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1. New Folding Dollhouse - Miniature Lithographed Toy - McLoughlin Bros. - C. 1894

The original McLaughlin Dolhouse closed was 13 square x 1 inch

• Inside cover top shows the information from the original advertisement as follows:
• The house folds down to 13 x 13 x 1 inch. It makes 4 rooms:
Parlor
Dining-room
Bed-room
Kitchen
• Each 13 inch square, without roof, parted off by partitions 13 inches high. It is designed to be played with on a table. A number of little girls may thus get round it to the very best advantage. It is made out of stout binder's board covered with colored designs representing the carpets, walls, windows, mantels, etc. as seen in houses. It is designed to be furnished with paper or other small furniture, and to be occupied by paper or other small dolls. Single rooms are also put up, instead of four rooms together.

• Mine is a reproduction of a paper toy originally designed as 13 x 13 x 1" by McLoughlin Bros. New York.
• Box to hold the Dollhouse 3-1/4" square x 1/2" High.
• Dollhouse opens up to a 6" square x 3" High.
• Dollhouse closed is 3" square x 1/4" HighNew Folding Dollhouse - Miniature Lithographed Toy - McLoughlin Bros. - C. 1894

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2. Book News! Dollhouse by the Kardashians Coming in November

Reality TV stars the Kardashian sisters, Kim, Kourtney and Khloe, will release their first novel in November. Titled Dollhouse (the name was picked by a fan who wins a guest role in the novel), it will focus on a “glamorous, high profile and complicated family”. According to Kim, the novel is “based on our lives but we’ve added a lot of crazy fictional twists and turns”. {via Chick Lit Club}

6 Comments on Book News! Dollhouse by the Kardashians Coming in November, last added: 8/13/2011
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3. I heart Teen TV - let me count the ways!

I am obviously a teen at heart. (Maybe in my maturity level too.)

Somehow I always fall in love the CW or Fox shows.

Why?

Good question: I will tell you my top 5 reasons (besides #1 these are in no particular order :):

1. Paul Wesley and Ian Somerhalder - Honestly do I have to say any more? All I can say is "Yes please!" OK so who cares if they are dead, who cares if they have fangs, and who cares if they have anger management issues - I say "the more to love them with". (Oh wait, all that stuff is pretend, right?)

2. Vampire Diaries - This shows takes a good bite out of my Thursday nights and I love it! Obviously, a natural follow-up to #1. The show is awesome and follows the amazing books of LJ Smith )who BTW was wayyyyyyy before Stephanie Meyer. Like in the 90s before. This shows manages to get me to have 2 heart stops, 2 jumps, and 1 squeal - in each episode! Yes the jumping out of the trees and popping up in mirrors is probably predictable - but hey call me slow.

3. Glee - This show makes me happy! Why? because I see my life as a musical anyway - really! (check out the post I did on my life's soundtrack). Every time Lea Michele (AKA Rachel) sings - chills run down my spin and goose bumps form on my arms. The inappropriateness of the Principal, Coach Sue, and others crack me up. Yes I love inappropriate humor (as long as it is not about me!:) Mr Shu is a cutie pie, the music rocks, but most of all, Jane Lynch (Coach Sue) is hilarious.

Jane - you had me at Best in Show!!!



4. Dollhouse - All I can say is Echo is a bada$$! I love her guts and the concept is so cool. I mean - a illegal and underground group of people who have their personalities wiped clean so they can get any new personas. Plus they all have eternal amnesia - what a world! How cool is that! Wish I'd thought of it! Oh yeah, and Joss Whelon (who wrote Buffy) - can't wait to see your episode on Glee!!! Maybe Coach Sue and Mr Shu can have a rocking fight scene.



5. CW and Fox Reality shows - Give me Top model, Runway, American Idol, or So You Think You Can Dance any day. I love seeing regular people make it. OK OK so maybe it's staged, but I'll take a fake "making it" over no "making it" any day. Makes me think everyone has a shot in this business if you keep pushing for it.

It gives me hope and I love the see the underdog win. Only if they are talented in some way though. Lets be real - some schmuck who stinks doesn't give me hope.


PS maybe tomorrow I will list my next 5! Yes, that's right, the teen list goes on. Maybe Ill even start a feature called Teen Tuesday where I will list another teen thing I love.

29 Comments on I heart Teen TV - let me count the ways!, last added: 10/31/2009
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4. Dollhouse


Dollhouse: Season One. Twentieth Century Fox/ Fox Broadcasting System. 2009. Via Netflix.

The Plot: Echo (Caroline) is a "doll" in the "dollhouse." High paying clients pay to hire a doll to be anything the client wants. This isn't acting or pretending; the "dolls" original personality has been removed, and depending on the assignment, a new personality is downloaded into the doll and the doll becomes -- the perfect girlfriend. Hostage negotiator. A singer. Whatever you want.

It's not exactly legal; so FBI Agent Paul Ballard is investigating, looking to find Caroline with only a photograph, a first name, and rumors as a lead. How far will the Dollhouse go to stop Ballard? And does the Dollhouse have any limits in what it will -- and won't -- do to fulfill a client's wishes?

The Good: As you know, I began watching this last season with some reservations. I'll address them in a bit; first, what I liked about this show.

Dollhouse works great as a "sit down and watch all 12 episodes over 4 days" TV show. In many ways, it's stronger when you can see one episode after the other, the character development, the multi-episode story arc. Each Dollhouse episode works as a standalone; but there is also a season-long question (Who is the mysterious Alpha doll who went crazy and killed or mutilated several people before escaping the Dollhouse?) and a series question (What is the Dollhouse, really?)

As a viewer, it can be a bit hard to connect with the dolls who are a different person each week, reverting to a child-like state between jobs. For this reason, perhaps, the Dollhouse staff, despite the fact that they, well, treat people like dolls, are more sympathetic -- or at least easier to know -- than the dolls. If a person changes every week, how can I get to know them? How can I like them? Despite this limitation, or maybe because of this, Enver Gjokaj (doll Victor) and Dichen Lachman (doll Sierra) give stunning performances and show an incredible range of character. You actually look forward to them being someone different each week because they bring their A game each time.

If you read my prior posts, you'll see I'm a bit pissy at Joss for saying these shows are about yadda yadda yadda. What is the Dollhouse metaphor? Is this show about feminism? About employers wanting an unquestioning workforce? About acting, with "meat puppet" actors manipulated by directors and producers and writers? I've flirted with all ideas (well, except for the feminism one. That is Joss's idea and I don't agree). Ultimately, I think its a reflection of today's world wanting only to talk; never to listen; to say they want communication and relationships, but the truth is they only want that when it's one-sided, convenient, and easy; and ultimately, to always be in control and not have to compromise.

What didn't I like? Joss's talk before hand about the show yadda yadda yadda was a bit turn off; I much prefer discovering the truths about the show by myself, not for it to be hammered at me. Also, I'm a bit tired of Joss having his cake and eating it, too. He says he is a feminist; but the amount of short skirts and skin shown actually gets tiresome. I also have an inherent distrust of a show with a built-in rewind/eraser; i.e., when in doubt, say it's programming and a doll! It gets a bit tiring knowing that nothing can truly be trusted. But please note that sometimes I do like that type of storytelling, such as with Justine Larbalestier's Liar.

DVD Extras: there are two bonus episodes. One is an epilogue, of sorts, set ten years in the future (or, at least, one possible future). I LOVED the epilogue; and truthfully? Would have loved to see more storytelling like that. The other is the pilot that was deemed not a good pilot. What's funny is that some scenes from the pilot made it into other episodes; and an actress who was featured returned in a different role for a different episode. I do admire Joss's loyalty to actors and staff and crew.

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© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

4 Comments on Dollhouse, last added: 10/29/2009
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5. Dollhouse, Again

I'm still reserving final judgment on Dollhouse. Meaning, I watch, complain about it on Twitter, yet hope that something happens to pull it all together to make me go "wow."

There have been some good moments.

I enjoyed Eliza Dushku doing comedy in the last episode (and wish that Joss had realized that was one of Eliza's talents and concentrated on that for a series.)

Some of the conversation with widower-man. I liked how creepy the widower-man was about his dead wife. I wonder what she would think about the new! improved! Echo! Stepford! version her husband created. And I wonder whose memories/ download they used to create her.

Agent Ballard, Boyd & his investigation and apparent loyalty to Dollhouse, all good (tho it's a bit weird that we'll end up with two men fighting over what is best for a woman, Echo/Caroline).

I'm a bit surprised that some people thought that KickAssEcho was Caroline; it clear to me that she's no more than a Doll for the InsideDollhouse person.

I had predicted Mellie being a Doll; but good storytelling isn't about being "surprised", it's about how well told (and shown) that story is. What intrigues me is that I'm unsure whether Mellie was used to execute someone; or whether it was all done to set up Ballard; and if to set up Ballard, to what extent? Simply for him to trust the InsideDollhouse person, or to have him realize Mellie is a Doll (who does Ballard think killed Intruder Guy), in which case Madeline (er DeWitt) is the InsideDollhouse person.

But here is the thing with Mellie and the Bad Guy: this type of "we could discuss in circles all day long" annoys me as a reader/watcher. Oh, I'm not saying I want it handed to me on a silver platter, all spelled out. I like arguments about what a story means or what happened. I'm good with loose threads and red herrings. I'm not good with obvious manipulation by the storyteller; and sadly, right now, that's what I'm feeling.

I can see and full the puppet strings as Joss manipulates his story and his audience. The man on the street interviews? Joss telling us what he thinks we are thinking and should be thinking; ditto with half of widower-man's conversation with Ballard. To much of the "is this or is this not Dollhouse activity / game playing" falls into the same type of manipulation.

I'm still bothered by some lacks of logic that I hope get examined. Why are all the dolls so cute and fit and purty? Rich men and women have fetishes and odd desires, just like the rest of us. And isn't the burglar/spy doll who no ones remembers because they are average better than the one who should be on a cover of a magazine? I don't believe that no one wants to pay for someone beyond the Hollywood ideal of beauty.

Ah, the Hollywood ideal of beauty. That is what this show is really about, isn't it? Not about feminism (despite the Joss interviews I've stopped listening to because I don't like feeling like I'm a college freshman being lectured by a grad student). It's about industries like TV that would love if their talent (actors, directors, etc.) were Dolls who did exactly what the studio wanted them to do; and Joss's anger at Fox about this. Anyway, that's my theory.

Tho about that theory and the last episode...it could also mean that the Dollhouse is really about employers (especially the military, always the bad guy of choice for some) creating a perfect, unquestioning workforce. Hey, publishers, imagine the author who churns out bestsellers without missing a deadline or wanting to write outside their genre? Who never complains about a booksigning? This works a lot better for me than the feminism metaphor Joss tells me. (And makes me wonder what Joss really thinks about what his show is about; and what is marketing.)

Which, by the way, leads me to another point for any author. If you have to tell me what your book/movie/TV show is really about? Instead of letting me discover it on my own? You're doing it wrong.


© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

0 Comments on Dollhouse, Again as of 1/1/1900
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6. Dollhouse

Dear Joss Whedon,

I watched the first episode of Dollhouse last night.

Joss, we've been together since 1997; I did watch the original Buffy the Vampire Slayer movie, but really, the date of my lovefest is from the Buffy The Vampire Slayer TV show. I stayed with you during all the ups and downs in both Buffy and Angel. Now, it's true I didn't follow you into space and I regret that, and took up the cry of Serenity, eventually.

So, I will continue watching Dollhouse. Despite my misgivings, which remain after last night's episode.

The good? Well, there is you, Joss; and because of that, I'll stick around to see what Big Backstory is going on, to watch characters develop and stories deepen. You've assembled a great cast: Amy Acker, Reed Diamond, Olivia Williams, and be still my heart, Tahmoh Penikett (I love you, Helo!)

But... man. A dollhouse? Really? Humans with no memories, who get personalities downloaded into their brains, then rented out to fulfill whatever dream or need or want they have?

I know you've written some great roles for women: Buffy Summers and Zoe Washburne to name two. But the space prostitute, er, companion storyline of Firefly was always one of the weak spots of that series.

And Dollhouse... sorry, Joss. I don't see the humor nor adventure in a storyline where rich guys make human girls into their playthings -- their dolls -- to fulfill their emotional and physical needs, as we saw in the first few minutes of the show.

It's especially troubling when, unlike Inara, the women are not in on it, but rather empty vessels to be filled with the type of super-women the men want. The BuffyBot was at least a robot, not a real person; the same goes for the robots of Westworld. Echo wasn't acting in the first few minutes; she really was that dream-girl. And the Echo in-between downloads is oddly disconnected. Which means I don't connect.

Oh, I know; the main story in the episode had nothing to do with sex. Instead, it went very Nikita (and the backstory of Echo also, well, echoes Nikita's story.) It was about being a hostage negotiator! Echo's job will change every week!

I understand that this is being done in part to highlight the acting range of Eliza Dushku. One of the things I've always liked about good science fiction TV is the ability for actors to stretch and show multiple talents and faces. Perhaps if I were a bigger fan of Eliza, I'd be more excited about the show. But I want to watch a Joss show; not an Eliza showcase.

Will I DVR this show? Yes. Am I in love with it, the way I was with Buffy? No. Will I give it time, it case things turn out to be something other than what they seem? Yes.

Take care,

Liz

13 Comments on Dollhouse, last added: 2/21/2009
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7. In Memory: Richard Cook

Below, Miguel Hernandez, shares his memories of Richard Cook (The Independent’s Obituary).

It is with great sadness that we share the news that Richard Cook passed away on August 25th, of cancer. He was a wealth of knowledge on jazz music, appropriate considering he authored Richard Cook’s Jazz Encyclopedia, It’s About Time and co-authored the monumental Penguin Guide to Jazz on CD. (more…)

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