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Viewing: Blog Posts Tagged with: fact and fiction, Most Recent at Top [Help]
Results 1 - 5 of 5
1. FACT AND FICTION


         

“Eddy’s voice came easily, and I grew quite fond of the boy. Plot was harder.”


                                                       


            “Good fiction and nonfiction have a lot in common—clarity, logical flow, economy of words. Every passage, every word must have a purpose, whether the characters and situations are real or made up.”   
                                                    
–Jacqueline Houtman

 

 

  

            The loose theme this week (besides introducing three terrific new releases and the stories behind them) has been to take a look at how authors use fact and fiction to inform as well as entertain.

 

            So before I introduce our last author interview, I have to add another fantastic title to this week’s FACT and FICTION books—it hasn’t been released yet but the ARCS are out, so this is a mini-Tollbooth celebration. It’s for our own Tami Lewis Brown’s Soar Elinor, coming from Farrar Straus and Giroux this October.

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2. FACT AND FICTION


           “If you want to write nonfiction, dig out the humanity. Really, this is the old ‘show don’t tell’ rule—if you show the human actions behind the event, the story comes alive…”                  --Vicki Oransky Wittenstein

 

 


            Day 2 of our interview with Vicki Oransky Wittenstein, author of Planet Hunter, Geoff Marcy and the Search for Other Earths (Boyds Mills, March, 2010).

 

Q: The story of Geoff Marcy as he develops his groundbreaking system to detect new planets is full of human drama. From Marcy’s boyhood on he seems to battle the odds against becoming not only a world class astronomer but the man who achieves what others believe is impossible. I’m reminded of Phillip Hoose’s wonderful book on Claudette Colvin Twice Toward Justice in that you were able to create new awareness and excitement about a subject by showing events through another’s eyes. How did this human drama help shape the book? How much did you draw on fictional techniques while writing? Do you have any advice for other writers in approaching non-fiction in terms of shaping their story? 

 

            The nonfiction I admire most draws on fiction techniques to create suspense. The story arc is so important. Without it, nonfiction is just narrative and pretty hard for people, especially young people, to follow. Behind every true-life event, there is human drama, often a special kernel of truth that imparts significant meaning to children. If you want to write nonfiction, dig out the humanity. Really, this is the old “show don’t tell” rule—if you show the human actions behind the event, the story comes alive, and important life messages are conveyed without sounding didactic. Add a Comment

3. FACT AND FICTION


       

             “…I love drama! And if, as they say, truth is stranger than fiction, then I certainly have seen my share of unbelievable human stories come true.” –Vicky Oransky Wittenstein


Book Cover: Planet Hunter

 

Q: Vicki, congratulations on your beautiful and amazing new book Planet Hunter, which has just been released with a Kirkus starred review! I found myself completely drawn in by the human drama of astronomer Geoff Marcy’s story and his fascinating hunt for “other earths.” (I have it on good authority that Marcy will be at your Manhattan launch party in April!) Can you talk a bit about what inspired Planet Hunter? What was the moment like when you finally saw your inspiration in actual book form?

 

            I think Planet Hunter was brewing for many years, maybe even from when I was a young girl and went camping. Warm and toasty in my sleeping bag, I would stare at the stars and dream about life on other planets. When the first extra solar planets were detected (planets outside our solar system) in 1995, I was glued to the news stories. Although astronomers had long thought there were planets orbiting other stars, finally there was proof! The possibility of other planets like Earth became a reality, and I was hooked. Since then, Geoff Marcy, the astronomer in my book, and his colleagues have detected over half of the known 400 planets orbiting other stars. Scientists are getting closer to finding another planet like Earth, and when they do, it will rock our world view.

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4. FACT AND FICTION


 

            “Leda’s story has elegant simplicity and a true and tender heart. I loved it from the moment I read it.  What a fine writer she is.” --Phyllis Root (award winning author of Big Momma Makes the World)                                                                                                       

The collaboration of text and illustration is seamless and presents a complex operation in a manner completely accessible and understandable to young readers. Lovely.” –Kirkus Review                                                   

            “‘What are you doing?’ the little girl asked. ‘Feeding the sheep,’ her mother said. Snowy day, corn and hay. ‘What are you doing?’ the little girl asked. ‘Shearing the wool,’ her mother said. Soft and deep, sheepy heap.” From Feeding the Sheep by Leda Schubert

 

 

 

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5. FACT AND FICTION






 

       In January at Vermont College of Fine Arts, I helped facilitate a discussion on non-fiction books including Charles and Emma and Claudette Colvin, which got me thinking about stories that entertain as well as inform. As a novelist who’s also written her share of non-fiction, I’ve long been interested in the relationship between fact and fiction for writers.

 

       How do you best tell a story that opens up new worlds of science or industry to young readers? This week three authors with new releases join us for in depth conversations about their own relationship between fiction and non-fiction, and the literary process.

 

       Vicki Wittenstein, author of the non-fiction book on astronomy, Planet Hunter, Jacqueline Houtman, science writer and author of the new novel The Reinvention of Edison Thomas, and author and writing teacher Leda Schubert, whose picture book about making wool Feeding the Sheep is being released by Farrar Straus Giroux.

 

      First, congratulations Leda!

 

     Leda Schubert is author of several books for children including Ballet of the Elephants (Roaring Brook, 2006) and Here Comes Darrell (Houghton, 2005) and teaches at Vermont College of Fine Arts where she lends a warm and wise presence, and can always be counted on to liven things up with a little humor.

 

     She’s been a librarian, teacher and school library consultant for the Vermont Department of Education and has served on the Caldecott Committee, the Arbuthnot Committee, the Boston Globe-Horn Book Committee, among others. Mor

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