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Viewing: Blog Posts Tagged with: helen hemphill, Most Recent at Top [Help]
Results 1 - 14 of 14
1. How Do Award Judges Feel About the Books They Were Unable to Honor?

Best YA and Middle-Grade novels selected by Pete Hautman. His latest book is Eden West, the story of a boy growing up in an isolated doomsday cult in Montana.

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2. How I Found the Wizard (Chautauqua: Day Three)

Though I am eager to start my third day in Chautauqua, I wonder how Monday can match Sunday’s experience. Not only is Send in the Clowns stuck in my head (and I can’t stop singing the song), for last night’s supper, we were treated to the best barbecued chicken I have ever eaten. And then, there were those chocolate frosted brownies next to an invisible sign with my name on it that said, “These special writer’s brownies are meant to be eaten in multiple portions. Do not eat just one!”  I think everyone had an invisible sign with his or her name, because I was not the only one going for seconds—and thirds, and then, halfway to the bus, I turned around, yelling to Nanci. “I can’t help it. Save me a seat. Do you want another brownie?”

Prior to being served dinner, we were encouraged to walk the lovely grounds at Westfield and to pick our own blueberries to eat—one of my favorite fruits. I was so smitten with photographing the blueberries that I realized–too late–that I had nothing to collect the blueberries in. I did the next best thing: I ate one after another, until a gentleman offered me his full cup of blueberries. (I savored them for days.) Thank you, kind sir!

My belly full of blueberries, I listened to the birds sing, studied insects on leaves, and then discovered The Land of Dinosaurs Versus Trucks, which is where I was when the call of “Chicken being served,” resounded through the fields.

 After everyone had eaten, we settled in our seats, where we quickly fell under Joy Cowley’s spell. If I had attended the Highlights Foundation Writers Workshop in 2010, I would have missed Joy. And I can’t imagine missing the opportunity to connect with her. Joy returned this year after a three-year absence, and she is an absolute joy!

Joy Cowley

Joy speaks from the heart and from years of experience, and with such love for others, you feel as if you are a child, alone in a room with her, listening to stories. I would have sat there all night if I could. She stresse

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3. What makes a good writers' conference?

 This is my last post on the Writers Workshop at Chautauqua.  It was a magical week for attendees and faculty alike.  But I want to leave you with some thoughts on what makes a good writers conference. Most conferences are expensive, and there's always the issue of time and travel.  So where is the real value? 

First up, decide what you really want out of the conference.  Is it a vacation? (Nothing wrong with that!) Is it to get inspiration as you begin your writing journey?  Is it for specific help on your manuscript?  Is it networking? I started the week with this, but write down some goals for yourself.  Know what you hope to accomplish.

Check to see if scholarship money is available.  Enough said.  It's expensive to travel, so if a little extra money is available to help pay for the conference fee, apply for it.  You never know.  

Take a look at the faculty bios.  It's one thing to have a well-known author or agent on the faculty, but another to have really good teachers. See if the faculty has teaching experience, either as full or part time faculty for university programs, editors, or by reputation.  You really want a mentor or advisor that can talk to you specifically about your manuscript and can teach you how to approach revision.

Do you have access to the faculty?  Sometimes, the faculty is off limits to conference attendees except during certain times.  I think it's better if the faculty is accessible for casual conversation at meals and during social activities.  The joke at Chautauqua is that the faculty is asked not to speak with other faculty at the expense of conference attendees.  That means no "faculty table" during meals.  No hushed conversation about editors and agents in the corner.  And no hanging out with other faculty.  It's kind of funny, but it's also serious business.  The faculty is there for the conference attendees.  They are there to talk writing and offer up advice and help.  As a faculty member at Chautauqua, I felt like I was "on" 14+ hours a day, but I also met some wonderful people who had the same dreams I had not all that long ago--to publish a novel.  I loved the conference attendees and found their enthusiasm and hope reaffirming.  Plus, over the course of the week, some of them really became my conference buddies--and I hope long term friends.  

Make sure your conference of choice offers manuscript reviews and or workshops.  It's great to be inspired by lectures or presentations by editors, agents, and writers, but what you should really hope for is specific help on your own work.  That one-on-one attention can be the best value of the conference if you have a manuscript, and you're stuck with where to go next. 

Make note of the schedule.  Is the program packed with events? Is there free time to actually write?  If so, is technology available for internet and printing?  I usually don't like conferences that are action packed with event after event after event, but you can always skip a session if you're feeling overwhelmed.  Try to go to a conference that has a lot to offer--that way you can pace yourself and get as much out of it as you can.

Get out and about.  Don't sit in your room worrying about your manuscript or about being shy.  Writers are all shy to some degree.  Get out there and network.  Meet other writers and the faculty.  Be sensitive to other, sure, but don't be afraid to join in a convers

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4. Whole Novel Workshops

Thought I'd send this news along to those of you who have a completed a draft recently and are serious about revision. These workshops are a tad expensive, but they offer terrific one-on-one help for getting your novel ready to publish.  Plus, I can't imagine a better time to be at the Highlights Foundation farm in Pennsylvania--the fall is beautiful there!

 
This fall, the Highlights Foundation features two Whole Novel Workshops for serious, committed, emerging novel writers. These workshops take place near Boyds Mills, Pennsylvania, at the homeplace of the Founders of Highlights for Children. They are led by award-winning novelists who are also experienced writing instructors.
 
Our novel mentorship programs include
 
• focused one-on-one response to your entire novel in progress from an accomplished author and teacher;
 
• group critiques;
 
• seminars on technique and craft; and
 
• ample time to write and revise in a private, rustic cabin.
 
Specifically designed for writers of middle-grade and young-adult novels, the Whole Novel Workshop (November 6–13, 2010) offers the one-on-one attention to be found in degree programs, but without additional academic requirements, lengthy time commitments, or prohibitive financial investments. This unique program focuses on a specific work in progress, moving a novel to the next level, in preparation for submission to agents or publishers. (Led by National Book Award finalist and Newbery honor recipient Carolyn Coman and Martine Leavitt, finalist for the Governor General’s Award and the National Book Award.)
 
This workshop is limited to eight participants. Applications will be accepted July 13–August 1, 2010. To request an application, contact Jo Lloyd at 570-253-1192 or e-mail [email protected]. You will be notified of acceptance status by August 15, 2010.
 
Like the Whole Novel Workshop, the Whole Novel Workshop for Historical Writers (November 13–20, 2010) helps you ready your work for submission. You’ll learn what sets the historical novel apart from its close cousin, the contemporary novel, and delve into character, plot, setting, voice, dialogue, action, and emotion. But you’ll also learn to augment your writer’s toolbox in order to transport your readers to another time and place. (Led by Liza Ketchum, whose fifteen books for young people include Massachusetts Book Award winners Newsgirl and Where the Great Hawk Flies, and Ellen Levine, author of twenty books for young people, many of which have garnered major awards.)
 
This workshop is limited to eight participants. Applications will be accepted August 5–August 20, 2010. To request an application, contact Jo Lloyd at 570-253-1192 or e-mail [email protected]. You will be notified of acceptance status by September 10, 2010.

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5. Set and sacred.

  The morning ritual of the National Writing Project is to set aside each morning for writing.  So for the last month, I have begun each weekday with 20 other people writing for 30 minutes. It’s called sacred writing. And it’s sacred in the sense that nothing—nothing—will keep our little group from writing at our appointed time.  It’s also pretty cool that the Tennessee Tech University clock chimes on the half hour, so we all begin and end in a kind of union orchestrated by the universe. The writing is sometimes prompted by a quote or a poem, but it’s not limited to that.  

 
As a writer, I’ve never actually had a morning routine except for drinking coffee. But to start each morning with 30 quiet minutes to write on anything and everything except my novel gives a kind of freedom that I’m thrilled to give myself. In just a short month, I have written two speeches, part of an article, the beginning of a new novel, some poetry, and a couple of short personal essay pieces that were weighing on my mind and heart. And that’s just in the 30 minutes!  
 
So, if you’ve never done it, begin tomorrow.  Consider this an invitation to write with us from 8:30 am until 9:00 am (central time) on Wednesday morning.   
 
We can even share the writing we do tomorrow by posting it here on the comments. (Even if you don’t want to share, comment back and let me know you wrote with us!) We can practice virtual sacred writing wherever we are and begin our writing days with renewed energy and purpose.  
 
Can’t wait to hear from you!  
 

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6. Flashback: Backstory told in scene

We've talked all this week about the challenges of writing backstory in summary.  Specific details about the past events of a novel may need to be given to the reader, but less is more.  Don't tell too much, and be selective and succinct when choosing the details to reveal. But what happens when you need to show the reader a scene? Chances are you will consider writing a flashback.

Technically, a flashback is a shift in the narrative that temporary stops the forward motion of the story. The trick is, of course, to make sure that that temporary stop informs your narrative, rather than distracting from it.

Unlike prologues, I don’t mind flashbacks. In fact, they can deepen the reader’s understanding of a story by showing character emotions and plot twists. But again, less is more. If done too much, a flashback can stop the forward movement of the narrative arc. If done without specific clarity, a flashback and confuse readers, especially reluctant readers. 

 So, here’s a tip sheet for writing flashback: 

  1. Use verb tense as a way of showing the change in time. If you novel is written in present tense, your flashback should be written in past tense. If the main body of your story is told in past tense, then begin your flashback in past perfect, but transition to simple past tense within two or three sentences.
  2. Make sure the reader clearly is grounded in the time and place of your flashback. Give them a sentence or two with information about where and when, but as with summary backstory, don’t give too much. After the flashback is over, again ground readers in the present with details of time and place.
  3. Does your flashback have some kind of trigger that makes the flashback work for the reader at precisely that moment. Maybe it follows a strong action scene, or maybe it follows a reversal in the story. Either way, think about the purpose of the flashback. Does it reveal character? Does it give the reader important information they must know? Does it somehow inform the present? And does it come at a point in the plot so that it is the natural consequence of a plot point or character action? 
  4. Unless you are doing a time travel novel, the same rule applies here for both summary and scene. When in doubt, see if you can get the same information to the reader without using the flashback. If you can, skip the flashback and stay with the story. 
  5. Finally, don’t start a story with a flashback. It’s like using a prologue, and you know how I feel about that.


Next week on the tollbooth, Kelly will be here. Enjoy the weekend.  Anon.  HH 

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7. What's with prologues?

Most readers skip them entirely.  But I went to my bookshelf and randomly picked up five award-winning YA novels, and all of them had prologues.  Maybe it’s an easy way to hook the reader into the story or set the tone of the novel, but to me, a prologue should be hacked out of every manuscript like the dearest darling ever written.  Why?  Because I haven’t read many (or any) novels where the prologue intrinsically added to the overall story.  

In most novels, the prologue is nothing more than a blah blah blah of backstory.  As a reader, I like the backstory woven into the action.  I want to speculate about the story in an interactive way, and the prologue tips the writer’s hand.  
 
I’m going to pick on the most amazing of books as a concrete example to my point.  
  Marcus Zusak’s The Book Thief is a brilliant book on so many levels I don’t even know where to begin.  I loved the book, but I hated the prologue.  Let’s take a look for a minute:
 
Zusak’s prologue is titled Death and Chocolate.  An unknown narrator tells us we are all about to die and introduces himself. 
 
I could introduce myself properly, but it’s not really necessary.  You will know me well enough and soon enough, depending on a diverse range of variables.  It suffices to say that at some point in time, I will be standing over you, as genially as possible.  Your soul will be in my arms.  A color will be perched on my shoulder.  I will carry you gently away.  
 
Okay, so the narrator doesn’t introduce himself per se, but we get the idea.  Then the narrator introduces us to the story and gives the reader some bullet points to consider:
 
  • A girl
  • Some words
  • An accordionist
  • Some fanatical Germans
  • A Jewish fish fighter
  • And quite a lot of thievery
 
One of the points of the prologue seems to be sure that the reader understands the concept of Death as narrator, but the writing in this book is so beautiful and so perfect, Zusak doesn’t need to make an announcement to readers.  We get it. A few pages into chapter one, readers understand that the narrator is some kind of ethereal and omniscient being.  We may not know who or what he is, but that adds to the mystery.  With a carefully placed detail in chapter one, Death’s presence could be perfectly clear.  
 
Zusak also uses the prologue to introduce the motif of color in the novel.  It’s an important part of the book’s theme and is again wonderfully written. But the explanation of color could have easily been weaved into the main story.  
 
As for the list of items to consider in the story, just let me read the prose. I don’t need a list or an announcement of characters. I just want to read.  
 
So Zusak has a stunning book that’s beautiful and literary and heartbreaking and uplifting, but the prologue doesn’t add much to the power of the manuscript, so why have it?  The writer’s mantra has always been that every part of a book must serve the story.  Does the prologue ever serve

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8. Teen Literature Day

   

This Thursday, April 15 is a lot more than just tax day.  It's Teen Literature Day and there's big doings to celebrate and support teens and the books they love.  Drop on over to Cynsations to check out Operation Teen Book Drop with 10,000 new books going to Native reservations and tribal lands! It's going to be an amazing Thursday. So right after you mail your taxes, go buy a book for a teen and join in the fun. Teen Literature Day is made possible by YALSA and a growing group of publishers, bloggers, and authors.  It's great to know that April 15 isn't just for taxes anymore!  

But come back later today for more on writing backstory. We'll talk a bit about handling flashbacks, and why prologues are just plain wrong.  See you soon.  HH

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9. Cyber Kid Writes and Collects!

Greetings, reader guys, it's Carl once again. Our faithful friend and reviewer cyber kid 303 has told us about another good read:

I just finished reading Orphan Train Rider by Andrea Warren. It is a biography about a boy named Lee Nailing and his family. It is 1926 and America is in a recession, a lot like today. One family in particular is having a hard time. They are the Nailings and their mom has just died. They had 7 kids and their dad alone could not feed and take care of them all. The three oldest, Fred, Ross, and Evelyn had to live on the streets. The baby went to live with family friends. Their dad kept the toddler. But the two other kids named Lee and Leo went to an orphanage. Since their dad was not dead, he would sometimes come and visit them in the orphanage. Lee had always wanted to be a train engineer. When he was told he would ride a train through the country all the way to Texas, he was excited. When they were boarding the train, he and his brother found out that their little brother, Gerald, going with them because their dad did not have enough money to take care of him after all.


The train was full of orphans traveling from town to town. Whenever they stopped at a town, the orphans would have to line up so people could look at them and decide if they wanted to adopt any of the children. Lee, Leo and Gerald get separated and go to live with different families. Read this amazing true story. Do they ever see each other again? Do they live happily ever after? Read and find out.


Cyber Kid 303 out!!!!!!

Thanks, cyber kid! I'm really glad you told us about a biography because they are some of the best books out there--and the amazing thing is that the stories are true!!



We also have a picture of cyber kid with his prizes from the March Madness Author Shoot-out:





He's wearing his Deadwood Jones T-shirt (generously donated by Helen Hemphill) and holding his bag of Deadwood Jones salt water taffy and the signed copy of Erec Rex:The Dragon's Eye. Well done, cyber kid!

PS--let us know how you like Erec Rex!

1 Comments on Cyber Kid Writes and Collects!, last added: 4/28/2009
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10. Presidents By Memory, Sleeping Freshman, and Deadwood Jones Author In Charlotte!!

This is the Formerly Sick and Sneezing CARLMAN writing to you this afternoon. I spent the weekend in bed with a knock-me-flat cold. Whew! It was a rough one but I'm back and feeling better--good enough to say

GO NEIL!! GO NEIL!! GO NEIL!!!

I am so glad to see a real GUY BOOK win the biggest award a kid's book can get. Congratulations, Mr. Gaiman!

I also came in and found 2 messages waitng for us. First off, Michelle, Aaron's mom has written to us:

aaron can't recite the gettysburg address but he can list all the presidents in order from memory - wanna see? :)

Sure! We'd love to see that. Come on down to Imaginon and let us video you! We'll even give you a prize. By the way, Aaron, did you ever get your free book? We like to take pictures of guys when they receive them.

We also had another good review by cyber kid 303:

Sleeping Freshmen Never Lie by David Lubar is an extremely funny book about Scott Hudson, a freshman in high school. He doesn't like the experience of being a freshman, mainly because of seniors who are mean. Then he finds out his mom is pregnant. This is a good book because it is funny.

We're always looking for good and funny books. Thanks, cyber kid!

And now we have some exciting news--Helen Hemphill, the author of the exciting book The Adventurous Deeds of Deadwood Jones will be here at Imaginon on Thursday, February 5, at 11:00 am. She'll speak about her book and about the Old West and have a writing exercise based on pictures of South Dakota. She's done this for lots of kids and they've all had fun. So come on!! Especially you Bruner Boys, since I know you are getting a copy of her book. And all you other guys too!! It'll be in Studio C in Imagionon on Thursday, Feb. 5 at 11:00 AM.

Carl
PS--to see my review of Deadwood Jones, cllick here.
PPS--After her talk, we'll present Ms. Hemphill with an Honorary Guy Certificate! Don't miss it!!

2 Comments on Presidents By Memory, Sleeping Freshman, and Deadwood Jones Author In Charlotte!!, last added: 2/2/2009
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11. The Old Book Prospector Finds Gold In The Adventurous Deeds Of Deadwood Jones

Yippee-yi-yo, partners, the Old Book Prospector sure was right about this one! The Adventurous Deeds of Deadwood Jones by Helen Hemphill is more fun than a rodeo, a shoot-out, and a saloon fight all rolled together! Thirteen-year-old Prometheus Jones and his eleven-year-old cousin Omer, both African-American boys living in Tennessee after the Civil War, have just won a horse in a raffle. A couple of racist guys refuse to believe that two black boys could have won a horse and so cause a lot of trouble--so much that Prometheus and Omer have to hightail it off to Texas, where Prometheus thinks his father might be living. They need money and join a cattle drive from Texas to Deadwood, South Dakota. The West is a beautiful but harsh and unforgiving land, however. If you're not careful every minute, bad things can happen. Even something as simple as crossing a river can mean disaster. And bad things happen in this book But there's also a lot of fun and adventure here. You've got encounters with the Pawnee and Sioux Indians, a jailbreak, the shooting match to end all shootin' contests, plus some unforgettable cowboy characters like Beck, the trailboss, Nack, and Rio. So saddle up, cowpokes, and enjoy this wild and exciting ride! Yeeeeee-haaa!!!
Carl

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12. Ypulse Book Essentials: 'Charlie the Second,' Hip-Hop As Poetry, Librarians Vs. Google

Editor’s Note This is the last edition of Ypulse Book Essentials and the last day of our separate Ypulse Books Newsletter. We will continue to cover YA and children's book publishing as a part of Ypulse and publishing related news will be covered... Read the rest of this post

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13. review of YA book The Adventurous Deeds of Deadwood Jones

Adventurous Deeds of Deadwood Jones


by Helen Hemphill


Front Street (November 2008)

ISBN-10: 1590786378, ISBN-13: 978-1590786376



My rating: 3.5 out of 5 stars




“Halleloo!” Omer grins, wide and proud. “That sure is some fine riding, Prometheus!” A string of sweatshines down one side of his forehead into brown eyes teh color of oiled leather.
I throw my leg over the filly’s back and slip to the ground while Omer slides a rope over Miss Stoney’s neck and hands her off to Pernie Boyd Dill.
“Got my four bits?” I ask.
“I ain’t paying four bits for you to break a filly.” Pernie Boyd sets his wide-brimmed hat on the back of his sandy hair and rests his hands on his hips. He bears the same ferret-eyed stare and pitted skin as his daddy. “You getting dreadful sassy, Prometheus Jones.” Pernie Boyd talks big, as long as his brother, LaRue, is nearby.
LaRue spits tobacco into the dirt. “You’re getting nothing,” he says.

The Adventurous Deeds of Deadwood Jones by Helen Hemphill, p. 11.

Prometheus Jones, a young boy who has a talent with horses, breaks a horse for two racist brothers who refuse to pay him. Instead, they give him a raffle ticket for a horse. But when Prometheus’ ticket wins, the two brothers rile up the crowd against Prometheus and his cousin, Omer, and try to steal teh horse away from him. Prometheus and Omer escape on the horse with an angry, racist crowd of white boys and men after them–men who can kill them. So Prometheus and Omer keep riding–to Texas, to look for Prometheus’ father who was sold as a slave. Along the way, they get hired as cowboys, and undergo adventure and strife.

Adventurous Deeds of Deadwood Jones is an entertaining story. I found myself interested in Prometheus’ adventures and scrapes, and wanting to know what happened to him. I cared about the characters–Prometheus and Omer, especially–and wanted them to get through everything safely. The book is a kind of survival story; there was so much that threatened Prometheus’ survival, from extreme racism, to stampeeding buffalos, to Native Indians angry at their land being invaded. Prometheus faces all of these challenges with courage.

Prometheus is a likable character. He repeatedly stands up for others even though it means great risk to himself, even his life, because he is an African American in a time when there’s a huge amount of racism. He also repeatedly stands up for his own rights, fights for what is his, and does the right thing. He is hard working, skilled at what he does, and repeatedly gains the respect of others. I loved how Prometheus is so good at what he does–calming crazed horses and shooting with such accuracy. All of those things gave him hero-like qualities, and helped me care about him.

However, there was a distance between Prometheus and the reader. It didn’t feel like we were fully in him; I wanted more emotion, more character involvement, more sensory information–more of Prometheus, and who he really is, not just what he does. I also wanted to see more of Prometheus’ relationship to his horse. We’re told that he ends up caring for her, but I didn’t see any of that relationship, and I expected to because he was so good with horses.

Prometheus was the most well drawn character, and then Omer and a few of the cowboys. Some of the other characters felt flat or not fully drawn; I would have liked to see more sides of them. At times it felt like sensory detail was dumped in a few places–too many different details all at once–and then long stretches where there was nothing.

Hemphill included great details of life in the west that helped it seem believable, such as that the cowboys sang not to each other, but to the cattle to calm them down.

When Prometheus starts having a number of things go wrong for him (spoiler alert)–he loses his precious horse, and his cousin is killed–and Prometheus himself loses hope and his upbeat way of looking at the world, the story starts to lose me. It felt like it changed the whole tone of the book, from a lighter adventure story to a more depressing story.

I found it upsetting that Omer, Prometheus’ cousin, was suddenly killed. Omer was important to Prometheus, and Prometheus was protective of him. The book took a depressing turn after that, especially since Prometheus and Omer had planned to go to Texas together and that goal brought both hope and forward momentum, and because Omer was such an innocent. Granted, I always have a hard time when good characters die in books–but if there’s more emotional working it through and hope, then it feels like there’s more reward for the reader for sticking through that hard period. And I didn’t get that from this book. Still, I kept reading. And I had no problem with the abusive and horrible characters dying.

I also didn’t find the ending satisfying enough. Throughout the book, Prometheus’ drive is to find his father, who was sold as a slave in Texas. But once Omer dies, Prometheus doesn’t care about it, and we never see whether he finds his father though we’re led to believe that that won’t work out. We also don’t see him gaining a replacement or happiness, though he does stay on with the cowboys.

Still, I wanted to read about Prometheus’ adventures, and the adventure and the setting should appeal to readers who like adventure. This would be a good book to give to boys who don’t like to read, since there’s adventure, danger, and a hero who stands up for what is right. It may spark their interest, especially because it doesn’t shy away from some of the bad things that could happen in that time period. The book is an excellent way to help readers deeply understand racism and the unjustness of it. It also shows readers that there were African American and Mexican cowboys, not just Caucasian cowboys–something that does not seem to be widely known. For that reason, it might be useful in school as supplemental material for history or English projects. At the back of the book there is an author’s note with a little more information.

Recommended.

For a fun book talk of the book, see the video below.





Other reviews:

Reading YA: Readers’ Rants “An energetic read for ages 10 and up, this is a surprisingly accurate, gritty portrayal of life in the Old West, telling it like it was for hundreds of young boys who left their homes and plantations after the Emancipation Proclamation and struck out for the untamed West.”


BookMoot “Wait a minute, I’m only on the second page of the story and I am totally and utterly committed to this young man and his predicament. How did Hemphill do that?”

Children’s Book Page “Hemphill lassos readers with her gift for dialogue and nail-biting scenes of danger, and holds them with fascinating descriptions of cowboy life and clever historical references….”



Author Interview:
GuysLitWire

Maw Books Blog “I had no idea that cattle driving could be so exciting, but it’s not hard when you have Prometheus Jones as a main character.”

1 Comments on review of YA book The Adventurous Deeds of Deadwood Jones, last added: 11/11/2008
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14. The Adventurous Deeds of Deadwood Jones


The paintings of the Dutch masters have always been fascinating to me.These expressive portraits are astonishing. Being a "fabric" person, I find myself looking at the exquisite lace collars. The viewer can almost feel the crisp linen. In the van Miereveld, below, the intricacy of the lace is apparent. The Jan Cornelisz Verspronck at the left details the lace and the patterned damask dress.

How did the artists accomplish this?

In museums I have crept ever closer to see if I can determine the technique that so perfectly evokes the lace and fabric but looking closely, all I can see is blobs of paint and, seemingly, chaotic brushstrokes. At this point I usually see a guard moving determinedly in my direction so I back up, no clearer in my understanding than before.


I invoke this bit of art appreciation because it came to mind as I reached the bottom of page two of Helen Hemphill's new book, The Adventurous Deeds of Deadwood Jones. I had to stop reading in order to drive the entling somewhere and as I reluctantly set the book aside I found myself worrying about the young hero, Prometheus Jones. Was he going to get his money for breaking that horse? He sure was a cool customer facing down those loathsome Dill boys.

Wait a minute, I'm only on the second page of the story and I am totally and utterly committed to this young man and his predicament. How did Hemphill do that? Was it her use of verbs or adjectives? Prometheus hasn't even said that much yet, can it be his "voice?" Maybe it is my fondness for Westerns? How did she do it? How did she pull me in so quickly?

Well, however she accomplished it, I cheered, I gasped, I cried for fourteen year old Prometheus as he and his cousin Omer join a cattle drive headed to South Dakota. They plan to make the return trip to Texas with the outfit so Prometheus can look for his father there.

Prometheus has a gift for working with horses. He knows he has to prove himself to the cattle boss, even though the boss is surprisingly free of the prejudice that Prometheus and Omer have frequently experienced as young black men.

Cattle drives are hard work. Difficult river crossings, long hours in the saddle, snakes, stampedes and the threat of Indian attack mean cowboys are on constant alert. Prejudice and frontier justice are equally lethal as Prometheus discovers when he encounters some old enemies who are determined to have him hanged.

Hemphill's character, Sassy, from her book Runaround is a girl you want to hug. Prometheus is a young man whose hand you want to shake. His sense of fairplay, justice and loyalty is admirable and endearing.

In the author's note at the end of the book, Hemphill explains that her inspiration for this story was a 1907 autobiography of Nat Love, an African American cowboy who began working for cattle drives when he was fifteen years old. With Prometheus Jones, the author has honored Nat and cowboys everywhere.

The Adventurous Deeds of Deadwood Jones by Helen Hemphill, Front Street, (Nov.) 2008.

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