Happy Poetry Friday, Everyone! Today I'll be sharing a fun, "spooky" poem by David L. Harrison. But first I'll tell you about my latest publication, an article in the 2015 Children’s Writer’s and Illustrator’s Market (Writer’s Digest Books), edited by Chuck Sambuchino. Then, at the end of this post, you'll find instructions for how to enter to win your very own copy of the 2015 Children’s Writer’s and Illustrator’s Market!
If you're not familiar with the
Children’s Writer’s and Illustrator’s Market (also known as the
CWIM),
here's an excerpt from the book's blurb.
"If you write or illustrate for young readers with the hope of getting published, the '2015 Children's Writer's & Illustrator's Market' is the trusted resource you need. Now in its 27th edition, 'CWIM' is the definitive publishing guide for anyone who seeks to write or illustrate for kids and young adults. Inside you'll find more than 500 listings for children's book markets (publishers, agents, magazines, and more)--including a point of contact, how to properly submit your work, and what categories each market accepts."
In addition to the market listing, the CWIM includes great articles, interviews, and success stories. This year's edition features my interview roundup article, "Writing for Boys (and other 'Reluctant Readers')." The piece contains advice and insights from four award-winning authors known for writing books that appeal to reluctant readers:
Matt de la Peña,
Lenore Look,
David Lubar, and
Steve Sheinkin.
Although these authors write a wide variety of books, and everything from picture books to young adult novels, there was one bit of advice they all agreed on: If you want your writing to appeal to boys and other reluctant readers, don't try to target this particular audience. That's right, DON'T target them. Instead, write what moves, excites, or interests YOU. Then, "revise it over and over until it hums," as Matt de la Peña said. All four of the authors shared additional, specific advice on how to reach reluctant readers, especially boys. So be sure to enter our giveaway below for a chance to win your own copy of the CWIM!
In researching "Writing for Boys (and other 'Reluctant Readers')," I discovered some very discouraging statistics about boys and reading. Not only do girls, on average, score higher on reading tests than boys, but the gender gap is widening. Fortunately, the news isn't all dire. As
Jon Scieszka, the first
National Ambassador of Young People's Literature and founder of Guys Read points out on the
GuysRead website:
". . . the good news is that research also shows that boys will read—if they are given reading that interests them."
Poetry can be a great way to hook boys (and other reluctant readers), especially if it's short, funny, and/or focuses on boy-friendly topics, such as sports, adventure, animals, and the supernatural. You'll find some wonderful books that fit this bill on the
GuysRead list of poetry books. I also recommend just about anything written by David L. Harrison. His book
Bugs: Poems about Creeping Things (Wordsong), illustrated by Rob Shepperson, is chock-full of poems with lots of boy-appeal. Here's one example:
cicada ghosts
Haunted skins cling emptily to the rough bark of the hackberry tree,
and farther up where I can't see, ghosts are buzzing eerily: zz-zz-zz-zz zeeeeee! © David L. Harrison, all rights reservedIf you'd like to see the wonderful illustration that accompanies this poem in
Bugs: Poems about Creeping Things, visit
this page on David's blog (after you enter our drawing below!).
Finally, before you head over to check out these resources or the other great poems in this week's
Poetry Friday round-up at
Today's Little Ditty, you'll want to enter to win your own copy of the
2015 Children’s Writer’s and Illustrator’s Market. You can do that via the Rafflecopter widget at the end of this post. You may enter via 1, 2, or all 3 options.
For option 2, "Leave a Blog Post Comment," you must share a comment to TODAY'S blog post and include your name!(If you prefer, you may submit your comment via email to:
teachingauthors [at] gmail [dot] com. )
The giveaway
ends on Oct. 31.
Good luck and happy writing!
Carmela
P.S. If you've never entered a Rafflecopter giveaway, here's info on
how to enter a Rafflecopter giveaway and the
difference between signing in with Facebook vs. with an email address. Email subscribers: if you received this post via email, you can click on the Rafflecopter link at the end of this message to access the entry form.
a Rafflecopter giveaway
Last week, I had the opportunity to attend David Harrison’s “Poetry for the Delight of It” workshop, organized by the Highlights Foundation. I’m happy to report that I found not only the poetry but the entire experience delightful. From my ride from the airport to the tour of the Highlights for Children offices to the comfy couches where we discussed poetry to the massive fireplace on the patio where we roasted s’mores, every detail was taken care of so that I didn’t have to think about anything but poetry. And the food—oh, my! We were spoiled. During breaks and in the evenings, we retired to our own cozy cabins with rocking chairs on the porches and plenty of wonderful books to read—a writer’s heaven!
David Harrison (
a Guest Teaching Author in 2012) led group discussions with a reassuring blend of wit, humor, explanation, and examples. He supplied writing prompts that resulted in humorous and heartfelt poems, and he provided perceptive, encouraging critiques of our work. Poets
Jane Yolen and
Kenn Nesbitt visited via Skype to share their own tips and examples.
Boyds Mills Press Senior Editor Rebecca Davis participated in a session about editorial and marketing practices, and Executive Editor Liz Van Doren joined us for dinner.
Lucky me! I’m still floating.
Here’s a poem I wrote there, inspired by one of David’s prompts, about waking up early:
Day
Catbird screeches up the morning.
Acorns drop to mark the minutes.
Knock! Woodpeckers count the hours.
Crickets sing me back to sleep.
Another lucky surprise: I got to meet and hang out with our longtime friend Linda Baie, who wrote about
connecting the experience to writing in one of her blog posts. What fun!
Today’s Poetry Friday Roundup is at
The Miss Rumphius Effect. Enjoy!
JoAnn Early Macken
Early in National Poetry Month, I shared how much I love Tracie Vaughn Zimmer's new collection, Steady Hands. Now, here's another collection of career poetry, taking a slightly younger, sillier (for the most part) look at the world of work.
That's right. It's J. Patrick Lewis with a new poetry collection called Underwear Salesman: And Other Jobs for Better or Verse (illustrated by Serge Bloch). What a fun bunch of poems! Here are two of my favorites.
First, from the lighter side:
Bathroom Attendant
Toilet's spiffy,
Sink's a shrine,
Mirrors sparkle,
Floors all shine.
I treat you
Like a VIP.
You treat me
With a T-I-P.
--J. Patrick Lewis, all rights reserved
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And from the more lyrical side:
Mapmaker
I climb up a mountain by fine fountain pen.
I float down a Nile of ink.
I crisscross three countries, six cities and spend
A while on an isle to think.
I brush in the valleys and sweep in the sands,
I shadow blue oceans, green seas.
I'm the very particular painter of lands
Who measures the world...by degrees.--J. Patrick Lewis, all rights reserved
Aren't those fantastic?
Now, two other quick poetry-related announcements:
1) Today is the final day to sign your school up for a FREE event with poet David L. Harrison (
he of the terrifc Pirates collection!). Participating classes/schools will use videoconferencing tools or watch by live webstreaming for this April 28 event. Go
here for all the details! What a fantastic free opportunity!
2)
I'm featured today in the Poetry-Makers series at The Miss Rumphius Effect. Whee! Please check it out if you have a chance (but don't watch the video!) and leave a comment if you have time. I don't want Tricia to think all her hard work is unappreciated!
The
Poetry Friday Roundup today is at Lisa Chellman's Under the Covers. Grab a flashlight, crawl under, and enjoy!
A few weeks ago on Poetry Friday, I shared a poem from Pirates, a fantastic new poetry collection by David L. Harrison, illustrated by Dan Burr (Wordsong, 2008). (Just before that, Kelly Fineman at Writing and Ruminating posted an in-depth review of the book here.) I got a nice note from David, and we corresponded a bit. That ended with my wrangling him into an e-interview, and Dan Burr agreed to come along for the ride. Yea!
[Addendum: Sorry the layout is not pretty. I'm very frustrated with LJ this morning!]
David L. Harrison |
David Harrison is the Poet Laureate of Drury University and is the author of many books for kids, including many poetry collections. I’m embarrassed to say the only one I was already familiar with was bugs, which I enjoyed and wrote a bit about last year. And now, having read Pirates, I’ll be putting his other volumes on order, too.
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Dan Burr
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Dan Burr is a sportsman, painter, and illustrator living in Idaho. He does commercial illustration as well as book illustration. I’m familiar with his work from his luminous work on Castles, a poetry collection by Rebecca Kai Dotlich and J. Patrick Lewis (two of my favorite poets!).
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Here’s what David and Dan had to say. David will be in blue. Dan will be in maroon.
You said that some poems were a result of writing to Dan Burr's idea for a visual scene, and others initiated with you. Could you give a couple of examples of each and talk about how the writing process differed depending on whether the idea for the poem came from you or from the illustration?
Prior to this book Dan illustrated a book called Castles: Old Stone Poems with poetry by the poets Rebecca Kai Dotlich and J. Patrick Lewis, so I was aware of Dan’s wonderful talent. When my editor Stephen Roxburgh sent me a pirate painted by Dan and asked if I would be interested in working with him on a book about pirates, all I needed was one look and I was hooked. With both hands gripping the wheel, pigtailed beard tossed by the wind, the pirate squints one-eyed into the sun. His gold tooth and ear loops catch the yellow light. Above him a full sail bellies out. His fierce face focuses on something in the distance over our right shoulder. A victim ship on the horizon? The poem almost wrote itself.
COMING FOR YOUR GOLD
You can’t outrun a pirate the likes of me. This boat’s the fleetest vessel on the sea. Soon I’ll board your ship and take your gold. I’ll plunder all the treasures in your hold. I’ll have your pretty baubles by and by. And you’ll go home the poorer for it, aye.
--David L. Harrison, all rights reserved |
Once Dan and I started tossing ideas back and forth, a typical conversation would be this one, taken from my files. I trust that Dan won’t mind my using it here to help explain how we worked.
From: Dan Burr
Sent: Monday, March 13, 2006
10:14 AM
To: David Harrison
Subject: pirate fight
Hey David,
I am thinking about doing a scene where the pirates are thinking about fighting over a chest of gold on a beach, swords drawn and maybe a pistol or two, but not really engaged. I'm sure you could come up with some great words to go with it.
Let me know
Dan
From: David Harrison
Sent: Monday, March 13, 2006 6:50 PM
To: Dan Burr
Dan,
This will be a very strong scene. What if the captain speaks sarcastically to his “gentlemen” crew, gathered around the bounty of a looting, and urges them to put away their weapons while the booty is divided? He then informs them that he plans to bury his share and anyone who follows him does so at his peril. That way we can have plenty of scowls and hands on weapons without the dreaded “bloodshed” word!
David
You’ll find that scene in the book just as Dan described it and the poem, “Gentlemen on the Beach,” unfolds the way I visualized it with Dan’s painting.
Among my suggestions to Dan that made it into the book were being marooned “Marooned”), boring days at sea (“Another Day at Sea”), punishment by whipping
(“Cat-o’-Nine-Tails”), and bad food (“Table Talk”).
Did the two of you already know each other before collaborating on this collection? Or did the editor pair you up?
We had never met but Stephen knew us both and had worked with us on other projects. It was his idea to bring us together for this one. I describe in the book how it happened. The opening lines of Stephen’s note to us were: “Dan, meet David, a poet. David, meet Dan, a painter. Dan has wanted to illustrate a book about pirates for a very long time.”
Dan Burr |
Copyright 2008, Dan Burr, all rights reserved |
Can you tell Dan wants to be a pirate?
Dan, what about pirates drew you in and made you want to pursue a picture book about them?
Ever since college I have wanted to paint pirates, I did a couple of paintings almost 20 years ago but really did not have a sense of how or where it might go.
Pirates are a great subject and I love the historical aspect of the subject as well, but I just love the romantic side of the whole thing and the 10 yr old in me wants to be a pirate. I can't be one so I painted them instead.
Can you briefly describe your artistic process in general?
Images come to my mind all the time, no matter what I am doing I seem to be day dreaming as well, once I become really interested in a potential painting I usually start sketching and come up with a design and concept that I like, them I will start the research for the painting. Accuracy is important to me especially historical accuracy,
so I dig in and learn what I need to know to make the scene believable. Then I will choose a model or models, dress them up and take photos. From the photos I will draw and then paint the image. It all starts with a daydream, or a good bunch of words.
Art for Sails in Sight. Copyright 2008, Dan Burr, all rights reserved.
David, you mentioned in an email that it was a challenge to "minimize the portrayal of outright violence while writing about people who lived and often died violently." Can you speak a bit about how this played out? Were there poems that were initially more violent that you needed to tone down? Or was it more that that concern was always in the back of your mind as you wrote?
The concern was always there and it influenced the subjects I chose and the way in which I presented them. Early in my reading about pirates I sent word to my editor that pirates were not nice people. They chose a life of crime, stole from others, and occasionally tortured, maimed, and killed their victims. I wondered how I could write poems for young readers about such rogues. My editor reminded me that I couldn’t portray violence in a children’s book. He basically said, “You’re the writer. Work it out.”
My eventual solution was to find moments in a pirate’s life that would give readers a glimpse of the lifestyle without dwelling on the moments of conflict and bloodshed. For example, one of the worst problems was boredom. Most pirates were single and in their twenties. Being cooped on a small, stinking ship for long periods between sightings of victims to rob often led to bickering and fights. Therefore, one poem is about boredom, one is about getting flogged for breaking a rule, and another reflects the excitement of spotting a sail on the horizon.
The opening poem tells about why some men signed on as pirates, knowing they would likely end on the gallows “dancing the hempen jig.” One describes the ship’s rules. In another poem, a captain mutters to himself as he readies a green crew for sailing. In this way I was able to focus more on the lives of pirates and less on the death and destruction they often caused.
Art for The King's Gold. Copyright 2008, Dan Burr, all rights reserved.
What about you, Dan? How did this concern play out artistically? Did you feel restricted in the art? Were there certain lines that you didn't want to cross?
There were images that I wanted to paint that didn't make the cut, I wanted to address scurvy and make a painting about a dying pirate, the editors did not think it would be appropriate, they are probably right. I'm sure I will paint it sometime in the future, I still have the sketch and I like the design, I will have to paint it eventually.
Marketing concerns aside, what age kid do YOU think is the perfect reader for this book, David?
Poetry often finds readers at more than one level. Third graders will “get” the excitement and drama of pirates based on their prior experiences with books and movies that paint a dashing picture of the scallywags. I’m told that third grade curricula in Texas include an annual unit on pirates. Somewhat older readers should gain insight into the sad, often violent lives of men (and women) who risked their necks for adventure and the lure of stealing other men’s riches. Dan Burr’s glorious paintings will undoubtedly attract a wide audience of art lovers and I think an older audience may also consider the poems on their own merit. I hope to see teachers and librarians in elementary and middle schools add PIRATES to their collections. I included quite a bit of nonfiction prose about pirates in the book, which came from extensive reading on the subject. My intention was to make this book informative as well as entertaining.
Both of you, which poem is your personal favorite? Can you share a bit about its evolution?
Dan and I arranged the scenes and poems so that they almost tell a chronological story, or at least present an arc of experiences that begins with reasons why men became pirates and ends with the fate that eventually took the lives of so many of them.
One of my favorite poems and accompanying scene is “Signing on a Crew.” It gave me a rare opportunity to slip in a bit of humor to help lighten the saga of pirates and their tough lifestyles. One of the characters in this painting is a woman. Pirates were a superstitious lot and allowing women on board was generally forbidden for fear of the bad luck they would bring. It wasn’t unheard of though for women to dress as men and smuggle themselves onto a crew. Some women went on to earn reputations for their ruthlessness in battle.
SIGNING ON A CREW
Gather ‘round, ye scurvy mates, I’m signing on a crew.
You there! Can ye tie a knot? Ye’ll do.
I’d say you’ve snatched a purse or two. Ye’ll do.
Does the thought of plundered gold make ye shiver? Make ye bold? Ye’ll do.
Ha! You’re rotten through and through! Ye’ll do.
Phew! You stinking, drunken lout! You’d whack your uncle’s gizzard out! Well step right up! Beyond a doubt ye’ll do!
--David L. Harrison, all rights reserved. |
Art for Signing on a Crew. Copyright 2008, Dan Burr, all rights reserved.
The beauty of this book is that I got to paint all the scenes I wanted to paint. They are all favorite to me but... if I had to choose one, I think it might be... I can't choose one, I like them all.
I guess "Another day at sea" is one that I might choose, the character is a friend of mine and the painting captures him and the mood I was trying to capture (potential trouble). I like the light and the color of the painting and the gesture of the
character is just right, maybe a favorite.
Art for Another Day at Sea. Copyright 2008, Dan Burr, all rights reserved.
Can you each share anything about the project you're working on now?
Another of my favorite artists is Rob Shepperson, an enormously talented cartoonist who often appears in the Wall Street Journal and other leading papers such as the New York Times. Last year Rob and I collaborated on a book of small poems about small things, appropriately named bugs: poems about creeping things. The book was selected right away for the “Seeing Stories” exhibition at the Westchester Art Center and made the New York Public Library’s annual list of “Children’s Books – 100 Titles for Reading and Sharing.”
Rob and I were soon at work on a second book, this one called Vacation, which is told through poems and drawings in the voice of a very boy-like boy who goes on a driving vacation with his family. This one will be out next year and I hope it attracts some new readers, especially among young boys.
Can’t wait to see that!
I am working on a project for Hoppes (a gun cleaning solution company), and the image is a nostalgic hunting camp scene. Really the characters are pirates... just dressed differently, maybe a little cleaner and in a different environment. I love painting historical subjects no matter what they are doing.
I will be getting started on a book for Easter 2010, I look forward to the subject of Easter and again the historical and spiritual nature of the subject.
Thanks, both of you, for taking the time to answer questions for us. It sounds like a fascinating way to work. I love Pirates, and I hope it finds a big, appreciate audience!
I know one and possibly both of them are traveling this week, but if you have any questions for David or Dan about their work, leave them in a comment, and I'll try to bring them aboard to answer you.
The
Poetry Friday round-up is at author amok today. Check it out!
