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Viewing: Blog Posts Tagged with: the kings speech, Most Recent at Top [Help]
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1. The King's Speech: Humility and Daring


Humility does not mean thinking less of yourself than of other people, nor does it mean having a low opinion of your own gifts.  It means freedom from thinking about yourself at all.  ~William Temple

There's a lot to like about this year's big Oscar-winner, The King's Speech. Lots of better-informed people than I have said many things about such aspects as the outstanding performances by Geoffrey Rush and Colin Firth, so I won't just repeat those kinds of things. To me, one spiritually-refreshing thing about the story really stands out, and that is the great combination of humility and daring.

Lionel Logue, the speech therapist who helps "Bertie" (George VI) overcome his speech difficulties, is from the first encounter respectful but firm with his royal client. He insists on first names only-- not only for himself, but also for everyone he helps, whether they are children or the man who is forced by circumstances to ascend the throne. At first glance, this radically egalitarian custom might appear anything but humble, but Logue's self-effacing manner make it clear-- he has a willingness to serve, to help others that dates from his time helping shell-shocked Australian soldiers recover after the First World War. And his respect and compassion for those he can help is universal. He has a quiet self-confidence, and no need to tear down anyone else in order to elevate himself.

Still, in that still very class-conscious era, it is daring to insist that a royal meet a lowly Australian in a grimy-looking basement office, and communicate on a first-name basis with the therapist.  But Logue holds his position without ever forcing it, and eventually Bertie comes around.

Bertie too has a certain humility-- indeed he has suffered humili-ation all his life, a lefthander forced to write with his right and developing a crippling stammer under his autocratic and unsympathetic father. But unlike his elder brother, heir apparent David (Edward VIII) Bertie too has a servant's heart, and a willingness to undertake the heavy burden of the kingship, even handicapped as he is by his speech difficulties. He too steps forth in daring, to comfort and inspire his people in the time of great testing.

But I think the scene that illustrates the combination of humility and daring most vividly is the one where Logue insists he and the king-elect be left alone in Westminster Abbey to rehearse the coronation speech. At one point Bertie turns around to find his speech therapist comfortably draped across the throne. Cheeky? A little. But Logue never makes it about himself. His daring to take such a liberty is all to get Bertie motivated. The act is, on the surface, disrespectful to tradition, but Logue's manner is never disrespectful. As the William Temple quote above has it, Humility is freedom from thinking about oneself at all. 

some more enjoyable links about the story:

Logue bio

behind the movie

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2. And the winners are…language lovers!

By Grace Labatt


The 2011 Academy Awards® take place this Sunday, February 27, the culmination of months of speculation about who will wear what, who will have the hardest time with the TelePrompTer, and, of course, who will win. But regardless Oscarsof who goes home with an Oscar—whether it’s Natalie Portman for playing a tormented ballerina or Annette Bening for playing a tormented wife—language lovers already have plenty to celebrate with this year’s honorees. Films in 2010 had an array of unusual linguistic choices that highlighted their screenwriters’ unique skills.

Kings and billionaires, both accidental

The film to generate the most adulation for its language was probably The Social Network, in which the dialogue from screenwriter Aaron Sorkin was spoken so quickly (and so articulately, even for Harvard students) that a 162-page script became not a five-hour saga but a two-hour rush of suspense. Sorkin’s script made legalese and technology terms not just comprehensible but exciting, introduced the term “Winkelvii” (to describe the pompous Winklevoss twin characters), which now gets 14,000 hits on Google, and reminded us that articles are never hip—according to one of the characters, Facebook’s success is rooted in founder Mark Zuckerberg’s decision to drop the “The” from the title.

The Social Network is a frontrunner, but its main competition is The King’s Speech. One of the central themes of this historical biopic of King George VI is the importance of clarity in communication—something all writers and speakers strive for, and a goal achieved by the film itself. At once point King George remarks, “I am the seat of all authority because they think that when I speak, I speak for them.” Scriptwriter David Seidler uses this tactic—words as tools to enthrall and enlist—to make audience members align themselves with an actor playing a king (which couldn’t be further from what most audience members are).

Ballerinas, boxers, and LaBoeufs

Three other best picture nominees couldn’t be more different from one another, but are united by a common thread. Black Swan, True Grit, and The Fighter all delve into a distinctive subculture and embrace that culture’s linguistic idiosyncrasies. Dancers, cowboys, and boxers use language that would sound foreign to anyone outside their professions: chaîné, tendu, fouetté, rond de jambe, tinhorn, 0 Comments on And the winners are…language lovers! as of 2/25/2011 11:29:00 AM

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