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So -- for my very first book trailer I tried some of the free software that came with my computers, Windows Movie Maker and Microsoft Photo Story for the PC and iMovie for the Mac, but they seemed a little limited. I didn't want to spend a whole lot of money for Adobe Premiere, so I settled on Pinnacle Studio Ultimate for $129 bucks and I'm very happy. For sound effects I joined "The Freesound Project" which is a really cool site (and made me go out to buy my own little Sony digital recorder so I can start recording my own effects.)

This was a really fun little project. A few hours yesterday doing a "first draft," then a few more hours today tweaking in all the great input I got from my friends.

Sound credits here: http://www.youtube.com/watch?v=h0N7XRBeyhI

. . . from my editor, Marcia Leonard, comes the upcoming Fall 2008 Clarion Houghton Mifflin catalogue. One side shows an illustration from David Macaulay's THE WAY WE WORK, and flip it over, here on the Clarion side is the cover from my upcoming book, KITCHEN DANCE!

KITCHEN DANCE begins as two sleepy young children are awakened by mysterious sounds from downstairs. They sneak down the dark stairs to see what is going on. Peeking through the kitchen door, they spy their parents who are dancing and singing in the bright, tropical-colored kitchen as they put away the dinner dishes. But, ¡HOLA! the children are discovered! What ensues is a joyous family dance that slowly turns to lullaby and finally ends with the children tucked cozily back into their beds. Umm-hmm!

On sale this October 6th, 2008.

The last few days have been a blur. My sister has come home from living abroad for nearly a year and my best friend has also returned from New Zealand after living there for what she describes as "20 months". I've been wracking my brain in my latest role as "fine artist" rather than illustrator to complete paintings I think might sell at this years Artwalk put on by the Paint Spot on Whyte Ave. Sitting on my parents deck on the farm I grew up on I couldn't help thinking what a crazy great job I have to be able to paint wherever I want...

I have recieved my vendors permit and I'm going to be situated at the Varscona Theatre (or Walterdale??). The event runs from July 13-15 so stop by the farmers market and then come by for a chat (this is Edmonton for those of you who don't know where I live) as I'm right across from it. It'll be a one of a kind event for me because I've never actually sold my art before! This entire time I've been deeply involved in illustration where the client "borrows" the scanned image but I'm quaking in my boots to think of someone taking home one of my paintings! Oh I just hope they do. Otherwise my halls will be lined up like crazy with bright pictures of girls sipping wine.

YAY! For the first time in 5 years I've updated my website. This recently became a top priority after my sister compared my old light yellow design to a "country kitchen" once too often and even my agent had been pleading with me to take the embarassingly ancient dates off the copyright notices at the bottom of my images. Hopefully it looks more current and maybe a even a little edgy?

I almost thought I should start this blog over now that I've attached it to my website -- but instead I think I'll just keep plodding along. Those old posts will scroll off the site sooner or later. So I'm going to blab here more regularly and post some stuff I've been working on.

I've got a few new B&W images up. I've been thinking of trying a graphic novel, or just an illustrated chapter book and need to have more samples. Plus, almost all my book ideas begin with an illustration I've done for myself, for fun.

My big news is that my wonderful agent, Scott Treimel, sold KITCHEN DANCE, a story that came out of one of the images I had drawn for my website a while back while testing my "sketchy" style. The publisher is Clarion Books, which would probably be on the top of my list of publishers I've wanted to work with. More than 20 years ago, while I was still an illustration student as MassArt, I sent my very first manuscript to James Cross Giblin at Clarion. He sent me a personal rejection encouraging me to send him more in the future. I never did -- instead put that rejection letter in a frame and gazed lovingly at it over the years. And no matter what icky art job I had to endure in order to pay the rent (like drawing tanks and M16 rifles for a US Army contractor and drawing dentists and realtors for yellow page ads) I always knew that the letter from Jim Giblin inviting me to submit "more" to him was solid proof I was a writer.