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Viewing: Blog Posts Tagged with: Donnell Childrens Reading Room, Most Recent at Top [Help]
Results 1 - 7 of 7
1. Food for Thought — Cooking, characters and cultural diversity


A guest post by Sherri L. Smith

Take a minute to answer this question: If you had one last meal, what would it be? This is one of my favorite dinner party questions. The answer can tell you a lot about someone. Sure, people will ramble, name a dozen items, some of them gourmet dishes from a favorite restaurant, some of them once in a lifetime treats from a vacation overseas, but in the end, if they are like most people, they will end up naming something from their childhood. Something their mother used to make. You can understand, of course, the desire for comfort food if it is indeed your last meal. But, I think it is more than that. It’s an assertion of self, of our origins.

hot sour salty sweetMy latest book, Hot, Sour, Salty, Sweet, is founded on the two great loves of my life—my husband, and food. In the book, 14-year-old Ana Shen struggles to bring two sides of her family—African American and Chinese American—together to make the perfect meal to celebrate her eighth-grade graduation. Like Ana’s mother, I am black, like her father, my husband is Chinese. The idea of Ana was born from my own daydreams of our future children. As a biracial couple, we faced a few hurdles from other people, but we each knew who we were, who we wanted to be. How different would it be for our children, with a foot in each world? How would they assert who they were? These were uncomfortable questions. So, I looked for comfort, and found it in food.

Food is a mother language. Like Latin, it shares its roots with a hundred different cultures. The ingredients are the same—it’s how we express them that is different. Beans and rice is a very southern American dish, if the beans are red and the rice is long grain. Change the beans to black beans, season it with lime and garlic instead of onions and parsley, and it’s a Cuban dish. Fry those same beans twice, remove the lime and add tomato paste, and you have a Mexican dish. Use mung beans and you could have a Caribbean or Chinese meal. Grind the red beans into a paste, and ground the rice into flour for mochi, and you have the makings of a sweet Japanese or Chinese dessert.

This alchemy of food reduces the degrees of separation in a culture, and shows the migratory paths of our ancestors. Chinese workers who built the Pacific railroad tracks from California to Mexico settled in Mexico and changed the way a region cooks. African slaves brought through the Caribbean to the port of New Orleans for sale added their flavors of pepper and okra to the Spanish fish stews and French bouillabaisses to create gumbo and Creole cooking. If Hot, Sour, Salty Sweet was born out of a desire to glimpse the future of what a child of mine might be like, then food was a natural backdrop on which to let it play out. Ultimately, it’s not just the meal they prepare, but the legacy of the food itself that brings Ana and her family together. Each dish in the book tells us a little about the character who made it, who they are today, who they used to be. It is literally what her family brings to the table to share with Ana.

So, if you had one last meal, what would it be? Write down your answer, and then trace back to the beginning of that meal’s family tree. When did you first eat it? Who cooked it for you? Who taught them how to make it? Even if you think the story is short and simple, you will find that it isn’t, and that who “you” are is much bigger than you ever knew. And that is the lesson every child should learn.

Other stops on Sherri L. Smith’s blog tour:
February 11, 2008 @ Finding Wonderland
February 18, 2008 @ Bildungsroman
February 26, 2008 @ Seven Impossible Things Before Breakfast
February 28, 2008 @ The Brown Bookshelf

sherri l. smithAbout Sherri: Sherri L. Smith was born in Chicago, Illinois and spent most of her childhood reading books. She currently lives in Los Angeles, where she has worked in movies, animation, comic books and construction. Sherri’s first book, Lucy the Giant, was an American Library Association Best Book for Young Adults in 2003. Translated into Dutch as Lucy XXL (Gottmer, 2005), her novel was awarded an Honorable Mention at the 2005 De Gouden Zoen, or Golden Kiss, Awards for Children’s Literature in the Netherlands. Sherri’s second novel, Sparrow, was chosen as a National Council for the Social Studies/Children’s Book Council Notable Social Studies Trade Book for Young People. Hot Sour Salty Sweet (Random House, 2008) is her third novel. She is currently at work on Flygirl, an historical YA novel set during World War II.

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2. Library Geek Misses Her Big Chance (Reports from the NY SCBWI conference)

The first in a series of mini-reports on my trip to the New York SCBWI Winter conference:

I did something geeky last Friday. I went to the Central Children's Room at the Donnell branch of the New York Public Library and asked to see a copy of my book. I was just going to peek at it on the shelves and marvel that my book (MY book!) was in the same building as the original stuffed animals from Winnie the Pooh, Wyeth paintings, and a Newbery medal.

But my surreptitious plan didn't work. The librarian on duty insisted upon doing her job and helping me. It turns out that Letters From Rapunzel at this particular branch was non-circulating, and The Most Helpful Librarian in the World jumped right up and went to the back stacks to pull it for me.

Really, I didn't mean to make her leave her desk and go fetch my own book! It's not like I haven't seen it before. But I hadn't seen it in a library in New York before, and I really did want to. Maybe because I went to kindergarten in NY. Maybe because I went to the library often in NY. (Although not the Donnell branch, sadly, according to my mom and dad. More likely the local Queens branch.) Or maybe because I'm a total library geek.

Anyhow, I held it, stroked its shiny library cover, and fantasized about filling the white space on the title page with a pithy literary comment, my non-trembling signature, and the date: Feb. 8, 2008. Then, I reluctantly gave it back to the Most Helpful Librarian. Turns out that I screwed THAT up.

Because later that night, at the KidLit Drinks get-together, I talked with Betsy Bird, librarian at the same famous Donnell Children's Room, and blogger as Fuse 8 (read her detailed post about Donnell here,) and she said: Oh, did you sign your book?

WHAT? I could've written in a library book? Really? *sigh*

On the other hand, I did do some things right on my visit to Donnell. I inspected Eeyore's tail and marveled at Tigger's realistic stripes. I signed Pooh's guest book. I eavesdropped on a play being rehearsed in a back room. I said a little prayer before the plain, matter-of-fact sign reading: In Memoriam: Madeleine L'Engle and Lloyd Alexander (among others.) I peered through the window of an office at a model of the Little Cabin in the Woods, and longed to move the figures around in a dance to a fiddle tune. I oohed over the Mary Poppins books and umbrella.

Most of all, I left feeling grateful for the chance to stand in a place where I could picture myself as a child, rushing in the door, running over to the new books, getting lost in all the choices, visiting old favorites on the shelves, and leaving with an armful of the best of the best. I wouldn't have noticed if an author had been standing there, holding her own book. Except of course, if it was a book I wanted to read. And then I would've thought: HEY! WEIRDO! Are you done with that?

P.S. The building that holds the Donnell branch has been sold. Betsy Bird has been gathering memories of the Children's Reading Room. If you have a good story, please get it to her here.

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3. Guest Blogger: Paula Yoo


Paula Yoo author photoHi. My name is Paula Yoo. I am a 15-year-old white suburban punk rocker video game-playing boy trapped in the body of a 30something female Korean American.

That was my politically incorrect joke for many years. I grew up in the ’80s, obsessed with the late ’70s punk and early ’80s New Wave scenes of London, New York, and LA. Today, I own an Xbox 360 instead of an Atari.

But… I was also a teenager ashamed of her Asian heritage.  I was born in America and spoke perfect English.  My parents were born in Korea and spoke with a slight accent.  They loved kimchee.  I loved Big Macs.  Part of this embarrassment and shame stemmed from being one of very few people of color in a small conservative town in Connecticut.  I remember being made of fun – and judged unfairly – because of the color of my skin.

Fortunately, I later attended a more diverse college setting where I learned to embrace my Korean heritage. A lot of my Asian American friends have shared similar ethnic self-hatred and coming-of-cultural-age experiences.

So I lived happily ever after, right?

Not really. What I hadn’t realized was all those years of unfortunate racial self-hatred would still have an effect on my writing.

See, ever since I devoured E.B. White’s Charlotte’s Web in the 1st grade, I have always wanted to be a writer. When I finally wrote my own stories, all my characters were white. Of course, there’s nothing wrong with that – the greatest privilege about being a writer is that you can write about anything and anyone! My characters ranged from a medically depressed and unhappily married young mother living in New Orleans to a stoner college freshman in love with his roommate’s girlfriend.

These short stories received much praise from my creative writing professors. But they also told me something was missing… where was my voice? There still has to be some truth in fiction – but in my fiction, the truth was nowhere to be found.

Maybe I needed to live life first in order to become a better fiction writer? So I studied the human race through the lens of an objective journalist for the next nine years. I then received a prestigious fellowship to study creative writing at an MFA program. Upon graduation, ironically, I became a TV drama screenwriter instead of a novelist because I had a gift for writing dialogue… and being a TV junkie didn’t hurt! I wrote everything from NBC’s Emmy-award winning political drama “THE WEST WING” to FOX’s cult sci-fi series “TRU CALLING.” I was adept at imitating other people’s voices – I could easily capture and mimic the show creator’s writing style and voice, which is a necessary skill required for TV writers.

But I still didn’t have my own voice!

In April 2004, several writers and I were laid off from a soon-to-be-cancelled TV series thanks to low ratings. I had two choices - wallow in unemployed self-pity or take advantage of the rare free time and write.

So on May 1, 2004, I sat down in front of my laptop and wrote: “You’ve heard the joke, right? Why is a viola better than a violin? It burns longer.” I wrote until 4 a.m. about a violin audition I had in high school. (I studied the violin growing up and am still an active professional freelance musician today.)

I couldn’t stop. I wrote EVERY SINGLE DAY for 16 hours straight. I’d stumble into bed around dawn and wake up around 11 a.m. and just plop myself down in front of my laptop and start typing.

This continued for five weeks. During the first week of June, sometime around dawn, I wrote the final sentence at the bottom of page 300 of my completed novel and burst into tears.

I realized this was the first time I had ever written anything featuring a Korean American female character. GOOD ENOUGH’s main character, Patti Yoon, was ME. Okay, so she’s not 100 percent me – I’m nowhere nearly as smart as Patti and she can play circles around me on her violin! And who knew Patti’s Korean immigrant parents would play such a huge role in the novel? I had always scoffed at the “Joy Luck Club” phenomenon of Asian American authors writing these weepy tragic novels about how they suffered racism in intolerant small all-white towns and how their parents suffered even worse tragedies in fill-in-blank-Asian-country-here.

All joking aside, of course I respect these novels! We need these experiences, unique perspectives, and multicultural voices to keep our literature alive and vital. But I never thought I would write an “Asian American” novel. I thought my Great American novel would be about a migrant family of farm workers escaping the dustbowl of Oklahoma to pick grapes in California… oh wait. Sorry. Steinbeck already wrote that! :)

Clearly GOOD ENOUGH was inspired by my life growing up as a geeky violin-playing outcast who didn’t go to Prom. But instead of focusing on teen angst, I had found myself laughing at my own memories and realizing how funny high school really was. So that’s what I ended up writing. I never approached the book with a multicultural mission. I never intended this to be a novel preaching about the stereotypes of the Asian American model minority myth or about the cultural difficulty in communicating with immigrant parents.

But at the same time, my novel is not solely about cultural issues. In the end, it’s just a story about a girl named Patti. She could be any ethnicity/race. The book’s universal theme is… what makes us happy? Who can’t relate to that?

As for my happily-ever-after ending? I finished the revisions and submitted my novel to my literary agent. Three weeks later, he sold it to HARPERCOLLINS. And today, February 5, 2008, my YA novel GOOD ENOUGH debuts in bookstores across the country.

And sure, sometimes I still feel like a 15-year-old white suburban punk rocker video game-playing boy. One day I will write a novel about that mischievous boy and the troublesome scrapes he finds himself in!

cover of Good Enough by Paula YooBut you know what? I had to write GOOD ENOUGH first. By discovering the truth hidden inside myself and unlocking my own authentic voice, I became a better writer. Now I can truly explore the lives of other characters with confidence and compassion. They say, “Write what you know.” I say, “Figure out what you know first before you start writing.” And then you can write about anyone… and anything. Trust me – once you find your own voice, there’s a whole world out there, just waiting for you to discover it!

About Paula: Okay, I admit it. Like Patti Yoon, I play the violin. Yes, I was concertmaster of my Connecticut All-State High School Orchestra. And I snuck out occasionally to see a couple of cool bands (sorry, Mom & Dad). But this novel is a work of fiction. Although I too was forced to undergo a really bad home perm, it burned my left ear, not my right. And there was a cute guy in my homeroom who played rock guitar and asked me to work on a few songs with him, but his name was not Ben Wheeler. When I’m not writing novels that allegedly have nothing to do with my personal life, I also write TV scripts. I was born in Virginia and grew up in Connecticut. I’ve also lived in Seoul, Korea; New York; Seattle; and Detroit. I now live in Los Angeles with my husband, who plays guitar—and yes, we jam occasionally, just like Patti and Ben.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

A few weeks ago, Paula left a comment on my post comparing the description of her brand new (out today!) book Good Enough with She’s So Money by Cherry Cheva. I found her comments interesting and thought-provoking, especially when she said, “this is the first piece of fiction I have ever written where the character was Korean American.” I asked if she’d like to write a guest post for us, and she agreed. Thanks, Paula, for taking the time to share this with us.

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4. Link-Mad Monday: WI3 and "the reading business"

Welcome home from Winter Institute, booksellers! From all I've heard already, this year in Louisville was just as invigorating a session as last year in Portland. Here's where you can find out more:

The lovely Lori Kauffman of Brookline Booksmith was live blogging from WI3 on her blog, Brookline Blogsmith; check it out for some impressions of Danny Meyer's opening presentation on hospitality vs. service, Gary Hirschberg's bit on saving the world while making a living, some bookseller/librarian conspiring, and Lori's pick of the galleys. And I suspect there's more to come -- the intensity of the programming can make it impossible to find time to blog, so sometimes it's all about the recap afterward.

Dan Cullen of the ABA was also live blogging on the ABA blog, Omnibus, and has posted exhaustive coverage of the whole thing, Thursday to Saturday, plus lots of pictures. Dan humbly admits the difficulty of finding time or a single perspective on a weekend that includes "24 educational sessions, 12 rep picks' sessions, 3 keynote addresses, an author reception... and a closing reception", but he also does a killer job of capturing a weekend of "flow", that state of concentrated bliss when you're working so well on the work you love that time doesn't seem to exist. (Here's one of my favorite pictures, of three of my Emerging Leaders Council cohorts: Susan Weiss, Sylla McClellan, and Sweet Pea Flaherty. I know Megan Sullivan was also there; can't wait to hear all about it, guys!)

And of course, today's Shelf Awareness has the first in a series of articles recapping the experience and lessons of WI3, written by John Mutter and Susan Weiss. Looking forward to vicariously absorbing those lessons through them.

(And yes, incidentally, there is a little bit about yours truly and my terrific Wednesday night in there too... thanks for the mention!)

Again, I'd love to get a bookseller or two to write here about Winter Institute: their overall experience, a specific session or topics, or even the people you met. Send me an email or leave a comment if you'd like to be a guest poster.


In the meantime, I was surprised and gratified to read an article in the New York Times this weekend that actually rebutted the "no one reads anymore" opinion -- in an article reviewing the Amazon Kindle. Apparently about two weeks ago Steve Jobs of Apple made an already infamous statement when asked about the Kindle and whether Apple would be looking to get into the e-reader business:

"�It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” he said. “Forty percent of the people in the U.S. read one book or less last year. The whole conception is flawed at the top because people don’t read anymore.”

In the Times piece, Randall Stross politely but thoroughly demolishes this absurdity, and ends with a challenge for those of us in what we now call "the book business". Here's the passage -- I'm curious to hear your thoughts.

To Mr. Jobs, this statistic dooms everyone in the book business to inevitable failure.

Only the business is not as ghostly as he suggests. In 2008, book publishing will bring in about $15 billion in revenue in the United States, according to the Book Industry Study Group, a trade association.

One can only wonder why, by the Study Group’s estimate, 408 million books will be bought this year if no one reads anymore?

A survey conducted in August 2007 by Ipsos Public Affairs for The Associated Press found that 27 percent of Americans had not read a book in the previous year. Not as bad as Mr. Jobs’s figure, but dismaying to be sure. Happily, however, the same share — 27 percent — read 15 or more books.

In fact, when we exclude Americans who had not read a single book in that year, the average number of books read was 20, raised by the 8 percent who read 51 books or more. In other words, a sizable minority does not read, but the overall distribution is balanced somewhat by those who read a lot.

If a piece of the book industry’s $15 billion seems too paltry for Mr. Jobs to bother with, he is forgetting that Apple reached its current size only recently. Last week, Apple reported that it posted revenue of $9.6 billion in the quarter that spanned October to December 2007, its best quarter ever, after $24 billion in revenue in the 2007 fiscal year, which ended in September.

But as recently as 2001, before the iPhone and the iPod, Apple was a niche computer company without a mass market hit. It was badly hurt by the 2001 recession and reported revenue of only $5.3 billion for the year. This is, by coincidence, almost exactly what Barnes & Noble reported in revenue for its 2007 fiscal year. In neither case did the company owners look at that number, decide to chain the doors permanently shut and call it quits.

Amazon does not release details about revenue for books, but books were its first business. And Andrew Herdener, a company spokesman, said that Amazon’s book sales “have increased every year since the company began.”

The book world has always had an invisible asset that makes up for what it lacks in outsize revenue and profits: the passionate attachment that its authors, editors and most frequent customers have to books themselves. Indeed, in this respect, avid book readers resemble avid Mac users.

The object we are accustomed to calling a book is undergoing a profound modification as it is stripped of its physical shell. Kindle’s long-term success is still unknown, but Amazon should be credited with imaginatively redefining its original product line, replacing the book business with the reading business.

For another smart (if slightly cranky) refutation of the "decline of reading civilization argument", I'd recommend Ursula Le Guin's piece in Harper's Magazine -- it absorbed me for most of an evening I should have been doing more practical things at the bookstore, but I feel like I've got more arrows in the quiver for arguments about why things are not now worse than they have ever been. Looking forward to hearing what you think of it all!

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5. Guest Blogger - The Arrival

I work with some amazing people. One of whom is Jesse Karp. Jesse is currently in library school, and he knows comics and graphic novels like nobody else. He is my go-to guy on most things illustrated. While I can say that I am a comic fan, he is an expert. He has been collecting comics for the last 30 years, is the leader of our in school graphic novel club, and recently was a guest speaker on the topic of graphic novels at CUNY's Queens College.

This is Jesse's take on The Arrival, by Tan.



I first set eyes on The Arrival by Shaun Tan in my colleague's stack of review books. Flipping through it was enough to ignite a spark of burning jealousy within me. This could easily have lead to a breakdown of professional relations had Booklist not sent me my own review copy shortly thereafter.

Tan's small but powerful body of work often depicts young children caught in surreal, super-industrial landscapes, sometimes trapped, sometimes oblivious to the dystopia that surrounds them. Have a look at The Lost Thing or The Red Tree to see what I mean.

The Arrival encompasses this sensibility but expands and deepens it to such a degree that the book reaches a level seldom seen within the graphic novel (or any) format: visual literature.

Using the tools of sequential art like a life-long pro, Tan employs visual metaphor, panel size, lighting and color to make the archetypal experience of an immigrant leaving his family and coming to a new land personal, emotional, heart-breaking, breathtaking and joyful. The fantasy landscapes Tan depicts are both terrifying and awe-inspiring for their size and complexity, and every person the immigrant meets tells an involving tale of his or her own. We are drawn into this journey, into this land as if we ourselves were the arrival, unable to read the writing, understand the traditions, comprehend the complexity of the city, heart-broken over the departure from our family. And Tan does this all without using a single word.

The silence makes every experience within it resonate more profoundly as this new world affords the arrival fear and confusion, but also new friends and a new life. A first-grader could look at this and get hooked on the simple story and complex images, but the older the reader the greater the understanding of the emotional, social and political nuances Tans plays out here. Expanding the potential of the medium itself, The Arrival is without a doubt the best graphic novel of the year and possible the best graphic novel ever (okay, in the top ten, anyway).

If graphic novels aren't your thing, or you only look at one or two a year, for God's sake, put this on your list.

--Jesse Karp

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6. Guest blogger: Carolyn Bennett

Carolyn Bennett is one of my favorite people in the book industry. She's a sales rep at BookStream, a youngish independent wholesaler (and sends out their great e-newsletter), and works part time at Oblong Books in upstate New York. She also belongs to a wonderful bookselling family: her sister Whitney works for HarperCollins, and her parents John and Betty Bennett are the proprietors of Bennett Books in Wyckoff, New Jersey. I've been lucky to get to know both John and Betty through NAIBA, and they're some of my bookselling role models.

Last week, Carolyn told me Bennett Books has made the decision to close at the end of September. The closing of an indie bookstore is always a hard thing to grapple with, and I think Carolyn's own words do it better than mine could. The following is also published in today's Shelf Awareness and on Carolyn's blog.

Epilogue: Nineteen Years Later

Back in 1988, my ten-year-old heart burst with a secret. My parents were going to open a bookstore. All they needed was a location, shelves, and books, and we were going to be in business! After harboring this secret for months, the plan finally came to fruition, and I was allowed to tell my friends that my town of Wyckoff, New Jersey was finally getting its own bookstore and my parents were opening it! Thus began two decades of an extremely successful bookstore.

In the past few days, my heart has been bursting with another piece of news. Because of recent rent increases, flat book sales, the explosion of the internet, and the high cost of much needed capital improvements, it is impossible for the store to remain in business. Bennett Books will be closed by September 30, 2007.

In the past nineteen years, I've been filled with pride for my parents' achievements. From the first book sold (The Art of the Deal by Donald Trump), to the day they finally had enough books to fill the shelves, and the two times that burgeoning stock allowed them to expand the size of the store, to the time they proudly sold and displayed The Satanic Verses, as well as Sex by Madonna despite threats of a boycott called for in a sermon given by a small-minded local pastor, to the time they found a loophole in Bergen County's blue laws which allowed them to sell books on Sundays when the chains on the highway closed (and still do) like the rest of the malls, and throughout their participation in the American Booksellers Association and the New Atlantic Independent Booksellers Association, The American Booksellers Foundation for Free Expression and the Chamber of Commerce, my parents, John and Betty Bennett, have been outstanding booksellers. It's deeply unfortunate that all great things cannot last, and while I'm devastated to see my favorite bookstore go, I remain confident that independent bookselling will remain an important part of our country and communities.

The world has changed by leaps and bounds since 1988, and I don't think that anything will stop the free distribution of information on the internet, which creates formidable competition for booksellers. Even I have downloaded recipes and travel instructions instead of looking them up in a book. Despite the competition, the traditional book is not dead, and some bookstores are finding creative ways to evolve with technology. But this is not the only obstacle booksellers face.

Recently, I had a conversation with my mother about where she purchased books before the store opened. Her answer was that she, like her neighbors, had to drive to other towns, or to the mall, or not purchase books at all. Now that Bennett Books is closing, residents will yet again have to drive long distances to buy books instead of making the short trip to the town center. In the past year, almost every publisher has released at least one book about the importance of buying locally for the sake of the environment and the economy. It would be a shame if they don't make the connection that they have the power to help prevent independent bookstores from closing, and keep these vital community businesses alive. With pricing and terms that would allow independents to compete with chains, it would prevent the ever centralization of book distribution and allow local businesses to stay in business. This would be good for communities, individuals and the publishing industry itself. Unfortunately, it's too late for the people of Wyckoff, NJ, because starting October 1st, they will no longer be be able to buy their books from a local retailer.

Carolyn Bennett

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7. Meet your guest blogger

Why hello there Neil Gaiman blog readers! This is the wonderful Maddy Gaiman, and I have some simply fabulous news. For the next two weeks, while my father and I are in Budapest I shall be guest blogging! Dad might add in some stuff here and there but I’m sure you are all simply jumping out of your seats in excitement knowing that you shall be reading things written by me. :P We are on the plane at the moment and have just finished eating a delicious breakfast. I had a blueberry scone, strawberry yogurt, fresh fruit, and orange juice. Tasty, tasty. Soon we shall arrive in the Amsterdam airport, where we will either go into Holland or just hang out in the Airline Lounge for our several hour stopover (I’ll report back on which was chosen), and from there proceed on to Budapest, Hungary. Why are we going to Budapest you ask yourself? Ahh... I shall tell you. It is because we are going to be hanging out on the film set of Hellboy 2, I believe. You see, my dearest father is friends with the director, (not sure how to spell his very long Mexican name), and the next thing I know we are jetting off to Europe only a week after I have gotten out of school for the summer! Crazy talk! So as I’ve said you will be hearing all (or most of at least) the updates from Budapest from yours truly. Have a magnificent day. ☺

UPDATE: Now, being in the hotel I have Internet access and can report that my father and I sat in the KLM lounge in Amsterdam airport for about 3 hours.




We just had dinner in a good sushi restaurant but I wasn’t very hungry so I didn’t eat that much... I am fully stuffed now though. Oh, and I am pretty darn tired because of the fact that I didn’t sleep on the plane and therefore my only sleep in the last 29 hours was 40 minutes in the lounge (see photo above where I am wearing dad's leather jacket because it was chilly in there), 60 minutes on the plane from Amsterdam to Budapest, and 3 hours in the hotel room before my dad woke me up to go for a little walk outside the hotel. Okay so maybe I’m not lacking sleep THAT much but I am still quite sleepy. I’m sorry this was a rather uneventful entry but it will be better tomorrow. I promise.

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