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It finally feels like autumn is here and if you don’t mind us saying, we’ve been “fall-ing” for all the diversity-related stories that have been in the news recently! Here are a few that we were especially excited to read:

Malala Yousafzai, the Pakistani teen who was shot in the head by the Taliban for advocating for girls’ rights to education, and Indian children’s right activist Kailash Satyarthi, both won the 2014 Nobel Peace Prize for their fight against the oppression of children and young people, and for the right of all children to education. In light of the recent violence that has broken out between India and Pakistan along the border of the disputed, mainly Muslim region of Kashmir, the Nobel Peace Prize committee said it was an “important point for a Hindu and a Muslim, an Indian and a Pakistani, to join in a common struggle for education and against extremism.”

In the entertainment industry, we’ve been seeing more positive changes when it comes to representation and diversity in television and movies. Shonda Rhimes, creator of the popular TV shows Grey’s Anatomy, Private Practice, and Scandal, was featured on the cover of The Hollywood Reporter, where she talked about her success and what she’s learned from previous on-set controversies. Rhimes is also executive producer of the new TV show, How to Get Away with Murder, which just recently got a full season order from ABC along with Black-ish. Sullivan & Son, a TV show that is written by and stars Steve Byrne, is also renewed for its second season. Steven Byrne is an Irish-Korean American, one of a handful of writers of color that has found success in Hollywood. The fall television programming this year has been great for diverse representation, which is a breath of fresh air considering an infographic we did on the Emmy Awards.

On the movie front, Lionsgate is teaming up with Women in Film to create a series of short films based on the Twilight franchise. According to the Geena Davis Institute on Gender and Media and USC’s Annenberg School for Communication and Journalism, only 7% of major film directors around the world are women. Whether you’re a fan of the Twilight series or not, we love the fact that an effort to get more female directors out there is a good thing!

There’s no denying the fact that computer science is a popular field to get into; however, Google recently looked over their annual diversity reports and found that 70% of their workforce is male, with 61% being white. In an effort to get more women to take an interest in coding, Google announced that they were launching a new program called Made with Code that “includes a mix of coding projects, partnerships with youth organizations, and $50 million in funding Google says will help get more females involved in the field of computer science.”

See any stories that we missed? Feel free to share them in the comments! Happy Friday everyone!

In 2004, fresh off the excitement of my first 2-book publishing contract for Cynthia’s Attic, I began establishing an online presence at my publisher’s request, uh…insistence.

One of my first tasks was to explore author websites and chat groups. Believe it or not, I didn’t find one blog! Blogging had not reached the manic stage of today, with most bloggers simply writing online journals; but networking sites were hot.

I joined a children’s chat group in order to schmooze with other young reader (‘Tween) authors and immediately related to one particular author. Both of us had first-time multi-book contracts, the idea for our series’ sprang from recurring dreams, and our stories were fantasy/fiction. A perfect networking match.

We chatted, online, for several months, and then lost touch. I can’t quite remember why, but I’d guess it was because I was in the middle of editing my first book, The Missing Locket, deadlines approached, and time management was crucial. I’m sure it had nothing to do with Stephanie Meyer’s schedule. Wonder what ever happened to her? I do hope she had some success with her series about…vampires, I think.

Speaking of vampires, I was recently asked why I chose to write books for ‘Tweens that are lighter; vampire-less, werewolf-less, zombie-less…you get the drift. I can’t really say. It just happened. Cynthia’s Attic does delve into magic and spells and such, but the scariest monster, so far, is Stony, a rock monster who attacks twelve-year-old Gus, in an enchanted garden in The Magician’s Castle. Other than that, a nasty, bad-breathed clown, a sinister stranger on horseback and a friendly alligator are as menacing as Cynthia’s Attic gets.
Until Book # 5.

Yes, I’m crumbling. In the next book (title TBD), a werewolf pops into the lives of best friends, Cynthia and Gus. Not your typical werewolf, mind you…a more congenial, helpful type, but a werewolf to be sure. Stay tuned!


Cynthia's Attic Series
The Missing Locket
The Magic Medallion
Curse of the Bayou
The Magician's Castle

Blurb: The Magician’s Castle

In trying to escape the boring summer of 1964, the adventurous twelve-year-old girls discover a trunk in Cynthia’s attic that her family has possessed for three generations.

Cynthia’s Attic: The Magician’s Castle (Book Four): Sebastien the Great, a magician whose fiancée, Kathryn, disappears through the magic trunk, vows revenge. If Cynthia and Gus don't find a missing page from the “Book of Spells,” Cynthia’s family could face financial and personal ruin.

The twelve-year-old best friends walk through miles of tree tunnels, stumble on an enchanted garden ruled by a cranky rock monster, and receive clues from an eccentric fairy named Eloise Elloway. They get the surprise of their lives when they're sent fifty years into the future, have a shocking encounter with another set of best friends, and gather a fresh set of clues that could lead to breaking the magician’s spell.

Mary Cunningham Books

YouTube code for video: Cynthia’s Attic Series

from: Source via Source

<-- These are my favorite

So, weeks ago, entling no. 1 started to alert me and her sister to the newly released pics from New Moon--the movie but she stopped as she remembered, "oh, snap, they don't care."

It is really so sad, a house divided. Twilight fans/Not Twilight fans. (entling no. 2 has not weighed in, yet.)

entling no. 3 and I rejoice in the success, fandom and enthusiasm for the Twilight books. I adore them for their contribution to my "it is never too late to become a reader" mantra.

entling no. 3 actually liked the movie and uttered the equivalent of heresy in this house, "I think I will just see the movies and not read the books." Alas.

We tried, REALLY tried to be part of the party BUT it turned out that both of us got to the "sparkle in the forest clearing" part and had to stop reading. I did eventually finish the book but the entling couldn't push her eyeballs one page further.

From unscientific data, gleaned from random conversations, it would appear that, the "sparkle" scene is a make-or-break point for readers. If you sail through that scene you will be a Twilight fan. If not, not.

Reading Meg Cabot's arch take on Publix birthday cakes and her ponders about Twilight cakes sent me a-googling.

For all the fans who got through the sparkle, have your cake...here and here.

Interesting article, "Stephenie Meyer: A New J.K. Rowling?" in Time this week.
Journalist, Lev Grossman makes many on target observations about the Twilight series and Meyer's writing.

Meyer's books are full of gusting emotions. Bella never stops gasping and swooning and passing out and waking up screaming from nightmares. Her heart is always either pounding or stopping. (Bella's histrionics don't feel at all unrealistic. When you're writing about adolescents, melodrama and realism are the same thing.)


...and this bit...


There's no literary term for the quality Twilight and Harry Potter (and The Lord of the Rings) share, but you know it when you see it: their worlds have a freestanding internal integrity that makes you feel as if you should be able to buy real estate there

Magabala Books, based in Broome, Western Australia, is an Australian indigenous publishing house. They’re committed to using aboriginal illustrators for their growing list of children’s books, but aboriginal illustrators are as few and far between as towns in that part of the country. So manager Suzie Hazlehurst put together a proposal to train and mentor promising talent. With funding from Writing WA and artsource, Suzie invited artists and likely future artists recommended by the local art centers in the Kimberley region to participate. She brought illustrator Ann James from Melbourne’s Books Illustrated to teach two 4-day intensive courses, one in Broome and one in Perth, with about a dozen participants each.

“Ann did a great job teaching both established artists and people with no experience in art mediums,” Suzie says. “Illustration requires specific skills. Artists have to know how to work with publishers, writers, and designers. They need to understand layout and collaborate on deciding which parts of a story need more detail.” Three workshop participants submitted exciting sample illustrations, she reports, and are now being mentored for particular titles.

Furthermore, Magabala is mentoring a young Adelaide writer on his graphic novel, which will also be the first graphic novel Magabala has published. The publishing manager is overseeing editorial guidance and a Melbourne designer with much graphic novel experience is offering design input. The target publishing date is late 2008 for this 3-way collaboration.

Magabala’s star is rising. The company, started in 1984, became an Independent Aboriginal Corporation in 1990. A recent move into the old Visitors’ Center in Broome, across the street from the new Visitors’ Center, has increased visibility and growth. A bush garden is in the works, as are gift products to be developed from the “artistic collateral” of their books. “Broome gets 300,000 visitors a year,” Suzie muses, “and if only a tenth of them bought one of our books…”

Wondering what the word Magabala means? Check it out here. For more about Australian indigenous book publishing, visit PaperTigers here. And here’s a PaperTigers review of one of Magabala’s most endearing titles, My Home in Kakadu. Who knows how much this one book has done to increase respect for the indigenous cultures of Australia?

When I visited Ann James, illustrator of Ready Set Skip!, at Books Illustrated, she mentioned that there’s an Australia-wide shortage of book illustrators. To help address the problem, she’s recently taught two workshops on book illustration for aboriginal artists, sponsored by Magabala Books.

Becoming a children’s book illustrator isn’t always a direct path. Ann started out as an art teacher. Gaye Chapman, illustrator of Breakfast with Buddha, had been a graphic designer and professional painter for many years when her first children’s book, Heart of the Tiger, came out in 2004. Sally Rippin, illustrator of Becoming Buddha, started out writing and illustrating picture books, first published in 1996. Her novel, Chenxi and the Foreigner, begun while she was studying Chinese painting in China years earlier, was published in 2002, and an adult version is now in process. Sally teaches writing for children at Royal Melbourne Institute of Technology, where Ann is now studying with an eye to writing children’s books in addition to illustrating them.

Ann James and her partner, Ann Haddon, long-time promotors of children’s book illustration as an art genre, also produced Making Pictures: Techniques for Illustrating Children’s Books. They have had an exhibition space for children’s book art at their studio/bookshop for years and have recently begun organizing traveling exhibitions of children’s book illustrations on multiple continents.

While these illustrious illustrators illustrate books, their stories illustrate the many paths that can lead to a career in children’s book illustration.