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So there’s this thing, the Classics Circuit. They organize blog tours. You pick a book in keeping with the theme of the tour, read it, and post a review on an assigned date. I thought it would be easy. I was wrong.

It’s my own fault, mostly. I started by choosing Jane Talbot, by Charles Brockden Brown, from the list of Gothic novels provided by the Classics Circuit. I ended up reading a little over half of it before realizing that nothing you’d expect to find in a Gothic novel had shown up yet, and, with less than half the book left, nothing was likely to. So I did a bit of googling and found that, while Brown did write four Gothic novels, Jane Talbot has never been considered one of them.

I’ll be coming back to Jane Talbot at some point, because it’s a really interesting book, but it didn’t seem appropriate to read something that clearly wasn’t a Gothic novel for the Gothic Lit Tour. So I decided to read The Recess, by Sophia Lee. It’s one of the early proto-Gothic novels, and it’s about two daughters of Mary, Queen of Scots, being raised in an underground apartment and eventually (I’m guessing) finding their way to the surface, falling in love with inappropriate people, and having lots of terrible things happen to them. But, as you can see, The Recess is not the book listed at the top of this post. I’d still kind of like to read it, despite the fact that the beginning creeped me out a little, but only if I find a hard copy or it shows up as a proper etext somewhere. The only place I could find it was Google Books (in three separate volumes, no less) and I just didn’t have the patience.

At that point I figured I might as well just give up on finding something new and go read some Ann Radcliffe. I know I’m capable of dealing with Radcliffe. I mean, I like The Mysteries of Udolpho enough to have read it multiple times (and by multiple I mean two and a half). The Castles of Athlin and Dunbayne was Radcliffe’s first novel, and the only one of her books that fit in a single volume, both of which seemed like positive things at the time.

I was wrong about that, too.

I mean, it wasn’t terrible. Or, rather, it was, but not in a bad way. My main frustrations with it were a) the lack of the (moderate) awesomess of The Mysteries of Udolpho, b) the total lack of character development, and c) the fact that Radcliffe apparently needed more than one volume to do justice to her crazy, crazy plot. For the record, though, I’m pretty sure that even if Radcliffe had been given two extra volumes to fill up, there still wouldn’t have been any character development.

Anyway, there are these castles. Athlin belongs to the good guys: nineteen year old Osbert is the earl, seventeen year old Mary is his sister, and mopey Matilda is their mother. She has been moping about her dead husband for twelve years when the book opens.

Dunbayne is the HQ of Malcolm, murderer of the previous Earl of Athlin. He’s your typical Gothic villain in that he’s kind of mean, but mostly just incapable of resisting his selfish impulses.

Soon after we meet the characters, Osbert goes for a walk and gets lost, which, considering that Athlin is built on top of a really big rock, is pretty impressive. He’s rescued by a cute peasant named Alleyn, and even if you haven’t read a Gothic novel befor