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1. Molly's Bookshelf



I promised Molly I would write about some of her favorite books. First up is Katie Loves the Kittens, written and illustrated by John Himmelman, due in September 2008 from Henry Holt (9780805086829). I don't laugh out loud at many books but I did with this one! The words and pictures work together perfectly, telling a fine story with on the mark canine and feline behavior.
Katie's owner, Sara Ann, happily brings home three kittens, and Katie LOVES them right off. She's totally unable to contain her enthusiasm and scares them witless. She tries to behave and be quiet but she just has to be with them, she can't help herself. Katie frightens them again. Sara Ann scolds her, she berates herself, she's so sad she goes to sleep. What happens when she wakes up? You'll have to read for yourself. Cartoony drawings with lots of white space put Katie and the kittens center stage and simple lines explode with expression and animation. I felt so bad for Katie I just wanted to scoop her up and give her a hug. The final illustration is a delight! Molly gives this one 5 wags.

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In The Nine Lives of Dudley Dog by John and Ann Hassett, published by Houghton Mifflin (9780618811533), Sister wants a cat for her birthday but gets Dudley instead. He takes off during the party and proceeds through a series of perilous adventures, just scraping by with his life. The same refrain ends each close call "Do you think you have nine lives like a cat?" That night a cat -- looking very much like Dudley and wearing Dudley's collar -- returns to Sister. Her birthday wish came true. Hmmm. The Hassetts are definitely inventive picture book makers. My four-year-old niece pointed out the forshadowing in the cover illustration -- she got it right away! Three wags from Molly
Molly is a rescue dog, so she insisted I write about A Home for Dixie: the True Story of a Rescued Puppy written by Emma Jackson with photographs by Bob Carey. It's available now from HarperCollins (9780061449628/tr; 9780061449635/lb.) Emma tells us the heartwarming story of how she and Dixie got together and outstanding photos (lots of closeups) extend the story. Realistic and emotional but not cloying, this is a great addition to Molly's Bookshelf. Five wags.

Tupelo Rides the Rails
Written and Illus by Melissa Sweet
Houghton Mifflin (9780618717149) Available now

Another special dog finds a worthy home. Tupelo, abandoned by the side of the road with only her sock toy, Mr. Bones, courageously trots off in search of a place – “Everyone belongs somewhere” she says. She meets up with the BONEHEADS (Benevolent Order of Nature’s Exalted Hounds Earnest And Doggedly Sublime), listens to their stories, and observes their ritual bone-burying and wishes to Sirius, the Dog Star. A hobo named Garbage Pail Tex (wearing a shirt that reads ‘Going Places’) shepherds the dogs to Hoboken by train and he and his friends help find homes for the pooches. All except Tupelo. (Oh, my heart.) A full- bleed illustration shows Tupelo alone holding Mr. Bones in her mouth, the huge night sky above with Sirius shining in the distance. She makes her wish and is reunited with a good friend and finally finds her place. This folkloric story mixes up dogs, stars and trains and the power of the journey in a unique way, full of luscious language and subtle humor. And there’s so much to look at! Sweet uses watercolor and mixed media in full page illustrations, smaller sequential frames and extended foldouts. There are extras too – ancient star maps on the endpapers, a timeline in dog-years of dog heroes including Argos, Stickeen and Lassie, and information about Sirius. Five wags and a loud Arooooo!

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2. Prey by Lurlene McDaniel


Prey by Lurlene McDaniel

Reading Level: Young Adult
Pages: 208
Publisher: Delacorte Books for Young Readers (February 12, 2008)




Thus far, I've only reviewed books that I've really liked, so you may be thinking, "does Jill like every book she reads?" Of course not. I've read plenty of children's books I don't like but have decided not to review them because I really didn't think I had much to say except that they were just okay. I lead a team of writers at a communications firm and know how important it is to give constructive feedback to help writers grow. As a writer myself, I know what it feels like to receive wishy-washy, vague feedback. I need to know what needs work so I can improve, make it the best piece possible, and apply the same lessons to my next piece. So, in my opinion, if I read a book and don't have something constructive to say except I didn't like it, that's a useless review. That's why up until now I've intentionally chosen not to review books about which I had mixed feelings.

Last weekend, I read Lurlene McDaniel's new Young Adult novel, Prey, and I DO have something constructive (at least I think so) to say about it. It's a story about a female high school history teacher, Ms. Lori Settles who seduces her teenage student, Ryan Piccoli. We seem to be obsessed with real-life cases like this in this country. Probably the most infamous of these teachers is Mary Kay Letourneau who had two children with her teenage student and ended up marrying him when she finished her jail sentence. And then the 25-year-old teacher Kelsey Peterson made national news back in November when she was caught in Mexico with her 14-year-old student. As a former teacher myself, I am incredulous when I hear stories like this. Questions run through my head: Why would someone in such a professional and influential position do this? What was she thinking? What happened to this woman that would cause her to act this way?

I was naturally intrigued when I received a review copy of Prey. Perhaps this would answer some of my questions and get more into the head of these female predators. Prey alternates between the point of view of three characters: Ryan, Ms. Settles, and Honey, Ryan's longtime friend who is secretly in love with him.

The book gets off to a promising start. We learn from the very beginning that Ryan is intentionally Lori's target. From the very first day of school, she knows that, "he'll be the One" (p. 15). Upon reading this, I felt a chill and was eager to continue reading. However, I felt the seduction happened way too quickly, and Ryan's situation didn't seem realistic. His father is a traveling salesman and is out of town four days of the week. A housekeeper cleans the house, but doesn't live there and hardly pays any attention to Ryan when she is there. It almost seems too easy for Lori to manipulate him and too easy for them to get together.

Writing in first person is challenging and probably one of the most difficult tasks to pull off well. Successfully writing from the first person point of view of multiple characters is extremely difficult (I'm thinking of Faulkner here, who I believe was a master at this). I applaud McDaniel for taking a risk here. I was interested in the relationship between Honey and Ryan and then Ryan and Lori, but McDaniel never really went deep enough with the characters. While Honey's character was needed to describe Ryan's friend's and family's concern about his sudden change in behavior, I often felt she was just an aside, an interrupter of sorts, especially when her chapters disrupted the flow and momentum of the novel.

In addition, at some points, McDaniel didn't seem to capture the teenage voice in a believable way. For example, at one point in novel, Ryan hears that a coach at the school has been asking Lori out. When Lori picks him up for a tryst, he confronts her. Here's how he describes his feelings to the reader, "Rain is pelting the windows, sluicing in long noisy rivers along the glass, like a knife cutting through my heart. The windows are fogged, moist from our breath and the heat of anger. Hot wetness swells behind my eyes. I'm acting like a jerk, but I can't help myself. I have to know the truth about her and Coach" (p. 76).

To me, language like this coming from a 15/16 year old seems inauthentic, while at other times, he's completely thinking like a teenage boy. McDaniel did, however, make Lori Settles seem to be the most authentic and consistent of the characters. We see what's going on in her mind, what makes her tick, and her deliberate plot to seduce him.

Oh, and let me address the white elephant in the room: how were the sexual encounters portrayed? McDaniel tastefully describes the seduction and subsequent encounters. Without going into detail, she leaves much to the imagination and doesn't get too graphic. But don't get me wrong--we are talking about a teacher having sex with a teenage boy. It's in the book, but I was never shocked or offended or thought McDaniel went too far. Given the sensitive subject matter, I'll leave it up to you to decide whether or not you think it's appropriate for your teen, and I would only recommend this for teens.

Overall, Prey was a good story on surface level, but it lacked the depth, consistency, and authenticity that would have made it a great story. McDaniel herself admits in the author's note that this is not typical of her writing, and I commend her for stepping outside of her comfort zone. I also admire her for addressing such a serious issue and hope that teenagers who read the book will be able to spot the warning signs if their friends start to behave differently and secretively.

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