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Comma Press are looking for new Short Stories set in Liverpool for an anthology called 'Reberth.' The book will be published in December and will be made up of short stories from the ‘Cities on the Edge’. ‘Cities on the Edge’ is a partnership of six European cities: Bremen, Gdansk, Istanbul, Liverpool, Marseille and Naples. The Comma Press website explains: "At Liverpool's invitation, they have come together in Liverpool's European Capital of Culture ‘08 year to examine their roles as historic ports. The cities all share a sense of independence (almost as city states, as islands within their national territories). Equally, they are characterised by a critical edge; a rare combination of individualism and a strong sense of community; a reputation for creativity; and a long and vivid history. They are essential to the definition of the cultural identity of their respective countries, but don't always feel loved or understood by their countrymen. "Featuring two 2 stories set in each of the ‘Cities on the Edge’, ReBerth aims to give a flavour of the peculiar cultural potency of these cities: their diverse traditions and religions; their cultural practices (both old and new); their movement away from reliance on a shipping economy, and towards a model of cultural regeneration and exchange; and above all, their ‘edginess’. "We particularly welcome stories embracing the notion that port cities are a destination – and sometimes a stepping-off point - for migrant communities: people embarking on a new life; in search of sanctuary, salvation, or rebirth." What they are looking for: • Cohesive, subtle, insightful and well-shaped stories of literary merit. • Stories which touch on one or more of the above themes. • Stories set against the recognizable backdrop of the city of Liverpool (or in which geographical features of the city play a role in the story). • Contemporary stories (stories set within the past twenty-five years). What they are not looking for: • Character sketches, anecdotes, comic capers (particularly comic capers featuring ‘loveable rogues’), benign childhood memoirs. • Stories which set aside clunky, separate passages for scene setting, characterization, plot exposition or flashback. • Stories including any material to which the author does not own copyright (e.g. song lyrics). • Previously published works. Submissions should be between 1000 and 5000 words in length (approx). 2 submissions maximum per author will be considered. We will pay authors £200 for each story we use in the anthology. You are strongly urged to visit the ‘General Guidelines’ below and the Editorial page of the website (www.commapress.co.uk) for further guidance on submitting manuscripts. Email submissions as a double-spaced word document attachment before Friday 1st August 2008 to [email protected] Good luck

Jewish Holidays All Year Round by Ilene Cooper. Illustrated by Elivia Savadier. Harry N. Abrams, 2002 (0-8109-0550-7) $18.95

I started out liking this book for its fresh and lively cover illustration of a multicultural Passover gathering, and I continued liking it for its fresh and lively text. The stories of the Jewish holidays have been retold so many times, it's a pleasure to hear them in a distinctive voice, as well as to see portrayals of less conventional Jewish families. In addition to the bright pen & ink and watercolor illustrations, the book also contains photographs of artwork from the Jewish Museum in New York City, offering many different expressions of Jewish life and art: four different menorahs, for example, range from a delicately wrought metal lamp from North Africa to a modern interpretation using eight small Statues of Liberty and the American flag.

The Jewish calendar has a number of holy days which are difficult to explain to children, like Yom Ha-Shoah, Holocaust Rememberance Day. Jewish Holidays All Year Round includes those emotionally charged holidays, but its descriptions are pretty minimal (also a little confused: "six million Jews and other people died during the Holocaust"), leaving parents or teachers to decide how much of the story to tell. A short bibliography of Holocaust fiction for children and young adults is included.

The least successful portion of this book is the activities contained in each chapter: most are recipes requiring a lot of adult help, and the illustrations of items like an elaborate mechanized purim noisemaker from Russia will not satisfy children making groggers out of empty coffee cans.

Overall, this is an excellent resource for Jewish families; it's enjoyable to read, and the range of illustrations from the joyfully simple to the intriguingly sophisticated gives it visual appeal for a wide age range. (4-12)

Why should Poetry Friday have all the fun? Kidlitosphere-ers have been invited to make Mondays Nonfiction Mondays. I'm not really prepared, but I did do this short review for a bibliography recently, so I'll throw it into the pile




Kids Need to Be Safe by Julie Nelson. Illustrated by Mary
Gallagher. Free Spirit, 2006 (9778-1-456-4288-7)

This book intended for children in foster care keeps things simple and direct. "Foster parents take care of children when parents need help. Foster parents have a bed and food and toys for children. Foster parents keep kids safe. Kids are important. Kids need to be safe." The last two lines are repeated over and over throughout the book, a mantra child readers will hopefully take to heart. Without placing blame on parents--"sometimes moms and dads need to solve big problems"--the book briefly describes some of the reasons kids might need to be in foster care, and some of the difficult feelings they might have about it, but keeps its focus on that message: "Kids are important. Kids need to be safe." The general tone will make this a good springboard for discussions; it might also be helpful for kids who have friends in foster care as well. I only wish it had included some advice for children who still feel threatened in their foster homes. (4-10)