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Birthday Party, originally uploaded by crystal driedger.

Every year it is my goal to use the skills I developed while working full time at my last job (I was there for four years and the company sold gift bags, childrens books, greeting cards and other fun things to quite a variety of companies including Walmart, Costco, American Greetings and many a dollar store among other places). One of the downsides of selling to these big companies was that the end results of my work (the actual products) weren't sold or created in Canada. Now normally this wouldn't be a problem, but I am a very far drive away from our nearest border (which for me is Montana, a beautiful state packed with mountains and sweet smelling forests)... and for those of you who have had the wonderful experience of seeing your work in stores it's so so satisfying to see it being touched and admired by real people, even if they are standing on it while it's on the floor (this, by the way, happened to me when I was lucky enough to be able to go on a business trip to Nashville. In a dollarstore in the middle of the city people were frantically searching for the "perfect" Christmas gift bag all the while tossing things on the floor where the faces of my paintings were being covered by the mud on the streets beneath customers boots).

This story reminds me of the reality of commercial illustration, or perhaps illustration in general. We create art that is essentially disposable. Our paintings get admired for seconds, perhaps a few days at most then is thrown away or recycled. There are exceptions to this rule: Children's books can be cherished and read over and over, some greeting cards are saved for years and I've heard of people framing copies of art they've clipped from magazines.

While I know that not every child who gets a card I've created in their mailbox will treasure it I can't stop trying to make similar images than those I loved when I was little. Greeting cards and childrens books were the first things I could call mine and they were certainly evidence that an artist could influence and brighten my world. Not to mention it dispelled the idea that if you wanted to be an artist you had to be "starving". Someone must have been paid to create the cards I got for my birthday and there was no way the artists behind the Lion King weren't being compensated in some way (although at the time I would have licked dirt to have been one of their artists, forget paying me!).

So I'll continue to illustrate and create concepts that might, if I am so lucky, be turned into cards that are eventually thrown away (or at best recycled). Because heck, people might like my design so much that they will buy my card and fill it with money. If that doesn't make my card worth more to someone, I don't know what will!

I would like to draw your attention to this Family Reading page on The Horn Book’s website – there are lots of ideas and shared experiences to hearten and encourage reading with and to our children. I especially love Martha Parravano’s article “Reading Three Ways“ about reading with her two daughters; and I laughed aloud at the end. It reminded me of a holiday when Son Number One was still toddling. Rapunzel had been the perpetually chosen audio tape on the day’s drive up to the North of Scotland. A few days later:

Daddy: Where’s Mummy?
Son (cackling): The bird has flown, my pretty!

…I wish I’d actually been there to hear it!

Thinking back to that time when books had to be repeated ad infinitum, here’s a list, in no particular order, of only some of our family favorites from the very early years:

All the Hairy Maclary books by Lynley Dodd – in fact, all her books!
Owl Babies by Martin Waddell, ill. Patrick Benson;
Can’t You sleep, Baby Bear? - and the rest of the series, again by Martin Waddell, but ill. Barbara Firth
Each Peach Pear Plum and Peepo! by Janet and Allan Ahlberg
Mrs Armitage and the Big Wave by Quentin Blake
We’re Going on a Bear Hunt by Michael Rosen, ill. Helen Oxenbury
Little Beaver and the Echo by Amy MacDonald, ill. Sarah Fox-Davies
The Very Hungry Caterpillar by Eric Carle
Green Eggs and Ham by Dr Seuss
The Gruffalo and all the other books by Julia Donaldson, ill. Axel Scheffler
Mrs Goose’s Baby and Mr Davies and the Baby by Charlotte Voake

When I look at this list I realise that nearly all these books were given to us by friends whose own children had loved them – and we in turn have handed them on to our smaller friends…

So let me just leave you with a something the illustrator Howard Pyle once said:

“The stories of childhood leave an indelible impression, and their author always has a niche in the temple of memory from which the image is never cast out to be thrown on the rubbish heap of things that are outgrown and outlived.”

On BBC Radio 4’s Open Book this week, Britain’s new Prime Minister Gordon Brown flagged up Julia Donaldson’s The Snail and the Whale as his top children’s book – and his choice was certainly greeted with approval from the small listeners in the back of my car yesterday. Gordon Brown extolled “the quality of children’s books now and the sheer brilliance of the writing” and talked about his experience as a Dad: “I read bedtime stories but sometimes early morning stories as well, as any parent knows; but I love reading to both my children. One is only ten months and he’s just starting to get a bit interested in what’s there.” Fantastic!

There has been a fair bit of research in recent years into the benefits of Dads reading aloud to their kids – (more…)