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1. SDCC’15: Invite Goon creator Eric Powell to your 4th of July parties!

On the SDCC floor we caught up with creator of The Goon, Eric Powell, to talk about what could be the end for one of comic’s biggest cult icons as he wraps up The Goon: Once Upon a Hard Time. Read his thoughts about the challenges facing the modern creator owned era, an update from Hollywood, and some advice for throwing 4th of July parties.

Screen Shot 2015-07-15 at 10.05.29 PM

Comics Beat: First I had a friend of mine, I told him I’d be talking to you. He grabs me on the shoulder and says “You gotta ask Eric if he’s ever lit a car on fire!” is there a story to that?

Eric Powell: Yes [laughs] and the answer is yes. No for a long time I lived in a town called Lebanon Tennessee, which is about half an hour outside of Nashville. I had about seven acres, so we lived out in the middle of nowhere and I used to have pretty epic Fourth of July parties every year. It escalated from, you know, just having a bond fire to an entire like living room suite that we set on fire. [We] sat on the couches and took photos with the entire living room on fire. [Laughs] And one year, this was the topper. I’m not endorsing this… this is not a good idea; it’s actually a very dumb idea. We filled an old wrecked 1972 Nova with about $600 worth of fireworks and about three gallons of gas.

 CB: Wow!

EP: We had on a giant amp system… crap I’m drawing a blank. Oh, it was Jimmy Hendrix’s “National Anthem” blasting.

 CB: [laughs] That sounds like the right way to celebrate America.

EP: It was an epic 4th of July party. It was so good and so over the top that I was just like… I don’t think I should have parties any more because this one will never be topped.

 CB: Once you hit the top right.

EP: It was the pinnacle and once you hit the pinnacle, you know.

 Comics Beat: That brings me to my next question about hitting the pinnacle with Once Upon A Hard Time. We’re approaching the end of this run; are you still certain this is going to be the last story with “The Goon”?

Eric Powell: I don’t want to give too much away but if you want to consider everything I’ve done [with the character] as one story; this is definitely wrapping up what I started in the first issue of The Goon back in 1999. Now,  Dark Horse is putting out these Library editions. What’s great about it is we’ll be able to take this entire arc and have these nice hardcover collections that give you the entire story in one batch [including all the previous hard to find stuff]. But I’m not giving up on that universe that I’ve established. Like I said, I don’t want to give too much away but I will be doing some stuff that is directly connected to what I’ve established there. I’ve got a new project that hasn’t been announced yet, but will shortly, that deals with this universe.

The Goon - Once Upon a Hard Time 1

The Goon: Once Upon a Hard Time #2

 CB: That sounds awesome especially with so much to this universe readers might not pick up on. You’re not giving up the whole universe but will we still see The Goon?

EB: We’ll have to see. Read the last issue of Once Upon a Hard Time [laughs]

 CB: That’s just wrong man! [laughs]

Issue four’s had a bit of a delay; has that been because of you going back and having difficulty finding the right note to go out on?

EB: A little bit of that. There was definitely a lot of back and fourth on the script and I’m putting a little bit extra into the art. Also my schedule just got really crazy with Big Man Plans and some cover work; then it was convention season so it got a little behind. Really I just wanted this issue because it is wrapping everything up… I just wanted to do the best I can on it.

Big Man Plans #3  from Image Comics

Big Man Plans #3 from Image Comics

 Comics Beat: Very few have ever created something and even fewer with the longevity of The Goon, I completely understand. So, what’s your take on the wave of modern creator owned work?

Eric Powell: I’m really excited and happy to see so many people doing great creator owned books and to see it finally breaking out. Where you can have a book with no movie or TV tie-in selling 20 or 30 thousand copies and competing with stuff Marvel and DC is doing.

CB: It’s been a great thing for comics overall.

EP: It has, it’s helped the industry.

CB: More now than ever with stuff by independent creators there seems to be a flavor for everyone.

EP: Exactly, and I’ve caught a lot of flack talking about the need for it.

CB: [laughs] you’ve caught flack for a lot of different things.

EP: Yeah, but I’ve cost my self some work from it because I was so vocal, but I felt like I should stick to my guns and speak up. I grew up a Marvel kid. I read Marvel Comics, I love that stuff. I love the Hulk. Seeing that scene in Avengers where he picks up Loki and smashes him on the floor; I was giddy. But do I think that stuff should be given special treatment on the stands or the thing shops are solely ordering? We should be like television and we should be like film and we should have something out there everyone can like [for different audiences] to build a broader readership. Over the last five years or so it’s been exploding. We’ve got a huge female readership that’s opening up. It’s great. We need diversity, we need diversification, and the content to survive and grow.

 Comics Beat: True. With the recent partnership Dark Horse has announced. If that relationship were able to push The Goon into full feature (further than its been) would you come back and do another story to go along with it?

Eric Powell: Well we’re still working on our animated film. Tim Miller who’s the director of the Deadpool movie, his company Blur Studio, along with Jeff Fowler has been trying to get this thing off the ground. We’re still trying to get a studio behind it while finishing edits on the animatic we funded through Kickstarter. They’re putting together a package with Fincher again and going out and doing the hard sell. We’re still pushing it and trying to get this thing done.

CB: Well we hope to see it sooner than later considering you won’t tell me if I’ll ever get another Goon story. Thank you Eric Powell for talking with us; and every brutal, hilarious, and captivating moment since ’99. 

Once Upon a Hard Time #4

Once Upon a Hard Time #4

Ladies and gentlemen, Eric Powell has been on a hell of a run with The Goon and we can’t wait to see how he brings it to a close. It’s not too late to jump into the world of The Goon. Once Upon a Hard Time #4 comes out August. His other current project, Big Man Plans, published by Image Comics is also in stores now. Pick them all up and invite him to your 4th of July party at your own risk. 

 

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2. Review: Once Upon A Hard Time Is A Good Time For The Goon

By Davey Nieves

The Goon: Once Upon A Hard Time #1 

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Story & Art : Eric Powell

Publisher: Dark Horse Comics

 

 

 

If there’s a textbook that exist on making comics, then Eric Powell probably wrote about half of it. The five time Eisner Award winner consistently crafts quality stories with every book he produces. His latest, The Goon: Once Upon A Hard Time is yet another example of how great a work of art comic books can be.

After the events of Occasion of Revenge, the witch coven that demolished Goon’s life is closer to their goal of total control of the unnamed town. Powell shows how a character like The Goon can only be bent but never truly broken. The series opening picks up in the middle of his vengeful rampage against the Magpies who played him for a fool and shattered his world. It wouldn’t be a Goon story if it wasn’t coming at him from all sides as he’ll also have to deal with an angry Don Rigatti who’s seeking payback of his own for Rory’s death in the perevious series. For anyone looking for the humor of the older stories, there’s none to be found here. This story is an unrelenting tale of a man pushed too far.

Books like this are rare. Once Upon A Hard Time uses emotion to justify its sheer gorgeous brutatlity. There’s anger, grief, and fervor bursting from the panels drawn by Eric Powell. Each nuance shows just how much the characters have become part of him. There’s only a handful of panels where Goon isn’t holding a bottle or a weapon, or a bottle to use as a weapon. After all these years of creating Goon stories, Powell doesn’t relent on any of the most minuscule details when it comes to character.

The previous Occasion of Revenge story marked a turning point for the character in more ways than one. Powell’s inking experiments on his own work refined his detailed touch and added more power to the emotions already expressed on the page. All this helped the shock value of seeing those bright colors on the final pages. Once upon a Hard Time continues the affair with color splash but Powell’s evolution in rendering emotion is what sets it apart. Every ghoul, monster, and human like face expresses feeling in a way that few horror books can. You’ll see just how far he takes it in the panels with spider.

Perhaps the most unique thing about Dark Horse’s 50th issue of The Goon is how new reader friendly it is. That’s odd because it really isn’t suppose to be. If you’re already a fan of The Goon you won’t be able to understand the direction of this issue unless you’ve read Occasion of Revenge. Those that have never read Goon, who can accept the premise at face value will find themselves in such a violent and gorgeous world that can’t help but go back and read them all.


Goon or Goonies Dave rants about it on twitter @bouncingsoul217

 

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