By: Hannah Paget,
on 4/24/2016
Forever demanding new performers to interpret them for new audiences under new circumstances, and continuing to elicit a rich worldwide profusion of editions, translations, commentaries, adaptations and spin-offs, Shakespeare’s works have never behaved like unchanging monuments about which nothing new remains to be said.
The post Twenty-first-century Shakespeare appeared first on OUPblog.
By: Helena Palmer,
on 2/28/2016
When a weary Egeon laments in the first scene of The Comedy of Errors that in quest of his lost son he has spent five years "Roaming clean through the bounds of Asia," Shakespeare is characteristically using the word only in its classical sense, to indicate the Roman province of Asia Minor, a territory roughly equivalent to that of modern Turkey. Shakespeare’s sense of the geography of the rather larger area we now call Asia, like that of many fellow-Elizabethans, is more vague.
The post Shakespeare and Asia appeared first on OUPblog.
By: Hannah Paget,
on 11/29/2015
How many children had Lady Macbeth? The great Shakespearean critic L. C. Knights asked this question in 1933, as part of an essay intended to put paid to scholarship that treated Shakespeare’s characters as real, living people, and not as fictional beings completely dependent upon, and bounded by, the creative works of which they were a part.
The post This blasted heath – Justin Kurzel’s new Macbeth appeared first on OUPblog.
