Title: Firegirl
Written by: Tony Abbott
Publisher: Little, Brown for Young Readers
ISBN-10: 0-316-01170-3
ISBN-13: 978-0-316-01170-9
Ages: 8-12
Paperback: 145 pages
Publication: 2007 (reprint edition)
The most important thing in Tom Bender’s life at St. Catherine’s School was to gain the attention of Courtney Zisky and to take that long awaited ride in his best friend Jeff’s uncle’s Cobra. However, Tom’s life was about to change in unexpected ways when a new student was introduced by the teacher, Mrs. Tracy.
“I felt as if everyone’s eyes were on me. I must have dropped a gallon of sweat into my shirt. I felt my arms, sides, and waist dripping wet. But with that curled thing held out in the air toward me, I couldn’t not take it. I had to hold it. My hand reached out to hers and took it. I held it lightly, and I think she helped by not squeezing. My hand must have been sweaty. Her palm felt pretty normal. The skin felt cool.”
Firegirl is presented in first person from the events leading up to the introduction of the new classmate, Jessica Feeney, through the small steps that Tom takes in establishing a friendship with Jessica.
This heartwarming novel will inspire you. Share this book with your students and/or children and show them that simple acts of kindness can go a long way in making people feel loved and accepted.
It is no wonder that Firegirl was awarded The Golden Kite Award by the SCBWI.
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Reviewed by Donna McDine
Donna is a 2007 graduate of the Institute of Children’s Literature, Writing for Children and Teenagers program. She is also a member of the SCBWI. Donna has published in Stories for Children Magazine, Kid Magazine Writers, and Long Story Short.
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When I started reading Firegirl by Tony Abbott, the only thing I knew about it was that it was written by a guy from Connecticut. I've had some of my very best reading experiences when starting a book from a position of nearly total ignorance like that.
First-person narrator Tom Bender appears a little dull in the opening pages of Firegirl, and at that point a reader can't be blamed for wondering if she'll be able to stand being with him for very long. His best friend is an obviously shallow classmate Tom clings to because he doesn't have anyone else. Even his fantasy about saving the girl he's attracted to doesn't seem all that engaging...though he does dream of doing it with the help of various small superpowers. Nothing too ambitious for this run-of-the-mill kid.
When a new classmate appears, a jaded reader might begin to worry that this is going to turn into a problem book. The new classmate is, after all, a terribly disfigured girl who is undergoing treatment at a local hospital for the burns she suffered over a large portion of her body.
But Firegirl isn't about Jessica and how she deals with her personal tragedy. No, it's about sadsack Tom and how he deals with Jessica entering his life.
This poor boy is struggling so hard to hold on to his one friend, who really is no prize. At the same time, he is overwhelmed with the desire to do the right thing by Jessica whose injuries are so horrible that his classmates are shaken by her presence.
The intensity of Tom's turmoil and Jessica's family's suffering as well as the mystery around just what happened to her elevate this story well above a traditional what-would-you-do-if-this-happened-to-you tale.
At the end of the book, Tom, himself, says that very little has happened. Externally, he's right. The plot to this book is all inside Tom. A few weeks ago while blogging about another book, I talked about the difference between commercial (above-the-surface plot) and literary (below-the-surface plot)fiction. Firegirl seems to be a very fine example of the latter.
I'm very happy with how the books I've edited have been received so far. This year I had four starred reviews for four books: Year of the Dog by Grace Lin, Sound of Colors by Jimmy Liao, Nothing But the Truth (and a few white lies) by Justina Chen Headley, and Firegirl by Tony Abbott. I got more good news last week: Firegirl got its SECOND starred review!
So I'll take this opportunity to write about Firegirl just as I've written about Year of the Dog, Nothing But the Truth, and others.
This one came to me the traditional way, from an agent, but the interesting back story to how that came about is that it was sent to me because the agent, George Nicholson (a legend in the children's publishing field) was impressed with the work I had done to acquire Flight of the Dodo by Peter Brown, which was represented by his then assistant, Paul Rodeen. So I would never have gotten the opportunity to work with Tony if I had not met Peter at that illustrator party so many years ago. I like thinking about what events and connections had to have been aligned in order for something to happen.
So George sent Firegirl along to me. Tony Abbott is fairly well-known for his commercial, paperback-original series with Scholastic, The Secrets of Droon, but Firegirl was something completely different. I don't remember what the George said when he sent it over, but I do remember sitting in bed one night and starting to read the manuscript. I had no idea what it was about (I generally don't like to read cover letters before diving into the manuscript, which sometimes has proven problematic because there is oftentimes a due date or other pertinent information in the cover letter)--and I actually thought it was going to be a science fiction or fantasy novel, partially because of the title, and partially because the agent must have mentioned that his previous series was fantasy. At any rate, I had that delicious feeling of anticipation when you start to read a book or watch a movie that you know will be good but you have no idea what it's about. I distinctly remember feeling my heart beating faster because I was realizing the manuscript was special from the first few pages, even before getting to the part where Jessica joins the narrator, Tom's, seventh-grade class. I remember actually laughing out loud at Tom's fantasy sequences and thinking, wow, that's what I do. That's how I think. And then came the part where Jessica joins Tom's class, and that sealed the deal for me. Jessica, you see, is a severe burn-victim, and ultimately this book is about how her presence, even though she's only there for a short time, changes Tom's life forever.
My initial impression was right--this manuscript was special, from beginning to end. I found it to be compelling and quietly powerful, most of all because it was a novel that showed that even the smallest of gestures can make a powerful difference in a person's life. I brought it that week to our editorial meeting, where another editor wholeheartedly and passionately loved it as much as I did (thanks, Sara!), propelling it to our publications committee meeting where it went on to easily be approved. It was really interesting to see how much the novel touched everyone, and more than one committee member recounted a similar instance in their childhood that affected them.
We signed Mr. Abbott up to a two-book deal, and I hope Little, Brown will be his home for his literary fiction. Firegirl took very little editing on my part--my comments were all very small ones, and the changes that Tony made were subtle. It came to me in almost perfect shape, so I cannot accept any of the praise that it has been getting, except to say that I recognized this beautiful, wonderful book. Aside from its two starred reviews, it's received many other glowing reviews, including this one. Some say it has Newbery potential, but I'm not even going to dare to hope, although I certainly think it deserves it! (Then again, I think all of my books deserve Newberys and Caldecotts. Someday, someday... it's on my list of things to do before I die.) Oh, and since I'm talking about this (literally) beautiful book, I would also like to give props to the designer Tracy Shaw for the perfect jacket design.
Tony is working on his second novel now which is due out next Fall of 2007, and I'm very excited to say that although it's completely different, it's wholly as wonderful. I have no doubt that he is a future Newbery winner many times over, and I know he has a long, incredible career ahead of him. I'd be honored to be along for the ride!
Another sign of the literary for me? The book stays with you a long time, and not because of the plot.
I read "Firegirl" a year ago, and still remember moments quite strongly: the narrator standing outside Jessica's house, the feel of her hand when he holds it in class, etc.