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Viewing: Blog Posts Tagged with: micro fiction, Most Recent at Top [Help]
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1. Flash Fiction for YA? Y Not?!

flashfictionchronicles

Flash on over to Flash Fiction Chronicles today and I’ll tell you all about writing micro fiction for children!

http://www.everydayfiction.com/flashfictionblog/flash-fiction-for-ya-y-not


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2. Half-Minute Horrors...

...is pure genius.  If you get one book this year for a kid who likes to be scared, make it this one.



Half-Minute Horrors
Edited by Susan Rich
HarperCollins, 2009
ISBN: 978-0-06-183379-3
Age range: 10 and up


This anthology of thirty-second frights wowed us like few books have of late.  A collection of super-short scary fiction - many pieces no longer than half a page - these tales range from the amusing and intriguing to the creepy and downright terrifying.  A lot of big-name writers from both the children's and adult fiction world contributed; Lemony Snicket, R.L. Stine, James Patterson, Neil Gaiman and Margaret Atwood, to name just a few.  Not to mention the KinderScares-beloved Adam Rex!

The sheer inventiveness and creativity of the stories really sets this book apart, and it was a refreshing discovery.  And to make something great even greater, it was published in partnership with First Book, a non-profit organization that provides books to children in need.  So by purchasing a copy you'll not only be getting ahold of some awesome reading, but doing some good in the world as well.  How can you resist? (This is an excellent reason to buy the book for yourself if you don't have a child as an excuse...)

You can get more info and a sneak peek of some of the stories at the Half-Minute Horrors website, so be sure to check it out!  You can even submit your own thirty-second scary stories for publication on the site.
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3. How are Writers Using Twitter?


twitter2I first heard the phrase ”TwitLit” from writing friend Christopher Cocca. I’ll give him coining credit. We both write flash fiction, so he had suggested using the 140-character Twitter format to tell uber-short stories. His first submission: “His probation stopped on a dime-bag.” Mine? “The gourmand often ate too much, but she was living life to the fullest.”

So how else can writers use Twitter? You might want to refuse answering the assumed question, “What are you doing?” Come on, that’s boring. We’ve got Facebook status for that. Twitter is nimble, Twitter is quick, Twitter has the power to change the world. (OK, a bit of hyperbole there.)

Agent Nadia Cornier used Twitter to update authors on Firebrand Agency’s “query holiday.” From December 15 to January 15, Firebrand invited submissions without a query letter. At final count, she had over 3500 submissions with 387 read and 30 requested. Useful, clever Tweeting. Thanks, Nadia.

Of course, agent Nathan Bransford already covered authorly Tweeting with a guest post by Traci Marchini two months ago. Marchini suggests 21 ways an author can use Twitter. Yep, she’s got TwitLit covered.

But I’m going further with this.

You may be aware of the cell phone novel phenomenom in Japan. Authors deliver stories a few lines at a time directly to mobile devices and welcome reader feedback regarding the tale’s direction. Once the novel is completed, readers rush to buy the paper copy because they feel invested in the story. After all, they had a hand (or a thumb) in its creation.

Some critics consider mobile novels an omen of a literary doomsday. Others think the platform can’t be ignored, especially with five of the top 10 novels in Japan having originated on cell phones.

So why not tell an entire tale in Twitter a few lines at a time? OK, perhaps there’s a certain level of literary integrity you want to maintain and this ain’t the way. But it’s a fun and interesting new venue for fiction, and one that could elicit reader feedback. Applications like TweetDeck help you to organize Tweets by subject and keep track of responses to others (using the “@” symbol). But be careful not to use Twitter for conversations that will lose other readers.

What about a Twitter account for your fictional characters? Don’t they have something to say beyond the confines of your book? A Tweet or two and they’re brought to life in real-time. Or maybe you can create a new character who only exists in Tweets.

The format is experimental. Who knows if it will catch on for story telling. But with Amazon’s Kindle gaining popularity and cell phones evolving into integrated entertainment devices for music, web browsing, pictures and videos, surely books and zines can’t be far behind. Can you imagine your phone’s screen folding out like a newspaper and delivering any story you want anytime you want it? Will Twitter help push things in that direction? Perhaps with a million authors using it, it just might.

So how are you using Twitter to enhance your writing career? Are you marketing yourself or using it creatively? Please share your ideas!

      

8 Comments on How are Writers Using Twitter?, last added: 1/31/2009
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