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Viewing: Blog Posts Tagged with: marketing tasks, Most Recent at Top [Help]
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1. Game of Thrones Playing Cards

Not long until it’s Game of Thrones all the way, as the new season premieres in the Spring, In the meantime, in order to celebrate Game of Thrones as well as other hit shows, Ladbrokes Poker has created a set of illustrated playing cards that feature the programme’s central characters.

Star performances from the show’s top characters draw in millions of viewers every week and scenes featuring Joffrey Baratheon, Daenerys Targaryen and Jon Snow are among the most popular. Let’s take a look at these characters to see why Ladbrokes have chosen to feature them on their site.

joffrey Game of Thrones Playing Cards  Character Name: Joffrey Baratheon.

Position in Show:  From the House Baratheon of King’s Landing, known as the King of the Andals and the First Men, and is the legal son of King Robert Baratheon.

Character overview: Now deceased after being poisoned during his wedding dinner, Joffrey was known to be cruel, arrogant and the epitome of a tyrannical ruler. He was also naive and foolish, and his rash actions were often put down to his incestuous descent.

 

daenerys Game of Thrones Playing CardsPlaying Card: King.

 

 

 

Character Name: Daenerys Targaryen.

Position in Show: From the House Targaryen, daughter of King Aerys II Targaryen.

Character overview: Known for her intelligence, Daenerys is one of the show’s central and most popular characters, which is what earned her the title of Queen in the Ladbrokes online game. She has a polite nature and calming personality that can sometimes see her look at the world with rose-tinted glasses. While a little naïve at times, she is filled with silent fortitude that makes this character notably strong.

Playing Card: Queen.

jon snow Game of Thrones Playing Cards

 

 

 

Character Name: Jon Snow.

Position in Show: From the House Stark, known as the Lord Commander of the Night’s Watch and famous for being the bastard son of Lord Eddard Stark.

Character overview: Jon is one of the most honourable characters in the show, and his clear understanding of right and wrong can make important decision making tasks particularly hard. He formed strong relationships with his half-siblings and has a compassionate nature, which can add to his protective side. Jon also has a charming shyness around members of the opposite sex.

Playing Card: Jack.

 

 

Ladbrokes’ illustrated playing cards that feature some of the most loved characters from Game of Thrones, as well as popular characters from other hit shows can be seen on the Ladbrokes site.

 

This post complies with our disclosure policies.

 

 

0 Comments on Game of Thrones Playing Cards as of 12/2/2014 1:51:00 PM
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2. Four People and a Playwright Looking for a Decent Play

This was a time-waster while developing characters in my play, "Gin..." As the playwright plodded along adding and deleting dialogue, the characters of the play began to show signs of rebellion - at least they thought it was rebellion since they weren't exactly sure what a rebellion was. It's a longer piece but an enjoyable light one. It's cut and pasted from Word so ignore the formatting.


By Eleanor Tylbor
 
 
AT RISE:      
 
Four women are seated on fold-up chairs around a card table, absorbed in adjusting the playing cards in their hands. Bowls of popcorn and soft drink cans litter the surface of the table. On the other side of the stage the playwright (JULIE) is sitting at a computer desk, arms bent at elbows, staring out into space. She works the keyboard as the characters recite their lines
 
BRENDA
In case anyone cares, something is about to happen…very soon now…could even be momentarily…I can feel it…
                         Lays cards down on the table and thrusts remaining card in the
                         air for all to see
 
(Cont’d.) Victory is at hand – or inmy hand, in this case! Oh I’m a winner all right!
CHARLENE
                         Shoving a hand full of popcorn in her mouth
 
Goof fo' you. Paf me de drink, Miffi
 
BRENDA
Didn't your momma teach you it's not nice to eat and talk? Then again for some people, a full mouth is part of a lifestyle. Isn't that right Mitzi, honey?
 
MITZI
Jealousy will get you nowhere, sweetie.  At least I'm not a dried up where it counts!
 
BRENDA
Touchy! I was merely commenting to Charlene that well-bred people don't speak with their mouths full! But then being that you’re a multi-tasker…I mean handling more than one person at a time…
 
MITZI
Breeding comes naturally in your family, doesn't it? Did they forget to give you your cube of sugar today? Clop your hoof once for yes and two for no
 
CHLOE
(to herself)
Bicker, bicker…bicker, … It would be nice to have a quiet game of cards for a change without throwing verbal knives at each other
 
CHARLENE
I think I'm close to calling Gin…
 
BRENDA
I would stay out of this if I were you, Chloe. Is your brother eligible for parole, yet?
 
CHLOE
I'm gonna start calling you Bossy, along with the other "b" word that rhymes with itch, and usually associated with a female dog! I try to be nice to you and what do I get in return?
 
                         CHLOE stares into space for approx. 10 seconds in silence
 
What do I get in return? Does anybody know?
 
CHARLENE
Do we guess?
CHLOE
I don’t think so. My mind is a complete blank. Is that normal?
 
           Pause of 10 seconds while they all stare out into space
 
CHARLENE
I’m waiting

BRENDA
Me too. What are we waiting for?
 
MITZI
Some words and sentences I think

 
BRENDA
(puzzled)
Don't blame me for what comes out of my mouth. I just say the words. I don't create them. By the way, Chloe, what's your brother in for this time? Armed robbery or is it murder? I didn't mean to say that…or maybe I did…I’m not sure
MITZI
I really don't know why but I feel compelled to tell you…
 
                         Stands up and leans over the table towards BRENDA
 
BRENDA
(standing up)
What? Anybody?
 
MITZI
Why am I standing? I mean, what's my motivation? Could somebody tell me, please?
 
CHLOE
So sit down if you’re not sure. My philosophy is when in doubt – don’t
 
MITZI
Don’t what?
 
CHLOE
Um - I dunno. Take my word for it and just don’t. That’s all
 
CHARLENE
(excitedly)
Gin! What’s supposed to happen, now?
 
BRENDA
I’m not sure but I think something important is gonna happen. I can feel it in my bones. Does anybody have any ideas?
 
MITZI
Well…for starters, we’re all holding these hard pieces of paper in our hands
 
CHLOE
I wonder if that’s significant. What do yours look like, Brenda?
 
BRENDA
Let’s see… White background with red and black thingies…
 
MITZI
Thingies?
 
BRENDA
I dunno what you call them but they’re pretty, though. And there are numbers in the corners
 
CHLOE
Same here! Go figure!
 
MITZI AND CHARLENE TOGETHER
Ours too!
 
BRENDA
Okay. We’re making progress here. Hey! These are playing cards
 
 CHARLENE
You think?
 
 BRENDA
I know for a fact! Those words just popped into my head!
 
CHARLENE
So you say. You could’a just make them up on the spur of the moment to impress us
 
BRENDA
Have you ever heard me use them before?
 
CHLOE
I never heard them in my entire life and that’s the truth
 
BRENDA
Then you’re all just gonna hav’ta take my word for it! These things are called playing cards
 
MITZI
Let’s say you’re right. What about them?
 
BRENDA
I dunno…What comes next?
 
CHARLENE
Y’know - I’ve been wondering if I should be eating popcorn or maybe change it for something else like, candy for example or ice cream
 
MITZI
All you think about is food, food, food! There are more important things in life
 
BRENDA
Really? Like?
 
MITZI
Well…there just are. I feel it

 
CHLOE
Sometimes, I get the feeling like I'm a puppet on a string or something, bowing to someone's wishes. Do any of you ever get that feeling?
 
CHARLENE
I said, ‘Gin’! Hello? I'll try again. Gin… Gin… Gin!
 
ALL TOGETHER
So?
 
CHARLENE
Darned if I know. We show up every day and twice on weekends holding these playing cards in our hands. Why I keep asking myself. Why am I here? Why are we all here? Sometimes I yell out,  “Gin!” out loud but nobody answers. Shouldn’t somebody answer me? I’ve been screaming that word for the last six months. Always the same words and lines and then I call out, "Gin!"
                         Stares out in space and babbles to an invisible person
 (Cont’d.) ‘…she tries to make the others understand but they just stare at her blankly…she must determine the reason for her very existence…’
 
BRENDA
Who are you talking to?
 
CHARLENE
I really can’t say. Suddenly a bunch of words came tumbling out of my mouth for no reason. It's not the first time this has happened
 
BRENDA
Ask Mitzi. She knows all about objects in mouths
 
MITZI
I'm so sick of your sexual innuendoes, Brenda
 
CHLOE
Why do you react that way whenever the word “mouth” is mentioned?
 
MITZI
It’s not that I want to but I feel I have to. It’s as if I don’t have any choice in the matter
 MITZI stands up with hands on hips, leans forward until her face  is directly in front of Brenda

BRENDA
Yes?
 
MITZI
And…um…something else…
 
                         Moves away from table, hops up and down and starts
 shadow boxing, fists waving in the air
 
(Cont’d.) I took a self-defense course! My hands are lethal weapons!
 
                         Cuts the air with side of hand
 
CHLOE
And that means…?
 
MITZI
You are so not with it.  It means…it means…
 
BRENDA
Oh pllleeze! She doesn’t know
 
BRENDA
Let's settle this once and for all! C'mon – right here and now
 
MITZI
Fine with me…what are we supposed to do next?
 
BRENDA
Just… keep hitting the air and dancing around I suppose
 
                         BRENDA and MITZI spar, fists jabbing the empty air
 
CHLOE
                         Stands up and places her purse strap over her shoulder
 
That's it! Nobody seems to care that I have yelled “Gin!”…whatever that means, but I'm sure it's important.  I don't know about you all but I'm leaving! Anybody else gonna follow me?
 
 MITZI
                         Attempts to attract the attention of the playwright
 
Hello? You up there? Could you stop staring at that screen for a minute? This isn't working for me at all. I'm sick-and-and tired of being a slut with a one-track mind. This play of yours is a bunch of words with no plot or direction and it breaks every playwriting rule in the book. Where's the protagonist and antagonist?
 
CHARLENE
What are you complaining about? My character is insecure, indecisive and naive, and those are her strong qualities. How'd you like to have those? I'm smart, you know! I am very smart… I think
 
BRENDA
Off the top of my head, I would guess that part of your problem is that you're a minor character, while mine plays a major role and more attention is required to develop Brenda, properly
 
CHARLENE
See what I mean? How come I can't be the smart one for a change?
 
CHLOE         
With all due respect Charlene, honey, I don't think you have the emotional range to assume an analytical role of deep thinker, like we do. Right ladies?
 
                         CHLOE and BRENDA together:  ‘I dunno’
 
CHARLENE
It's just not fair! Every day I hav'ta play the part of a simple minded female when in reality, I got it up here (points to her head) I think this is what makes the words come out
 
CHLOE
You see, Charlene, sweetie, my background lends itself to being a character with class…one of the rich, beautiful people, while you – well dear - let's just say that you have interesting words in your sentences
 
CHARLENE
I'm as good as anyone here! You're all forgetting that we are the sum total of the playwright's vision. Hey – I can talk smart too! Why can't we take turns being each other?
 
MITZI
Let's not forget here that our origins are a computer memory chip. The only rich and famous person we're connected to is Bill Gates. I say…we walk. Are you with me, ladies?
 
VOICE OF PLAYWRIGHT (JULIE)
Is there a problem?
 
BRENDA
 
                         Hands on hips, facing direction of playwright
 
We got your attention, huh? We've had it with these crappy lines! We're bored of being portrayed as vacuous women with blank minds. We're people too! We have feelings and we hurt and…
 
JULIE
May I remind you that you're nothing more than a bunch of words strung together to make a sentence? I make you who and what you are and I can eliminate you all with a push of my forefinger and a delete button. You're only communicating with me now because I'm exploring dialogue choices. You're all a figment of my imagination
 
CHARLENE
No need for threats, here, dear. There's only so much that characters can take and we've reached the end of the line, so to speak. Do you like that, ladies? End-of-the-line?
 
CHLOE
Trés wit-ty, my dear
 
JULIE
What should I say? I've re-written and re-written you all at least two dozen times and no matter what I do, the dialogue sounds… wooden. And don't even ask about the plot, or lack of one, thereof
 
BRENDA      
That's because you really don't really believe in us, do you? Deep down inside you're toying with the idea of deleting the text and starting a whole new play that will move in a new direction. Do you know what it's like living under that threat? I'll tell you – it's very disturbing
 
PLAYWRIGHT JULIE
Did I write that? I don't remember writing those words…
 
CHLOE
Now there's a perfect example of what I'm talking about! We never know where you're gonna take us next, right ladies? It's like…there's giant hands hanging over the stage dangling precariously, ready to strike at a moments notice.  It's the uncertainty of the delete button that gets us down!
 
MITZI
For example, why do you always make me as an over-sexed whore? Maybe it would be good to be an upright female for a change.  Not necessarily a nun or anything but an intelligent woman who has a direction and purpose in life. Not somebody who dresses in clothes three sizes too tight. Let Charlene assume that part for once. Wouldn't you like that, dear?
 
CHARLENE
I'll pass but I know where she's coming from! In spite of all your attempts at re-writes, you still make me out like an empty-headed - duh! I want to be respected like the rest of them, except Mitzi…no insult intended…
 
MITZI
None taken, dear. I'm used to it by now
 
PLAYWRIGHT JULIE
I never realized you all felt this way
0 Comments on Four People and a Playwright Looking for a Decent Play as of 7/27/2014 10:06:00 PM
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3. Illustration Friday - Punchline



Q: Why is it hard to play cards in the jungle?

A: There are too many cheetahs!

:)

25 Comments on Illustration Friday - Punchline, last added: 7/10/2008
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4. Marketing Tasks: Five to Six Months Out - Putting Your Words to Work For You

We haven’t talked about our marketing calendar countdown in a bit and I can feel that clock ticking. There are a few other marketing strategies to consider employing, but they need to be addressed a good five to six months out, so I want to talk about them before too much time gets by. Especially since this marketing angle is particularly well suited to introverts: magazine articles.

Magazine articles based on some element or angle from your book can be a fabulous way to generate interest in the topic and get the word out about your book to a very specifically targeted audience. But since most magazines, especially print magazines, have a huge lead time, time is of the essence.

For example, for Mary’s book, THE ONE ABOUT A KID, she could have written an article highlighting the Challenged Athletes Foundation and pitched that to any one of a number of children’s magazines or even with that particular topic, mainstream women’s or consumer magazines. With Donna Gephart’s book, if she’d wanted to she could have written a short non-fiction article explaining the election cycle process for a kid’s magazine, which would have been a great way to get her name and book title out there in front of the reading public. It has the added benefit of requiring no face-to-face time, and usually has a high built in interest factor for you since you were passionate enough about the subject to write a book on it. Plus chances are you’ve already done most of the research.

When WEREWOLF RISING came out, I had always meant to do this but got swamped with other things at the time. I could easily have written a couple of articles using my research material. Maybe one on the social structure of wolf packs or the origin of the myths of werewolves.

This doesn’t work with all books or all subject matters. Some clearly lend themselves better to these sorts of articles. For example, I’ve been wracking my brain, trying to think of a magazine angle for TEN LUCKY THINGS THAT HAPPENED TO ME. The only things I could come up with were a short article on the effects and chances of truly being hit by lightening—which might be interesting for kids but Mary’s book doesn’t really deal all that much with the topic. Or perhaps, since her book is about friendship and she has great credentials due to being a coach and her prior vocational experience, an article about the ins and outs and dynamics of friendships and how to navigate that. Social tips for girls who aren’t particularly skilled or experienced in navigating the sometimes treacherous waters of friendship. That sort of thing.

Sometimes, especially with certain subjects (wolves, Egyptology, psychological issues) well-established print magazines might prefer someone with serious subject credentials. However, the good news is that there are hundreds of e-zines on the web and they are always looking for material. Plus, if they deal with a subject you touch on in your novel, you are targeting an audience with a built in interest factor. Depending on the age and readership of the magazine, these articles can run from the very short (250 words) to full length (2,000 words.) The other good news is that having an upcoming book release does give you some writing credentials when approaching the magazine.

So go forth and do what you do best: write!

Until next week!

7 Comments on Marketing Tasks: Five to Six Months Out - Putting Your Words to Work For You, last added: 3/12/2008
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5. More Cool Introverts: Nancy Pearl








While I'm waiting to have a phone conference with my editor to talk about marketing issues, I thought we could take a brief break from the book lauching biz so that I could tell you what a complete thrill it was for me this weekend to hear Nancy Pearl, Librarian Extraordinaire speak. Omigod. She is amazing! A bonafide rock star in sensible shoes.

And, as you can see, she has her OWN shushing Action Figure. The deluxe edition figure even comes with a book cart. If I ever have my own Mary Hershey action figure, it will be shushing, too.

It's not too big a stretch to imagine that a librarian is an introvert. I could have probably pegged that even before hearing her speak. But, she is such an extraordinary example of someone that is SO introverted and SO in the public eye. In 1998, she developed the program "If All of Seattle Read the Same Book," which has spread all over the country. She is a regular commentator about books on National Public Radio's "Morning Edition" and NPR affiliate stations in Seattle and Tulsa. In 2004, she became the 50th winner of the Women’s National Book Association Award for her stellar contribution to the world of books.


She is the author of Book Lust, More Book Lust , and Book Crush, which are compilations of book reviews from all genres. Book Crush is for children's books. She credits a teen for that wonderful title.

During her talk, she told a very funny story about a breakfast event she had to attend, and how she dreaded it for days. She couldn't imagine she would have anything to say to anyone at her assigned table. Can you imagine? She-who-has-read-every-book-ever-written and remembers it with a savante-like ability! She ended up sitting with three men with a collective linguistic reciprocity score of minus three. Her desperate attempts to carry on a conversation with them had us howling. Part of the problem, Nancy shared, was that one of the men was very tanned and had shiny loafers with tassles. I so get that! Tassled footwear just puts me under the table, too!

She also can't abide the phone, channels another person entirely when public speaking, and prefers reading to most all life activities. I'm resting my case here. Nancy Pearl moves right into our Shrinking Violet Hall of Fame. Love her!

MARKETING HOMEWORK FOR THIS WEEK:
1. Research postcard and bookmark vendors
2. Brainstorm tie-ins for giveaways at book signings
Later, friends!
Mary Hershey

7 Comments on More Cool Introverts: Nancy Pearl, last added: 3/12/2008
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6. More Marketing Tasks & Facebook

Does the calendar picture look familiar? It should. It's going to be the visual equivalent of Alert! Marketing Tasks Ahead!

So, there are a few other marketing tasks I want to talk about, only because they involve creating or becoming a part of a supportive community, which also involves a long head start time.

  • Visit your local independent bookstore and introduce yourself. Or, if that’s too hard, just visit the store and try to visit it regularly enough so that you become familiar to them. Basically, become a regular.
  • Consider joining online forums or lists or communities. With one huge caveat: Only do this if you are truly interested in what those forums or communities have to offer. There is nothing worse than a drive by marketing plug on a list serv, and that will only get you banned or booed. But sometimes the publication of our first book can be a good time to step out into the world and make new connections. But again, you want to do it well before your pub date so it’s clear that your intentions are to become a contributing member of the group, not just a fly by marketeer.
A couple of other things to think about doing if you haven't done so before is to take our Comfort Level Inventory, then once you have an idea of what's comfortable for you, create a working marketing plan from your strengths.

And lastly, back to our discussion of Facebook. Right after Mary and Miss Vi and I were talking about Facebook, another author I'm on a listserv with posted a very detailed explanation of the ins and outs of Facebook as a tool for authors. With her permission, I am reposting it here.

One of the great perspectives Robyn Schneider brings to this discussion is that in addition to being the author of two YA books, Better Than Yesterday and The Social Climber's Guide to High School, she is also a college student, which is the exact demographic that Facebook was designed for, so she brings a terrific dual perspective to this discussion.

Facebook: A Guide for Authors by Robyn Schneider

I've been getting a steady stream of friends requests lately from authors. I know there have been some discussions on here about "I just got a Facebook! Now what do I do with it?" and "How do I promote my books on Facebook?" so, as a long-time Facebook user (since my sophomore year of college), I thought I'd share some info:

What are the differences between Myspace and Facebook? Basically, Myspace is an open network--you can view mostly anyone's profile, click to see who their friends are, leave comments on someone's wall who you aren't already friends with, join discussions, add people you don't know. Myspace is a place to connect with friends, but it's also a place to meet people you don't know in real life. You don't put personal information, such as full names, class schedules, addresses, phone numbers, on Myspace. It's like a blog--public.

Facebook is a closed network--most student-age users have profiles that are private, or only viewable by people in their school or hometown networks. Because of this, the site is used mostly for keeping in touch with old friends, for sharing photos with friends, for keeping tabs on your friends and classmates, and for daily communication with friends. You cannot leave a comment on someone's page, or most likely even view it, if you aren't already friends. Facebook is not a place where most teens are receptive to "friending" people they don't know, especially adults. Because of the fact that profiles are private except to their friends and network, most students have loads of personal info up: phone numbers, dorm or home addresses, their class schedule, photos they don't want their parents to see. And, MOST IMPORTANTLY, first and last names. You know how myspace profiles can be under internet handles like BookWritur21? Well, Facebook profiles are firsty-lasty plus either home town or school name. Why should a teen allow an unknown adult access to this information? Some teens don't care about having their stuff out there, and will be okay if you request them as a friend, but some do care, and won't.

I know a lot of authors are getting sick of promoting on Myspace because the site is so spammed these days, but most students don't want to be spammed on Facebook--and there's rarely even an opportunity to do so.

Say you want to let teens know about your new book on Facebook--how would you do it? One way is to join open-network groups for teen books and talk about your stuff. Another is to search for teens with certain interests or certain iRead books, and then, without being able to view their profiles, request that they add you as a friend--maybe send a private message first? The second option is where it gets sticky, because if the teen does add you as a friend, you have access to everything on their page that wasn't made public for a reason. Of course, there is a way to friend someone so they can only see a limited version of your profile, but that requires manual settings of what's limited and if you forget to tick the box for limited viewing, as I have on occasion, you've just given a complete stranger your life story. Crap.

So how do I use the two sites? I keep a Myspace profile that's 100% promoting my books. Links to amazon, jacket copy, blurbs, the works. It's like an extra page of my website, nothing that isn't already out there on the web. Teens can friend me without being afraid that I'll know where they go to school or what face they make when they do a shot of tequila at parties. Very few of my "real life" friends are friends of mine of Myspace. I use the site strictly for promotion and connecting with teens publicly.

But I also have Facebook. I'm on a closed network for my college, and although the profile is "clean" enough that I wouldn't be embarrassed if a future employer took a browse, it's also very much filled with private information. Photos of myself and my family. And worse, my wall of comments from friends. Things like, "Are we still on for coffee today at 3PM, the 110th
street Starbucks?" Because, most students don't email each other anymore--they send private messages or wall posts on Facebook, which can be forwarded automatically to their email inbox.

When authors who I don't know "friend" me on Facebook, I add them if I've heard their name before in the blogosphere, because I don't want to be rude, but I also wonder why they're adding me. What's the point? Do they want to go through my photo albums every week?
I'm easy to contact via my website or blog. I doubt they have such a burning desire to challenge me to a game of online scrabble.

However, I love it when teens find and friend me on Facebook. It's so cool. They've already read my books and want to connect. And even though I totally shouldn't let them see all my personal stuff, you can view the profile of anyone who requests to friend you before you make a decision to friend them back. So if they look okay, it's limited profile viewing time for them. I leave a message on their wall saying hey, and that's that.

So what do I recommend? If you want to have a Facebook profile to connect with people who already know you exist--including readers--go for it. But also know that a lot of people prefer Facebook to Myspace so they can avoid self-promoters. And know that if a kid turns down your friend request, it's probably because you might be a friend of their Mom's who can now keep tabs on their private profile, or because, you know, they learned the lesson well not to
let strangers see their business. I can't imagine how you'd get an overwhelmingly positive result trying to promote yourself on Facebook, but if you can prove me wrong, go for it! And then, um, would you mind letting me know how you did it? Because, I have a paperback coming out this August...

Thanks you, Robyn!

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7. Marketing Tasks: Six to Seven Months Out

One of the things to keep in mind is that Mary’s marketing and promotional tasks are designed around the fact that it’s her third book. Perhaps you are looking at promotion for your first book, or perhaps you’re prepublished and being smart and looking ahead. (And good for you if you are! As Mary likes to say, create the frame, then step into it. Don’t wait for it to appear.)

So with this being her third book, there are some marketing frameworks she already has in place that you might not, and I’d like to talk about those.

Some of these tasks could even be done a good twelve months out, but for the sake of tidiness, we’re going to stick to a six to seven month schedule like Mary has for her book.

The first thing you should do is discuss with your publisher what their plans are for the book and what, if anything, they are expecting you to do. Always keep your publisher in the loop, whether it’s through their publicity department or your editor.

It’s also important to remember that different publishing companies have different marketing personalities. Some love and encourage author involvement—the more the better, and others prefer to do it themselves with little or no feedback/input from the author. We can’t stress enough how important it is to discover what your publisher’s marketing personality is!

One of the most critical things your publisher will do for you is mail out ARCs. ARCs is an acronym for advanced reading copies, which are sent out to booksellers and reviewers. DO be sure to check with your publisher to see if they do this. Some smaller publishers might not, or may only do limited mailings, and I’ve heard many industry people say that ARCs are one of the most effective marketing tools out there. So if you publisher isn’t doing many arcs or review copies, you might need to step into the void. (We can talk more about how to do that if enough people are interested. If you want to know more, just leave a comment to that effect and we’ll talk about it in an upcoming post.)

Also, most publishers will have a brochure or flyer for new authors spelling out what exactly they do for each release. Much of this info will be in there.

As for what you the author can do, the general consensus is that the single most important marketing tool is an author’s website. So your first mission, should you choose to accept it, is to begin researching websites so you can put together your own. This can seem hugely daunting, so here are some thoughts to get you started.

*Surf the web. Explore different websites to see what type of look and feel you prefer, what sort of content catches your eye, which designs you find easiest to navigate. Make a note of the designers, which are usually listed at the very bottom of the home or contact page. This will fall into two categories: visual design and content. Make notes on both.

*Another good reason to start this as early as possible is because good designers are often booked well in advance. You’ll need some lead time to fit into their production schedule. The less money you have to spend on a website, the earlier you should begin your searching and visualizing. Good designers who are also cheap are even rarer than hen’s teeth, so step lively there!

*Spend as much as you can on your website. It is your professional presence, just as an office is the physical presence of a lawyer or doctor or accountant, your web site will often be readers’ first introduction to you, so you want it to be as wonderful as possible.

*Here’s a hot, money saving tip I’ve heard from a few different website designers and one that I used. If finances are an issue (and aren’t they always?) a great way to get a lot of bang for your web-designing buck is to consider a template, specifically, a Wordpress template. Wordpress is blogging software, but it is highly sophisticated blogging software that allows for pages and all sorts of regular website features. This saves you money by having much of the architectural programming in place, so you don’t have to spend as much time and money on coding, but instead can focus on the design and content.

For my Theodosia site, I used this template from Template Monster, and had my designer use the artwork from the book as the design elements, so now it looks like this.

In addition to saving you money on the initial designing stage, it’s VERY easy to go in and update the website yourself—really as simple as posting a blog entry, thus saving you money in updating costs.

If, like Mary, you already have a website, consider an updated look or lots of new content to focus on your upcoming release.

But don't relax yet. There's lots more to do! I’ll be back next week with more tasks to accomplish this month.

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