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1. Welcome to the Poetry Friday!

 

 

Everybody has a song,
be it short or be it long,
in the right or in the wrong key,
Like the hee-haw of a donkey,
Twitter, tweet, tu-whit, tu-whoo,
howl or growl or quack or moo.
[…]
Don’t be silent
nor afraid,
you must sing
as you’ve been made.

Translation by Stan Dragland of the South African poem “Elke outjie…” by Philip de Vos

Welcome, everybody, to this week’s Poetry Friday, which we are delighted to be hosting.  Please leave comments below with links to your “songs” and I’ll be updating this post throughout the day.

The above poem comes from the joyous anthology Under the Spell of the Moon: Art for Children from the World’s Great Illustrators.  This superb book, first published by Groundwood in Canada in 2004, then in the UK in 2006 by Frances Lincoln, is now available for the first time in paperback (Frances Lincoln, 2012). Produced by the International Board on Books for Young People (IBBY), the book is edited by erstwhile President of IBBY and founder of Groundwood Patsy Aldana, and has a thought-provoking Foreword by award-winning author Katherine Paterson.  It provides a fantastic showcase of 32 illustrators from across the globe, who have all donated their work to benefit IBBY – indeed 12.5% of the book’s proceeds go to IBBY.  Illustrators include Piet Grobler, who illustrated the poem cited above, as well as many others of my personal favorites such as Mitsumasa Anno (Japan), Peter Sís (Czech Republic/USA), Anthony Browne (UK), Isol (Argentina), Pulak Biswas (India), Luis Garay (Nicaragua) – and the book has also introduced me to many illustrators whose work I intend to explore further…

Each illustrator was asked to “illustrate a text of his or her own choosing, be it a poem, nursery rhyme, song, piece of prose, riddle or street game.”  The result is a wonderfully eclectic gathering of mostly verse that is given in its original language, sometimes incorporated into the artwork, and, where necessary, in English translation: and indeed a special shout-out must go to Stan Dragland’s virtuoso translations.  The quirkiness of the collection probably comes from this freedom of choice given to the global spread of illustrators: so each page turn brings a surprise, both in text and artistic style.  The one thing that links every page is the joie de vivre of the texts and the virtuosity each illustrator has brought to his or her contribution.

And n

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2. Bologna Book Fair – Day 3

After a busy day of presentations on Day 2, Day 3 of the Bologna Book Fair was spent meeting people and absorbing the different books on offer.

First up was a lovely chat with poet Jorge Luján, whom we’d caught up with on the Tuesday evening… He shared his brand new book with us and I will share some photos with you when I work out how to get them off the camera (as opposed to a storage disc)… but in the meantime, enjoy this gorgeous poster for the exhibition of Isol’s illustrations from his recently published Pantuflas de perrito which is on-going until 25th April, if you happen to be in Bologna…

Bologna Book Fair 2010: Poemas de compania exhibition of Isol's illustrations for Pantuflas de perrito by Jorge Luján

Other highlights included:

The presentation of the International Youth Library’s newly announced 2010 White Ravens Catalogue:

Selection of books from the White Ravens Catalogue 2010

I had a great discussion with Janet Evans from Liverpool Hope University, UK, who is currently spending some time with the Library in Munich

Bologna Book Fair 2010: Janet Evans at the International Youth Library's stand

while…

next door at the IBBY stand, Corinne and Aline had a good chat with Sylvia Vardell, editor of IBBY magazine Bookbird and host of the wonderful Poetry for Children blog (Don’t miss out on her current game of Poetry Tag for National Poetry Month in the US).

Corinne and Aline with Sylvia Vardell.

Meeting Danilla Marii, an Australian writer based in Rome, who had come to the Fair to seek out a publisher for her beautiful and vibrant book The Rainbow Tree – it was a real privilege to be able to see the original draft that includes some intricate collage work. We lo

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