paper that doesn’t want to be sullied by anything less than brilliant.

A Blank Page...EEEEEEEK!!

One of the questions most asked of authors is this one: 

Where do you get your ideas? 

The assumption behind the question seems to be that before any words can appear on that blank page, there must be an original, awesome, inspiring, exciting idea! Just a little pressure, then.

Not necessarily. Sometimes the heart of the story is only found by writing it. But how do you start if you only have an inkling or a vague idea what to write about, or even aren’t sure at all where to begin?

First up: Choose your weapon!

It shouldn’t matter so much, but it does to me. I do most of my writing directly on my laptop, but I always start with a notebook – one chosen specifically for a new story – and I’m simply incapable of writing anything worthwhile on paper that isn’t at least A4 in size. And ideally hard backed, coil bound, white paper, lines - ones that aren’t too thick or in a weird colour - spaced just so, maybe with an interesting picture on the front...so I’m not fussy at all, am I? And whenever I’m planning or get stuck, I go back to the notebook. Many stretched handbags and sore shoulders later I’ve tried to break this habit, but I just can’t.

Here we have working notebooks! From left: Slated; Book of Lies; and the current one, book one of my new trilogy, Dark Matter

Interestingly, I was recently rereading one of my favourite writing books, Writing Down the Bones by Natalie Goldberg, and came across this in the opening chapter (p. 6-7):

The size of your notebook matters, too. A small notebook can be kept in your pocket, but then you have small thoughts... It is true that the inside world creates the outside world, but the outside world and our tools also affect the way we form our thoughts.

This made me wonder: does the size of notebook relate to the kind of stuff I like to write? If I wrote, say, quirky literary fiction that focused in on the minutae of one life, would a smaller notebook be just right? It’d be worth trying it to save my handbags and shoulders.

Just a few of my notebooks in waiting...

But whatever you need to write, make it so. If you suffer from not wanting to sully the pages of a beautiful notebook, it may be that plain is the way to go. And pocket sized notebooks may be just right for you, despite what Natalie said, or you might think better with a keyboard.

Second: Write, write, write...but what?

Here are a few approaches that may help:

1. What do you enjoy reading?

What are the essential elements of the type of story you love to read? Identify them and put them together in your own way, and you will have the start of a story.
For example, if you love a good murder mystery, you need somebody to die. You need someone to find the body; someone, who may or may not be the same person, to solve the mystery and find the killer. If you start with someone dying in an interesting way or place, and develop characters for your victim, murderer, and sleuth, a story will appear.

Of perhaps you love a good romance. This

True love! In one of its many guises

isn’t so much my focus so I’m no expert, but I’m pretty sure you need more than one character, whether it is boy-girl, girl-girl, boy-boy-girl – you need at least two to tango. You need reasons why they come to care for each other, you need challenges, growth: who are they, and what do they want? How do they meet? Why are they right or wrong for each other? What comes between them? Can this be overcome?

If plotting a whole book is too daunting, you don’t necessarily have to know everything about your characters and what will happen to them when you start. You can take an interesting character, introduce them to another in an interesting way or place, and see what develops.

I don’t mean to get into plotting here today, and everyone has a different approach as to how much plotting and planning they like to do before they write. But at a basic level, when you’re working out what to write, starting with the elements of the type of story you love is a good place to begin if you’re stuck what to write about.

2. Free writing

A less structured approach is to write something every day – often it helps if it is at a set time of day, for a set length of time – without any thought to where it is going or why. Begin with an object, a character, or a setting, and put pen to paper, and just go. Don’t let yourself think, just write whatever pops into your head. Once your set time for free writing is over, stop and read what you’ve written. Think about it, and ask yourself questions about the elements on the page, and see where it takes you. It won’t always work, but sometimes you can find interesting ideas or starting points from your unconscious mind have leaked into what you’ve written.

I also often use free writing from the point of view of different characters to help get to know them, but that is a whole other topic.

3. Mind mapping

Say you have an interesting scene or character but you don’t know what to do with them. 

I find it really helpful to do a mind map. So, as an example I've got below - Phoebe, a character I'd introduced in Slated. Originally she was a walk on/walk off part, who trips Kyla up on a bus, and that was it. But she was somehow interesting, so I wanted to work out ways to increase her role in the story, and on this page I was coming up with options - some of which made it in to Slated, many of which didn't.

This also works well for me if I’m further into a story, and I’m not sure how to make something happen. Eg. I know my hero has to escape from the evil clutches of my villain, but how? If I write arrows of every possible option, no matter how daft they may seem, and the consequences that will flow from each one, the answer usually becomes obvious.

I said I wasn’t going to talk about plotting, but it’s kind of like I can’t help myself...

4. Serendipity strikes: kaboom!

OK, this does happen sometimes, and I live for these moments. It might seem a bit like luck or chance, but the more of the above kind of writing and exploring that is being done, the more these kinds of things seem to happen.
With Slated, it started with a dream that I had, of a girl, running, terrified, on a beach. I wrote that down as soon as I woke up and, presto! it became a trilogy (well, there was a bit more involved than that, but that is how it started).

Mind Games started very differently. I happened to read an article about rationality and intelligence, and then wondered what would happen if rationality were prized over intelligence in a future world: who decides who is rational, and how? What are the consequences of being considered irrational and intelligent?


Finally:

Once you have a story in mind - if writing the first line, paragraph, page or chapter is too daunting, just write. Ramble. Play with words. Get going, and later on when you know your story and characters better, what should be those important first words should come to you.

Writing – especially the coming up with ideas part at the beginning – should be fun*, not torture. Enjoy it!

           *apart from the occasional influence of deadlines, but that is a whole other nightmare blog post...


About the Author
Teri Terry is the author of the award winning, internationally best selling Slated trilogy - Slated, Fractured and Shattered. Mind Games, out in March, was recently nominated for the Carnegie. Dangerous Games will be in December, and Book of Lies in March 2016. After that is the Dark Matter trilogy, which she should be writing right now instead of blogging...but that is a whole other blog post.

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I’ve talked these past two weeks about various aspects of writing. For those who still feel adrift because they just came into the field, I’m going to use this opportunity to provide a few paths to explore. These are ones I’ve found especially helpful over the past few years.

Wherever a writer goes or whoever she talks to in the field, she will always find help and guidance along the way. David Farland, the best-selling author and teacher, says, “Nobody makes it alone. We each build on one another.” Farland should know. He’s well-known in two genres and still teaches.

Take small opportunities to grow as a writer. If you swing it, attend a two-day event or conference in your area. You’re not any less a writer if you don’t have the cash for hotel expenses. If you can drive to the event each day and be home at night, so be it. The important thing is to meet and mingle with the writers who are there to talk about words, their use, and how you fit into that picture.

Many online opportunities recur each year.WriteOnCon is a free online writer’s conference with plenty of firepower to begin on the writing track. This year’s conference will take place on August 14 and 15, with the theme “Back to Basics.” The only thing you’ll spend on this one is your time and effort.

If you have the ability to pay a bit for instruction, but have family duties and a family; take a course, either on-line or at a local college. Many courses and workshops are available for varying costs. Currently there are a double handful of free online writing classes from major universities across the country. Their subjects range on everything from poetry reading and writing basics to academic and research writing, along with levels of editing prowess and technical work.

Several major writers offer workshops and classes as well. David Farland has several classes that will work for all levels of writing experience. He also puts out a free newsletter called “Daily Kick in the Pants” for jump starting a person’s writing day. This one is a real winner.

Learn how the business operates. For those who still think that being a writer is nothing more than putting some words on paper, handing it in to an editor, and sitting back to wait for royalty checks to roll in, get a grip on the nearest heavy support. Reality is about to slap you hard and send you reeling.

If your budget simply won’t stretch to include any kind of off-site conference or workshop, hop over to Suzanne Lieurance’s website. Suzanne knows this business inside and out and is one of the best writing coaches around. Her Working Writer’s Club was developed to help guide and encourage those who’re serious about writing. She also has a free newsletter that outlines everything that’s available for free or for members only. Check it out. You won’t regret it.

Writers and Editors Network also takes the business seriously. Check out its offerings, newsletter, and help. There are competitions and insider news as well.

Writer’s Digest also offers a free newsletter and free writing tutorials. Take the opportunity to see what’s offered and what will work for you. Julie Oblander is the Online Education Manager, who provides so much for the stu

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When you’re stuck for ideas in your writing, brainstorming is one of the best ways to get unstuck. There are a number of brainstorming techniques, but a few of the most popular ones include listing, free writing, what ifs, and webbing (aka spidering, mind mapping, ballooning, clustering).  No matter what technique you use, one of the most important things to remember when brainstorming is that there are no dumb ideas. When you brainstorm, you turn off your internal editor and write every idea that comes to you to allow your creative juices to flow freely.

Listing is perhaps the easiest brainstorming technique. As the name suggests, you simply make a list of every idea that comes to you. Listing can be particularly helpful if you have a general topic or idea of what you want to write about, but you need to get a little more specific. For example, you might want to write a story about dogs, so as fast as you can you start listing everything you know about dogs. Your list might start off something like this; bark, fleas, collar, drool, fetch, roll-over, food dish, snoopy, leash, Frisbee, and the list goes on.

Free writing is another great way to get the creative juices flowing. Sometimes we stare at a blank screen for so long, we condition ourselves to think we’ll never come up with a good idea. Free writing is a way to shove aside that negative thinking, by simply writing whatever comes to our mind. It can be words, whole sentences, paragraphs—whatever comes to our mind, we just type it, no matter how nonsensical or unrelated the thoughts are. Once again, you turn off your internal editor and let your imagination go free.

“What ifs” is a good technique to use in conjunction with listing and free writing. You can take some of the more interesting things from your list, and ask what if questions about those items, and free writing your thoughts or answers. For example, you could free write answers to the question what if dogs couldn’t bark?

Webbing or spidering is my favorite type of brainstorming, especially when it comes to creating and developing plots. Like the other techniques, with webbing you write down whatever ideas come to you, but you make visual connections between your different ideas. For example, to web a story idea about dogs that can’t bark, you write “dogs can’t bark” in the center of your paper and as you come up with your “what if” ideas, you write them down and connect a line between it and main your idea. If one of your new ideas sparks another idea, you draw a connecting line between those ideas, and you just keep writing and connecting ideas until you have what looks like a spider web of ideas or something like my picture at the top.

I like to use a whiteboard for my web brainstorm sessions, but the problem with whiteboards is that they aren’t permanent. But here are two easy ways to solve that. The first is to take a picture of your web. The second, which is my preferred method, is to enter your results into a webbing program like FreeMind, (a free mind mapping program). Or if you prefer, you can skip the whiteboard and just begin with the webbing or mind mapping software . My preference is to use a pen and whiteboard first. For some reason, my creative side seems to like the feel of a pen in my hand.

What are your favorite brainstorming techniques or tools?