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British animation legend Bob Godfrey has passed away. We received a note from his grandson Tom Lowe this morning with the following sad message: “He passed peacefully in his sleep, on Thursday 21st February 2013, aged 91.”

Godfrey once told an interviewer that he considered his life a long-lasting ambition to make people laugh, and he did exactly that during an animation career that lasted over fifty years, spanning dozens of shorts films and TV series. In the process, he became the first British animator to win an animated short Oscar (for the short Great), and he also helped animation mature by exploring contemporary and adult themes in his work.

Born in Horse Shoe Bend, West Maitland, Australia on May 27, 1921, and raised in London, Godfrey attended the Leyton Art School. He began his visual arts career working in advertising. In the late-1940s, he began working at David Hand’s G. B. Animation, and helped create promotional items related to Animaland shorts. This led to his full-time entry into the animation field in 1950 at the modernist commercial studio W. M. Larkins.

Still from “Polygamous Polonius” (1959)

Godfrey left Larkins in 1955 to set up an independent studio called Biographic Films with partners Keith Learner and Jeff Hale. [UPDATE: Keith Learner has written a fine remembrance of Godfrey on the Guardian

While at Biographic, Godfrey began making personal short films. Early efforts like Polygamous Polonius and Do It Yourself Cartoon Kit (1961), with their sharp satiric humor and quirkily designed cut-out animation style, were considered fresh for the time. The BFI Screenonline website says that these films, “display the range of influences and preoccupations that characterise his work—music hall routines, avant-garde comedy in the spirit of The Goons, political satire, and concerns with British attitudes to sex and social conduct.” Historian Giannalberto Bendazzi also notes that in these early films, “Godfrey comes out as one of the few animators to share some common traits with the Free Cinema of his contemporaries Lindsay Anderson, Tony Richardson and Karel Reisz.”

Still from “Great” (1975)

Godfrey continued his career as a short filmmaker with a string of successful films including The Rise and Fall of Emily Sprod (1962), Alf, Bill & Fred (1964), Henry 9 ’til 5 (1970), Kama Sutra Rides Again (1972), an erotic-comedic short that Stanley Kubrick personally selected to accompany the UK release of A Clockwork Orange, and culminating with his ambitious Oscar-winning short-epic Great (1975), about the life of British civil engineer Isambard Kingdom Brunel.

In the mid-1960s, Godfrey set up his own studio, Bob Godfrey Movie Emporium, through which he not only produced shorts and commercials, but also began making a variety of children’s TV series, such as Roobarb (about the rivalry between a dog named Roobarb and a cat named Custard), Noah and Nelly in… SkylArk, and Henry’s Cat, all of which became beloved staples of generations of British children.

Godfrey also created the Do-It-Yourself Animation Show in the mid-1970s, a how-to series with weekly guests who included Richard Williams and Terry Gilliam. The show, which made animation accessible to the masses by taking the mystery out of the production process, was vastly influential and inspired an entire generation of kids in England, including Nick Park, who created Wallace & Gromit, Jan Pinkava, who directed the Pixar short Geri’s Game, and Richard Bazley, an animator on Pocahontas, Hercules, and The Iron Giant.

Enjoy this great BBC mini-doc about Godfrey from the early-1970s:

Further recommended reading about Godfrey:
Bob Godfrey interview from 1979
Obituary in The Independent
BFI Screenonline biography of Bob Godfrey

The Forts series has found a new home!

More than likely you’re silently saying to yourself, “Oh that’s too bad. It must not have sold well. That poor, poor man.”

Let me assure you, that’s not the case – far from it in fact. The choice to continue the series with someone else was actually mine and mine alone. I never signed a contract for the series as a whole and after my experience with the first book there was no way that was going to happen. It wouldn’t have been the right choice.

I don’t see any reason to go into the details of the “breakup” (for now), but I will say that Forts is moving to greener, less frustrating, and far more professional pastures.

So what does this all mean to you?

Well, it means that the copy of “Fathers and Sons” you no doubt have sitting in a place of prominence on your bookshelf – or next to the crapper, either way. That copy of Forts will very soon be an out of print collectors edition!

That’s right, I said collectors edition and I meant it!

Will you be able to sell it on ebay to pay the rent? Eh, I wouldn’t count on that.

Will you be able to trade it for a pack of gum and maybe a Butterfinger bar? Yep, I think you might be able to pull that off.

Still, your copy is special now. It’s unique. If you sent it to me to get autographed it’s even more unique. You own it, some other people own it, but no one else is ever going to own it – ever. That’s pretty cool, no?

For those of you that haven’t got your hands on a copy yet, a second edition print version of the book will be arriving with a brand new cover before you know it. (Probably within the next few months in fact.) Along with the print version, the book will FINALLY make its way to e-readers everywhere! (This is long overdue.)

Oh, all those editing flubs the original publisher left in – you know, the ones that caused the sentence “This could have been a fantastic book if it had a good editor” to appear in nearly every review. Thankfully those are going to be fixed up for the second edition.

For those of you waiting patiently for “Liars and Thieves,” right around the time the second edition arrives book two is going to hit the shelves! It’s a heck of a lot later than was originally planned, but I’m hoping it’ll be worth the wait.

The nonsense of the past is in the past and hopefully that’s where it’s going to stay. Writing has officially picked up again on the final book in the series and I’m probably only 40,000 words or so from finishing it up.

Forts has a new home, and this is a good thing.

Scratch that and revise: Forts has a new home, and it’s a giggity-great thing.

It’s better than a steaming hot pizza and a tub of ice cream served to you by Rosario Dawson in a French maid’s outfit.

Okay, maybe it’s not that good…

It’s still pretty fantastic though.

Steven