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Viewing: Blog Posts Tagged with: technology in writing, Most Recent at Top [Help]
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1. Tools of the Trade


Fortunately, when it comes to the act of physically writing, I have MANY tools at my disposal.

For example, and gratefully, my iPhone.

Should my laptop refuse to reboot due to a software problem and require a 4-day repair visit to my local Best Buy's Geek Squad the Sunday before my Monday TeachingAuthors post is due, no problemo!

I simply create an email addressing the topic, request my TA administrator Carmela post it for me, along with an evidentiary photo, and remain grateful for the many and varied Tools of my Trade...as well as for Carmela. ☺️

Esther's laptop on Geek Squad counter
So, here are a few of the salient points I fully intended to post in the traditional manner via my laptop had it successfully rebooted this morning:

(1) To date my writing tools have included #2 pencils, pens of all sorts, manual and electric typewriters, a word processor, stack and laptop computers and one trusty iPhone.

(2) Thinking on this topic, examining my modus operandi when writing creatively, I surprisingly realized my multi-sensory learning style that enables me to READ must also be executed when I WRITE!

Note: Picture here the Five Senses Chart I'd planned to share.

Using my penmanship that combines both printing and cursive, because my 6th grade teacher Miss Peterson allowed us to choose and I couldn't decide, I write by hand in notebooks, on legal pads, on sticky notes, on napkins, on match books and menus and torn newspaper items when I am rolling out and exploring a story idea.

When I'm ready to roll everything up, though, and begin an actual story draft?
I'm seated at my laptop, ready to keyboard.

(3) In my Google search to learn more about multi-sensory learners, one link led to another and there I was learning all about BIC Fight for Your Write -www.bicfightforyourwrite.com.
BIC is on a mission to save handwriting.
Clicking on the Facts page at this website, I read that handwriting engages 14 different abilities, one if which is Inner Expressive Language.
No surprise there, at least for me.
Long live the Writer's Notebook!
Visit the website to learn more and maybe even sign the petition.

Hopefully my laptop and I will be back in business by Friday.
(Siddharta  promised.)
Meanwhile, I have my iPhone ....and should that require service, my Seven-year Pen.



Happy Writing, no matter your chosen tool!

Esther Hershenhorn
P.S.
Don't forget to enter our Book Giveaway!

P.S.S. from Carmela: I couldn't resist leaving in Esther's signature line from her email, just as she sent it:

iPhone compozed - sry 4 eny typoze=

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2. Poetry Friday and Writing Longhand Vs Keyboarding

http://images.indiebound.com/400/462/9781568462400.jpg

Happy Poetry Friday! Y'all are going to start to think that I only read poetry by J. Patrick Lewis. That is not true, though he is so versatile and prolific that I could share new poems here every time I post, and you would still enjoy a terrific variety, a great education in the art of poetry. I recently received a review copy of his forthcoming Everything Is a Poem: The Best of J. Patrick Lewis (Creative Editions, 2014). That's right. Pat is a rock star, and he has a greatest hits album!

I devoured this book start to finish, and I adore it. It collects some of his poems from the 1980s up to 2010. The topic categories include Animals, People, Reading (yes!), Sports (eh--only because I'm not a sports fan), Riddles and Epitaphs, Mother Nature(always my favorite), Places, and A Mix. The forms cover a huge range, from free verse to rhyming to specific poetic forms. If you're a fan of Lewis' work (and if not, why not?), do not miss this collection.

It was tough choosing just one to share, as there are around 60 poems here. But this is one of my very favorites:

What a Day

Out of dark's rougher neighborhoods,
Morning stumbles,
none too
bright,
recalling now
the thief,
Night,
who stole her work
of art--
Light.


--J. Patrick Lewis, all rights reserved

Here I am reading this poem:




Now, on to the question of longhand vs. keyboarding, the conversation Carmela started earlier this week. I come down firmly on the side of keyboarding. I do my morning pages that way (sorry, Julia Cameron), I do my nonfiction this way, and I do my poetry this way. At least, I prefer to. I do sometimes write longhand, usually when I'm on the road and don't have a keyboard handy. (Even then, I often carry a portable keyboard that works with my iPhone and is amazing!)

I feel stilted and uncomfortable writing in longhand. My hand can't keep up with my brain, and I can feel the ideas and phrases slipping away faster than I can record them. It's like being trapped in a cave where all this treasure is quickly draining down a hole in the floor, and I only have a tiny spoon to try to grab diamonds before they disappear. So, give me a keyboard any day!

One thing I don't mind doing at all in longhand is brainstorming. If I'm coming up with ideas or just playing around with thoughts on an existing piece, I'll happily make lists and charts and such. For example, when I was first working on poems for a night collection that will come out from Wordsong, I filled a little notebook with thoughts and possibilities.

 
 
And, recently, while doing revisions, I had a typed version with me that I made notes on while riding in a car or when I only had five minutes to work. That's when longhand works best for me, when I'm sporadically jotting notes. Write a few words. Put down the paper and go back to what I was actually supposed to be doing. Oops--new thought--grab that paper.



I will say that when I did Riddle-Ku on my blog for National Poetry Month, I wrote 95% of those while riding in a car along Lake Superior in February. I had a little mini-notebook just for that project, and every time I sat down in that seat and picked up my notebook, the poems started pouring out. For very short poems, I don't mind writing longhand. But...if I'd had my keyboard in the car with me and if my phone's battery lasted longer, I'd probably have been typing:>)

You don't have to write longhand OR by keyboard to go enjoy some more poetry! Poet and teacher Heidi Mordhorst at Juicy Little Universe has today's Poetry Friday Roundup--so don't miss it!

And if you haven't already done so, don't forget to enter our current giveaway for a chance to win the historical middle-grade novel Odin's Promise (Crispin Press) by Sandy Brehl. See JoAnn's post for all the details.

--Laura

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3. Writing Longhand vs Typing: Does it Make a Difference?


Which do you prefer: writing longhand with a pen (or pencil) on paper or typing on a keyboard/electronic device? This is the question I posed to our TeachingAuthors for the series of posts I'm kicking off today. As I considered my own answer, I found some interesting information on how our writing tools may affect our creativity.

I was about twelve or thirteen when I first started writing for myself (as opposed to for school assignments). Back then, the only alternative I had to writing longhand was a manual typewriter on which I could eek out maybe 10-15 words per minute. So longhand it was. I wrote poetry, journaled, and did all my school assignments in longhand. When necessary, I then transcribed my written words to the printed page via my beautiful blue Smith Corona.

cropped version of photo by mpclemens, per CC rights 
By the time I started working as a freelance writer (MANY years later), personal computers had arrived on the scene. And I'd learned to type MUCH faster. So, for the sake of efficiency, I adapted my writing process to compose directly at the keyboard (as I'm doing with this blog post), but only for the nonfiction pieces I wrote for newspapers and magazines. For my "creative" writing--journals, poetry, short stories and my first novel--I stuck with longhand.

Then came graduate school, with its requirement of forty typed pages of writing per month. Once again, I adapted. I sat pounding out fiction--first short stories, then novel chapters--directly at the keyboard. For the most part, that worked fine. But every so often, I'd get stuck. I couldn't find the right words, or the words didn't have the right rhythm, or I couldn't get the feelings to come across on the page. I'd sit staring at the blinking cursor, my fingers frozen on the keys.

That's when I'd go make another cup of tea. Or stretch. Or take a walk. Sometimes that helped. But not always.

One day, while working on Rosa, Sola, I got the idea to take up a pen and write out a question for Rosa, my main character. I asked her what she was feeling in the particular scene I was working on. Then I closed my eyes and tried to imagine I was in Rosa's shoes at that moment. I opened my eyes and wrote the answer to the question, longhand, from Rosa's point of view. I was amazed at the words that flowed from my pen. They not only gave me insight into Rosa and her feelings, but also ideas for what would happen next in the story.


From then on, whenever I got stuck, no matter what I was writing, I turned to paper and pen. And almost every time, the writing was better than what I'd struggled to generate via the keyboard.

I decided to research why for this blog post. Chris Gayomali's Mentalfloss article "4 Benefits of Writing by Hand," like most of the other articles I found, says writing longhand makes you a better writer mainly because it slows you down. I think there's more to it than that. Otherwise, I could get the same benefits if I just typed slowly. But that doesn't help me at all.

I suspected that the difference really has something to do with how the physical act of putting pen to paper affects the creative side of our brain, our "right brain." Typing, on the other hand, seems to involve more of our logical left-brain.

Researching further, I found a Paris Review interview with poet and author Ted Hughes in which he said:
In handwriting the brain is mediated by the drawing hand, in typewriting by the fingers hitting the keyboard, in dictation by the idea of a vocal style, in word processing by touching the keyboard and by the screen’s feedback. The fact seems to be that each of these methods produces a different syntactic result from the same brain. Maybe the crucial element in handwriting is that the hand is simultaneously drawing. I know I’m very conscious of hidden imagery in handwriting—a subtext of a rudimentary picture language. Perhaps that tends to enforce more cooperation from the other side of the brain. And perhaps that extra load of right brain suggestions prompts a different succession of words and ideas.
This explanation rings truer for me than the "slower is better" theory. What do you think? I'd love if you'd let us know in the comments.

But first, you may want to also read Kelly Barson's fascinating article "Writing from Both Sides of the Brain" in the Hunger Mountain journal. Just make sure to come back here when you're done!

Okay, so if you read Barson's article, you know it includes several references to Julia Cameron, author of The Artist's Way (Tarcher). Cameron also recommends writing longhand, at least for "Morning Pages." As it happens, I'm currently preparing to teach a new 12-week workshop on The Artist's Way at the College of DuPage that will begin at the end of the month. This Wednesday, August 13, I'll be presenting a free Lunch Break Lecture giving potential students a "taste of" the workshop. If you're in the area, I hope you'll join us. Check my website for details.

And if you haven't already done so, don't forget to enter our current giveaway for a chance to win the historical middle-grade novel Odin's Promise (Crispin Press) by Sandy Brehl. See JoAnn's post for all the details.

Happy writing!
Carmela

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4. Babies and Toddlers and Txtng, O My!


              :)  TXTNG  :(

Did you know
that long ago
the Greeks gave us our vowels –
our A and E and I and O
and Y (that sometimes) howls?
Yay! :)

But…
OMG!
How :( I M
2 c what txtng’s wrought!
When now I tweet
words short n sweet
I X the vowels Greeks brought!

                   * * * * *
How nice 2 B 2day’s TeachingAuthors contributor  to Poetry Friday.
10 Q April Halprin Wayland and CarmelaMartino and Jill Esbaum, our group blog’s “usual” Poetry Friday posters, for allowing me to take this Friday slot and thus continue the celebration of Sleeping Bear Press’ release of my new baby board book soon to arrive in stores everywhere, TXTNG MAMA TXTNG BABY.

FYI: Our week-long celebration includes a Book Giveaway of TWO signed copies of this perfect baby gift of a book.  Click HERE for the details and be sure to enter by next Tuesday, August 13.

I wrote in Monday’s post how my grandson inspired TXTNG MAMA TXTNG BABY whilst he was in utero.  My Baby Antennae had been (understandably) working overtime.  All I saw – everywhere I looked – were Mamas thumbing their hand-held devices and nearby, babies finger-swiping the same.
                                                    
     Texting Mamas…
     Texting Babies…
     What’s up with THAT? I wondered.

To answer the above question, and the millions that followed, I spent a whole lot of time (cer10ly longer than my grandson’s gestation!) researching Texting and Technology as well as their impact on Babies and Toddlers.

I needed to know:  just what is text?”
There were definitions aplenty but linguist David Crystal’s TXTNGThe Gr8 Db8 (Oxford University, 2009) allowed the writer in me to understand this language – and – its features, several of which I shared in my Wednesday Writing Workout.
And is texting really killing writing?
There were opinions aplenty.
Fortunately, I came upon Columbia University linguist Dr. John McWhorter’s TED Talk – “Txtng is killing language. JK!!”
McWhorter considers texting “a whole new way of writing,” fingered speech that allows us to write the way we speak, an expansion of a young person’s linguistic repertoire.
Noting texting’s loose structure, McWhorter remarks, “No one thinks about capital letters or punctuation when one texts, but then again, do you think about those things when you talk?”
Click HERE to listen to Dr. McWhorter's TED Talk. Enjoy and learn!

I needed to explore and experience 2day’s Babies’ and Toddlers’ Techy-Techy World, the Digital World in which these smallest of humans live and breath and laugh and learn, not to mention, swipe and tap and thumb.
Every day brought A New Something with A New Action, A New Opportunity, a New Possibility for digital natives, both parent and child.
Hanna Rosin’s comprehensive article “The Touch-Screen Generation” in the April 2013 issue of THE ATLANTIC magazine grounded, informed and enlightened me. 
Click HERE to check it out for yourself, making sure you leave time for the Readers Comments.

Finally, I needed to read and understand the research.

Dr. Marie Donovan and Dr. Roxanne Owen of DePaul University’s College of Education connected me to the Fred Rogers Center for early learning and media at St. Vincent College.
I explored the website, read the studies and findings
and understood instantly the requisite human touch Touch Technology demands when it comes to babies and toddlers and technology.
Click HERE to read their newest posting on imaginary play with technology.

I M still on the hunt for anything and everything that is remotely related to babies, toddlers, texting and technology.
I clip, I cut-and-paste, I purchase, I stockpile.
Wednesday, the Chicago Tribune brought news of smart watches.
Later that afternoon, I discovered the BabyBook Onesie at Northwestern Memorial Hospital’s Zen and Now Gift Shop.

Who knows WHAT might juice my Writer’s Muse next week, next month, next year?

4 now, I M Byond :) I was able 2 use this newest of languages 2 cr8 TXTNG MAMA TXTNG BABY and bring my grandson’s Digital World to the ultimate hand-held device: the baby board book.

10 Q for letting me share.

 And Happy Poetry Friday!

 Esther Hershenhorn
 


7 Comments on Babies and Toddlers and Txtng, O My!, last added: 8/10/2013
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5. So Not a Techie

     This is Teen Technology Week.  http://www.readwritethink.org/classroom-resources/calendar-activities/celebrate-teen-tech-week-20714.html  I am not a teen. When it comes to technology, I am the worst. Left to my own devices I would be writing this on my original Radio Shack desk top with a tractor feed/daisy wheel printer. If you know what I am talking about you are so not a teen either. I got those high grade pieces of hardware complete with lots of floppy disks in 1987.  I would still have them if they will worked.

     But of course the world of technology moves on and on. When the first laptops came out, I fantasized endlessly of the possibilities...why you could write anywhere. I also had to fantasize how to pay for such a fabulous indulgence.  Eventually the prices came down (they are still in the indulgence category) but for my never-home-butt-in-a-desk-chair, they are a necessary indulgence. Up until recently (when my daughter finally got her driver's license) I spent 70% of my day in some sort of waiting room (skating rink, orthodontist, tutor's) waiting for her. I flash back to my mother doing the same sorts of things when I was Lily's age. Mom always had a political biography and a copy of Newsweek to keep her occupied while I was at piano/guitar/choir. I have my laptop and Kindle, Apple cell phone with iTunes built in.

    Appreciating their value, however, is where my knowledge ends. Nobody at my house is a computer  geek. Whenever anything blinks, or bloops, or blacks out, I perform my three known cures. 1) Check the computer cord. Both of my animals like to gnaw on it. For every laptop I've owned, I've had to buy three additional cords. 2) Check the battery. 3) Unplug, replug, reboot.  When all else fails, pack everything up and down to my neighborhood mom-and-pop computer shop. Unfortunately, we are on a first name basis.

    I am sure my lack of tech savvy stems from my lack of a left brain. I was a terrible science student and even worse at math. My mind doesn't work in logical ways.

    This is not just a problem for my writing equipment. It's a problem when writing contemporary YA and MG. I notice there is a big boom of MG and YA books taking place in the 80's. I figured this might have something to do with the age of the author...this was their childhood.  However, it was also the age of no cell phones, big lunky computers (without screen graphics), Walkmen and all the other techie tech stuff we take for granted today. Sometimes you don't realize that the book is set in the 80's until you see that 1)no one has a backpack 2) no has a cell phone. Then someone mentions A Flock of Seagulls or Flashdance t-shirts and you think "Oh, this is the 80's." I am curious as to what young readers think about such a curiously primitive world. (Maybe some of you librarians or teachers who know, will tell me.)

    Technology is so fluid, it's impossible for me to catch up with what's happening right now. When you are a writer, the lightening speed of every-week-a-new-app-a-new-gadget smacks up against the ploddingly slow world of publishing. Even in the best of times, it's a minimum of two years from signing the contract to seeing your book in your hands. That is, however, after you've spent years writing the book and years trying to sell it.  Whatever specific technology you have in your story has probably gone the way of the Discman and transistor radio. The one and only time I thought I was safe was in a short story I wrote for the anthology Such a Pretty Face. Once I had the final draft done I knew the turn around time would be less than eighteen months. Who knew that in those 18 months the world would stop "instant messaging" (IM'ing) and start "texting."  Cringe, cringe. cringe.  Lesson learned.

    Now when I am forced to include technology in a story (and if you are writing contemporary fiction, you will) I am as generic as possible in naming them. No brand names (companies go out of business faster than we can write a book), no model names (there are new ones every year), no specific video games, music sources, etc etc. In writing classes we were told not to include specific TV show, actors, or bands, because of their transient nature. Being that specific will date the book. The same thing goes for technology.

    Somedays, writing about A Flock of Seagulls sounds pretty good.

    Don't forget to enter our latest giveaway for Tamera Wissinger's new book Gone Fishing.

Posted by Mary Ann Rodman

1 Comments on So Not a Techie, last added: 3/7/2013
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