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Tap dance, our first American vernacular dance form, and the most-cutting edge on the national and international stage, has suffered a paucity of critical, analytical, historical documentation. While there have been star-centered biographies of such tap dancers as Bill Robinson, Fred Astaire, and Savion Glover, there remains but a handful of histories exploring all aspects of the intricate musical exchange of Afro-Irish percussive step dances that produced the rhythmic complexities of jazz tap dancing.
The post The missing scholarship of American tap dance appeared first on OUPblog.
