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This illustration by Eric Sailer was in the NJSCBWI Art Show and was the winner of the Unpublished Illustrator award. Congratulations, Eric! eric.s.sailer@gmail.com

Hi there. Jersey Farm Scribe here on…

Attacking A Conference

This past weekend was the NJ SCBWI conference. It was my first. So I thought I’d share some of my thoughts and experiences with you all.

First part of a conference that has to be attacked…

Actually Registering!

You can’t get anything out of a conference, if you don’t go.

Are they cheap? No. They’re not. And to be honest, as a simple farm girl, it wasn’t a small nut for me. But all jobs have their expenses. I buy feed for my piglets. This is feed for my writing. (And remember, even if you’re not published, talk to your accountant about deducting the conference cost, hotel and travel.)

So I was determined to go. A few days after registration opened, I looked at my husband and said, ”I’m going to stop THINKING about registering and just go register.” Then I said, “I’ll be back in a few minutes.”

And three hours later, I had completed registration.

The conference had so many amazing options. On top of choosing which workshops to sign up for, we had the options of which of the amazing list of agents and editors to pitch to, eat with, various opportunities for one-on-ones and even peer critiques.

After researching which agents and editors I thought I was a good match to stalk – I mean be around, I was excited to have registered!

Then, a few days before the conference came the part I didn’t expect:

Feeling like I didn’t deserve to go.

Who do I think I am, going to a “writer’s conference”??? I’m not good enough to be a REAL writer.

To be painfully up front with you all, it’s a good thing it wasn’t something that you paid for at the door, because I may have chickened out.

I have tomatoes to plant anyway, and I have to get that sheep fence fixed!

The excuses were just FLYING out of me. I was nervous and antsy and felt like I had absolutely no business being there.

Putting on my big-girl boots and getting over it.

I got in the car early Saturday morning and told myself… this is one of those times you just have to act braver than you are. MANY writers, published or not, feel like they don’t deserve their acclaim.

But I knew I had to get past that in order to get the most of the weekend.

And walking down the ominous skywalk into the check-in area, I decided to officially leave the frightened, non-deserving part of me completely behind.

And within moments I was swept up into the whirlwind that is the NJ SCBWI conference, with amazingly friendly faces, positive encouragement and more information than you could possibly imagine.

Agent & Editor Interactions

This is my biggest take-away that I feel I can pass on. Here’s the big secret:

They’re people!

Who’d have thunk??

And while I’m not saying not to tell them the concept of your book or the super special twist on your novel, what I am saying is: be able to talk about other things as well.

(I’m not sure what the protocol would be to mention names here, so I’ll just say:) I had a great time chatting with an agent, an editor and a fellow author during a social time Saturday night after the comedian. I wasn’t pitching. And I wasn’t looking for an opportunity to pitch. We were just talking. It wasn’t an agent, an editor and two authors. It was four people.

I’m going to call myself out here:

Before this, I had seen agents and editors as these all-knowing, powerful beings that step in and make exciting things happen, or not happen.

While I’m still in awe of their wealth of knowledge, and grateful for all I learned from them, I think I broke down the mental wall in my mind. They’re people.

And (at least the ones I met) REALLY nice, laid back, fun people. They like books! So we have at least some similar interests.

And they have HARD jobs. A few of them confided in me that they don’t love the level of spotlight attention they’re given at conferences sometimes. But they all handle it with grace. When the editor sat down at our lunch table, people stopped mid-chew and all 14 eyeballs darted up towards her. But she introduced herself (even though we all knew who she was) sat down and seamlessly laughed at the length of the line for food.

I can honestly say that I had a wonderful time getting to know some of the agents and editors at the convention on a personal level. And I truly think that’s important.

But of course, when you are pitching…

Be honest. Be specific. Be READY!

Have the CONCEPT readily pitch-able. I learned a great way to think of concept in Jill Corcoran’s workshop. It’s not just the plot, the story, the characters. It’s why should someone read it? The same way you’d try to convince someone to go see a movie. People say, “what’s it about?” But really, what they mean is, “why do I want to see it?”

Cut the fluff.

Words like “adventurous” “mysterious” or “changes everything” (ALL of which were in my pitch on Saturday morning) don’t hold any real meaning.

I guess what it comes down to is that we need to be showing and not telling in our pitch, just as much as in our manuscript.

Everyone thinks their book is a “page-turner”. So that doesn’t give them any information. Tell them WHY. Use specifics. Use adjectives that matter. “Memorable” doesn’t cut it. Use an adjective that describes why she’s memorable instead.

Be READY!

I don’t just mean be ready to pitch. I mean be ready to hear the feedback, positive AND negative. And embrace them BOTH.

These are high-level professionals. I was very lucky to have their feedback. They’re not pointing out fault for their own sake. It doesn’t matter to them in the least. When they pointed out my faults, they were doing it for my sake, so I could improve.

And improve I did.

I had more “ah-ha!” and “I never thought of that” moments in those two days than I can count.

An example you ask? Well, I learned about the importance of drawling the reader in at the end of every chapter.

So I’ll give you a few examples of some of the most important, tangible things I learned in my next post. 

Erika, another great article, so glad you are on my team!

Talk tomorrow,

Kathy

Eric Sailer is originally from Bucks County Pennsylvania and is now residing in New York City. He went to the University of Delaware and graduated with a BFA in Visual Communications with a concentration in illustration.

He’s been a member of the SCBWI for over a year now and is working on getting his first book published. He draws  political cartoons for an online publication named “Smithtown Matters” and also  been freelancing the past three years.  His clients include the Philadelphia Inquirer and Grid Magazine.   If you are attending the conference keep an eye out for Eric and look for his illustration in the art exhibit.

Here’s Eric:

For process, I draw much inspiration from the comic medium and line art. I work in ink with pen, brush, and random items. I then use watercolor and the occasional gouache. What is most important to me is to capture the moment and let it be spontaneous. I like lots of energy and humor. For a story idea, I rarely research first. I get the story down on paper as fast as possible using my imagination. Once I have a solid idea in place, I start fleshing out main ideas in my story and go to researching.

I find that I am always trying to balance having a spontaneous, loose drawing against a detailed, well rendered drawing. I avoid tracing researched items as much as possible (because it’s plain boring). Nonetheless, I find it immeasurably useful to research what I am drawing. After gathering references, I sketch until I get a good penciled sketch.

From there, I use a lightbox to draw over the pencil sketch to make an ink drawing. I use washes to give me a gray tone study. If I like it, I scan it and print out the study onto printer paper.

I use the lightbox again to draw the line work. When drawing over it, I am not able to see the picture entirely, but get a sense of where everything should go. That helps keep the drawing loose. If I don’t like the drawing, I will draw it again until I like it.

Lastly is the watercolor. I paint opaquely so most of the color I want should be down in the first wash.

I go back in too sometimes with some ink detail some things. That’s pretty much the end result.

4 Comments on Illustrator Saturday – Eric Sailer, last added: 5/28/2011