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Viewing: Blog Posts Tagged with: Color script, Most Recent at Top [Help]
Results 1 - 5 of 5
1. Movie Barcode Compresses Entire Movies into A Single Image

Just by looking at this “bar code”, can you tell what animated movie this is? Go on, take a guess:

Give up?

It’s Bambi.

For a few years now, MovieBarcode has been one of my regular stops on Tumblr. The moderator (who prefers to remain anonymous) takes every frame from a movie, skews it to be only a pixel wide and lines them up in a row, creating a barcode-like image of the entire film. While many live-action films don’t necessarily need color to help tell the story, the majority of animated productions go to great lengths to plan out a clear color script. In many ways, the color is as vital to a movie as the characters and story. Color can set the mood, intensify the drama or action, clarify with contrast, and even define a character. Just pick up any Pixar “Art of” book and you’ll see how much thought is put into the color and lighting of a movie, through the use of color scripts, color keys and color association.

Take a closer look at the Bambi barcode again. For those who are familiar with the movie, can you tell just by looking at the colors what sequences are taking place? The light blue for the ice skating sequence? Deep red for the forest fire? Desaturated grays and blues for the death of Bambi’s mother?  And what about the color of the characters themselves? How well does the black and white skunk stand out when Bambi first meets him in the predominantly yellow flowerbed? Or Bambi’s bright orangey hue against the pale greens of the forest behind him? All these things are planned out to the most minute detail to make sure that the viewer can clearly see what is happening on screen.

Let’s make things fun by testing your animation knowledge. Here’s a few more animation barcodes, now try and guess what movies they are from. Some are pretty clear, and some might be a little tricky. For those that are stumped, click on the images to see which movie it is.

How’d you do?

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2. Wowza, James Gurney is brilliant.

Heads up to all the color key and color script artists out there. Saw this courtesy of a tweet by Tony DiTerlizzi.


After you watch visit the link below for more information on gamut masking from this incredible artist.

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3. BOOK GIVEAWAY: “The Art of Pixar”

Art of Pixar

I intended to do a giveaway of my latest book last November, but the first printing sold out before we could even consider that. Now with the second printing out, we can finally host a proper giveaway. So today we’re handing out FOUR copies of The Art of Pixar: The Complete Color Scripts and Select Art from 25 Years of Animation:

Over the past 25 years, Pixar’s team of artists, writers, and directors have shaped the world of contemporary animation with their feature films and shorts. From classics such as Toy Story and A Bug’s Life to recent masterpieces such as Up, Toy Story 3, and WALL·E, this comprehensive collection offers a behind-the-scenes tour of every Pixar film to date. Featuring a foreword by Chief Creative Officer John Lasseter, the complete color scripts for every film—published in full for the first time—as well as stunning visual development art, The Art of Pixar is a treasure trove of rare artwork and an essential addition to the library of animation fans and Pixar enthusiasts.

To enter, just post a comment below. Writing “I love Amid” in the body of the comment won’t improve your chances of winning, but it may enhance my sense of self-worth. Contest will close tonight at midnight (ET).

Rules: Contest is open only to residents of the United States. You must leave your correct email address in the e-mail field of the comment, otherwise you can’t be contacted if you win. (Your email address will not be publicly visible).


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4. Color for Jack and the Giant Barbecue

Jack and the Giant Barbecue is Eric Kimmel’s retelling of Jack and the Beanstalk, set in west Texas. I wanted my images to tell the reader where he is, so the costumes and settings were carefully researched.

Color is a powerful tool for telling a story. To make every page look like the American West, I turned to 2 classic painters for guidance: Charles Russell and Frederic Remington. I made small color studies of their paintings before I began developing a palette for Jack and the Giant Barbecue. Notice how both artists accentuate the heat of a prairie scene with warm colors—yellows & oranges—and make the shadows more vivid with cool colors—blues & purples.

The color script came next. You can see Russell’s and Remington’s influence in the color, particularly in the outdoor scenes. I carried blues and purples inside the Giant’s barbecue shack to make it dark and unsettling.

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5. Sketchtravel Film by Dice Tsutsumi

Sketchtravel film

Speaking of color scripts, I have to point out an interesting and visually striking film experiment by Dice Tsutsumi, whose Toy Story 3 color scripts are featured in the new Pixar book.

Dice’s passion project for the past few years has been Sketchtravel, an idea that he hatched with illustrator Gérald Guerlais, and which features the participation of some of the world’s most well known illustrators, comic artists and animators. (We’ve written about it before on Cartoon Brew.) The project has finally come to a conclusion: an auction of the original sketchbook artwork was held last week and raised over $100,000 for charity. A printed version of the book is now available in France, too.

To support the Sketchtravel project, Dice made the following animated short using his color scripting technique:

In an email, he explained the challenge of making an animated film as someone who comes from a painting background:

“Since I’m not an animator, my focus is to carry a story through all the visual staging elements — color, lighting, and composition. I painted every single frame of the film by myself with a little help from friends and a small amount of After Effects movements. It took me six months to complete it while I was preparing for the auction event.”


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