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Viewing: Blog Posts Tagged with: anvil, Most Recent at Top [Help]
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1. O is of Oswold

from First Wolf...

‘Keep still, wriggly little eel,’ I whispered angrily. ‘If the men see us, we’ll both be beaten.’
 This quietened him, for he knew about beatings, and I settled to watch the members of the folk moot with a feeling of great bitterness in my heart.  I was old enough to attend the meetings, to join their war talk, but there was no place for me.  With my useless leg, they would never send me into the forest to kill my first wolf.  They would never think of me as a man.
Many nights I dreamed I was searching for the wolf, only to wake sweating, shouting, and filled with sick fear.  The creatures often hunted in packs, it would be dangerous work, but I longed for my chance to prove my worth.  Boys of my age had slain the wolf; they sat by right at the meeting place and pitied me. Their pity did not upset me much, for it was kindly meant, but some like Oswold, uncle Heolstor’s son, threw stones at me and shouted insults that made me burn with anger.
At my birth, my kinsfolk saw my useless leg and voted to leave me on the hillside for the wild beasts to eat, but Father would not let them tear me from my mother’s arms.  He followed the teachings of the good Saint Cuthbert, knowing it wrong to kill a helpless child, and I was thinking it was a blessing to have such a father, when a sudden shout made me jump. 
‘Godwin, what use is your folk moot?’  It was Heolstor, his face like thunder. Spitting angry words, he threatened my father with the ash spear. ‘There’s no king’s man to attend the meeting,’ he shouted, ‘there’s no one with the right to hold the spear, to judge what should be done!’
My father growled, wrenching the spear from his brother’s hand.  An anxious cry went up, for only the king’s high reeve held the ash spear to decide right from wrong.  Then clenching the spear in his fist, as tough as the hammers he used to beat the glowing iron on his anvil, my father gave so threatening a look that the men placed their weapons on the ground, squatting in the sand to listen to him speak.

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2. PaperTigers Global Voices: Tarie Sabido (Philippines)~ Part 1

Best Reads from the Philippines at the 3rd Asian Festival of Children’s Content ~ by Tarie Sabido

Part 1 of 3

May 26 to 29 was the 3rd Asian Festival of Children’s Content (AFCC) in Singapore, and this year the festival highlighted children’s books from the Philippines! The Philippine booth at the festival showcased the six winners of the 1st Philippine National Children’s Book Awards along with other fiction and nonfiction picture books from leading Philippine publishers Tahanan Books, Adarna House, Bookmark, Lampara Books, Anvil, and CANVAS. I am very happy and proud to report that visitors to the booth oohed and aahed over all the book illustrations!

One of the featured panel discussions at the AFCC was “Trajectories and Themes in Children’s Literature from the Philippines,” with the popular and award-winning children’s book creators Russell Molina (Philippines), Jomike Tejido (Philippines), Candy Gourlay (UK/Philippines), and Isabel Roxas (US/Philippines). With joy and verve, Russell, Jomike, Candy, and Isabel set up for the audience a window to the Philippine children’s literature scene. Russell announced that it was more fun writing children’s books in the Philippines because the entire community loves stories and participates in storytelling. Some of the stories the Filipino community loves to share are about our modern-day heroes: hardworking overseas Filipino workers and the families they support in the Philippines. Jomike introduced the wide variety of illustrations for Philippine traditional picture books (legends and folk tales), contemporary picture books, informative picture books, and pop picture books (urban culture-based picture books). In the Philippines, illustrations for children include everything from fine art that also appeals to adults and intricate collage, to abstract art and digital work this is e-book and app-ready.

Candy told the story of how she learned that she shouldn’t write what she knows, she should write who she is! For years, Candy wrote stories that did not feature the Philippines or Filipino characters. These stories were all rejected by publishers in the UK and she was not published until she realized that being Filipino was part of what made her an interesting writer, and that a story with a distinctly Filipino perspective is a special story. Lastly, Isabel talked about her advantages and disadvantages as a Filipino illustrator in the US. Her advantages include the Internet as a great equalizer, all the uncovered territory in picture books, and of course, her unique Filipino point of view. Her disadvantages include her lack of a network in the US, greater competition, and readers’ lack of exposure to Philippine culture. Fortunate

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