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Mistress of the Glade
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A Divine Mistress
In Nature's pieces still I see Some error that might mended be; Something my wish could still remove, Alter or add; but my fair love Was fram'd by hands far more divine, For she hath every beauteous line: Yet I had been far happier, Had Nature, that made me, made her. Then likeness might (that love creates) Have made her love what now she hates; Yet I confess I cannot spare From her just shape the smallest hair; Nor need I beg from all the store Of heaven for her one beauty more. She hath too much divinity for me: You gods, teach her some more humanity.
~ by Thomas Carew
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Lauren, Publicity Assistant
Kathryn Kalinak is Professor of English and Film Studies at Rhode Island College. Her extensive writing on film music includes numerous articles and several books, the most recent of which is Film Music: A Very Short Introduction. Below, she has made predictions for the Oscar Music (Original Score) category, and 
picked her favorites.
We want to know your thoughts as well! Who do you think will win the Oscar for Original Score? Original Song? Send your predictions to [email protected] by tomorrow, March 6, with the subject line “Oscars” and we’ll send a free copy of Film Music: A Very Short Introduction to the first 5 people who guessed correctly.
We also welcome you to tune in to WNYC at 2pm ET today to hear Kathryn discuss Oscar-nominated music on Soundcheck.
This Sunday’s Oscars will recognize an exceptionally fine slate of film scores, and it’s nice to see such a deserving group of composers. The nominees represent a range of films and scores including the lush and symphonic (Avatar), whimsical (Fantastic Mr. Fox), edgy and tension-producing (The Hurt Locker), eclectic and genre-bending (Sherlock Holmes), and beautifully melodic (Up). While there are always surprises, I’ve considered each composer and score, coming to the following conclusions and predictions.
On Avatar:
James Horner has been around a long time, having been nominated ten times in the last 32 years, and receiving Best Score and Best Song Oscars for Titanic. He’s a pro at what he does best: big, symphonic scores that hearken back to the classical Hollywood studio years. Horner’s music gives Avatar exactly what it needs—warmth and emotional resonance—and connects the audience to a series of images and characters that might be difficult to relate to otherwise. If Horner wins Sunday night, look for the evening to go Avatar’s way.
On Fantastic Mr. Fox
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Truly beautiful. I like it that the face in the water is clearer than the face in the sky. Your use of color is so subtle, and the egret stands out so whitely and balances the moon. To my everlasting regret I have no talent with a brush, but my art appreciation works beautifully. I really like your art.
Thank you Melody. Your observations of the painting are spot on.